The Warner Classics Remastered Edition Vol. 2: Operas & Sacred Works

~ Release by Otto Klemperer (see all versions of this release, 1 available)

Tracklist

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1▼CD: Bach: Matthäus-Passion, BWV 244 [Disc 1]
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1Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 1. Chorus: "Kommt, ihr Töchter, helft mir klagen" - Chorale: "O Lamm Gottes, unschuldig"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
soprano vocals [Soprano in ripieno]:
Hampstead Parish Church Choir (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach11:45
2Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 2. Recitative (Evangelista, Jesus): "Da Jesus diese Rede vollendet hatte"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:56
3Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 3. Chorale: "Herzliebster Jesu, was hast du verbrochen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1961-01-01 until 1961-01-12)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:29
4Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4a. Recitative (Evangelista): "Da versammleten sich die Hohenpriester"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:32
5Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4b. Chorus: "Ja nicht auf das Fest"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Peter Pears (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:18
6Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4c. Recitative (Evangelista): "Da nun Jesus war zu Bethanien"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:41
7Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4d. Chorus: "Wozu Dienet dieser Unrat"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Peter Pears (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:36
8Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 4e. Recitative (Evangelista, Jesus): "Da das Jesus merkete"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:53
9Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 5. Recitative (Alto): "Du lieber Heiland du"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:05
10Matthäus-Passion, BWV 244: Teil I. Salbung in Bethanien: No. 6. Aria (Alto): "Buß und Reu"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:51
11Matthäus-Passion, BWV 244: Teil I. Verrat durch Judas: No. 7. Recitative (Evangelista, Judas): "Da ging hin der Zwölfen einer"
baritone vocals:
John Carol Case (English baritone)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:46
12Matthäus-Passion, BWV 244: Teil I. Verrat durch Judas: No. 8. Aria (Soprano): "Blute nur, du liebes Herz"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:13
13Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 9a. Recitative (Evangelista): "Aber am ersten Tage der süßen Brot"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:14
14Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 9b. Chorus: "Wo willst du, dass wir dir bereiten"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:26
15Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 9c-e. Recitative (Evangelista, Jesus): "Er sprach: Gehet hin in die Stadt" - Recitative: "Und sie wurden sehr betrübt" - Chorus: "Herr, bin ichs"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach2:03
16Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 10. Chorale: "Ich bins, ich sollte büßen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:34
17Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 11. Recitative (Evangelista, Jesus, Judas): "Er antwortete und sprach"
baritone vocals:
John Carol Case (English baritone) and Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:58
18Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 12. Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:32
19Matthäus-Passion, BWV 244: Teil I. Das lezte Abendmahl: No. 13. Aria (Soprano): "Ich will dir mein Herze schenken"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:03
20Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 14. Recitative (Evangelista, Judas): "Und da sie den Lobgesang gesprochen hatten"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:24
21Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 15. Chorale: "Erkenne mich, mein Hüter"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:52
22Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 16. Recitative (Evangelista, Petrus, Jesus): "Petrus aber antwortete"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals:
Walter Berry (bass‐baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:19
23Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 17. Chorale: "Ich will hier bei dir stehen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:53
24Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 18. Recitative (Evangelista, Jesus): "Da kam Jesus mit ihnen zu einem Hofe"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:07
25Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 19. Recitative: "O Schmerz! Hier zittert das gequälte Herz"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:06
26Matthäus-Passion, BWV 244: Teil I. Jesu Verzweilflung am Ölberg: No. 20. Aria: "Ich will bei meinem Jesu wachen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:15
27Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 21. Recitative (Evangelista, Jesus): "Und ging hin ein wenig"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
28Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 22. Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:22
29Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 23. Aria (Bass): "Gerne will ich mich bequemen"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:35
30Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 24. Recitative (Evangelista, Jesus): "Und er kam zu seinen Jüngern"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:36
31Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 25. Chorale: "Was mein Gott will, das g'scheh allzeit"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:09
2▼CD: Bach: Matthäus-Passion, BWV 244 [Disc 2]
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil I. Gebel am Ölberg: No. 26. Recitative (Evangelista, Jesus, Judas): "Und er kam und fand sie aber schlafend"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:07
2Matthäus-Passion, BWV 244: Teil I. Jesu Gefangennahme: No. 27a-b. Aria (Duet: Soprano, Alto): "So ist mein Jesus nun gefangen" - Chorus: "Sind Blitze, sind Donner in Wolken verschwunden"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:00
3Matthäus-Passion, BWV 244: Teil I. Jesu Gefangennahme: No. 28. Recitative (Evangelista, Jesus): "Und siehe, einer aus denen, die mit Jesu waren"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:47
4Matthäus-Passion, BWV 244: Teil I. Jesu Gefangennahme: No. 29. Chorale: "O Mensch, bewein dein Sünde groß"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
soprano vocals [Soprano in ripieno]:
Hampstead Parish Church Choir (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach11:12
5Matthäus-Passion, BWV 244: Teil II. Jesus vor den Hohenpriestern: No. 30. Aria (Alto): "Ach, nun ist mein Jesus hin"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:27
6Matthäus-Passion, BWV 244: Teil II. Jesus vor den Hohenpriestern: No. 31. Recitative (Evangelista): "Die aber Jesum gegriffen hatten"
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:10
7Matthäus-Passion, BWV 244: Teil II. Jesus vor den Hohenpriestern: No. 32. Chorale: "Mir hat die Welt trüglich gericht'"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1961-01-01 until 1961-01-12)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:29
8Matthäus-Passion, BWV 244: Teil II. Jesus vor den Hohenpriestern: No. 33. Recitative (Evangelista, Testis I/II, Pontifex): "Und wiewohl viel falsche Zeugen herzutraten"
contralto vocals:
Christa Ludwig (mezzo-soprano)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:26
9Matthäus-Passion, BWV 244: Teil II. Jesus vor den Hohenpriestern: No. 34. Recitative (Tenor): "Mein Jesus schweigt falschen Lügen stille"
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:01
10Matthäus-Passion, BWV 244: Teil II. Jesus vor den Hohenpriestern: No. 35. Aria (Tenor): "Geduld! Wenn mich falsche Zungen stechen"
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:56
11Matthäus-Passion, BWV 244: Teil II. Verleugnung durch Petrus: No. 36a-b. Recitative (Evangelista, Pontifex, Jesus): "Und der Hohepriester antwortete" - Chorus: "Er ist Todes schuldig"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach2:03
12Matthäus-Passion, BWV 244: Teil II. Verleugnung durch Petrus: No. 36c-d. Recitative (Evangelista): "Da speieten sie aus" - Chorus: "Weissage uns, Christe"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:48
13Matthäus-Passion, BWV 244: Teil II. Verleugnung durch Petrus: No. 37. Chorale: "Wer hat dich so geschlagen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:36
14Matthäus-Passion, BWV 244: Teil II. Verleugnung durch Petrus: No. 38a-b. Recitative (Evangelista, Ancilla I/II, Petrus): "Petrus aber saß draußen" - Chorus: "Wahrlich, du bist auch einer von denen"
bass vocals:
Walter Berry (bass‐baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:23
15Matthäus-Passion, BWV 244: Teil II. Verleugnung durch Petrus: No. 38c. Recitative (Evangelista, Ancilla I/II, Petrus): "Da hub er an, sich zu verfluchen"
bass vocals:
Walter Berry (bass‐baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:32
16Matthäus-Passion, BWV 244: Teil II. Verleugnung durch Petrus: No. 39. Aria (Alto): "Erbarme dich, mein Gott"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1961-01-01 until 1961-01-12)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:23
17Matthäus-Passion, BWV 244: Teil II. Verleugnung durch Petrus: No. 40. Chorale: "Bin ich gleich von dir gewichen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1961-01-01 until 1961-01-12)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:38
18Matthäus-Passion, BWV 244: Teil II. Judas im Tempel: No. 41a-b. Recitative (Evangelista, Judas): "Des Morgens aber hielten alle Hohepriester" - Chorus: "Was gehet uns das an?"
baritone vocals:
John Carol Case (English baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach1:18
19Matthäus-Passion, BWV 244: Teil II. Judas im Tempel: No. 41c. Recitative (Evangelista, Pontifex I/II): "Und er warf die Silberlinge in den Tempel"
baritone vocals:
John Carol Case (English baritone)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:54
20Matthäus-Passion, BWV 244: Teil II. Judas im Tempel: No. 42. Aria (Bass): "Gebt mir meinen Jesum wieder"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:11
21Matthäus-Passion, BWV 244: Teil II. Jesus vor Pilatus: No. 43. Recitative (Evangelista, Pilatus, Jesus): "Sie hielten aber einen Rat"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:35
22Matthäus-Passion, BWV 244: Teil II. Jesus vor Pilatus: No. 44. Chorale: "Befiehl du deine Wege"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:58
23Matthäus-Passion, BWV 244: Teil II. Jesus vor Pilatus: No. 45a-b. Recitative (Evangelista, Pilatus, Uxor Pilati, Cori): "Auf das Fest aber hatte der Landpfleger Gewohnheit" - Chorus: "Lass ihn kreuzigen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:50
24Matthäus-Passion, BWV 244: Teil II. Jesus vor Pilatus: No. 46. Chorale: "Wie wunderbarlich ist doch diese Strafe"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1961-01-01 until 1961-01-12)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:24
25Matthäus-Passion, BWV 244: Teil II. Jesus vor Pilatus: No. 47. Recitative (Evangelista, Pilatus): "Der Landpfleger sagte"
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:14
26Matthäus-Passion, BWV 244: Teil II. Jesus vor Pilatus: No. 48. Recitative (Soprano): "Er hat uns allen wohlgetan"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:20
27Matthäus-Passion, BWV 244: Teil II. Jesus vor Pilatus: No. 49. Aria (Soprano): "Aus Liebe will mein Heiland sterben"
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:47
3▼CD: Bach: Matthäus-Passion, BWV 244 [Disc 3]
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil II. Jesus vor Pilatus: No. 50a-e. Recitative (Evangelista): "Sie schrieen aber noch mehr" - Chorus: "Lass ihn kreuzigen" - Recitative: "Da aber Pilatus sahe" - Chorus: "Sein Blut komme über uns" - Recitative: "Da gab er ihnen Barrabam los"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:41
2Matthäus-Passion, BWV 244: Teil II. Jesu Geißelung: No. 51. Recitative (Alto): "Erbarm es Gott!"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:26
3Matthäus-Passion, BWV 244: Teil II. Jesu Geißelung: No. 52. Aria (Alto): "Können Tränen meiner Wangen"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:42
4Matthäus-Passion, BWV 244: Teil II. Jesu Geißelung: No. 53a-c. Recitative (Evangelista): "Da nahmen die Kriegsknechte" - Chorus: "Gegrüßet seist du, Judenkönig" - Recitative: "Und speieten ihn an"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:16
5Matthäus-Passion, BWV 244: Teil II. Jesu Geißelung: No. 54. Chorale: "O Haupt voll Blut un Wunden"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:16
6Matthäus-Passion, BWV 244: Teil II. Simon von Kyrene: No. 55. Recitative (Evangelista): "Und da sie ihn verspottet hatten"
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
7Matthäus-Passion, BWV 244: Teil II. Simon von Kyrene: No. 56. Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:44
8Matthäus-Passion, BWV 244: Teil II. Simon von Kyrene: No. 57. Aria (Bass): "Komm, süßes Kreuz, so will ich sagen"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:39
9Matthäus-Passion, BWV 244: Teil II. Kreuzigung: No. 58a-d. Recitative (Evangelista): "Und da sie an die Stätte kamen" - Chorus: "Der du den Tempel Gottes zerbrichst" - Recitative: "Desgleichen auch die Hohenpriester" - Chorus: "Andern hat er geholfen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:25
10Matthäus-Passion, BWV 244: Teil II. Kreuzigung: No. 58e. Recitative (Evangelista): "Desgleichen schmäheten ihn auch die Mörder"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:18
11Matthäus-Passion, BWV 244: Teil II. Kreuzigung: No. 59. Recitative (Alto): "Ach Golgatha, unselges Golgotha"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:36
12Matthäus-Passion, BWV 244: Teil II. Kreuzigung: No. 60. Aria (Alto): "Sehet, Jesus hat die Hand"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
contralto vocals:
Christa Ludwig (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:39
13Matthäus-Passion, BWV 244: Teil II. Kreuzigung: No. 61a-e. Recitative (Evangelista, Jesus): "Und von der sechsten Stunde an" - Chorus: "Der rufet dem Elias" - Recitative: "Und bald lief einer unter ihnen" - Chorus: "Halt, lass sehen" - Recitative: "Aber Jesus schriee abermal laut"
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
bass vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:53
14Matthäus-Passion, BWV 244: Teil II. Kreuzigung: No. 62. Chorale: "Wenn ich einmal soll scheiden"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1961-01-01 until 1961-01-12)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:21
15Matthäus-Passion, BWV 244: Teil II. Kreuzigung: No. 63a-c. Recitative (Evangelista): "Und siehe da, der Vorhang im Tempel zerriss" - Chorus: "Wahrlich, dieser ist Gottes Sohn gewesen" - Recitative (Bass): "Und es waren viel Weiber da"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach3:05
16Matthäus-Passion, BWV 244: Teil II. Kreuzabnahme: No. 64. Recitative (Bass): "Am Abend, da es kühle war"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:36
17Matthäus-Passion, BWV 244: Teil II. Kreuzabnahme: No. 65. Aria (Evangelista, Pilatus): "Mache dich, mein Herze, rein"
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach10:20
18Matthäus-Passion, BWV 244: Teil II. Und Joseph nahm den Leib: No. 66a-c. Recitative (Soprano, Alto, Tenor, Bass): "Und Joseph nahm den Leib" - Chorus: "Herr, wir haben gedacht" - Recitative: "Pilatus sprach zu ihnen"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
tenor vocals [Evangelist]:
Peter Pears (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:23
19Matthäus-Passion, BWV 244: Teil II. Und Joseph nahm den Leib: No. 67. Recitative (Soprano, Alto, Tenor, Bass): "Nun ist der Herr zur Ruh gebracht"
alto vocals:
Christa Ludwig (mezzo-soprano) (from 1961-01-01 until 1961-01-12)
bass vocals:
Walter Berry (bass‐baritone) (from 1961-01-01 until 1961-01-12)
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
contralto vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-01-01 until 1961-01-12)
tenor vocals:
Nicolai Gedda (tenor) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:21
20Matthäus-Passion, BWV 244: Teil II. Und Joseph nahm den Leib: No. 68. Chorus: "Wir setzen uns mit Tränen nieder"
choir vocals:
Philharmonia Choir (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-01-01 until 1961-01-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-01-01 until 1961-01-12)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-01-01 until 1961-01-12)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-11-21 until 1961-11-28) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-01-01 until 1961-01-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1961-01-01 until 1961-01-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach8:06
4▼CD: Brahms: Ein deutsches Requiem, Op. 45
#TitleArtistRatingLength
1Ein deutsches Requiem, Op. 45: I. Ziemlich langsam - Selig sind, die da Leid tragen
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-03-21 until 1961-04-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-03-21 until 1961-04-26)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-03-21 until 1961-04-26)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-03-21 until 1961-04-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-03-21 until 1961-04-26)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (from 1961-03-21 until 1961-04-26)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms9:58
2Ein deutsches Requiem, Op. 45: II. Langsam, marschmassig - Denn alles Fleisch es ist wie Gras
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-03-21 until 1961-04-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-03-21 until 1961-04-26)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-03-21 until 1961-04-26)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-03-21 until 1961-04-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-03-21 until 1961-04-26)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (from 1961-03-21 until 1961-04-26)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms14:30
3Ein deutsches Requiem, Op. 45: III. Andante moderato - Herr, lehre doch mich
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1961-03-21 until 1961-04-26)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-03-21 until 1961-04-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-03-21 until 1961-04-26)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-03-21 until 1961-04-26)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-03-21 until 1961-04-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-03-21 until 1961-04-26)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) (from 1961-03-21 until 1961-04-26)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms9:50
4Ein deutsches Requiem, Op. 45: IV. Massig bewegt - Wie lieblich sind deine Wohnungen
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-03-21 until 1961-04-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-03-21 until 1961-04-26)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-03-21 until 1961-04-26)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-03-21 until 1961-04-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-03-21 until 1961-04-26)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1961-03-21 until 1961-04-26)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:47
5Ein deutsches Requiem, Op. 45: V. Langsam - Ihr habt nun Traurigkeit
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-03-21 until 1961-04-26)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1961-03-21 until 1961-04-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-03-21 until 1961-04-26)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-03-21 until 1961-04-26)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-03-21 until 1961-04-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-03-21 until 1961-04-26)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 1961-03-21 until 1961-04-26)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms6:52
6Ein deutsches Requiem, Op. 45: VI. Andante - Denn wir haben hie keine bleibende Statt
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1961-03-21 until 1961-04-26)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-03-21 until 1961-04-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-03-21 until 1961-04-26)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-03-21 until 1961-04-26)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-03-21 until 1961-04-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-03-21 until 1961-04-26)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (from 1961-03-21 until 1961-04-26)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:44
7Ein deutsches Requiem, Op. 45: VII. Feierlich - Selig sind die Toten, die in dem Herren sterben
engineer:
Douglas Larter
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-03-21 until 1961-04-26)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-03-21 until 1961-04-26)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1961-03-21 until 1961-04-26)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1961-03-21 until 1961-04-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-03-21 until 1961-04-26)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) (from 1961-03-21 until 1961-04-26)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms10:17
5▼CD: Bach: Mass in B Minor, BWV 232 [Choruses]
#TitleArtistRatingLength
1Mass in B Minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach13:25
2Mass in B Minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:20
3Mass in B Minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:33
4Mass in B Minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:15
5Mass in B Minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:20
6Mass in B Minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:56
7Mass in B Minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:19
8Mass in B Minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:14
9Mass in B Minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:36
10Mass in B Minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach8:10
11Mass in B Minor, BWV 232: IVb. Sanctus, Osanna, Benedictus & Agnus Dei: Chorus "Osanna in excelsis"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:22
12Mass in B Minor, BWV 232: IVd. Sanctus, Osanna, Benedictus & Agnus Dei: Chorus "Osanna in excelsis"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:43
13Mass in B Minor, BWV 232: IVf. Sanctus, Osanna, Benedictus & Agnus Dei: Choir "Dona nobis pacem"
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:23
14Otto Klemperer & the Philharmonia Chorus in rehearsal
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
Otto Klemperer10:38
6▶CD: Beethoven: Fidelio, Op. 72 [Act 1]
7▶CD: Beethoven: Fidelio, Op. 72 [Act 2]
8▶CD: Handel: Messiah, HWV 56 [disc 1]
9▶CD: Handel: Messiah, HWV 56 [disc 2]
10▶CD: Mozart: Die Zauberflöte, K. 620 [Act 1]
11▶CD: Mozart: Die Zauberflöte, K. 620 [Act 2]
12▶CD: Beethoven: Missa Solemnis, Op. 123
13▶CD: Mozart: Don Giovanni, K. 527 [disc 1]
14▶CD: Mozart: Don Giovanni, K. 527 [disc 2]
15▶CD: Mozart: Don Giovanni, K. 527 [disc 3]
16▶CD: Klemperer's Don Giovanni: Behind the Scenes
17▶CD: Bach: Mass in B Minor, BWV 232 [disc 1]
18▶CD: Bach: Mass in B Minor, BWV 232 [disc 2]
19▶CD: Wagner: Der fliegende Holländer, WWV 63 [disc 1]
20▶CD: Wagner: Der fliegende Holländer, WWV 63 [disc 2]
21▶CD: Wagner: Die Walküre, WWV 86B [Act 1]
22▶CD: Wagner: Die Walküre, WWV 86B [Act 3]; Wesendonck-Lieder; Isoldes Liebestod
23▶CD: Mozart: Le nozze di Figaro, K. 492 [disc 1]
24▶CD: Mozart: Le nozze di Figaro, K. 492 [disc 2]
25▶CD: Mozart: Le nozze di Figaro, K. 492 [disc 3]
26▶CD: Mozart: Così fan tutte, K. 588 [disc 1]
27▶CD: Mozart: Così fan tutte, K. 588 [disc 2]
28▶CD: Mozart: Così fan tutte, K. 588 [disc 3]
29▶CD: An Opera Souvenir [Bonus disc]