Simply Anne-Sophie

~ Release by Anne-Sophie (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Concerto for Violin and Strings in E major, Op. 8 No. 1, RV. 269 "La Primavera": I. Allegro
engineer:
Wolf‐Dieter Karwatky (in 1999-05), Mark Buecker (recording engineer) (in 1999-05) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-05)
producer:
Ulrich Vette (engineer)
violin:
Anne‐Sophie Mutter (violinist) (in 1999-05)
orchestra:
TrondheimSolistene (Trondheim Soloists) (in 1999-05)
conductor:
Anne‐Sophie Mutter (violinist) (in 1999-05)
balance engineer:
Ulrich Vette (engineer) (in 1999-05)
recorded at:
Tivolis Koncertsal (Tivoli’s Concert Hall) in Copenhagen, Capital Region of Denmark, Denmark (in 1999-05)
live recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1999-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:36
2Violin Concerto No. 3 in G major, K. 216: III. Rondo. Allegro
engineer:
Ingmar Haas (engineer) (in 2005-07) and Wolf‐Dieter Karwatky (in 2005-07)
producer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Ulrich Vette (engineer)
editor:
Dagmar Birwe, Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Ulrich Vette (engineer)
solo violin:
Anne‐Sophie Mutter (violinist) (in 2005-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 2005-07)
conductor:
Anne‐Sophie Mutter (violinist) (in 2005-07)
balance engineer:
Günter Hermanns (producer/engineer) (in 2005-07) and Ulrich Vette (engineer) (in 2005-07)
concertmaster:
Boris Garlitsky (violinist) (in 2005-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2005-07)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto (in 2005-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
Wolfgang Amadeus Mozart6:22
3Violin Concerto No. 5 in A major, K. 219: II. Adagio
engineer:
Ingmar Haas (engineer) (in 2005-07) and Wolf‐Dieter Karwatky (in 2005-07)
producer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Ulrich Vette (engineer)
editor:
Dagmar Birwe, Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Ulrich Vette (engineer)
solo violin:
Anne‐Sophie Mutter (violinist) (in 2005-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 2005-07)
conductor:
Anne‐Sophie Mutter (violinist) (in 2005-07)
balance engineer:
Günter Hermanns (producer/engineer) (in 2005-07) and Ulrich Vette (engineer) (in 2005-07)
concertmaster:
Boris Garlitsky (violinist) (in 2005-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2005-07)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio (in 2005-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart11:16
4Romance for Violin and Orchestra No. 2 in F major, Op. 50
solo violin:
Anne‐Sophie Mutter (violinist) (in 2002-05)
orchestra:
New York Philharmonic (in 2002-05)
conductor:
Kurt Masur (conductor) (in 2002-05)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (in 2002-05)
live recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile) (in 2002-05)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven8:27
5Thaïs: Acte Deux. Meditation
recording engineer:
Wolf‐Dieter Karwatky (from 1992-11-17 until 1992-11-18) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (from 1992-11-17 until 1992-11-18)
additional producer:
Werner Mayer (classical producer) (from 1992-11-17 until 1992-11-18)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (from 1992-11-17 until 1992-11-18)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1992-11-17 until 1992-11-18)
conductor:
James Levine (US conductor and pianist) (from 1992-11-17 until 1992-11-18)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 1992-11-17 until 1992-11-18)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1992-11)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:43
6Liebesleid
piano:
Lambert Orkis (pianist) (in 2002-01)
violin:
Anne‐Sophie Mutter (violinist) (in 2002-01)
recording of:
Liebesleid (for violin and piano) (in 2002-01)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler4:25
7Tango Song and Dance: Song
piano:
André Previn (pianist, conductor, composer, arranger) (in 2001-12)
violin:
Anne‐Sophie Mutter (violinist) (in 2001-12)
recording of:
Tango Song and Dance: II. Song. Simply
composer:
André Previn (pianist, conductor, composer, arranger)
part of:
Tango Song and Dance
André Previn5:04
8Hungarian Dance No. 6 in D-flat major
piano:
Lambert Orkis (pianist) (in 2002-01)
violin:
Anne‐Sophie Mutter (violinist) (in 2002-01)
piano and violin arranger:
Joseph Joachim (Hungarian violinist and composer)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 6 in D major (Vivace) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances: No. 6 in D-flat major [trans. D major] (for violin and piano, Joachim)
composer:
Johannes Brahms (German composer)
arranger:
Joseph Joachim (Hungarian violinist and composer)
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances (for violin and piano, Joachim)
Johannes Brahms3:46
9Porgy and Bess: Summertime
piano:
André Previn (pianist, conductor, composer, arranger) (in 2002-07)
violin:
Anne‐Sophie Mutter (violinist) (in 2002-07)
recording of:
Porgy and Bess: Summertime (for violin and piano, arr. Heifetz) (in 2002-07)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin2:14
10Carmen Fantasy, Op. 25: Introduction. Allegro moderato
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
additional producer:
Werner Mayer (classical producer) (in 1992-11)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
Carmen Fantasy, op. 25: Introduction. Allegro moderato (in 1992-11)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate3:22
11Carmen Fantasy, Op. 25: I. Moderato
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
additional producer:
Werner Mayer (classical producer) (in 1992-11)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
Carmen Fantasy, op. 25: I. Moderato (in 1992-11)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate2:27
12Carmen Fantasy, Op. 25: II. Lento assai
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
additional producer:
Werner Mayer (classical producer) (in 1992-11)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
Carmen Fantasy, op. 25: II. Lento assai (in 1992-11)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate2:12
13Carmen Fantasy, Op. 25: III. Allegro moderato
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
additional producer:
Werner Mayer (classical producer) (in 1992-11)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
Carmen Fantasy, op. 25: III. Allegro moderato (in 1992-11)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate2:06
14Carmen Fantasy, Op. 25: IV. Moderato
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
additional producer:
Werner Mayer (classical producer) (in 1992-11)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
Carmen Fantasy, op. 25: IV. Moderato (in 1992-11)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate2:29