Decca Sound: The Analogue Years 1954 – 1968

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Symphony no. 2, op. 9 "Antar": 1. Largo - Allegro giocoso - Adagio - Largo - (Tempo I) - Allegretto Vivace - Largo (Tempo I)
recording engineer:
Roy Wallace (recording engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1954-05-13)
conductor:
Ernest Ansermet (conductor) (on 1954-05-13)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1954-05-13)
recording of:
Symphony no. 2, op. 9 "Antar": I. Largo - Allegro giocoso (catch-all for unknown revision) (on 1954-05-13)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Symphony no. 2 "Antar", op. 9
Nicolai Rimsky-Korsakov11:42
2Symphony no. 2, op. 9 "Antar": 2. Allegro - Molto allegro - Meno mosso, allargando - Allegro (Tempo I)
recording engineer:
Roy Wallace (recording engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1954-05-13)
conductor:
Ernest Ansermet (conductor) (on 1954-05-13)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1954-05-13)
recording of:
Symphony no. 2, op. 9 "Antar": II. Allegro (catch-all for unknown revision) (on 1954-05-13)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Symphony no. 2 "Antar", op. 9
Nicolai Rimsky-Korsakov5:06
3Symphony no. 2, op. 9 "Antar": 3. Allegro risoluto alla Marcia
recording engineer:
Roy Wallace (recording engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1954-05-13)
conductor:
Ernest Ansermet (conductor) (on 1954-05-13)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1954-05-13)
recording of:
Symphony no. 2, op. 9 "Antar": III. Allegro risoluto alla marcia (catch-all for unknown revision) (on 1954-05-13)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Symphony no. 2 "Antar", op. 9
Nicolai Rimsky-Korsakov5:39
4Symphony no. 2, op. 9 "Antar": 4. Allegretto vivace - Andante amoroso - Animato assai - Tempo I
recording engineer:
Roy Wallace (recording engineer)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1954-05-13)
conductor:
Ernest Ansermet (conductor) (on 1954-05-13)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1954-05-13)
recording of:
Symphony no. 2, op. 9 "Antar": IV. Allegretto vivace - Andante amoroso (catch-all for unknown revision) (on 1954-05-13)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Symphony no. 2 "Antar", op. 9
Nicolai Rimsky-Korsakov8:27
5Stenka Razin, op. 13
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-05-14 until 1954-05-26)
conductor:
Ernest Ansermet (conductor) (from 1954-05-14 until 1954-05-26)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-05-14 until 1954-05-26)
recording of:
Stenka Razin, op. 13 (in 1954-05)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1885)
dedicated to:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
premiered at:
[concert] (1885-11-23)
publisher:
Musikverlag M. P. Belaieff (in 1888)
part of:
Works of Alexander Glazunov by opus number (number: op. 13)
Alexander Glazunov14:50
6Thamar
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1954-06)
conductor:
Ernest Ansermet (conductor) (in 1954-06)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1954-06)
recording of:
Tamara (in 1954-06)
composer:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor) (from 1867 until 1882)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
Mily Alexejewitsch Balakirev20:37
7Kikimora, op. 63
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-05-14 until 1954-05-26)
conductor:
Ernest Ansermet (conductor) (from 1954-05-14 until 1954-05-26)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-05-14 until 1954-05-26)
recording of:
Kikimora, op. 63 (from 1954-05-14 until 1954-05-26)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Works of Anatoly Lyadov by opus number (number: op. 63)
Anatole Konstantinovich Liadov6:22
2▼Digital Media
#TitleArtistRatingLength
1L'Enfant et les sortilèges: Première partie. Introduction. "J'ai pas envie de faire ma page"
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof
contralto vocals:
Marie-Lise de Montmollin (mezzo-soprano) (from 1954-10-14 until 1954-11-11)
mezzo-soprano vocals:
Flore Wend (from 1954-10-14 until 1954-11-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « J'ai pas envie de faire ma page ! » (from 1954-10-14 until 1954-11-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel4:31
2L'Enfant et les sortilèges: Première partie. "Votre serviteur humble, Bergère"
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof
baritone vocals:
Pierre Mollet (baritone) (from 1954-10-14 until 1954-11-11)
bass vocals:
Lucien Lovano (operatic bass) (from 1954-10-14 until 1954-11-11)
contralto vocals:
Marie-Lise de Montmollin (mezzo-soprano) (from 1954-10-14 until 1954-11-11)
mezzo-soprano vocals:
Flore Wend (from 1954-10-14 until 1954-11-11)
soprano vocals:
Geneviève Touraine (from 1954-10-14 until 1954-11-11)
tenor vocals:
Hugues Cuénod (Swiss tenor) (from 1954-10-14 until 1954-11-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Votre serviteur humble, Bergère » (from 1954-10-14 until 1954-11-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel5:38
3L'Enfant et les sortilèges: Première partie. "Oh! Ma belle tasse chinoise!"
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof
choir vocals:
L'Ensemble Vocal Le Motet de Genève (from 1954-10-14 until 1954-11-11)
mezzo-soprano vocals:
Flore Wend (from 1954-10-14 until 1954-11-11)
soprano vocals:
Juliette Bise (from 1954-10-14 until 1954-11-11), Gisele Bobillier (from 1954-10-14 until 1954-11-11) and Adrienne Migliette (from 1954-10-14 until 1954-11-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Oh ! Ma belle tasse chinoise ! » (from 1954-10-14 until 1954-11-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel5:53
4L'Enfant et les sortilèges: Première partie. "Ah! C'est Elle! C'est Elle!"
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof
mezzo-soprano vocals:
Flore Wend (from 1954-10-14 until 1954-11-11)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (from 1954-10-14 until 1954-11-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Ah ! C'est elle ! C'est elle ! » (from 1954-10-14 until 1954-11-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel7:22
5L'Enfant et les sortilèges: Première partie. "Deux robinets coulent dans un réservoir!"
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof
baritone vocals:
Pierre Mollet (baritone) (from 1954-10-14 until 1954-11-11)
choir vocals:
L'Ensemble Vocal Le Motet de Genève (from 1954-10-14 until 1954-11-11)
mezzo-soprano vocals:
Flore Wend (from 1954-10-14 until 1954-11-11)
soprano vocals:
Geneviève Touraine (from 1954-10-14 until 1954-11-11)
tenor vocals:
Hugues Cuénod (Swiss tenor) (from 1954-10-14 until 1954-11-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Deux robinets coulent dans un réservoir ! » (from 1954-10-14 until 1954-11-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel3:57
6L'Enfant et les sortilèges: Deuxième partie. "Ah! Quelle joie de te retrouver, Jardin!"
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof
bass vocals:
Lucien Lovano (operatic bass) (from 1954-10-14 until 1954-11-11)
contralto vocals:
Marie-Lise de Montmollin (mezzo-soprano) (from 1954-10-14 until 1954-11-11)
mezzo-soprano vocals:
Flore Wend (from 1954-10-14 until 1954-11-11)
soprano vocals:
Adrienne Migliette (from 1954-10-14 until 1954-11-11) and Geneviève Touraine (from 1954-10-14 until 1954-11-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Ah ! Quelle joie de te retrouver, Jardin ! » (from 1954-10-14 until 1954-11-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel4:53
7L'Enfant et les sortilèges: Deuxième partie. Danse des rainettes
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof
mezzo-soprano vocals:
Flore Wend (from 1954-10-14 until 1954-11-11)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (from 1954-10-14 until 1954-11-11)
tenor vocals:
Hugues Cuénod (Swiss tenor) (from 1954-10-14 until 1954-11-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Danse des rainettes » (from 1954-10-14 until 1954-11-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel4:23
8L'Enfant et les sortilèges: Deuxième partie. "Ah! C'est l'Enfant au couteau"
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof
choir vocals:
L'Ensemble Vocal Le Motet de Genève (from 1954-10-14 until 1954-11-11)
mezzo-soprano vocals:
Flore Wend (from 1954-10-14 until 1954-11-11)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1954-10-14 until 1954-11-11)
conductor:
Ernest Ansermet (conductor) (from 1954-10-14 until 1954-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1954-10-14 until 1954-11-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Ah ! C'est l'enfant au couteau ! » (from 1954-10-14 until 1954-11-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel5:25
9Ma mère l'oye Suite: Prélude et Danse du Rouet
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1957-11)
conductor:
Ernest Ansermet (conductor) (in 1957-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1957-11)
recording of:
Ma mère l’Oye : Prélude: Très lent (in 1957-11)
orchestrator and composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
recording of:
Ma mère l’Oye : Tableau I : Danse du rouet et scène (in 1957-11)
orchestrator and composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel6:16
10Ma mère l'oye Suite: Pavane de la Belle au bois dormant
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1957-11)
conductor:
Ernest Ansermet (conductor) (in 1957-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1957-11)
recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour orchestre) (in 1957-11)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel1:32
11Ma mère l'oye Suite: Petit Poucet
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1957-11)
conductor:
Ernest Ansermet (conductor) (in 1957-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1957-11)
recording of:
Ma mère l’Oye: II. Petit poucet (pour orchestre) (in 1957-11)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:02
12Ma mère l'oye Suite: Laideronnette, Impératrice des Pagodes
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1957-11)
conductor:
Ernest Ansermet (conductor) (in 1957-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1957-11)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour orchestre) (in 1957-11)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:31
13Ma mère l'oye Suite: Les entretiens de la Belle et de la Bête
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1957-11)
conductor:
Ernest Ansermet (conductor) (in 1957-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1957-11)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour orchestre) (in 1957-11)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:58
14Ma mère l'oye Suite: Le jardin féerique
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1957-11)
conductor:
Ernest Ansermet (conductor) (in 1957-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1957-11)
recording of:
Ma mère l’Oye: V. Le Jardin féerique (pour orchestre) (in 1957-11)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
orchestration of:
Ma mère l’Oye: V. Le Jardin féerique (pour piano à quatre mains)
part of:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel4:03
3▼Digital Media
#TitleArtistRatingLength
1Peer Gynt, op. 23: Act 1. Prelude
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 1. akt, prelude: I Bryllupsgården (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:12
2Peer Gynt, op.23: No. 13. Morning mood
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:34
3Peer Gynt, op.23: No. 12. The death of Ase
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 3. akt: Åses død (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:33
4Peer Gynt, op.23: No. 16. Anitra's dance
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 4. akt: Anitras dans (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg3:30
5Peer Gynt, op.23: No. 8. In the hall of the Mountain King
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg2:41
6Peer Gynt, op.23: No. 4. Ingrid's Lament
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg3:50
7Peer Gynt, op.23: No. 15. Arabian dance
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 4. akt: Arabisk dans (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:41
8Peer Gynt, op.23: No. 21.Peer Gynt's homecoming.Stormy evening on the sea
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg2:39
9Peer Gynt, op.23: No. 19. Solveig's song
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:51
10Peer Gynt, op.23: No. 9. Dance of the Mountain King's daughter
producer:
Christopher Raeburn (producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958-02)
conductor:
Øivin Fjeldstad (in 1958-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-02)
recording of:
Peer Gynt, op. 23: 2. akt: Dans av dovregubbens datter (in 1958-02)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg1:52
11Piano Concerto in A minor, op. 16: 1. Allegro molto moderato
engineer:
Cyril Windebank (from 1959-06-22 until 1959-06-23: task: mono) and Alan Reeve (from 1959-06-22 until 1959-06-23: task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and John Culshaw (task: stereo)
piano:
Clifford Curzon (classical pianist, knighted in 1977) (from 1959-06-22 until 1959-06-23)
orchestra:
London Symphony Orchestra (from 1959-06-22 until 1959-06-23)
conductor:
Øivin Fjeldstad (from 1959-06-22 until 1959-06-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-06-22 until 1959-06-23)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato (from 1959-06-22 until 1959-06-23)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg12:42
12Piano Concerto in A minor, op. 16: 2. Adagio
engineer:
Cyril Windebank (from 1959-06-22 until 1959-06-23: task: mono) and Alan Reeve (from 1959-06-22 until 1959-06-23: task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and John Culshaw (task: stereo)
piano:
Clifford Curzon (classical pianist, knighted in 1977) (from 1959-06-22 until 1959-06-23)
orchestra:
London Symphony Orchestra (from 1959-06-22 until 1959-06-23)
conductor:
Øivin Fjeldstad (from 1959-06-22 until 1959-06-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-06-22 until 1959-06-23)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (from 1959-06-22 until 1959-06-23)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:05
13Piano Concerto in A minor, op. 16: 3. Allegro moderato molto e marcato - Quasi presto - Andante maestoso
engineer:
Cyril Windebank (from 1959-06-22 until 1959-06-23: task: mono) and Alan Reeve (from 1959-06-22 until 1959-06-23: task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and John Culshaw (task: stereo)
piano:
Clifford Curzon (classical pianist, knighted in 1977) (from 1959-06-22 until 1959-06-23)
orchestra:
London Symphony Orchestra (from 1959-06-22 until 1959-06-23)
conductor:
Øivin Fjeldstad (from 1959-06-22 until 1959-06-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-06-22 until 1959-06-23)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato (from 1959-06-22 until 1959-06-23)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg10:28
4▼Digital Media
#TitleArtistRatingLength
1Overture 1812, op. 49
producer:
Erik Smith (British producer, pianist and harpsichordist) and Michael Williamson (classical music producer)
orchestra:
The Band of the Grenadier Guards (in 1958-05) and London Symphony Orchestra (in 1958-05)
conductor:
Kenneth Alwyn (conductor) (in 1958-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1958-05)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Peter Ilyich Tchaikovsky14:57
2Capriccio italien, op. 45
producer:
Erik Smith (British producer, pianist and harpsichordist) and Michael Williamson (classical music producer)
orchestra:
London Symphony Orchestra (in 1958-05)
conductor:
Kenneth Alwyn (conductor) (in 1958-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Capriccio italien, op. 45 (in 1958-05)
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов (Karl Davydov)
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Peter Ilyich Tchaikovsky13:57
3Slavonic March, op. 31
producer:
Erik Smith (British producer, pianist and harpsichordist) and Michael Williamson (classical music producer)
orchestra:
London Symphony Orchestra (in 1958-05)
conductor:
Kenneth Alwyn (conductor) (in 1958-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Marche slave in B-flat minor, op. 31 (in 1958-05)
premiered in:
Moscow, Russia (on 1876-11-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-09 until 1876-10)
part of:
The Tchaikovsky Handbook (number: TH 45), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 42) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 31)
is based on:
Боже, Царя храни! (God Save the Tsar!)
Peter Ilyich Tchaikovsky9:58
4Piano Concerto no. 2 in C minor, op. 18: 1. Moderato
engineer:
Kenneth Wilkinson (engineer)
producer:
John Culshaw
piano:
Julius Katchen (pianist) (from 1958-06-18 until 1958-06-20)
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Sir Georg Solti (conductor) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-06-18 until 1958-06-20)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (from 1958-06-18 until 1958-06-20)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergey Vasil'yevich Rachmaninov9:45
5Piano Concerto no. 2 in C minor, op. 18: 2. Adagio sostenuto
engineer:
Kenneth Wilkinson (engineer)
producer:
John Culshaw
piano:
Julius Katchen (pianist) (from 1958-06-18 until 1958-06-20)
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Sir Georg Solti (conductor) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-06-18 until 1958-06-20)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 1958-06-18 until 1958-06-20)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergey Vasil'yevich Rachmaninov11:57
6Piano Concerto no. 2 in C minor, op. 18: 3. Allegro scherzando
engineer:
Kenneth Wilkinson (engineer)
producer:
John Culshaw
piano:
Julius Katchen (pianist) (from 1958-06-18 until 1958-06-20)
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Sir Georg Solti (conductor) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-06-18 until 1958-06-20)
recording of:
Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (from 1958-06-18 until 1958-06-20)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergey Vasil'yevich Rachmaninov11:10
5▼Digital Media
#TitleArtistRatingLength
1Symphony no. 9 in C, D. 944 "The Great": 1. Andante - Allegro ma non troppo
recorded in:
London (Greater London), England, United Kingdom (from 1958-05-21 until 1958-05-23)
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958, from 1958-05-21 until 1958-05-23)
conductor:
Josef Krips (conductor/violinist) (from 1958-05-21 until 1958-05-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-05-21 until 1958-05-23)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo (from 1958-05-21 until 1958-05-23)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert13:56
2Symphony no. 9 in C, D. 944 "The Great": 2. Andante con moto
recorded in:
London (Greater London), England, United Kingdom (from 1958-05-21 until 1958-05-23)
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958, from 1958-05-21 until 1958-05-23)
conductor:
Josef Krips (conductor/violinist) (from 1958-05-21 until 1958-05-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-05-21 until 1958-05-23)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto (from 1958-05-21 until 1958-05-23)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert13:42
3Symphony no. 9 in C, D. 944 "The Great": 3. Scherzo (Allegro vivace)
recorded in:
London (Greater London), England, United Kingdom (from 1958-05-21 until 1958-05-23)
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958, from 1958-05-21 until 1958-05-23)
conductor:
Josef Krips (conductor/violinist) (from 1958-05-21 until 1958-05-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-05-21 until 1958-05-23)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace (from 1958-05-21 until 1958-05-23)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert9:49
4Symphony no. 9 in C, D. 944 "The Great": 4. Allegro vivace
recorded in:
London (Greater London), England, United Kingdom (from 1958-05-21 until 1958-05-23)
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1958, from 1958-05-21 until 1958-05-23)
conductor:
Josef Krips (conductor/violinist) (from 1958-05-21 until 1958-05-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-05-21 until 1958-05-23)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace (from 1958-05-21 until 1958-05-23)
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert11:53
5Symphony no. 8 in B minor, D. 759 "Unfinished": 1. Allegro moderato
recorded in:
Wien (Vienna), Austria (from 1969-03-20 until 1969-03-21)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-03-20 until 1969-03-21)
conductor:
Josef Krips (conductor/violinist) (from 1969-03-20 until 1969-03-21)
balance engineer:
Colin Moorfoot (engineer) (from 1969-03-20 until 1969-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-03-20 until 1969-03-21)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato (from 1969-03-20 until 1969-03-21)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert15:02
6Symphony no. 8 in B minor, D. 759 "Unfinished": 2. Andante con moto
recorded in:
Wien (Vienna), Austria (from 1969-03-20 until 1969-03-21)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-03-20 until 1969-03-21)
conductor:
Josef Krips (conductor/violinist) (from 1969-03-20 until 1969-03-21)
balance engineer:
Colin Moorfoot (engineer) (from 1969-03-20 until 1969-03-21)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-03-20 until 1969-03-21)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto (from 1969-03-20 until 1969-03-21)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert11:51
6▼Digital Media
#TitleArtistRatingLength
1Symphony no. 2 in D major, op. 43: 1. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro
producer:
John Culshaw
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Pierre Monteux (conductor) (from 1958-06-18 until 1958-06-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-06-18 until 1958-06-20)
recording of:
Sinfonia nro 2 D-duuri, op. 43: I. Allegretto (Symphony no. 2 in D major, op. 43: I. Allegretto) (from 1958-06-18 until 1958-06-20)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius10:10
2Symphony no. 2 in D major, op. 43: 2. Tempo andante, ma rubato - Andante sostenuto
producer:
John Culshaw
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Pierre Monteux (conductor) (from 1958-06-18 until 1958-06-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-06-18 until 1958-06-20)
recording of:
Sinfonia nro 2 D-duuri, op. 43: II. Tempo andante, ma rubato (Symphony no. 2 in D major, op. 43: II: Tempo andante, ma rubato) (from 1958-06-18 until 1958-06-20)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius14:31
3Symphony no. 2 in D major, op. 43: 3. Vivacissimo - Lento e suave - Largamente
producer:
John Culshaw
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Pierre Monteux (conductor) (from 1958-06-18 until 1958-06-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-06-18 until 1958-06-20)
recording of:
Sinfonia nro 2 D-duuri, op. 43: III. Vivacissimo (Symphony no. 2 in D major, op. 43: III. Vivacissimo) (from 1958-06-18 until 1958-06-20)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius6:14
4Symphony no. 2 in D major, op. 43: 4. Finale (Allegro moderato)
producer:
John Culshaw
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Pierre Monteux (conductor) (from 1958-06-18 until 1958-06-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-06-18 until 1958-06-20)
recording of:
Sinfonia nro 2 D-duuri, op. 43: IV. Finale. Allegro moderato (Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato) (from 1958-06-18 until 1958-06-20)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius12:49
5Symphony no. 7 in D minor, op. 70: 1. Allegro maestoso
producer:
Michael Bremner (producer/engineer)
orchestra:
London Symphony Orchestra (from 1959-10-19 until 1959-10-20)
conductor:
Pierre Monteux (conductor) (from 1959-10-19 until 1959-10-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1959-10-19 until 1959-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-10-19 until 1959-10-20)
recording of:
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso (from 1959-10-19 until 1959-10-20)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák10:45
6Symphony no. 7 in D minor, op. 70: 2. Poco adagio
producer:
Michael Bremner (producer/engineer)
orchestra:
London Symphony Orchestra (from 1959-10-19 until 1959-10-20)
conductor:
Pierre Monteux (conductor) (from 1959-10-19 until 1959-10-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1959-10-19 until 1959-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-10-19 until 1959-10-20)
recording of:
Symphony no. 7 in D minor, op. 70: II. Poco adagio (from 1959-10-19 until 1959-10-20)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák10:38
7Symphony no. 7 in D minor, op. 70: 3. Scherzo (Vivace)
producer:
Michael Bremner (producer/engineer)
orchestra:
London Symphony Orchestra (from 1959-10-19 until 1959-10-20)
conductor:
Pierre Monteux (conductor) (from 1959-10-19 until 1959-10-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1959-10-19 until 1959-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-10-19 until 1959-10-20)
recording of:
Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace - Poco meno mosso (from 1959-10-19 until 1959-10-20)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák7:25
8Symphony no. 7 in D minor, op. 70: 4. Finale (Allegro)
producer:
Michael Bremner (producer/engineer)
orchestra:
London Symphony Orchestra (from 1959-10-19 until 1959-10-20)
conductor:
Pierre Monteux (conductor) (from 1959-10-19 until 1959-10-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1959-10-19 until 1959-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-10-19 until 1959-10-20)
recording of:
Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro (from 1959-10-19 until 1959-10-20)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák8:48
7▼Digital Media
#TitleArtistRatingLength
1La bohème: Act 1. "Questo Mar Rosso"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I. “Già dell’Apocalisse appariscono i segni” (Colline, Rodolfo, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:34
2La bohème: Act 1. ”Pensier profondo"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 2. “Pensier profondo!” (Colline, Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:23
3La bohème: Act 1. "Legna!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I. “Abbasso, abbasso l'autor!” … “Legna! ─ Sigari! ─ Bordò!” (Rodolfo, Marcello, Colline, Schaunard) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:01
4La bohème: Act 1. "Si può"-"Chi è là?"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Benoît]:
Fernando Corena (operatic bass) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 3. “Si può?” – “Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:44
5La bohème: Act 1. "Io resto"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I. “Io resto per terminar l’articolo” (Rodolfo, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:13
6La bohème: Act 1. "Chi è là?"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 5. “Non sono in vena. Chi è là?” (Rodolfo, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:17
7La bohème: Act 1. "Si sente meglio?"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I. “Si sente meglio?” (Rodolfo, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini2:39
8La bohème: Act 1. "Che gelida manina"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:51
9La bohème: Act 1. "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
baritone vocals [Schaunard] and bass-baritone vocals [Schaunard]:
Renato Cesari (bass-baritone)
bass vocals:
Renato Cesari (bass-baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
partial recording of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème (Puccini)
Giacomo Puccini6:13
10La bohème: Act 1. "O soave fanciulla"
soprano vocals:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:03
11La bohème: Act 2. "Arranci, datteri!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals:
Fernando Corena (operatic bass) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. no. 10. “Aranci, datteri! Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:55
12La bohème: Act 2. "Chi guardi?" - "Ecco i giocattoli di Parpignol"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Parpignol]:
Piero de Palma (tenor) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. no. 11. “Chi guardi?” – “Odio il profano volgo al par d'Orazio” (Rodolfo, Colline, Mimì, Schaunard, Marcello, coro, Parpignol) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini3:28
13La bohème: Act 2. "Viva Parpignol..." - "Una cuffietta a pizzi"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. “Viva Parpignol! Parpignol! Parpignol!” (fanciulli, fanciulle) … “Signorina Mimì” (Marcello, Mimì, Schaunard, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:27
14La bohème: Act 2. "Oh!...Essa!...Musetta!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Alcindoro]:
Fernando Corena (operatic bass) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. “Oh!” – “Essa!” – “Musetta!” (Rodolfo, Schaunard, Colline, Marcello, Coro, Alcindoro, Musetta, Mimi) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini3:23
15La bohème: Act 2. "Quando m'en vo'" (Musetta's Waltz)
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Alcindoro]:
Fernando Corena (operatic bass) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini5:06
16La bohème: Act 2. "Chi l'ha richiesto?...Caro! - Fuori il danaro!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto II. “Caro!” – “Fuori il danaro!” (Rodolfo, Colline, Schaunard, Coro, Marcello, Musetta) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
recording of:
La bohème: Atto II. no. 14. “Chi l’ha richiesto?” (Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:28
8▼Digital Media
#TitleArtistRatingLength
1La bohème: Act 3. "Ohè, là, le guardie!" - "Aprite!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Un doganiere]:
Giorgio Onesti (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Chi nel ber trovò il piacer” (Musetta, coro) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. La barriera d’Enfer (orchestra) (in 1959-08)
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. no. 15. “Ohè là, le guardie! Aprite!” (Spazzini [Coro], un doganiere) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini4:21
2La bohème: Act 3. "Sa dirmi, scusi"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Sergente]:
Attilio D'Orazi (Italian baritone) (in 1959-08)
bass vocals [Un doganiere]:
Giorgio Onesti (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Sa dirmi, scusi, qual’è l’osteria” (Mimì, Sergente, Doganiere, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini1:10
3La bohème: Act 3. "Mimì!" - "Rodolfo m'ama e mi fugge"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. no. 16. “Mimì! Speravo di trovarti qui” (Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini5:21
4La bohème: Act 3. "Marcello. Finalmente!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. no. 17. “Marcello, finalmente” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini1:19
5La bohème: Act 3. "Mimì è una civetta"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Mimì è una civetta” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini1:20
6La bohème: Act 3. "Mimì è tanto malata!"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Mimì è tanto malata!” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:20
7La bohème: Act 3. "Donde lieta uscì"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:27
8La bohème: Act 3. :"Dunque: è proprio finita!...Addio, dolce svegliare"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Addio dolce svegliare alla mattina!” (Mimì, Rodolfo, Musetta, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. “Che facevi, che dicevi” (Marcello, Musetta, Mimì, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini6:25
9La bohème: Act 4. "In un coupé?"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini1:52
10La bohème: Act 4. "O Mimì, tu più non torni" (Duetto) - "Che ora sia"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 22. “Che ora sia?” – “Eccoci – Ebben?” (Rodolfo, Marcello, Schaunard, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini5:08
11La bohème: Act 4. "Gavotta"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. (Quadrille, Duel) “La danza con musica vocale!” (Schaunard, Colline, Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini1:46
12La bohème: Act 4. "C'è Mimì..."
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 23. “C’è Mimì che mi segue” (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini6:01
13La bohème: Act 4. "Vecchia zimarra, senti"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini2:30
14La bohème: Act 4. "Sono andati"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini6:06
15La bohème: Act 4. "Che avvien?...Che ha detto il medico?"
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma (Rome), Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 26. “O Dio! Mimì! … Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini5:40
9▼Digital Media
#TitleArtistRatingLength
1La gazza ladra: Overture
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1960-11)
conductor:
Piero Gamba (conductor and pianist) (in 1960-11)
balance engineer:
Kenneth Wilkinson (engineer) (in 1960-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1960-11)
recording of:
La gazza ladra: Ouverture (The Thieving Magpie: Overture) (in 1960-11)
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Gioachino Rossini8:55
2La scala di seta: Overture
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1960-11)
conductor:
Piero Gamba (conductor and pianist) (in 1960-11)
balance engineer:
Kenneth Wilkinson (engineer) (in 1960-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1960-11)
recording of:
La scala di seta: Sinfonia (in 1960-11)
composer:
Gioachino Rossini (composer)
librettist:
Giuseppe Maria Foppa
part of:
La scala di seta
Gioachino Rossini6:03
3Il barbiere di Siviglia: Overture (Sinfonia)
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1960-11)
conductor:
Piero Gamba (conductor and pianist) (in 1960-11)
balance engineer:
Kenneth Wilkinson (engineer) (in 1960-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1960-11)
recording of:
Il barbiere di Siviglia: Sinfonia (in 1960-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini6:57
4Semiramide: Overture
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1960-11)
conductor:
Piero Gamba (conductor and pianist) (in 1960-11)
balance engineer:
Kenneth Wilkinson (engineer) (in 1960-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1960-11)
recording of:
Semiramide: Sinfonia (Overture) (in 1960-11)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide
Gioachino Rossini11:11
5William Tell: Overture
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1960-11)
conductor:
Piero Gamba (conductor and pianist) (in 1960-11)
balance engineer:
Kenneth Wilkinson (engineer) (in 1960-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1960-11)
recording of:
Guillaume Tell : Ouverture (William Tell: Overture) (in 1960-11)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini11:35
6Violin Concerto in E minor, op. 64, MWV O14: 1. Allegro molto appassionato
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
violin:
Ruggiero Ricci (violinist) (in 1957-01)
orchestra:
London Symphony Orchestra (in 1957-01)
conductor:
Piero Gamba (conductor and pianist) (in 1957-01)
balance engineer:
Cyril Windebank (in 1957-01) and Kenneth Wilkinson (engineer) (in 1957-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-01)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato) (in 1957-01)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn12:55
7Violin Concerto in E minor, op. 64, MWV O14: 2. Andante
engineer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1957-01) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1957-01)
violin:
Ruggiero Ricci (violinist) (in 1957-01)
orchestra:
London Symphony Orchestra (in 1957-01)
conductor:
Piero Gamba (conductor and pianist) (in 1957-01)
balance engineer:
Cyril Windebank (in 1957-01) and Kenneth Wilkinson (engineer) (in 1957-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-01)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) (in 1957-01)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn7:37
8Violin Concerto in E minor, op. 64, MWV O14: 3. Allegro non troppo - Allegro molto vivace
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
violin:
Ruggiero Ricci (violinist) (in 1957-01)
orchestra:
London Symphony Orchestra (in 1957-01)
conductor:
Piero Gamba (conductor and pianist) (in 1957-01)
balance engineer:
Cyril Windebank (in 1957-01) and Kenneth Wilkinson (engineer) (in 1957-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-01)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace) (in 1957-01)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn6:16
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