Leonard Bernstein Edition: The Vocal Works

~ Release by Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

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1▼CD: J.S. Bach - St Matthew Passion (Abridged, Sung in English) (1)
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1St Matthew Passion, BWV 244, Part I: No. 1: Chorus "Come, ye daughters"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
Boys’ Choir of the Church of the Transfiguration (from 1962-04-23 until 1962-04-24) and The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, I. Choir I & II "Come, ye Daughters" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach7:47
2St Matthew Passion, BWV 244, Part I: No. 2: Recitative "When Jesus had Finished"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Parl I, II. Recit. (Evangelist, Jesus) "When Jesus had finished" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach0:58
3St Matthew Passion, BWV 244, Part I: No. 3: Chorale "O Blessed Jesus"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, III. Choral "O Blessed Jesu" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:19
4St Matthew Passion, BWV 244, Part I: No. 4: Recitative "Then Assembled the Chief Priests"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, IV. Recit. (Evangelist) "Then Assembled the Chief Priests" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista)
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach0:32
5St Matthew Passion, BWV 244, Part I: No. 5: Chorus "Not Upon the Feast"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, V. Chorus "Not Upon the Feast" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach0:13
6St Matthew Passion, BWV 244, Part I: No. 13: Recitative "Now on the First Day"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Partl I, XIII. Recit. (Evangelist) "Now the First Day" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista)
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach0:15
7St Matthew Passion, BWV 244, Part I: No. 14: Chorus "Where wilt Thou"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XIV. Chorus "Where Wilt Thou I" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach0:17
8St Matthew Passion, BWV 244, Part I: No. 15: Recitative "He Said: Go ye into the City"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part I, XV. Recit. (Evangelist, Jesus, Chorus) "And He Said, Go ye Into the City" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus)
translated version of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista)
translated version of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:53
9St Matthew Passion, BWV 244, Part I: No. 15: Chorus "Lord, is it I?"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XVI. Choral "'Tis I, Whose Sin" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach0:10
10St Matthew Passion, BWV 244, Part I: No. 16: Chorale "Tis I Who Should be Sharing"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XVI. Choral "'Tis I, Whose Sin" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:17
11St Matthew Passion, BWV 244, Part I: No. 17: Recitative "He Answered Them, and Said"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XVII. Recit. (Evangelist, Jesus, Judas) "And He Answered, and Said" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach3:52
12St Matthew Passion, BWV 244, Part I: No. 18: Accompanied Recitative "Although my Heart and Eyes o'Erflow"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Adele Addison (American soprano) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XVIII. Accompanied-Recit. (Sop.) "Although Our Eyes with Tears O'erflow" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:43
13St Matthew Passion, BWV 244, Part I: No. 19: Aria "Lord, to Thee my Heart I Proffer"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Adele Addison (American soprano) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XIX. Aria (Sop.) "Jesus, Saviour" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach3:25
14St Matthew Passion, BWV 244, Part I: No. 20: Recitative "And When They Had Sung"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XX. Recit. (Evangelist, Jesus) "And When They had Sung" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:23
15St Matthew Passion, BWV 244, Part I: No. 21: Chorale "Acknowledge Me, My Keeper"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXI. Choral "Receive me, my Redeemer" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:40
16St Matthew Passion, BWV 244, Part I: No. 22: Recitative "Then Answered Peter"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXII. Recit. (Evangelist, Petrus, Jesus) "Peter Answered, and Said Unto Him" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:27
17St Matthew Passion, BWV 244, Part I: No. 23: Chorale "Near Thee would I be Staying"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Here Woud I Stand" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:53
18St Matthew Passion, BWV 244, Part I: No. 24: Recitative "Then Cometh Jesus with Them"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXIV. Recit. (Evangelist, Jesus) "Then Came Jesus With Them" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach2:00
19St Matthew Passion, BWV 244, Part I: No. 25: Accompanied Recitative "O Grief, How Throbs"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
tenor vocals:
Charles Bressler (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXV. Accompanied Recit. (Tenor) and Choral (Chorus II) "O Grief! That Bows" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach3:07
20St Matthew Passion, BWV 244, Part I: No. 26: Aria "I Would Beside my Lord be Watching"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
tenor vocals:
Charles Bressler (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXVI. Aria (Tenor) und Chorus II "I Would Beside my Lord" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach5:06
21St Matthew Passion, BWV 244, Part I: No. 27: Recitative "And he Went a Little Father"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXVII. Recit. (Evangelist, Jesus) "And He Went a Little Further" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:01
22St Matthew Passion, BWV 244, Part I: No. 28: Accompanied Recitative "The Saviour, Low Before His Father Bending"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXVIII. Accompanied Recit. (Bass) "The Saviour low Before His Father Bending" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:32
23St Matthew Passion, BWV 244, Part I: No. 29: Aria "Gladly Would I Be Enduring"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXIX. Aria (Bass) "Gladly Would I Take" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach4:29
24St Matthew Passion, BWV 244, Part I: No. 30: Recitative "And He Came to His Disciples"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXX. Recit. (Evangelist, Jesus) "And He Cometh to His Disciples" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:43
25St Matthew Passion, BWV 244, Part I: No. 31: Chorale "The will of God be alway done"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXXI. Choral "O Father, let Thy Will be Done" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:36
26St Matthew Passion, BWV 244, Part I: No. 32: Recitative "And He Came Again"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXXII. Recit. (Evangelist, Jesus) "And He Came and Found" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach3:01
27St Matthew Passion, BWV 244, Part I: No. 33: Duet "Behold, my Saviour Now is Taken"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
alto vocals:
Betty Allen (mezzo soprano) (from 1962-04-23 until 1962-04-24)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
soprano vocals:
Adele Addison (American soprano) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXXIII. Aria (Sop., Alt) and Chorus "Behold, My Saviour now is Taken" (includes Chorus "Have Lightnings and Thunders") (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach4:49
28St Matthew Passion, BWV 244, Part I: No. 34: Recitative "And Behold, One of Them"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXXIV. Recit. (Evangelist, Jesus) "And Behold, one of Them" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach1:51
29St Matthew Passion, BWV 244, Part I: No. 35: Chorale "O Man, Bewail thy Grievous Sin!"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
Boys’ Choir of the Church of the Transfiguration (from 1962-04-23 until 1962-04-24) and The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O man, thy Grievous sin Bemoan" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß"
part of:
St Matthew Passion, BWV 244: Part I (EN trans. by Troutbeck)
Johann Sebastian Bach8:34
30St Matthew Passion, BWV 244, Part II: No. 36: "Ah! Now is my Saviour Gone"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
alto vocals:
Betty Allen (mezzo soprano) (from 1962-04-23 until 1962-04-24)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, XXXVI. Aria (Alt) and Chorus "Ah, now is my Saviour Gone" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach4:06
31St Matthew Passion, BWV 244, Part II: No. 37: Recitative "And They That Laid Hold on Jesus"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, XXXVII. Recit (Evangelist) "And They That Laid Hold on Jesus" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:20
32St Matthew Passion, BWV 244, Part II: No. 46: Chorus "Truly, Thou Also Art One of Them"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, XLV. Recit. (Evangelist, Peter, Maids I and II), Chorus "Now Peter was Sitting Without" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:10
33St Matthew Passion, BWV 244, Part II: No. 46: Recitative "And Then Did He Begin to Curse and to Swear"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, XLVI. Recit. (Evangelist, Peter) "Then Began he to Curse (from 1962-04-23 until 1962-04-24)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:30
2▼CD: J.S. Bach - St Matthew Passion (Abridged, Sung in English) (2)
#TitleArtistRatingLength
1St Matthew Passion, BWV 244, Part II: No. 47: Aria "Have Pity, Lord, On Me"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
alto vocals:
Betty Allen (mezzo soprano) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, XLVII. Aria (Alto) "Have Mercy, Lord on Me" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach6:38
2St Matthew Passion, BWV 244, Part II: No. 53: Chorale "Whate'er May Vex or Grieve Thee"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LIII. Choral "Commit thy way to Jesus" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:50
3St Matthew Passion, BWV 244, Part II: No. 54: Recitative "Now at that Feast"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LIV. Recit. (Evangelist, Pilate, Pilate's Wife, Chorus) "Now at That Feast" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
version of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:48
4St Matthew Passion, BWV 244, Part II: No. 54: Double Chorus "Barabbas!"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LIV. Recit. (Evangelist, Pilate, Pilate's Wife, Chorus) "Now at That Feast" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
version of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:05
5St Matthew Passion, BWV 244, Part II: No. 54: Recitative "Then Pilate Said to Them"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LIV. Recit. (Evangelist, Pilate, Pilate's Wife, Chorus) "Now at That Feast" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
version of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:16
6St Matthew Passion, BWV 244, Part II: No. 54: Chorus "Let Him be Crucified!"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LIV. Recit. (Evangelist, Pilate, Pilate's Wife, Chorus) "Now at That Feast" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
version of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:21
7St Matthew Passion, BWV 244, Part II: No. 56: Recitative "The Governor Answered"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LVI. Recit. (Evangelist, Pilate) "And the Governor Said" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
version of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:14
8St Matthew Passion, BWV 244, Part II: No. 57: Accompanied Recitative "To All Men Jesu Good Hath Done"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Adele Addison (American soprano) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LVII. Accompanied Recit. (Sop.) "To all men Jesus Good Hath Done" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
version of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:30
9St Matthew Passion, BWV 244, Part II: No. 58: Aria "In Love my Saviour Now is Dying"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
soprano vocals:
Adele Addison (American soprano) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LVIII. Aria (Sop.) "For Love my Saviour now is Dying" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach5:29
10St Matthew Passion, BWV 244, Part II: No. 59: Recitative "But They Cried Out the More"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LIX. Recit. (Evangelist, Pilate, Chorus) "But They Cried Out" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:04
11St Matthew Passion, BWV 244, Part II: No. 59: Chorus "Let Him Be Cruified"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LIX. Recit. (Evangelist, Pilate, Chorus) "But They Cried Out" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:20
12St Matthew Passion, BWV 244, Part II: No. 59: Recitative "Then Released He Barabbas"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LIX. Recit. (Evangelist, Pilate, Chorus) "But They Cried Out" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:27
13St Matthew Passion, BWV 244, Part II: No. 60: Accompanied Recitative "O Gracious God"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
alto vocals:
Betty Allen (mezzo soprano) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LX. Recit. (Alt.) "O Gracious God" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:39
14St Matthew Passion, BWV 244, Part II: No. 62: Recitative "And Then Did the Soldiers of the Governor"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LXII Recit. (Evangelist, Chorus) "Then the Soldiers of the Governor" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:39
15St Matthew Passion, BWV 244, Part II: No. 62: Double Chorus "We Hail Thee, King of the Jews"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LXII Recit. (Evangelist, Chorus) "Then the Soldiers of the Governor" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:10
16St Matthew Passion, BWV 244, Part II: No. 62: Recitative "And Then They Spat on Him"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LXII Recit. (Evangelist, Chorus) "Then the Soldiers of the Governor" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:19
17St Matthew Passion, BWV 244, Part II: No. 63: Chorale "O Thou, With Hate Surrounded"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Sacred Head Sore Wounded" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach3:28
18St Matthew Passion, BWV 244, Part II: No. 64: Recitative "And After They Had Mocked Him"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXIV. Recit (evangelist) "And After That They had Mocked Him" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:24
19St Matthew Passion, BWV 244, Part II: No. 69: Accompanied Recitative "Ah, Golgotha!"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
alto vocals:
Betty Allen (mezzo soprano) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXIX. Recit. (Alt.) "Ah, Golgotha!" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:34
20St Matthew Passion, BWV 244, Part II: No. 70: Aria "Look Ye, Jesu Waiting Stands"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
alto vocals:
Betty Allen (mezzo soprano) (from 1962-04-23 until 1962-04-24)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXX. Aria (Alt.) Chorus "See the Saviour's Outstretched Hands" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach3:11
21St Matthew Passion, BWV 244, Part II: No. 71: Recitative "Now From the Sixth Hour"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals [Jesus]:
William Wildermann (German-born American bass-baritone) (from 1962-04-23 until 1962-04-24)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LXXI. Recit. (Evangelist, Jesus, Chorus) "Now From the Sixth Hour" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:26
22St Matthew Passion, BWV 244, Part II: No. 71: Chorus "He Calleth for Elijah"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LXXI. Recit. (Evangelist, Jesus, Chorus) "Now From the Sixth Hour" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:04
23St Matthew Passion, BWV 244, Part II: No. 71: Recitative "And Straighaway One of Them Ran"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXXI. Recit. (Evangelist, Jesus, Chorus) "Now From the Sixth Hour" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:17
24St Matthew Passion, BWV 244, Part II: No. 71: Chorus "Wait, And See if Elijah Cometh to Save Him"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LXXI. Recit. (Evangelist, Jesus, Chorus) "Now From the Sixth Hour" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:07
25St Matthew Passion, BWV 244, Part II: No. 71: Recitative "And Again Jesus Cried Aloud"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LXXI. Recit. (Evangelist, Jesus, Chorus) "Now From the Sixth Hour" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:28
26St Matthew Passion, BWV 244, Part II: No. 71: Chorale "When I Too Am Departing"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Be Near me, Lord, When Dying" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:23
27St Matthew Passion, BWV 244, Part II: No. 73: Accompanied Recitative "And Then, Behold, the Veil of the Temple"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LXXIII. Recit. (Evangelist, Chorus) "And, Behold, the Veil of the Temple" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach1:22
28St Matthew Passion, BWV 244, Part II: No. 73: Chorus "Truly, This Was the Son of God"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXXIII. Recit. (Evangelist, Chorus) "And, Behold, the Veil of the Temple" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:29
29St Matthew Passion, BWV 244, Part II: No. 73: Recitative "At Eventide There Came a Rich Man"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
tenor vocals [Evangelist]:
David Lloyd (American operatic tenor) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
partial recording of:
St. Matthew Passion, BWV 244: Part II, LXXIII. Recit. (Evangelist, Chorus) "And, Behold, the Veil of the Temple" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach0:43
30St Matthew Passion, BWV 244, Part II: No. 74: Accompanied Recitative "At Evening, Hour of Calm and Peace"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXXIV. Recit. (Bass) "At Evening, Hour of Calm and Rest" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:21
31St Matthew Passion, BWV 244, Part II: No. 75: Aria "Make the Clean, My Heart, from Sin"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXXV. Aria (Bass) "Make Thee Clean, my Heart, From Sin" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach7:08
32St Matthew Passion, BWV 244, Part II: No. 77: Soli and Chorus "And Now the Lord to Rest is Laid"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
alto vocals:
Betty Allen (mezzo soprano) (from 1962-04-23 until 1962-04-24)
bass vocals:
Donald Bell (bass‐baritone) (from 1962-04-23 until 1962-04-24)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
soprano vocals:
Adele Addison (American soprano) (from 1962-04-23 until 1962-04-24)
tenor vocals:
Charles Bressler (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXXVII. Recit. (Sop., Alt., Ten., Bass, Chorus) "And now the Lord to Rest is Laid" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
translated version of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach2:53
33St Matthew Passion, BWV 244, Part II: No. 78: Double Chorus "In Deepest Grif, Here Sit we Weeping"
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
choir vocals:
The Collegiate Chorale (MasterVoices, fka The Collegiate Chorale until 2015) (from 1962-04-23 until 1962-04-24)
orchestra:
New York Philharmonic (from 1962-04-23 until 1962-04-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
recording of:
St. Matthew Passion, BWV 244: Part II, LXXVIII. Chorus "In Tears of Grief" (from 1962-04-23 until 1962-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
translator:
John Troutbeck (clergyman and translator)
version of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
part of:
St. Matthew Passion, BWV 244: Part II (EN trans. by Troutbeck)
Johann Sebastian Bach9:12
34Leonard Bernstein Discusses the Musical and Dramatic Structure of the St. Matthew Passion
recorded in:
New York, New York, United States (from 1962-04-23 until 1962-04-24)
producer:
John McClure (recording engineer and record producer)
spoken vocals:
Leonard Bernstein (American conductor, composer, pianist) (from 1962-04-23 until 1962-04-24)
Johann Sebastian Bach16:15
3▼CD: Beethoven: Missa Solemnis (Beginning)
#TitleArtistRatingLength
1Missa Solemnis in D major, op. 123: I. Kyrie: "Kyrie eleison"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa Solemnis D-Dur, op. 123: Ia. Kyrie: Kyrie eleison (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: I. Kyrie
Ludwig van Beethoven3:37
2Missa Solemnis in D major, op. 123: I. Kyrie: "Christe eleison"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa Solemnis D-Dur, op. 123: Ib. Kyrie: Christe eleison (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: I. Kyrie
Ludwig van Beethoven1:46
3Missa Solemnis in D major, op. 123: I. Kyrie: "Kyrie eleison" cont.
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa Solemnis D-Dur, op. 123: Ic. Kyrie: Kyrie eleison (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: I. Kyrie
Ludwig van Beethoven4:08
4Missa Solemnis in D major, op. 123: II. Gloria: "Gloria in excelsis Deo"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIa. Gloria: Allegro vivace: Gloria in excelsis Deo (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven4:32
5Missa Solemnis in D major, op. 123: II. Gloria: "Qui tollis peccata mundi"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIc. Gloria: Allegro vivace: Qui tollis peccata mundi, miserere nobis (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven5:59
6Missa Solemnis in D major, op. 123: II. Gloria: "Quoniam tu solus sanctus"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IId. Gloria: Allegro vivace: Quoniam tu solus Sanctus (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: II. Gloria
Ludwig van Beethoven6:23
7Missa Solemnis in D major, op. 123: III. Credo: "Credo in unum Deum"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIIa. Credo: Allegro ma non troppo: Credo in unum Deum (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven4:12
8Missa Solemnis in D major, op. 123: III. Credo: "Et incarnatus est"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIIb. Credo: Allegro ma non troppo: Et incarnatus est (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven2:20
9Missa Solemnis in D major, op. 123: III. Credo: "Crucifixus"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
partial recording of:
Missa Solemnis D‐Dur, op. 123: III. Credo (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven3:04
10Missa Solemnis in D major, op. 123: III. Credo: "Et resurrexit"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIIc. Credo: Allegro ma non troppo: Et resurrexit - Et ascendit in coelum (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven1:21
11Missa Solemnis in D major, op. 123: III. Credo: "Credo in Spiritum Sanctum"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
partial recording of:
Missa Solemnis D‐Dur, op. 123: III. Credo (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D‐Dur, op. 123
Ludwig van Beethoven1:26
12Missa Solemnis in D major, op. 123: III. Credo: "Et vitam venturi"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IIId. Credo: Allegro ma non troppo: Et vitam venturi saeculi (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: III. Credo
Ludwig van Beethoven6:50
13Missa Solemnis in D major, op. 123: IV. Sanctus: "Sanctus Dominus"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IVa. Sanctus: Adagio: Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven3:16
14Missa Solemnis in D major, op. 123: IV. Sanctus: "Plenti sunt caeli"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IVb. Sanctus: Adagio: Pleni sunt coeli et terra (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven1:10
15Missa Solemnis in D major, op. 123: IV. Sanctus: "Praeldudium. Sostenuto, ma non troppo"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IVc. Sanctus: Adagio: Praeludium (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven2:20
16Missa Solemnis in D major, op. 123: IV. Sanctus: "Benedictus qui venit"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: IVd. Sanctus: Adagio: Benedictus, qui venit in nomine Domini (on 1960-04-21)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven9:53
4▼CD: Beethoven: Missa Solemnis (Conclusion); Fantasia in C Minor / Haydn: Mass in B-flat Major, Hob. XXII;12 "Theresia"
#TitleArtistRatingLength
1Missa Solemnis in D major, op. 123: V. Agnus Dei: "Agnus Dei, qui tollis peccata mundi"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: Va. Agnus Dei: Adagio: Agnus Dei, qui tollis peccata mundi (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven6:36
2Missa Solemnis in D major, op. 123: V. Agnus Dei: "Dona nobis pacem"
bass vocals:
Kim Borg (operatic bass)
choir vocals:
Westminster Choir (Princeton, USA) (on 1960-04-21)
contralto vocals:
Carol Smith (US contralto)
soprano vocals:
Eileen Farrell (soprano)
tenor vocals:
Richard Lewis (Welsh tenor)
orchestra:
New York Philharmonic (on 1960-04-21)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-04-21)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-04-21)
recording of:
Missa solemnis D-Dur, op. 123: Vb. Agnus Dei: Allegretto vivace: Dona nobis pacem (on 1960-04-21)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
is based on:
Dona nobis pacem
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven8:23
3Fantasia in C minor, op. 80: I. Adagio
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
choir vocals:
Westminster Choir (Princeton, USA) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven2:53
4Fantasia in C minor, op. 80: II. Finale. Allegro - Meno Allegro - Allegretto ma non troppo, quasi andante con moto
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
choir vocals:
Westminster Choir (Princeton, USA) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven15:27
5Mass in B-flat major, Hob. XXII:12 "Theresia": I. Kyrie: "Kyrie eleison"
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
recording of:
Theresienmesse, Hob. XXII:12: I. Kyrie (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn5:11
6Mass in B-flat major, Hob. XXII:12 "Theresia": II. Gloria: "Gloria in excelsis Deo"
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: II. Gloria (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:42
7Mass in B-flat major, Hob. XXII:12 "Theresia": II. Gloria: "Gratia agimus tibi"
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: II. Gloria (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn6:27
8Mass in B-flat major, Hob. XXII:12 "Theresia": II. Gloria: "Quoniam tu solus sanctus"
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: II. Gloria (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:59
9Mass in B-flat major, Hob. XXII:12 "Theresia": III. Credo: "Credo in unum Deum"
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: III. Credo (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn1:59
10Mass in B-flat major, Hob. XXII:12 "Theresia": III. Credo: "Et incarnatus est"
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
partial recording of:
Theresienmesse, Hob. XXII:12: III. Credo (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn8:51
11Mass in B-flat major, Hob. XXII:12 "Theresia": IV. Sanctus: "Sanctus, sanctus"
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
recording of:
Theresienmesse, Hob. XXII:12: IV. Sanctus (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn2:10
12Mass in B-flat major, Hob. XXII:12 "Theresia": V. Benedictus: "Benedictus qui venit"
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
recording of:
Theresienmesse, Hob. XXII:12: V. Benedictus (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn6:13
13Mass in B-flat major, Hob. XXII:12 "Theresia": VI. Agnus Dei: "Agnus Dei - Dona nobis pacem"
baritone vocals:
Paul Hudson (operatic bass singer and actor)
choir vocals:
London Symphony Chorus (on 1979-05-15)
mezzo-soprano vocals:
Rosalind Elias (mezzo-soprano)
soprano vocals:
Lucia Popp (soprano)
tenor vocals:
Robert Tear (tenor)
orchestra:
London Symphony Orchestra (on 1979-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-05-15)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1979-05-15)
recording of:
Theresienmesse, Hob. XXII:12: VI. Agnus Dei (on 1979-05-15)
composer:
Joseph Haydn (composer)
part of:
Theresienmesse, Hob. XXII:12
Joseph Haydn6:48
5▶CD: Berlioz: Requiem, op. 5 (Beginning)
6▶CD: Berlioz: Requiem, op. 5 (Conclusion) / Ravel: Shéhérazade / Berlioz: La mort de Cléopâtre
7▶CD: Bernstein: Trouble in Tahiti; Chichester Psalms; I Hate Music; La bonne cuisine (Four Recipes)
8▶CD: Bernstein: Mass - A Theatre Piece for Singers, Players and Dancers (1)
9▶CD: Bernstein: Mass - A Theatre Piece for Singers, Players and Dancers (2)
10▶CD: Bloch: Avodath Hakodesh
11▶CD: Copland: In the Beginning; The Second Hurricane
12▶CD: Debussy: Le martyre de Saint Sébastian (Sung in English)
13▶CD: Foss: Time Cycle & Song of Songs
14▶CD: Handel: Messiah, HWV 56 (Abridged) (I)
15▶CD: Handel: Messiah, HWV 56 (Abridged) (II)
16▶CD: Handel: Ode to St. Cecilia's Day
17▶CD: Haydn: Die Schöpfung (Parts I & II)
18▶CD: Haydn: Die Schöpfung (Part III); Missa in B-Flat Major, Hob. XXII:14 "Harmoniemesse"
19▶CD: Haydn: Missa in Tempore Belli
20▶CD: Haydn: Nelsonmesse / Bach: Magnificat
21▶CD: Janáček: Glagolitic Mass / Poulenc: Gloria
22▶CD: Mahler: Symphony No. 2 "Resurrection" (1974 London Recording) (Beginning)
23▶CD: Mahler: Symphony No. 2 "Resurrection" (1974 London Recording) (Finale)
24▶CD: Mahler: Das Lied von der Erde; Symphony No. 5 Adagietto (RFK Memorial Service)
25▶CD: Mahler: Kindertotenlieder (Janet Baker, Israel Philharmonic); Symphony No. 2 Finale (Israel Philharmonic)
26▶CD: Mahler: Das Knaben Wunderhorn (Orchestral Version)
27▶CD: Mahler: Kindertotenlieder; 4 Songs (Jennie Tourel, New York Philharmonic)
28▶CD: Mahler: Das Knaben Wunderhorn (Piano Version)
29▶CD: Mahler: Lieder (Dietrich Fischer-Dieskau)
30▶CD: Milhaud: Les Choéphores / Messiaen: 3 Petites Liturgies de la Présence Divine
31▶CD: Ravel: Shéhérazade (Jennie Tourel, Columbia Symphony) / Mussorgsky: Songs and Dances of Death / Poulenc: Hôtel; Voyage à Paris; C
32▶CD: Richard Strauss: Der Rosenkavalier (Act I)
33▶CD: Richard Strauss: Der Rosenkavalier (Act II)
34▶CD: Richard Strauss: Der Rosenkavalier (Act III)
35▶CD: Stravinsky: Oedipus Rex
36▶CD: Verdi: Falstaff (Acts I & II, Scene 1)
37▶CD: Verdi: Falstaff (Act II, Scene 2 & Act III)
38▶CD: Verdi: Messa da Requiem (Beginning)
39▶CD: Verdi: Messa da Requiem (Conclusion)
40▶CD: Wagner: Brünhilde's Immolation Scene; Wesendonck Lieder
41▶CD: Villa-Lobos: Bachianas brasileiras / Sibelius: Luonnotar / Ravel: Shéhérazade (Marilyn Horne) / Bernstein: To My Dear and Loving Husband & Take Care of This House
42▶CD: First Performance - Lincoln Center For The Performing Arts (I)
43▶CD: First Performance - Lincoln Center For The Performing Arts (II) / Tchaikovsky: Pater Noster / Handel: Hallelujah Chorus / HaTikvah
44▶CD: Jennie Tourel and Leonard Bernstein at Carngie Hall (I)
45▶CD: Jennie Tourel and Leonard Bernstein at Carngie Hall (II)
46▶CD: Brahms: Lieder
47▶CD: The Joy of Christmas
48▶CD: Berlioz: Symphonie Fantastique (1968 Recording) / Berlioz Takes a Trip
49▶CD: Prokofiev: Symphony No. 5 (Israel Philharmonic)
50▶CD: Shostakovich: Symphony No. 5 (Live in Japan)
51▶CD: Tchaikovsky: Symphony No. 5 (1958 Recording)
52▶CD: Schumann: String Quintet in E-flat Major / Mozart: Piano Quartet in G Minor
53▶CD: Ravel: Piano Concerto in G Major / Bernstein: 7 Anniversaries; Afterthought; I Hate Music! / Copland: Piano Sonata / Blitzstein: Dusty Sun
54▶CD: Blitzstein: Airborne Symphony (1946 Recording) / Bernstein: Facsimile (1947 Recording)
55▶CD: Bernstein: Symphony No. 1 "Jeremiah" (1945 Recording); On the Town Dances (1945 Recording) / Copland: Billy the Kid (1947 Recording); Statements for Orchestra: Jingo (1947 Recording) / Gershwin: An American in Paris (1947 Recording)
56▶CD: Stravinsky: L'Histoire du Soldat; Octet for Winds / Milhaud: La Création du Monde
57▶CD: Beethoven: Symphony No. 7 (1958 Recording)
58▶CD: Bernstein: On the Town (1960 Original Cast Recording)