The Great Louis Armstrong

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1All of Me
recorded in:
Chicago, Illinois, United States (on 1932-01-27)
alto saxophone:
Lester Boone (on 1932-01-27) and George James (US jazz saxophonist) (on 1932-01-27)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1932-01-27)
drums (drum set):
Tubby Hall (on 1932-01-27)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1932-01-27)
piano:
Charlie Alexander (US jazz pianist) (on 1932-01-27)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1932-01-27)
trombone:
Preston Jackson (jazz trombonist) (on 1932-01-27)
trumpet:
Louis Armstrong (on 1932-01-27) and Zilner Randolph (on 1932-01-27)
vocals:
Louis Armstrong (on 1932-01-27)
recording of:
All of Me (on 1932-01-27)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
3:04
2Something Tells Me
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
Something Tells Me (on 1938-05-18)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
2:32
3My Walking Stick
recorded in:
New York, New York, United States (on 1938-06-13)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1938-06-13)
trumpet:
Louis Armstrong (on 1938-06-13)
baritone vocals:
Harry Mills (on 1938-06-13)
bass vocals:
John Mills, Sr. (on 1938-06-13)
tenor vocals:
Donald Mills (on 1938-06-13) and Herbert Mills (on 1938-06-13)
vocals:
Louis Armstrong (on 1938-06-13) and The Mills Brothers (on 1938-06-13)
recording of:
My Walking Stick (on 1938-06-13)
lyricist and composer:
Irving Berlin
2:42
4Save It, Pretty Mama
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
Save It, Pretty Mama (on 1939-04-05)
writer:
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) and Don Redman
2:59
5The Song Is Ended
recorded in:
New York, New York, United States (on 1938-06-13)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1938-06-13)
trumpet:
Louis Armstrong (on 1938-06-13)
baritone vocals:
Harry Mills (on 1938-06-13)
bass vocals:
John Mills, Sr. (on 1938-06-13)
tenor vocals:
Donald Mills (on 1938-06-13) and Herbert Mills (on 1938-06-13)
vocals:
Louis Armstrong (on 1938-06-13) and The Mills Brothers (on 1938-06-13)
recording of:
The Song Is Ended (but the Melody Lingers On) (on 1938-06-13)
lyricist:
Irving Berlin
composer:
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
3:12
6So Little Time (So Much to Do)
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
So Little Time (So Much to Do) (on 1938-05-13)
lyricist:
Billy Hill (US songwriter)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
2:44
7The Old Folks at Home
recorded in:
New York, New York, United States (on 1937-06-29)
guitar:
Bernard Addison (on 1937-06-29)
trumpet:
Louis Armstrong (on 1937-06-29)
vocals:
Louis Armstrong (on 1937-06-29), The Mills Brothers (on 1937-06-29), Donald Mills (on 1937-06-29), Harry Mills (on 1937-06-29), Herbert Mills (on 1937-06-29) and John Mills, Sr. (on 1937-06-29)
recording of:
Old Folks at Home (Swanee River) (on 1937-06-29)
anthem of:
Florida, United States (from 1935 to present)
lyricist and composer:
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
2:23
8Mexican Swing
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
Mexican Swing (on 1938-05-13)
composer:
Terry Shand (jazz pianist/composer)
2:39
9Thanks a Million
recorded in:
New York, New York, United States (on 1935-12-19)
double bass:
George "Pops" Foster (on 1935-12-19)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-19)
guitar:
Lee Blair (on 1935-12-19)
piano:
Luis Russell (on 1935-12-19)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-19), Henry “Moon” Jones (swing era reeds) (on 1935-12-19) and Bingie Madison (on 1935-12-19)
tenor saxophone:
Greely Walton (on 1935-12-19)
trombone:
Jimmy Archey (on 1935-12-19) and Harry White (jazz trombonist) (on 1935-12-19)
trumpet:
Gus Aiken (on 1935-12-19), Louis Armstrong (on 1935-12-19), Louis Bacon (on 1935-12-19) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-19)
vocals:
Louis Armstrong (on 1935-12-19)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-19)
recording of:
Thanks a Million (on 1935-12-19)
lyricist:
Gus Kahn
composer:
Arthur Johnston (American composer and songwriter)
2:38
10Naturally
recorded in:
New York, New York, United States (on 1938-06-24)
clarinet:
Sid Stoneburn (on 1938-06-24)
double bass:
Haig Stephens (on 1938-06-24)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1938-06-24)
guitar:
Dave Barbour (on 1938-06-24)
piano:
Nat Jaffe (on 1938-06-24)
trumpet:
Louis Armstrong (on 1938-06-24), Bob Cusumano (on 1938-06-24) and Johnny McGee (on 1938-06-24)
valve trombone:
Al Philburn (on 1938-06-24)
vocals:
Louis Armstrong (on 1938-06-24)
orchestra:
Louis Armstrong & His Orchestra (on 1938-06-24)
recording of:
Naturally (1938 song) (on 1938-06-24)
lyricist and composer:
Harry Barris and Joseph McCarthy (lyricist, 1885–1943)
publisher:
Larry Spier Music LLC
2:48
11Hear Me Talkin' to Ya
recorded in:
New York, New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
Hear Me Talkin' to Ya (on 1939-04-05)
lyricist and composer:
Louis Armstrong
3:06
12It's Wonderful
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
It’s Wonderful (on 1938-05-18)
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (jazz violinist) (in 1937)
2:37
13I've Got a Pocket Full of Dreams
recorded in:
New York, New York, United States (on 1938-06-24)
clarinet:
Sid Stoneburn (on 1938-06-24)
double bass:
Haig Stephens (on 1938-06-24)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1938-06-24)
guitar:
Dave Barbour (on 1938-06-24)
piano:
Nat Jaffe (on 1938-06-24)
trumpet:
Louis Armstrong (on 1938-06-24), Bob Cusumano (on 1938-06-24) and Johnny McGee (on 1938-06-24)
valve trombone:
Al Philburn (on 1938-06-24)
vocals:
Louis Armstrong (on 1938-06-24)
orchestra:
Louis Armstrong & His Orchestra (on 1938-06-24)
recording of:
I’ve Got a Pocketful of Dreams (on 1938-06-24)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
publisher:
Santly Joy Select, Inc. (on 1938-05-07)
2:56
14Nobody Knows the Trouble I've Seen
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Nobody Knows the Trouble I’ve Seen (on 1938-06-14)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
3:12
15Once in a While
recorded in:
Los Angeles, California, United States (on 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-11-15)
double bass:
Red Callender (on 1937-11-15)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-11-15)
guitar:
Lee Blair (on 1937-11-15)
piano:
Luis Russell (on 1937-11-15)
reeds:
Bingie Madison (on 1937-11-15)
trombone:
J.C. Higginbotham (on 1937-11-15)
trumpet:
Louis Armstrong (on 1937-11-15)
vocals:
Louis Armstrong (on 1937-11-15)
orchestra:
Louis Armstrong & His Orchestra (on 1937-11-15)
recording of:
Once in a While (on 1937-11-15)
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
3:09
16The Flat Foot Floogie
recorded in:
New York, New York, United States (on 1938-06-10)
guitar:
Norman Brown (Jazz guitar player active in the 1930s & 1940s) (on 1938-06-10)
trumpet:
Louis Armstrong (on 1938-06-10)
baritone vocals:
Harry Mills (on 1938-06-10)
bass vocals:
John Mills, Sr. (on 1938-06-10)
tenor vocals:
Donald Mills (on 1938-06-10) and Herbert Mills (on 1938-06-10)
vocals:
Louis Armstrong (on 1938-06-10)
recording of:
The Flat Foot Floogie (on 1938-06-10)
composer:
Slim Gaillard, Bud Green and Slam Stewart
2:59
17Sweet as a Song
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
Sweet as a Song (on 1938-01-13)
composer:
Mack Gordon and Harry Revel (British-born American composer)
3:06
18Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:17
2▼CD
#TitleRatingLength
1Public Melody Number One
recorded in:
New York, New York, United States (on 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-02)
double bass:
George "Pops" Foster (on 1937-07-02)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-02)
guitar:
Lee Blair (on 1937-07-02)
piano:
Luis Russell (on 1937-07-02)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-02), Bingie Madison (on 1937-07-02) and Albert Nicholas (on 1937-07-02)
trombone:
J.C. Higginbotham (on 1937-07-02), George Matthews (trombone) (on 1937-07-02) and George Washington (jazz trombonist) (on 1937-07-02)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-02), Louis Armstrong (on 1937-07-02), Louis Bacon (on 1937-07-02) and Shelton "Scad" Hemphill (on 1937-07-02)
vocals:
Louis Armstrong (on 1937-07-02)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-02)
recording of:
Public Melody Number One (on 1937-07-02)
lyricist:
Ted Koehler
composer:
Harold Arlen
3:11
2Jubilee
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Jubilee (Hoagy Carmichael) (on 1938-01-12)
composer:
Hoagy Carmichael
2:37
3I've Got a Heartful of Rhythm
3:10
4I Can't Give You Anything but Love
recorded in:
New York, New York, United States (on 1938-06-24)
clarinet:
Sid Stoneburn (on 1938-06-24)
double bass:
Haig Stephens (on 1938-06-24)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1938-06-24)
guitar:
Dave Barbour (on 1938-06-24)
piano:
Nat Jaffe (on 1938-06-24)
trombone:
Al Philburn (on 1938-06-24)
trumpet:
Louis Armstrong (on 1938-06-24), Johnny McGhee (trumpet) (on 1938-06-24) and Robert Cusumano (on 1938-06-24)
vocals:
Louis Armstrong (on 1938-06-24)
edit of:
I Can't Give You Anything but Love (with pre-groove chatter) by Louis Armstrong
recording of:
I Can’t Give You Anything but Love, Baby (on 1938-06-24)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:56
5Yours and Mine
recorded in:
New York, New York, United States (on 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-02) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-02)
double bass:
George "Pops" Foster (on 1937-07-02)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-02)
guitar:
Lee Blair (on 1937-07-02)
piano:
Luis Russell (on 1937-07-02)
tenor saxophone:
Bingie Madison (on 1937-07-02) and Albert Nicholas (on 1937-07-02)
trombone:
J.C. Higginbotham (on 1937-07-02), George Matthews (trombone) (on 1937-07-02) and George Washington (jazz trombonist) (on 1937-07-02)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-02), Louis Armstrong (on 1937-07-02), Louis Bacon (on 1937-07-02) and Shelton "Scad" Hemphill (on 1937-07-02)
vocals:
Louis Armstrong (on 1937-07-02)
edit of:
Yours and Mine (with pre-groove warm-up) by Louis Armstrong
recording of:
Yours and Mine (on 1937-07-02)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
2:43
6Satchel Mouth Swing
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Satchel Mouth Swing (on 1938-01-12)
writer:
Louis Armstrong and Mary Lou Williams (American jazz pianist and composer)
2:36
7The Trumpet Player's Lament
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
The Trumpet Player's Lament (on 1938-01-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
2:55
8On the Sunny Side of the Street
recorded in:
Los Angeles, California, United States (on 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-11-15)
double bass:
Red Callender (on 1937-11-15)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-11-15)
guitar:
Lee Blair (on 1937-11-15)
piano:
Luis Russell (on 1937-11-15)
reeds:
Bingie Madison (on 1937-11-15)
trombone:
J.C. Higginbotham (on 1937-11-15)
trumpet:
Louis Armstrong (on 1937-11-15)
vocals:
Louis Armstrong (on 1937-11-15)
orchestra:
Louis Armstrong & His Orchestra (on 1937-11-15)
recording of:
On the Sunny Side of the Street (on 1937-11-15)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
2:58
9Sun Showers
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
Sun Showers (on 1937-07-07)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
2:43
10Jonah and the Whale
recorded in:
New York, New York, United States (on 1938-06-14)
bell, drums (drum set), vibraphone and xylophone:
Paul Barbarin (jazz drummer from New Orleans) (on 1938-06-14)
double bass:
George "Pops" Foster (on 1938-06-14)
guitar:
Lee Blair (on 1938-06-14)
piano:
Luis Russell (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Jonah and the Whale (on 1938-06-14)
lyricist and composer:
Robert MacGimsey
2:49
11Cuban Pete
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
Cuban Pete (on 1937-07-07)
composer:
Jose Norman (composer / band leader)
3:08
12Shadrack
recorded in:
New York, New York, United States (on 1938-06-14)
vocals:
Louis Armstrong (on 1938-06-14) and The CBS Choir (on 1938-06-14)
arranger:
Lyn Murray
recording of:
Shadrack (on 1938-06-14)
writer:
R. McGimsey
2:31
13True Confession
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
bass and double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
True Confession (on 1938-01-13)
composer:
Sam Coslow and Friedrich Hollaender
3:06
14Let That Be a Lesson to You
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
Let That Be a Lesson to You (on 1938-01-13)
lyricist:
Johnny Mercer
composer:
Richard A. Whiting
2:35
15I Double Dare You
recorded in:
Los Angeles, California, United States (on 1938-01-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-13)
double bass:
George "Pops" Foster (on 1938-01-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-13)
guitar:
Lee Blair (on 1938-01-13)
piano:
Luis Russell (on 1938-01-13)
saxophone:
Bingie Madison (on 1938-01-13)
trombone:
J.C. Higginbotham (on 1938-01-13)
trumpet:
Louis Armstrong (on 1938-01-13)
vocals:
Louis Armstrong (on 1938-01-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-13)
recording of:
I Double Dare You (on 1938-01-13)
writer:
Jimmy Eaton (songwriter) and Terry Shand (jazz pianist/composer)
2:58
16Alexander's Ragtime Band
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
Alexander’s Ragtime Band (on 1937-07-07)
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:37
17La cucaracha
recorded in:
New York, New York, United States (on 1935-10-03)
double bass:
George "Pops" Foster (on 1935-10-03)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-10-03)
guitar:
Lee Blair (on 1935-10-03)
piano:
Luis Russell (on 1935-10-03)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-10-03), Henry “Moon” Jones (swing era reeds) (on 1935-10-03) and Bingie Madison (on 1935-10-03)
tenor saxophone:
Greely Walton (on 1935-10-03)
trombone:
Jimmy Archey (on 1935-10-03) and Harry White (jazz trombonist) (on 1935-10-03)
trumpet:
Gus Aiken (on 1935-10-03), Louis Armstrong (on 1935-10-03), Louis Bacon (on 1935-10-03) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-10-03)
vocals:
Louis Armstrong (on 1935-10-03)
orchestra:
Louis Armstrong & His Orchestra (on 1935-10-03)
recording of:
La cucaracha (on 1934-10-03)
lyricist and composer:
[traditional] (special purpose artist)
2:42
18Jeepers Creepers
recorded in:
New York, New York, United States (on 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-01-18) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-01-18)
double bass:
George "Pops" Foster (on 1939-01-18)
drums (drum set):
Sid Catlett (on 1939-01-18)
guitar:
Lee Blair (on 1939-01-18)
piano:
Luis Russell (on 1939-01-18)
tenor saxophone:
Bingie Madison (on 1939-01-18) and Albert Nicholas (on 1939-01-18)
trombone:
Wilbur de Paris (on 1939-01-18), J.C. Higginbotham (on 1939-01-18) and Bull City Red (aka George Washington) (on 1939-01-18)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-01-18), Louis Armstrong (on 1939-01-18), Shelton "Scad" Hemphill (on 1939-01-18) and Otis Johnson (trumpet) (on 1939-01-18)
vocals:
Louis Armstrong (on 1939-01-18)
orchestra:
Louis Armstrong & His Orchestra (on 1939-01-18)
performer:
Louis Armstrong & His Orchestra
later releases:
Jeepers Creepers by Louis Armstrong
recording of:
Jeepers Creepers (on 1939-01-18)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
42:40
3▼CD
#TitleRatingLength
1When the Saints Go Marching In
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1938-05-13)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
2:45
2Red Sails in the Sunset
recorded in:
New York, New York, United States (on 1935-12-13)
double bass:
George "Pops" Foster (on 1935-12-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-12-13)
guitar:
Lee Blair (on 1935-12-13)
piano:
Luis Russell (on 1935-12-13)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-12-13), Henry “Moon” Jones (swing era reeds) (on 1935-12-13) and Bingie Madison (on 1935-12-13)
tenor saxophone:
Greely Walton (on 1935-12-13)
trombone:
Jimmy Archey (on 1935-12-13) and Harry White (jazz trombonist) (on 1935-12-13)
trumpet:
Gus Aiken (on 1935-12-13), Louis Armstrong (on 1935-12-13), Louis Bacon (on 1935-12-13) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-12-13)
vocals:
Louis Armstrong (on 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (on 1935-12-13)
recording of:
Red Sails in the Sunset (on 1935-12-13)
lyricist:
James B. Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:03
3In the Shade of the Old Apple Tree
recorded in:
New York, New York, United States (on 1937-06-29)
guitar:
Bernard Addison (on 1937-06-29) and John Mills, Sr. (on 1937-06-29)
trumpet:
Louis Armstrong (on 1937-06-29)
baritone vocals:
Harry Mills (on 1937-06-29)
bass vocals:
John Mills, Sr. (on 1937-06-29)
tenor vocals:
Donald Mills (on 1937-06-29) and Herbert Mills (on 1937-06-29)
vocals:
Louis Armstrong (on 1937-06-29) and The Mills Brothers (on 1937-06-29)
recording of:
In the Shade of the Old Apple Tree (on 1937-06-29)
writer:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) and Egbert Van Alstyne (in 1905)
publisher:
Francis, Day & Hunter Ltd. and Redwood Music Ltd. (Carlin)
2:19
4Lazy Bones
recorded in:
New York, New York, United States (on 1939-02-20)
alto saxophone:
Glen Gray (on 1939-02-20), Clarence Hutchenrider (on 1939-02-20), Murray McEachern (on 1939-02-20), Art Ralston (on 1939-02-20) and Kenny Sargent (on 1939-02-20)
baritone saxophone:
Kenny Sargent (on 1939-02-20)
double bass:
Stanley Dennis (on 1939-02-20)
drums (drum set):
Tony Briglia (on 1939-02-20)
guitar:
Jack Blanchette (on 1939-02-20)
piano:
Joe "Horse" Hall (US jazz pianist, swing era) (on 1939-02-20)
reeds:
Art Ralston (on 1939-02-20)
tenor saxophone:
Dan D’Andrea (on 1939-02-20) and Pat Davis (Jazz saxophonist) (on 1939-02-20)
trombone:
Pee Wee Hunt (on 1939-02-20), Murray McEachern (on 1939-02-20) and Billy Rauch (US jazz trombonist) (on 1939-02-20)
trumpet:
Louis Armstrong (on 1939-02-20), Sonny Dunham (on 1939-02-20), Frank Ryerson (on 1939-02-20) and Grady Watts (on 1939-02-20)
vocals:
Pee Wee Hunt (on 1939-02-20) and Louis Armstrong (on 1939-04-05)
orchestra:
Glen Gray & the Casa Loma Orchestra (on 1939-02-20)
recording of:
Lazy Bones (on 1939-02-20)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
53:16
5What Is This Thing Called Love
3:07
6Ain't Misbehaving
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
2:57
7As Long as You Live, You'll Be Dead If You Die
recorded in:
New York, New York, United States (on 1938-05-13)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-13)
double bass:
George "Pops" Foster (on 1938-05-13)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-13)
guitar:
Lee Blair (on 1938-05-13)
piano:
Luis Russell (on 1938-05-13)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-13)
tenor saxophone:
Bingie Madison (on 1938-05-13)
trombone:
J.C. Higginbotham (on 1938-05-13)
trumpet:
Louis Armstrong (on 1938-05-13) and Shelton "Scad" Hemphill (on 1938-05-13)
vocals:
Louis Armstrong (on 1938-05-13)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-13)
recording of:
As Long as You Live, You'll Be Dead If You Die (on 1938-05-13)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
2:16
8Struttin' With Some Barbeque
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
arranger:
Chippie Willett
recording of:
Struttin’ With Some Barbecue (on 1938-01-12)
composer:
Lil Hardin Armstrong
2:58
9She's the Daughter of a Planter From Havana
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
She's the Daughter of a Planter From Havana (on 1937-07-07)
3:19
10Red Cap
recorded in:
New York, New York, United States (on 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-02)
double bass:
George "Pops" Foster (on 1937-07-02)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-02)
guitar:
Lee Blair (on 1937-07-02)
piano:
Luis Russell (on 1937-07-02)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-02), Bingie Madison (on 1937-07-02) and Albert Nicholas (on 1937-07-02)
trombone:
J.C. Higginbotham (on 1937-07-02), George Matthews (trombone) (on 1937-07-02) and George Washington (jazz trombonist) (on 1937-07-02)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-02), Louis Armstrong (on 1937-07-02), Louis Bacon (on 1937-07-02) and Shelton "Scad" Hemphill (on 1937-07-02)
vocals:
Louis Armstrong (on 1937-07-02)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-02)
recording of:
Red Cap (on 1937-07-02)
3:10
11Wrap Your Troubles in Dreams
recorded in:
Chicago, Illinois, United States (on 1931-11-04)
alto saxophone:
Lester Boone (on 1931-11-04)
clarinet:
George James (US jazz saxophonist) (on 1931-11-04)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1931-11-04)
drums (drum set):
Tubby Hall (on 1931-11-04)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-11-04)
piano:
Charlie Alexander (US jazz pianist) (on 1931-11-04)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-11-04)
trombone:
Preston Jackson (jazz trombonist) (on 1931-11-04)
trumpet:
Louis Armstrong (on 1931-11-04) and Zilner Randolph (on 1931-11-04)
vocals:
Louis Armstrong (on 1931-11-04)
recording of:
Wrap Your Troubles in Dreams (on 1931-11-04)
lyricist:
Ted Koehler (in 1931) and Billy Moll (songwriter) (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
43:44
12Love Walked In
recorded in:
New York, New York, United States (on 1938-05-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-05-18)
double bass:
George "Pops" Foster (on 1938-05-18)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-05-18)
guitar:
Lee Blair (on 1938-05-18)
piano:
Luis Russell (on 1938-05-18)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1938-05-18)
tenor saxophone:
Bingie Madison (on 1938-05-18)
trombone:
J.C. Higginbotham (on 1938-05-18)
trumpet:
Louis Armstrong (on 1938-05-18) and Shelton "Scad" Hemphill (on 1938-05-18)
vocals:
Louis Armstrong (on 1938-05-18)
orchestra:
Louis Armstrong & His Orchestra (on 1938-05-18)
recording of:
Love Walked In (on 1938-05-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:31
13Confessin'
recorded in:
New York, New York, United States (on 1939-04-25)
double bass:
George "Pops" Foster (on 1939-04-25)
drums (drum set):
Sid Catlett (on 1939-04-25)
guitar:
Lee Blair (on 1939-04-25)
piano:
Luis Russell (on 1939-04-25)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-25), Joe Garland (saxophonist, composer) (on 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-25) and Bingie Madison (on 1939-04-25)
trombone:
Wilbur de Paris (on 1939-04-25), J.C. Higginbotham (on 1939-04-25) and George Washington (jazz trombonist) (on 1939-04-25)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-25), Louis Armstrong (on 1939-04-25), Bernard Flood (on 1939-04-25) and Shelton "Scad" Hemphill (on 1939-04-25)
lead vocals:
Louis Armstrong (on 1939-04-25)
vocals:
Louis Armstrong (on 1939-04-25)
orchestra:
Louis Armstrong & His Orchestra (on 1939-04-25)
arranger:
Luis Russell
recording of:
I’m Confessin’ (That I Love You) (on 1939-04-25)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:16
14I Never Knew
recording of:
I Never Knew
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
2:47
15I Wonder
recording of:
I Wonder
lyricist and composer:
Cecil Gant (in 1944)
writer:
R. Laveen (Composer, songwriter and author)
3:00
16You Rascal You
3:00
17Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) and Robbins Music Corp.
3:33
18Do You Know What It Means to Miss New Orleans
recording of:
Do You Know What It Means to Miss New Orleans
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
3:06