Annotation

A subscription series issued as 50 individual two-record sets, released from 1978-1982. The entire library was first announced on the 100th anniversary (1977) of Thomas Edison’s invention of the phonograph. Each LP was pressed with a special vinyl formulation that enabled a clear (IE: virgin vinyl) quiet playing surface on a more rigid (heavy weighted) LP disc. Every record was pressed and processed in an atmosphere controlled “clean room” and using "ruby red colored" vinyl. Recordings are archival in nature and some are varied from mono vs stereo, though not specified on the disc or labels.

Each library case houses two proof-quality long playing records, with each record fully protected within its own dust free (plastic tray & lid) compartment. The records are firmly supported within the closed compartment in such a way that the playing surface never touches any part of the case. Each library case includes a specially written and illustrated commentary, by a respected music expert. The composers and their works are discussed in much detail, along with historical background information, which is provided re: the featured Soloists, Orchestras, Conductors, and Ensembles per recording.

Note: 2 different box types exist: 1st released in an oversized case with plastic protective trays measuring 13.25 x 13.5 inches with booklet attached inside & hinged vs the standard type of box 12.5 x 12.5 with booklet placed (loose along with insert) inside of box and was shipped with Styrofoam wafer liners. Dating for sets can be found with a date printed on the booklet, only set 1/2 (from 1978) is not dated the rest are chronological from 1978-1982. For example: Volume 2/3 year 1978 vs 25/56 year 1979 vs 49/50 year 1980 vs 63/64 year 1980 vs 83/83 year 1981 vs 93/94 year 1982. In volume 49/50 a special notice sheet was added indicating that this volume came with a "Cross Reference Index" booklet for the previous 50 volumes (1-50) and stating at the conclusion of the collection they will provide a permanent listing of all 100 records as a helpful reference aid. Recordings in the booklet are listed in order of issue as well as alphabetically by performers, selections and composers.

Annotation last modified on 2022-09-21 13:29 UTC.

Tracklist

| |
12" Vinyl 1
#TitleArtistRatingLength
1Fantasia on a Theme by Thomas Tallis
cello:
Alexander Cameron (cellist)
viola:
John Chambers (viola)
violin:
Rodney Friend (violinist) and Russell Gilbert (violinist)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1976)
recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams16:22
2Brigg Fair
orchestra:
Royal Philharmonic Orchestra (on 1956-10-22)
conductor:
Sir Thomas Beecham (conductor) (on 1956-10-22)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1956-10-22) and Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-10-22)
recording of:
Brigg Fair, RT vi/16 (Delius arrangement) (on 1956-10-22)
composer:
Frederick Delius (composer) (in 1907)
dedicated to:
Percy Grainger (Australian composer 1882–1961)
is based on:
Brigg Fair (Percy Grainger choral arrangement)
Frederick Delius15:33
3Enigma Variations
recorded in:
St John's Wood, Westminster, London (Greater London), England, United Kingdom
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Daniel Barenboim (pianist and conductor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar29:52
12" Vinyl 2
#TitleArtistRatingLength
1Symphony no. 2 in D, op. 43. I. Allegretto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (from 1966-07-25 until 1966-07-26)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-25 until 1966-07-26)
balance engineer:
Neville Boyling (engineer) (from 1966-07-25 until 1966-07-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-07-25 until 1966-07-26)
recording of:
Sinfonia nro 2 D-duuri, op. 43: I. Allegretto (Symphony no. 2 in D major, op. 43: I. Allegretto) (from 1966-07-25 until 1966-07-26)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius10:17
2Symphony no. 2 in D, op. 43. II. Tempo andante, ma rubato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (from 1966-07-25 until 1966-07-26)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-25 until 1966-07-26)
balance engineer:
Neville Boyling (engineer) (from 1966-07-25 until 1966-07-26)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-07-25 until 1966-07-26)
recording of:
Sinfonia nro 2 D-duuri, op. 43: II. Tempo andante, ma rubato (Symphony no. 2 in D major, op. 43: II: Tempo andante, ma rubato) (from 1966-07-25 until 1966-07-26)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius14:47
3Symphony no. 2 in D, op. 43. III. Vivacissimo & Finale (Allegro moderato)
recorded in:
London (Greater London), England, United Kingdom
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-07-25 until 1966-07-26)
recording of:
Symphony no. 2 in D major, op. 43 (transcr. for piano by Sigfridsson)
composer:
Jean Sibelius (Finnish composer) (from 1901 until 1902)
piano arranger:
Henri Sigfridsson (pianist) (in 2011)
arrangement of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius20:07
4The Swan of Tuonela
producer:
Christopher Bishop (conductor/producer)
cor anglais:
Eric Fletcher (English horn player) (from 1966-01-23 until 1966-01-24)
orchestra:
Hallé Orchestra (from 1966-01-23 until 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-01-23 until 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-01-23 until 1966-01-24)
recording of:
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (Lemminkäinen Suite, op. 22: II. The Swan of Tuonela) (from 1966-01-23 until 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1895)
part of:
Lemminkäis-sarja (Neljä legendaa), op. 22 (Lemminkäinen Suite, op. 22)
Jean Sibelius7:49