Six Classic Albums

~ Release by Mel Tormé (see all versions of this release, 1 available)

Tracklist

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1▼CD: It's a Blue World / Mel Tormé and the Marty Paich Dek-Tette
#TitleArtistRatingLength
1I Got It Bad (And That Ain't Good)
cover recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
Mel Tormé3:18
2Till the Clouds Roll By
cover recording of:
Till the Clouds Roll By
lyricist:
P. G. Wodehouse
composer:
Jerome Kern
Mel Tormé2:54
3Isn't It Romantic
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
Mel Tormé3:38
4I Know Why (And So Do You)
cover recording of:
I Know Why
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
Mel Tormé3:47
5All This and Heaven Too
cover recording of:
All This and Heaven Too
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
publisher:
Scarsdale Music Corp. (ASCAP) and Warner Bros. Music (publisher; do NOT use as release label)
Mel Tormé3:35
6How Long Has This Been Going On
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Mel Tormé3:30
7Polka Dots and Moonbeams
cover recording of:
Polka Dots and Moonbeams
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Mel Tormé3:56
8You Leave Me Breathless
cover recording of:
You Leave Me Breathless (from the film “Cocoanut Grove”)
lyricist:
Ralph Freed
composer:
Friedrich Hollaender
Mel Tormé3:21
9I Found a Million Dollar Baby (In a Five and Ten Cent Store)
cover recording of:
I Found a Million Dollar Baby (in a Five and Ten Cent Store)
lyricist:
Mort Dixon and Billy Rose (lyricist and Broadway producer)
composer:
Harry Warren (US composer and lyricist)
publisher:
Olde Clover Leaf Music and Warner Bros., Inc. (Warner Bros. Music Division)
Mel Tormé3:36
10Wonderful One
cover recording of:
Wonderful One (1923 song)
lyricist:
Theodora Morse (née Strandberg)
composer:
Ferde Grofé (pianist, arranger, conductor and composer) and Paul Whiteman
Mel Tormé3:16
11It's a Blue World
cover recording of:
It’s a Blue World
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
The 13th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1940 nominee)
Mel Tormé3:42
12Stay as Sweet as You Are
cover recording of:
Stay as Sweet as You Are
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Chappell & Co.
Mel Tormé23:19
13Lulu's Back in Town
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette3:04
14When the Sun Comes Out
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette3:18
15I Love to Watch the Moonlight
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette2:50
16Fascinating Rhythm
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette2:28
17The Blues
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette3:33
18Carioca
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette3:17
2▼CD: Mel Tormé and the Marty Paich Dek-Tette (cont.) / Mel Tormé Sings Fred Astaire
#TitleArtistRatingLength
1The Lady Is a Tramp
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette2:47
2I Like to Recognize the Tune
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
recording of:
I Like to Recognize the Tune
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
Mel Tormé with The Marty Paich Dek‐Tette3:14
3Keeping Myself for You
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
recording of:
Keepin’ Myself for You
lyricist:
Sidney Clare
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
Mel Tormé with The Marty Paich Dek‐Tette3:42
4Lullaby of Birdland
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette4:49
5When April Comes Again
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette2:57
6Sing for Your Supper
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
Mel Tormé with The Marty Paich Dek‐Tette2:24
7Nice Work If You Can Get It
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:08
8Something's Gotta Give
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:56
9A Foggy Day
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:36
10A Fine Romance
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:01
11Let's Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:24
12Top Hat, White Tie and Tails
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:09
13The Way You Look Tonight
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:21
14The Piccolino
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:34
15They Can't Take That Away From Me
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé3:01
16Cheek to Cheek
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:57
17Let's Face the Music and Dance
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:19
18They All Laughed
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack DuLong (in 1956-11)
bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vincent DeRosa (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
wind instruments [valve trombone, tenor sax]:
Bob Enevoldsen (in 1956-11)
vocals:
Mel Tormé (“The Velvet Fog”) (in 1956-11)
conductor:
Marty Paich (in 1956-11)
arranger:
Marty Paich
Mel Tormé2:30
3▼CD: Tormé / Olé Tormé
#TitleArtistRatingLength
1That Old Feeling
conductor:
Marty Paich
Mel Tormé3:27
2Gloomy Sunday
conductor:
Marty Paich
recording of:
Gloomy Sunday
lyricist:
Jávor László (Hungarian poet)
composer:
Rezső Seress
translator:
Sam M. Lewis (1930s lyricist)
translated version of:
Szomorú vasárnap
Mel Tormé5:12
3Body and Soul
conductor:
Marty Paich
Mel Tormé3:35
4Nobody's Heart
conductor:
Marty Paich
Mel Tormé1:49
5I Should Care
conductor:
Marty Paich
Mel Tormé2:53
6The House Is Haunted (By the Echo of Your Last Goodbye)
conductor:
Marty Paich
recording of:
The House Is Haunted (by the Echo of Your Last Goodbye)
writer:
Basil Adlam (in 1934) and Billy Rose (lyricist and Broadway producer) (in 1934)
Mel Tormé2:49
7Blues in the Night
conductor:
Marty Paich
Mel Tormé8:05
8I Don't Want to Cry Anymore
conductor:
Marty Paich
Mel Tormé3:03
9Where Can I Go Without You
conductor:
Marty Paich
Mel Tormé3:25
10How Did She Look
conductor:
Marty Paich
Mel Tormé3:21
11'Round Midnight
producer:
Norman Granz (on 1958-06-27)
piano:
Marty Paich (on 1958-06-27)
trombone:
Frank Rosolino (on 1958-06-27)
conductor:
Marty Paich (on 1958-06-27)
arranger:
Marty Paich (on 1958-06-27)
recording of:
’Round Midnight (on 1958-06-27)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Mel Tormé3:12
12I'm Gonna Laugh You Right Out of My Life
conductor:
Marty Paich
Mel Tormé2:33
13At the Crossroads (Malagueña)
Mel Tormé & Billy May2:35
14Frenesi
Mel Tormé & Billy May2:34
15Adios
Mel Tormé & Billy May2:02
16Baia
Mel Tormé & Billy May2:27
17Six Lessons From Madame La Zonga
recording of:
Six Lessons From Madame La Zonga
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter)
composer:
James V. Monaco
Mel Tormé & Billy May3:07
18Rosita
Mel Tormé & Billy May2:54
4▼CD: Olé Tormé (cont.) / Swingin' on the Moon
#TitleArtistRatingLength
1South of the Border
recording of:
South of the Border
writer:
Michael Carr (songwriter) and Jimmy Kennedy (Irish songwriter)
Mel Tormé & Billy May3:00
2Nina
Mel Tormé & Billy May2:34
3Cuban Love Song
Mel Tormé & Billy May2:01
4Perfidia
recording of:
Perfidia
lyricist and composer:
Alberto Domínguez
Mel Tormé & Billy May2:05
5The Rhumba Jumps
Mel Tormé & Billy May2:11
6Vaya con Dios
Mel Tormé & Billy May3:22
7Swingin' on the Moon
Mel Tormé3:29
8Moonlight Coctail
Mel Tormé3:03
9I Wished on the Moon
Mel Tormé3:53
10Moon Song
Mel Tormé3:12
11How High the Moon
Mel Tormé3:11
12Don't Let the Moon Get Away
Mel Tormé2:36
13Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:42
14A Velvet Affair
Mel Tormé2:58
15No Moon at All
Mel Tormé2:33
16Moonlight in Vermont
Mel Tormé3:02
17Oh, You Crazy Moon
Mel Tormé3:13
18The Moon Was Yellow
Mel Tormé2:47