Eric Robinson’s World of Music

~ Release by Eric Robinson (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl: Merrie England
#TitleArtistRatingLength
A1Pomp and Circumstance March no. 1 in D
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1971-09)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:24
A2Elizabethan Serenade
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Elizabethan Serenade (in 1971-09)
composer:
Ronald Binge (British composer and arranger of light music) (until 1951)
Ronald Binge2:47
A3Chanson du matin
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra) (in 1971-09)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Edward Elgar3:09
A4Nimrod from Enigma Variations
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1971-09)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:26
A5Knightsbridge March from “London Suite”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
London Suite: III. Knightsbridge (March) (in 1971-09)
composer:
Eric Coates (composer)
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
London Suite
Eric Coates4:56
B1Overture: The Yeoman of the Guard
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
The Yeomen of the Guard: Overture (in 1971-09)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Yeomen of the Guard
Arthur Sullivan5:08
B2Scottish Dance no.1
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Four Scottish Dances, op. 59: I. Pesante (for orchestra) (in 1971-09)
composer:
Malcolm Arnold (composer)
was commissioned by:
BBC Radio 3
part of:
Four Scottish Dances, op. 59 (for orchestra)
Malcolm Arnold2:17
B3March: Folk Songs from Somerset
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (in 1971-09)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:16
B4Trumpet Voluntary
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
solo trumpet:
John Wilbraham (trumpet player) (in 1971-09)
trumpet:
John Wilbraham (trumpet player)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
The Prince of Denmark’s March (orchestrated by H. Wood) (in 1971-09)
orchestrator:
Sir Henry Wood (English conductor)
composer:
Jeremiah Clarke (English baroque composer and organist)
orchestration of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:51
B5Dambusters March
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
The Dam Busters March (in 1971-09)
composer:
Eric Coates (composer) (in 1955)
publisher:
Chappell & Co.
Eric Coates4:21
2▼12" Vinyl: Austria - Land of Music and Laughter
#TitleArtistRatingLength
C1Tritsch-Tratsch Polka
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Tritsch–Tratsch Polka, op. 214 (in 1971-09)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss, Jr.3:09
C2Radetzky March
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (in 1971-09)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss, Sr.2:09
C3Overture: The Marriage of Figaro
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1971-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:25
C4Entr’acte from Rosamunde
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Rosamunde, D. 797: V. Entr'acte Nr. 3 B-Dur. Andantino (in 1971-09)
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert8:12
C5Danube Waves
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) and National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) and Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Valurile Dunării (The Waves of the Danube) (in 1971-09)
composer:
Iosif Ivanovici (in 1880)
Ion Ivanovici5:33
D1Overture: The Magic Flute
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 1971-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:49
D2Trumpet Concerto – Third Movement
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
solo trumpet:
John Wilbraham (trumpet player) (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro (in 1971-09)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
Joseph Haydn4:39
D3Marche Militaire
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
phonographic copyright (℗) by:
The Reader’s Digest Association Limited (not for release label use!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Marche militaire, op. 51, D. 733 no. 1 in D major (catch-all for arrangements) (in 1971-09)
composer:
Franz Schubert (composer)
arrangement of:
Marche militaire, op. 51, D. 733 no. 1 in D major
Franz Schubert5:02
D4Overture: Queen of Spades
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Pique Dame: Ouvertüre (in 1971-09)
composer:
Franz von Suppé (Franz von Suppè, composer)
part of:
Pique Dame
Franz von Suppé8:21
3▼12" Vinyl: Italian Serenade
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E1Prelude to Act I “La traviata”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
La traviata: Preludio (in 1971-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:54
E2Minuet
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1971-09)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:59
E3Dance of the Water Nymphs from “Lorelei”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
partial recording of:
Loreley: Atto III (in 1971-09)
composer:
Alfredo Catalani (composer)
librettist:
Carlo D'Ormeville and Angelo Zanardini
part of:
Loreley
Alfredo Catalani7:00
E4Ballet Music from “Aïda”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1971-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi8:02
F1Winter from “Four Seasons”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
solo violin:
Sidney Sax (violinist and concertmaster) (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”) (in 1971-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/25) and Ryom-Verzeichnis (number: RV 297)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi9:54
F2Intermezzo from “I Pagliacci”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Pagliacci: Atto I. Intermezzo (in 1971-09)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:24
F3Overture: Sicilian Vespers
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Les Vêpres siciliennes : Ouverture (in 1971-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Les Vêpres siciliennes
Giuseppe Verdi9:32
4▼12" Vinyl: Germany - Land of Mystery and Melody
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G1Largo from “Xerxes”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
organ:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1971-09)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel3:53
G2Turkish March from “The Ruins of Athens”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Die Ruinen von Athen, op. 113: IV. Marcia alla turca (in 1971-09)
composer:
Ludwig van Beethoven (German composer) (in 1811)
is based on:
6 Variations for Piano in D major on an Original Theme, op. 76
part of:
Die Ruinen von Athen, op. 113
Ludwig van Beethoven1:45
G3Dreaming (Traümerei)
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Kinderszenen, op. 15: Träumerei (catch-all for arrangements) (in 1971-09)
composer:
Robert Schumann (German classical composer) (in 1838)
arrangement of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Robert Schumann3:43
G4Egmont Overture
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro (in 1971-09)
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven8:05
H1Overture: The Huntsman (Der Freischütz)
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Der Freischütz: Ouvertüre (in 1971-09)
composer:
Carl Maria von Weber (composer)
part of:
Der Freischütz
Carl Maria von Weber9:36
H2Scherzo from “A Midsummer Night’s Dream”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace (in 1971-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:47
H3Nocturne from “A Midsummer Night’s Dream”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
solo horn:
Ian Harper (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo (in 1971-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn6:48
H4Wedding March from “A Midsummer Night’s Dream”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) (in 1971-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:44
5▼12" Vinyl: The Magic and Gaiety of France
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I1Overture: Orpheus in the Underworld
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture) (in 1971-09)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach9:29
I2Faust Waltz from “Faust”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Concert Waltz (from Faust) (for orchestra) (in 1971-09)
composer:
Charles Gounod (French composer)
arrangement of:
Faust : Acte II. No. 9 Valse et chœur « Ainsi que la brise légère … » (Chœur, Méphistophélès, Faust, Siébel) (Valse de Faust, Waltz; Faust-Walzer)
Charles‐François Gounod3:30
I3Grand March from “The Queen of Sheba”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
La Reine de Saba : Act IV. Grand March (in 1971-09)
composer:
Charles Gounod (French composer)
part of:
La Reine de Saba
Charles‐François Gounod4:43
I4Pomone Waltz
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Pomone, op. 155 (in 1971-09)
composer:
Émile Waldteufel (classical composer)
Émile Waldteufel6:13
I5Farandole from “L’Arlésienne Suite”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1971-09)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:21
J1Overture: The Bronze Horse
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Le Cheval de bronze: Overture (in 1971-09)
composer:
Daniel François Esprit Auber (composer)
part of:
Le Cheval de bronze
Daniel François Esprit Auber7:33
J2“Jeux d’enfants”: March / Berceuse / Galop
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: I. Marche. Trompette et tambour (in 1971-09)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : VI. Trompette et Tambour
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: II. Berceuse. La Poupée (in 1971-09)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : III. La Poupée
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: V. Galop. Le Bal (in 1971-09)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : XII. Le Bal
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet6:37
J3Overture: Le Roi d’Ys
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
solo cello:
Francisco Gabarro (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Le Roi d'Ys: Overture (in 1971-09)
composer:
Édouard Lalo (French composer)
part of:
Le Roi d'Ys
Édouard Lalo10:06
6▼12" Vinyl: Hungarian Rhapsody
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K1Hora Staccato
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Hora Staccato (for violin and orchestra, Heifetz) (in 1971-09)
orchestrator:
Jascha Heifetz (violinist)
composer:
Grigoraș Dinicu (Romanian violin virtuoso and composer)
arrangement of:
Hora Staccato (for violin and piano, arr. Heifetz)
Grigoraș Dinicu2:18
K2Czárdás
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Csárdás (catch-all for arrangements) (in 1971-09)
composer:
Vittorio Monti (Italian violinist and composer)
arrangement of:
Csárdás
Vittorio Monti4:13
K3Hungarian Dance no. 5
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms2:39
K4Hungarian Dance no. 6
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Schmeling) (in 1971-09)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms3:10
K5Slavonic Rhapsody
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Slavische Rhapsodie no. 1, op. 114 (catch-all for arrangements) (in 1971-09)
composer:
Carl Friedemann (German-Swiss composer)
arrangement of:
Slavische Rhapsodie no. 1, op. 114
Carl Friedemann7:54
L1Hungarian Rhapody no. 2
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (catch-all for arrangements and unknown orchestrations) (in 1971-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
Franz Liszt10:30
L2Intermezzo from “Hary János”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
hammered dulcimer [cembalom]:
John Leach (British composer known for film and television scores) (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Háry János Suite: V. Intermezzo: Andante maestoso, ma con fuoco (in 1971-09)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály5:02
L3Mephisto Waltz
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Deux épisodes d’après le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer) (for orchestra) (in 1971-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke" (for piano solo)
part of:
Deux épisodes d’après le Faust de Lenau, S. 110 (for orchestra)
Franz Liszt11:03
7▼12" Vinyl: Rustle of Spring - A Scandinavian Rhapsody
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M1Prelude and Rigaudon from “Holberg Suite”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
recording of:
Fra Holbergs tid, op. 40: V. Rigaudon (Allegro con brio) (for string orchestra) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg7:00
M2Valse Triste
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Valse Triste, op. 44 no. 1 (catch-all for arrangements) (in 1971-09)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1904, in 1904)
arrangement of:
Valse triste, op. 44 no. 1 (for orchestra)
recording of:
Valse triste, op. 44 no. 1 (for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius4:22
M3Rustle of Spring
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
6 Stücke, op. 32: Nr. 3. Frühlingsrauschen (6 Pieces, op. 32: No. 3. Rustle of Spring, for orchestra) (in 1971-09)
composer:
Christian Sinding (Norwegian composer)
orchestration of:
6 Stücke, op. 32: Nr. 3. Frühlingsrauschen (6 Pieces, op. 32: No. 3. Rustle of Spring, for piano)
Christian Sinding2:33
M4The Herd Girl’s Sunday Romance
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Sæterjentens Søndag (Svendsen harmonisation) (in 1971-09)
composer:
Ole Bull
arranger:
Johan Svendsen (composer and conductor)
version of:
Sæterjentens Søndag
recording of:
Sæterjentens Søndag
composer:
Ole Bull
Ole Bull3:04
M5Alla Marcia from “Karelia Suite”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
phonographic copyright (℗) by:
The Reader’s Digest Association Limited (not for release label use!) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Karelia-sarja, op. 11: III. Alla marcia (Karelia Suite, op. 11: III. Alla marcia, for orchestra) (in 1971-09)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius4:09
N1Swedish Rhapsody
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Swedish Rhapsody no. 1, op. 19 “Midsommarvaka” (in 1971-09)
composer:
Hugo Alfvén (Swedish composer and conductor) (in 1903)
part of:
Works of Hugo Alfvén by opus number (number: op. 19)
Hugo Alfvén12:12
N2Norwegian Rustic March
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Lyric Suite, op. 54: II. Norwegian March. Allegretto marcato (orch. Seidl, revised Grieg) (in 1971-09)
orchestrator:
Anton Seidl
composer:
Edvard Grieg (composer)
revised by:
Edvard Grieg (composer) (in 1905)
orchestration of:
Lyriske stykker, hefte V, op. 54: No. 2: Gangar (Lyric Pieces, Book V, op. 54 no. 2: Gangar)
part of:
Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)
Edvard Grieg3:31
N3Valdres March
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Valdres-marsj (Valdres March) (in 1971-09)
composer:
Johannes Hanssen (from 1901 until 1904)
Johannes Hanssen3:17
8▼12" Vinyl: The Romantic Music of Russia
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O1Overture: Russlan and Ludmilla
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (in 1971-09)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Mikhail Glinka5:50
O2Waltz from “Serenade for Strings”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (in 1971-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky3:48
O3Polovtsian Dances from “Prince Igor”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (in 1971-09)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin13:26
P1Gopak from Act III of Sorotchinsky Fair
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
The Fair at Sorochintsï: Gopak (orchestrated by Lyadov) (in 1971-09)
orchestrator:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874 until 1880)
orchestration of:
The Fair at Sorochintsï: Hopak
Modeste Petrovich Mussorgsky1:41
P2Cossack Dance from “Mazeppa”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Мазепа, TH 7: Действие I, картина 1, no. 4а. Гопак (Mazeppa: Act I: Scene 1: Hopak, Gopak, Cossack Dance) (in 1971-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Мазепа: Действие первое (Mazeppa: Act I)
Pyotr Ilyich Tchaikovsky4:16
P31812 Overture
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
bell and percussion [cannon]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1971-09)
brass:
Massed Brass Bands ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1971-09)
choir vocals:
National Philharmonic Chorus (of London) (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09) and Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
The Year 1812, Festival Overture in E‐flat major (catch‐all for arrangements) (in 1971-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
arrangement of:
The Year 1812, Festival Overture in E-flat major, op. 49
Pyotr Ilyich Tchaikovsky15:33
9▼12" Vinyl: Bolero! A Spanish Serenade
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Q1España Waltz
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
España, op. 236 (in 1971-09)
composer:
Émile Waldteufel (classical composer)
is based on:
España (for voice and piano)
Émile Waldteufel5:30
Q2Gypsy Airs (Zigeunerweisen)
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
violin:
Sidney Sax (violinist and concertmaster) (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra) (in 1971-09)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate5:10
Q3Bolero
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Boléro (in 1971-09)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel14:34
R1Andaluçia from “Spanish Dances”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (in 1971-09)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
part of:
12 danzas españolas, op. 37 (catch-all for arrangements)
Enrique Granados5:45
R2Habañera
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Habanera (for orchestra) (in 1971-09)
orchestrator:
Emmanuel Chabrier (composer)
composer:
Emmanuel Chabrier (composer) (in 1885)
orchestration of:
Habañera (for piano)
Emmanuel Chabrier4:31
R3Zapateado
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) and Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Spanish Dances, op. 23: No. 2. Zapateado (catch-all for arrangements) (in 1971-09)
composer:
Pablo de Sarasate (violinist and composer)
arrangement of:
Spanish Dances, op. 23, no. 2: Zapateado
Pablo de Sarasate2:25
R4The Maiden and the Nightingale
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Goyescas, H.64, No. 4: Quejas o la maja y el ruiseñor (catch-all for arrangements) (in 1971-09)
composer:
Enrique Granados (composer)
arrangement of:
Goyescas, H.64, No. 4: Quejas o la maja y el ruiseñor (piano piece)
Enrique Granados4:34
R5Symphonie Espangole: Rondo
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
solo violin:
Hugh Bean (violinist) (in 1971-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro (in 1971-09)
composer:
Édouard Lalo (French composer) (in 1874)
part of:
Symphonie espagnole in D minor, op. 21
Édouard Lalo9:05
10▼12" Vinyl: From Bohemia's Fields and Forests
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S1Slavonic Dance in C, op. 72 no. 7
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra) (in 1971-09)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:26
S2Slavonic Dance in E minor, op. 72 no. 2
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra) (in 1971-09)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák5:41
S3Slavonic Dance in G minor, op. 46 no. 8
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Slavonic Dances, op. 46, B. 83: No. 8 in G minor (Furiant) (for orchestra) (in 1971-09)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:30
S4Adagietto from Symphony no. 5
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
performer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1971-09)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:47
T1The Moldau from “Má vlast” (My Homeland)
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (in 1971-09)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:21
T2Humoresque
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Robinson (conductor) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (in 1971-09)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Antonín Dvořák3:38
T3Polka from “The Bartered Bride”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Die verkaufte Braut: I. Polka (The Bartered Bride: I. Polka) (in 1971-09)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana3:35
T4Furiant from “The Bartered Bride”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Die verkaufte Braut: II. Furiant (The Bartered Bride: II. Furiant) (in 1971-09)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana1:33
T5Dance of the Comedians from “The Bartered Bride”
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Douglas Gamley (film composer) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Die verkaufte Braut: III. Komödiantenszene (The Bartered Bride: III. Dance of the Comedians) (in 1971-09)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana3:17