AA302: From Composition to Performance: Musicians at Work (block 1: red)

~ Release by The Open University (see all versions of this release, 3 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Piano Concerto in D minor, K.466: I. Allegro
recording engineer, producer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider
editor:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
fortepiano:
Malcolm Bilson (pianist) (in 1986-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-04)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro (in 1986-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart12:58
2Easter music
recording engineer:
Thomas Turino
recording of:
Easter music
composer:
Filiberto Calderón Villasante (in 1986)
Filiberto Calderón Villasante, Qhantati Ururi6:06
3Social dance
recording engineer:
Thomas Turino
Qhantati Ururi3:17
4Recordings of Amazonian Indians: Informal speech in the men's house
[unknown]1:09
5Recordings of Amazonian Indians: Rainy season unison song (extract)
[unknown]3:38
6Interview with Veena Sahasrabuddhe
spoken vocals:
Veena Sahasrabuddhe
[dialogue]13:41
7O Maria Salvatoris Mater (extract)
choir vocals:
Taverner Choir
conductor:
Andrew Parrott (conductor)
partial recording of:
O Maria salvatoris
composer:
John Browne (Eton Choirbook composer)
John Browne6:22
8If Ye Love Me
engineer:
Mr Bear (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
choir vocals:
The Tallis Scholars (in 1986)
vocals:
Graeme Curry (alto) (in 1986), Sally Dunkley (soprano) (in 1986), Alison Gough (Soprano) (in 1986), Donald Greig (baritone) (in 1986), Robert Harre-Jones (countertenor) (in 1986), Adrian Hill (in 1986), Rufus Müller (tenor) (in 1986), Nicolas Robertson (Tenor) (in 1986), Francis Steele (operatic bass) (in 1986) and Timothy Wilson (countertenor) (in 1986)
conductor:
Peter Phillips (British conductor) (in 1986)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom (in 1986)
recording of:
If Ye Love Me (anthem for 4 voices) (in 1986)
lyricist:
[anonymous] (special purpose artist)
composer:
Thomas Tallis (composer) (from 1546 until 1548)
Thomas Tallis2:02
9Gaude Gloriosa Dei Mater (extract)
choir vocals:
Taverner Choir
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort
partial recording of:
Gaude gloriosa (motet (antiphon) for 6 voices, P. 123)
composer:
Thomas Tallis (composer)
Thomas Tallis3:57
10Missa Gloria Tibi Trinitas: Gloria
choir vocals:
Taverner Choir
conductor:
Andrew Parrott (conductor)
recording of:
Missa "Gloria tibi Trinitas": I. Gloria
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
John Taverner10:54
11Missa Mater Christi: Gloria
choir vocals:
Christ Church Cathedral Choir, Oxford
conductor:
Stephen Darlington (conductor/organist)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom
recording of:
Missa Mater Christi Sanctissima: Gloria (from 1989-05-15 until 1989-05-16)
composer:
John Taverner (16th century composer)
part of:
Missa Mater Christi Sanctissima
John Taverner7:46
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#TitleArtistRatingLength
1Mater Christi Sanctissima
choir vocals:
Christ Church Cathedral Choir, Oxford
conductor:
Stephen Darlington (conductor/organist)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom
recording of:
Mater Christi sanctissima
composer:
John Taverner (16th century composer)
John Taverner7:11
2In jejunio et fletu
producer:
David R. Murray
choir vocals:
Taverner Consort
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
St John-at-Hackney, London in Hackney, London (Greater London), England, United Kingdom (from 1986-11 until 1987-05)
recording of:
In ieiunio et fletu (à 5, Cantiones sacrae (1575))
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis4:12
3O nata lux
producer:
David R. Murray
choir vocals:
Taverner Choir and Taverner Consort
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
St John-at-Hackney, London in Hackney, London (Greater London), England, United Kingdom (from 1986-11 until 1987-05)
recording of:
O nata lux (à 5, Cantiones sacrae (1575))
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis1:44
4Salvator mundi I
producer:
David R. Murray
choir vocals:
Taverner Consort
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
St John-at-Hackney, London in Hackney, London (Greater London), England, United Kingdom (from 1986-11 until 1987-05)
recording of:
Salvator mundi (I) (à 5, Cantiones sacrae (1575))
composer:
Thomas Tallis (composer)
part of:
Dow Partbooks (1580) (number: 20) and Peterhouse Partbooks (manuscript c. 1625-1640)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis2:33
5Spem in alium (final section)
choir vocals:
Taverner Choir
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort
recording of:
Spem in alium
composer:
Thomas Tallis (composer)
Thomas Tallis3:30
6Selva Morale e Spirituale: Kyrie I
choir vocals:
Taverner Choir
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
Claudio Monteverdi0:58
7Selva Morale e Spirituale: Gloria a 7
choir vocals:
Taverner Choir
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
Claudio Monteverdi4:34
8Lapidabunt Stephanum
alto vocals:
Gérard Lesne (countertenor)
baritone vocals:
Josep Cabré (baritone / choral conductor)
tenor vocals:
Josep Benet (Tenor)
recording of:
Lapidabant Stephanum, SV 207
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 207)
Claudio Monteverdi1:26
9Quel augellin che canta
orchestra:
The Consort of Musicke (British early-music group) (on 1984-03-26)
conductor:
Anthony Rooley (lute player / conductor) (on 1984-03-26)
performer:
The Consort of Musicke (British early-music group)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (on 1984-03-26)
recording of:
Quel augellin che canta si dolcemente, SV 87 (on 1984-03-26)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 87)
part of:
Quarto libro de madrigali, SV 75–93
Claudio Monteverdi2:18
10Euridice, ‘Lassa che di spavento’
harpsichord:
David Rowland (chorus master)
soprano vocals:
Zoë Brown (soprano)
partial recording of:
Euridice (Peri)
composer:
Jacopo Peri (in 1600)
librettist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist) (in 1600)
premiered at:
Sala Bianca del Palazzo Pitti in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (on 1600-10-06)
Jacopo Peri1:19
11L’Orfeo, Act 2, ‘Pastor lasciate il canto’
conductor:
Charles Medlam (cellist, viol player and conductor)
partial recording of:
L’Orfeo: Atto secondo
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:20
12L’Orfeo, Act 4, ‘O dolcissimi lumi’
conductor:
Charles Medlam (cellist, viol player and conductor)
recording of:
L'Orfeo: Atto quarto. O dulcissimi lumi, io pur vi veggio (Orfeo, Spirito)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto quarto
Claudio Monteverdi0:58
13Vespro della Beata Vergine, ‘Dixit Dominus’
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Alastair Miles (operatic bass) (in 1989-05) and Bryn Terfel (bass‐baritone opera singer) (in 1989-05)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-05)
soprano vocals:
Ann Monoyios (soprano) (in 1989-05) and Marinella Pennicchi (soprano) (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05) and Mark Tucker (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-05) and His Majestys Sagbutts and Cornetts (British early music group) (in 1989-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia (Venice), Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: II. Psalmus I "Dixit Dominus" (in 1989-05)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi7:20
14L’Incoronazione di Poppea, Act 3, ‘Pur ti miro’
conductor:
René Jacobs (conductor) (in 1990-02)
performer:
Concerto Vocale (Belgian baroque/early music ensemble) (in 1990-02)
recorded at:
Kloster Machern (Bernkastel) in Bernkastel-Kues, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1990-02)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) (in 1990-02)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi4:20
15Duet op. 3 no. l (exposition)
piano:
David Rowland (chorus master) and Robert Philip
partial recording of:
Duetto per due piani in Do maggiore, op. 3 no. 1: I. Allegro spiritoso
composer:
Muzio Clementi (composer)
Muzio Clementi1:46
16Sonata, op. 2 no. 2: I.
piano:
David Rowland (chorus master)
recording of:
Sonata per piano in Da maggiore, op. 2 no. 2: I. Allegro quasi presto
composer:
Muzio Clementi (composer)
Muzio Clementi5:16
17Variations on the Black Joke, theme and variations 1–3
piano:
David Rowland (chorus master)
partial recording of:
The Black Joke in Sol maggiore, WoO 2
composer:
Muzio Clementi (composer)
Muzio Clementi1:58
18Symphony no. 104: IV.
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn6:34
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1Piano Sonata in G op. 79: I. (exposition)
piano:
David Rowland (chorus master)
partial recording of:
Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": I. Presto alla tedesca
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Sonata for Piano no. 25 in G major, op. 79 "Cuckoo"
Ludwig van Beethoven1:32
2Piano Sonata in G op. 79: III. (extract)
piano:
David Rowland (chorus master)
partial recording of:
Sonata for Piano no. 25 in G major, op. 79 "Cuckoo": III. Vivace
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Sonata for Piano no. 25 in G major, op. 79 "Cuckoo"
Ludwig van Beethoven1:11
3Piano Sonata in E-flat op. 81a: I. (start of allegro)
fortepiano:
Melvyn Tan (pianist)
partial recording of:
Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”: I. Das Lebewohl. Adagio – Allegro “Les Adieux”
composer:
Ludwig van Beethoven (German composer) (from 1809 until 1810)
part of:
Sonata for Piano no. 26 in E‐flat major, op. 81a “Les Adieux”
Ludwig van Beethoven0:45
4Sally in Our Alley
cello:
Jennifer Ward Clarke (cellist)
piano:
David Rowland (chorus master)
violin:
Lucy Howard (violinist)
tenor vocals:
John Potter (tenor)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 25, "Sally in Our Alley"
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
Ludwig van Beethoven2:34
5Die Lotosblume
piano:
Christoph Eschenbach (pianist and conductor)
tenor vocals:
Peter Schreier (German tenor and conductor)
recording of:
Myrthen, op. 25: Nr. 7. Die Lotosblume
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Myrthen, op. 25
Robert Schumann1:53
6Davidsbundlertänze no. 11
recording of:
Davidsbündlertänze, op. 6: XI. Einfach
composer:
Robert Schumann (German classical composer) (in 1837)
part of:
Davidsbündlertänze, op. 6
Robert Schumann1:34
7Symphony no. 4: I.
producer:
David Mottley (producer) and Dieter-Gerhard Worm
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1972-09-01 until 1972-09-12)
conductor:
Wolfgang Sawallisch (conductor) (from 1972-09-01 until 1972-09-12)
balance engineer:
Claus Strüben (german sound engineer) (from 1972-09-01 until 1972-09-12)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1972-09-01 until 1972-09-12)
recording of:
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (1851 revision) (from 1972-09-01 until 1972-09-12)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version)
Robert Schumann10:24
8Symphonie Fantastique: I. ‘idée fixe’
orchestra:
Orchestre national de l’ORTF (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Jean Martinon (French conductor and composer)
partial recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz0:22
9Symphonie Fantastique: II. ‘Un bal’
orchestra:
Orchestre national de l’ORTF (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Jean Martinon (French conductor and composer)
recording of:
Symphonie fantastique, op. 14: II. Un bal
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:46
10Berceuse
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
recording of:
Berceuse in D‐flat major, op. 57
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
dedicated to:
Elise Gavard
part of:
Works of Fryderyk Chopin by opus number (number: op. 57)
Frèdèric Chopin5:02
11Des Knaben Wunderhorn, ‘Der Schildwache Nachtlied’
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1968-03-08 until 1968-03-09)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1968-03-08 until 1968-03-09)
orchestra:
London Symphony Orchestra (from 1968-03-08 until 1968-03-09)
conductor:
George Szell (conductor, pianist, composer) (from 1968-03-08 until 1968-03-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-03-08 until 1968-03-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-08 until 1968-03-09)
recording of:
Des Knaben Wunderhorn: Der Schildwache Nachtlied (from 1968-03-08 until 1968-03-09)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 21-K)
orchestration of:
Des Knaben Wunderhorn : I. Der Schildwache Nachtlied (for voice and piano)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler6:20
12Des Knaben Wunderhorn, ‘Revelge’ (part 1)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
partial recording of:
Des Knaben Wunderhorn: Revelge
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 36)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler3:33
13Des Knaben Wunderhorn, ‘Revelge’ (part 2)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
partial recording of:
Des Knaben Wunderhorn: Revelge
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 36)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler0:15
14Des Knaben Wunderhorn, ‘Revelge’ (part 3)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
partial recording of:
Des Knaben Wunderhorn: Revelge
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 36)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler3:20
15Préludes, ‘Voiles’
producer:
Christopher Pope (producer)
piano:
Jean‐Yves Thibaudet (pianist) (from 1994-10-15 until 1994-10-18)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1994-10-15 until 1994-10-18)
recording of:
Préludes, Livre I, L. 117, CD 125: II. Voiles. Modéré (from 1994-10-15 until 1994-10-18)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy4:15
16Klavierstücke op. 11 no. 1
recording engineer:
Klaus Hiemann (engineer/producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1974-05)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Drei Klavierstücke, op. 11: I. Mäßig (in 1974-05)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Drei Klavierstücke, op. 11
Arnold Schönberg3:52
4▼CD
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1Erwartung: (beginning)
soprano vocals:
Janis Martin (US operatic mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Erwartung, op. 17: 1. Szene: "Hier hinein?..."
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
librettist:
Marie Pappenheim
part of:
Erwartung, op. 17
Arnold Schönberg2:53
2Erwartung: Scene 2
soprano vocals:
Janis Martin (US operatic mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Erwartung, op. 17: 2. Szene: "Ist das noch der Weg?"
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
librettist:
Marie Pappenheim
part of:
Erwartung, op. 17
Arnold Schönberg2:50
3Erwartung: Scene 3
soprano vocals:
Janis Martin (US operatic mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recording of:
Erwartung, op. 17: 3. Szene: "Da kommt ein Licht!"
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
librettist:
Marie Pappenheim
part of:
Erwartung, op. 17
Arnold Schönberg1:53
4Erwartung: Scene 4
soprano vocals:
Janis Martin (US operatic mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
Erwartung, op. 17: 4. Szene: "Er ist auch nicht da..."
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
librettist:
Marie Pappenheim
part of:
Erwartung, op. 17
Arnold Schönberg1:27
5Erwartung: bar 147 on
soprano vocals:
Janis Martin (US operatic mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
Erwartung, op. 17: 4. Szene: "Er ist auch nicht da..."
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
librettist:
Marie Pappenheim
part of:
Erwartung, op. 17
Arnold Schönberg0:34
6Erwartung: bar 158 on
soprano vocals:
Janis Martin (US operatic mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
Erwartung, op. 17: 4. Szene: "Er ist auch nicht da..."
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
librettist:
Marie Pappenheim
part of:
Erwartung, op. 17
Arnold Schönberg16:30
7Erwartung: bar 404 on
soprano vocals:
Janis Martin (US operatic mezzo-soprano)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
partial recording of:
Erwartung, op. 17: 4. Szene: "Er ist auch nicht da..."
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
librettist:
Marie Pappenheim
part of:
Erwartung, op. 17
Arnold Schönberg3:12
8[dialogue]
Richard Middleton0:13
9Vox 6 (extract)
sound engineer:
John Whiting (engineer)
bass vocals:
Terry Edwards (British choir director)
mezzo-soprano vocals:
Meriel Dickinson
soprano vocals:
Judith Rees
tenor vocals:
Daryl Runswick
partial recording of:
VOX 6
composer:
Trevor Wishart
Trevor Wishart3:14
10[dialogue]
Richard Middleton0:05
11The Modern Things
recording engineer:
Al Fisch and Howard Bernstein
programming:
Marius de Vries and Graham Massey
assistant engineer:
Oswald "Wiz" Bowe and Mark Warner (UK DVD designer and recording engineer)
producer:
Björk, Nellee Hooper and Graham Massey
mixer:
Al Stone (UK engineer)
keyboard:
Björk, Marius de Vries and Graham Massey
phonographic copyright (℗) by:
Björk Overseas Ltd. (in 1995), Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1995) and One Little Indian Ltd. (in 1995)
recording of:
The Modern Things
writer:
Björk and Graham Massey
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Perfect Songs Ltd. (UK publisher, affiliated with PRS), PolyGram Music Publishing Ltd. and SPZ Music Inc (BMI affiliated)
Björk3.754:14
12[dialogue]
Richard Middleton1:16
13Telemusik (extract)
partial recording of:
Telemusik, Nr. 20
composer:
Karlheinz Stockhausen (composer) (in 1966)
Karlheinz Stockhausen2:11
14[dialogue]
Richard Middleton0:28
15A Saucerful of Secrets (extract)
partial recording of:
A Saucerful of Secrets
composer:
David Gilmour (Pink Floyd), Nick Mason (of Pink Floyd), Roger Waters and Richard Wright (Pink Floyd keyboardist)
publisher:
Hampshire House Publishing Corp., Lupus (publisher), Lupus Music Co. Ltd, Lupus Music Ltd., Magdalene Music and TRO-Hampshire House Publishing Corp.
Pink Floyd2:36
16[dialogue]
Richard Middleton0:30
17Come Out (extract)
partial recording of:
Come Out
composer:
Steve Reich (American composer) (in 1966)
Steve Reich3:13
18[dialogue]
Richard Middleton0:36
19Trans-Europe Express (extract)
recording of:
Trans‐Europe Express
lyricist:
Ralf Hütter and Emil Schult
composer:
Ralf Hütter
translated version of:
Trans Europa Express
Kraftwerk2:36
20[dialogue]
Richard Middleton0:48
21Planet Rock (extract)
partial recording of:
Planet Rock
writer:
Afrika Bambaataa (US DJ singer, songwriter & producer), Robert Darrell Allen, Arthur Baker (American record producer and DJ), John Miller (MC G.L.O.B.E. (Soulsonic Force)), John Robie and Ellis Williams
publisher:
Bambaataa Music, No Hassle Music, Shakin’ Baker Music, Sony/ATV Songs (SOCAN) and T-Girl Music LLC
quotes music from:
Trans Europa Express
Afrika Bambaataa2:36
22[dialogue]
Richard Middleton0:50
23Tal Coat (extract)
recording of:
Tal Coat
composer:
Brian Eno
publisher:
E.G. Music Inc.
Brian Eno2:09
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