DAD Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2019 Warner Music Group - X5 Music Group»

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(As of 2020-04-03).

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Anmerkung zuletzt geändert am 2020-04-04 01:12 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1The Road to Hell, Pt. II
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. (in 1989)
recording of:
The Road to Hell, Part 2
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher) (in 1989)
Teil von:
The Road to Hell
Chris Rea4.154:33
2Simply Irresistible
Techniker(in):
Tim Kramer (engineer)
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Simply Irresistible
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer3.64:14
3Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
The Pretenders4.33:04
4An Englishman on Holiday
recording engineer und Mix:
Mike Fraser (Canadian record producer, engineer and mixer)
Produzent(in):
Andy Taylor (of Duran Duran)
Bassgitarre:
Mark "Snake" Luckhurst
Gitarre:
Ben Matthews (UK guitarist/keyboards for Thunder) und Luke Morley
Schlagzeug:
Gary 'Harry' James (drummer)
Sologesang:
Danny Bowes
recording of:
An Englishman on Holiday
Texter und Komponist(in):
Luke Morley
Thunder4:26
5Guilty of Love
Whitesnake23:19
6Some Girls
recording of:
Some Girls
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3:30
7The Highwayman
recording of:
The Highwayman
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
White Oak Songs
Jimmy Webb3:51
8Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.954:28
9Smokin’ in the Boy’s Room
Techniker(in):
Michael Delugg
Produzent(in):
Doug Morris (record executive) und Eric Stevens (producer active in the 1970s)
phonographisches Urheberrecht (℗) von:
Big Tree Records (1970s/80s US) (in 1973) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Smokin’ in the Boys Room
Verfasser(in):
Cub Koda und Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing und Walden Music, Inc.
Brownsville Station52:58
10Hot Blooded
Bearbeitung von:
Hot Blooded von Foreigner (British/American rock band)
recording of:
Hot Blooded
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner3.653:05
11I Believe in a Thing Called Love
Assistent recording engineer:
Will Bartle
Techniker(in), Produzent(in) und Mix:
Pedro Ferreira
assistierende(r) Mix:
Nick Taylor (UK recording engineer)
Bass:
Frankie Poullain
Gitarre:
Dan Hawkins (member of The Darkness and Stone Gods) und Justin Hawkins
Schlagzeug:
Ed Graham
Sologesang:
Justin Hawkins
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
mixed at:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 94)
recording of:
I Believe in a Thing Called Love
Verfasser(in):
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham und Justin Hawkins
The Darkness4.23:38
12Dyna‐Mite
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
recording of:
Dyna-Mite
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud52:59
13Stuck in the Middle
Grand Funk Railroad3:10
14Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:40
15Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:28
16Must of Got Lost
recording of:
Must of Got Lost
Verfasser(in):
The J. Geils Band
The J. Geils Band52:58
17Somebody Crying
Marshall Crenshaw3:26
18Burning Down the House
assistierende(r) Techniker(in):
John Convertino (engineer), Franklin Gibson (recording engineer) und Jay Mark
Techniker(in):
Butch Jones und Alex Sadkin (Aufgabe: final overdubs)
Produzent(in):
Talking Heads
Mix:
Alex Sadkin
Bass-Synthesizer:
Tina Weymouth
Bassgitarre, Gitarre, Keyboard und Perkussion:
David Byrne (Talking Heads)
Gast-Perkussion:
Steve Scales
Gast-Synthesizer:
Wally Badarou
Gitarre und Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug und Synthesizer:
Chris Frantz
Hintergrundgesang:
Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
vocals:
David Byrne (Talking Heads)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1983)
aufgenommen bei:
Blank Tapes in New York, New York, Vereinigte Staaten, Compass Point Studios in Nassau, Bahamas und Sigma Sound (New York) in New York, New York, Vereinigte Staaten
mixed at:
Compass Point Studios in Nassau, Bahamas und Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 29) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 29)
recording of:
Burning Down the House
Texter:
David Byrne (Talking Heads)
Komponist(in):
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Talking Heads4.54:02
197 O’Clock
Techniker(in):
George Tutko (engineer, producer)
leitende(r) Produzent(in):
Ron Nevison
Produzent(in):
Jim Cregan (producer & member of Family) und George Tutko (engineer, producer)
Mix:
Ron Nevison
recording of:
7 O’Clock
Verfasser(in):
Guy Bailey und Spike (UK singer/songwriter, member of Quireboys)
The Quireboys3:38
202-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:18
21Silver Machine (single version)
Hawkwind4:24
22(I’m Not Your) Steppin’ Stone
Produzent(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Bobby Hart
Bass:
Larry Taylor (US bassist) (am 1966-07-26)
Gitarre:
Wayne Erwin (am 1966-07-26), Gerry McGee (am 1966-07-26) und Louie Shelton (am 1966-07-26)
Orgel:
Bobby Hart (am 1966-07-26)
Perkussion:
Henry Levy (am 1966-07-26)
Schlagzeug:
Billy Lewis (drummer) (am 1966-07-26)
Hintergrundgesang:
Tommy Boyce (US songwriter of Boyce and Hart) (am 1966-07-26) und Bobby Hart (am 1966-07-26)
Sologesang:
Micky Dolenz (am 1966-07-26)
arranger:
Tommy Boyce (US songwriter of Boyce and Hart) und Bobby Hart
aufgenommen bei:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-07-26)
cover recording of:
(I’m Not Your) Steppin’ Stone (am 1966-07-26)
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Bobby Hart
The Monkees4.352:27
23Get It Right Next Time
Techniker(in):
Nick Patrick
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Get It Right Next Time
Texter und Komponist(in):
Gerry Rafferty
publisher:
Stage Three Music Ltd.
Gerry Rafferty34:42
24Highway Song
Blackfoot47:30
25Clearwater Highway
recording engineer:
Ben Fowler
assistierende(r) Techniker(in):
Lorraine Francis
Produzent(in):
Bad Company (British blues-rock supergroup)
assistierende(r) Mix:
Dominick Barbera (engineer)
Mix:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich
mixed at:
Soundtrack Studios in New York, New York, Vereinigte Staaten
recording of:
Clearwater Highway
Verfasser(in):
Dave Colwell, Robert Hart (UK rock vocalist) und Michael Lister
publisher:
Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bad Company3.53:25
26Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:07
27Ride Captain Ride
Produzent(in):
Richard Podolor
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 32)
recording of:
Ride Captain Ride
Texter:
Frank “Skip” Konte (US keyboardist)
Komponist(in):
Mike Pinera
publisher:
Atlantic (Warner Music imprint) und ATM Music
Blues Image4.53:46
28Still the One
Sologesang:
Larry Hoppen
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 18)
recording of:
Still the One
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:54
29How Long
recording of:
How Long
Texter und Komponist(in):
J.D. Souther
J.D. Souther3:23
30I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:39
31Run Run Run
Techniker(in):
Chris Hinshaw
Produzent(in):
Tom Dowd und Jo Jo Gunne (US band active 1971–1975)
Bass:
Mark Andes
Gitarre:
Matt Andes
Keyboard:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
Schlagzeug:
William “Curly” Smith (Jo Jo Gunne musician)
vocals:
Mark Andes, Matt Andes, Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne) und William “Curly” Smith (Jo Jo Gunne musician)
remixer:
Tom Dowd
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recording of:
Run Run Run
Verfasser(in):
Matt Andes und Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Bulge Music und Hollenbeck Music
Jo Jo Gunne32:35
32Dream Weaver
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 25)
recording of:
Dream Weaver (Gary Wright)
Texter und Komponist(in):
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und WB Music Corp.
Gary Wright44:16
33Goodbye Girl
Akustikgitarre, Bassgitarre und Klavier:
David Gates (singer/songwriter, lead singer of Bread)
E-Gitarre:
Dean Parks (American session guitarist)
Schlagzeug:
Mike Botts
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:49
34Lonely Boy
assistierende(r) Techniker(in):
Dennis Kirk und Greg Ladanyi
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1976-03 bis 1976-10)
cowbell, Klavier und Tamburin:
Andrew Gold (von 1976-03 bis 1976-10)
Gitarre:
Dan Dugmore (von 1976-03 bis 1976-10)
Gitarre [Lead Guitar]:
Waddy (von 1976-03 bis 1976-10)
Glocken [Sleigh] und Schlagzeug:
Michael Botts (von 1976-03 bis 1976-10)
Händeklatschen:
Peter Asher (von 1976-03 bis 1976-10) und Andrew Gold (von 1976-03 bis 1976-10)
Hybrid-Piano und Synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (von 1976-03 bis 1976-10)
Hintergrundgesang:
Linda Ronstadt (von 1976-03 bis 1976-10)
vocals:
Andrew Gold (von 1976-03 bis 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
recording of:
Lonely Boy (von 1976-03 bis 1976-10)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
35I Don’t Wanna Know
Produzent(in):
John Leckie
recording of:
I Don't Wanna Know
Texter und Komponist(in):
John Martyn (British singer‐songwriter and guitarist)
Dr. John43:24
36Sweet Jane
Techniker(in):
Adrian Barber (producer/engineer) und Geoffrey Haslam
Produzent(in):
Geoffrey Haslam und Shel Kagan
Bassgitarre und Schlagzeug:
Doug Yule
E-Gitarre:
Sterling Morrison
E-Gitarre [rhythm guitar] und Sologesang:
Lou Reed
phonographisches Urheberrecht (℗) von:
Warner Special Products und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1970-04 bis 1970-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 294) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 335)
recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground53:18
37I’d Love You to Want Me
recording of:
I’d Love You to Want Me
Texter und Komponist(in):
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo2.54:04
38He’s a Good Lad
recording of:
He’s a Good Lad
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
Bread32:58
39The Air That I Breathe
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
John Fiddy (songwriter/singer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
The Air That I Breathe
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John3:52
40Ventura Highway
assistierende(r) Techniker(in):
Chuck Leary
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
America (US folk/soft rock band) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Gitarre:
Gerry Beckley, Dewey Bunnell und Dan Peek
Keyboard:
Gerry Beckley und Dan Peek
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Gerry Beckley, Dewey Bunnell und Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
live recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America43:32
41Baker Street
assistierende(r) Techniker(in):
Stefan Heller
Techniker(in):
Peter R. Vince (engineer, producer)
Produzent(in):
The Shadows (British pop/rock band that once backed Cliff Richard)
Bassgitarre:
Alan Jones (member of the Shadows, 60s Merseybeat group)
Gitarre:
Hank Marvin (lead guitarist of The Shadows, songwriter) und Bruce Welch (English guitarist, singer, songwriter and producer)
Perkussion und Schlagzeug:
Brian Bennett (Shadows drummer)
Synthesizer:
Dave Lawson (UK keyboardist & composer)
arranger:
The Shadows (British pop/rock band that once backed Cliff Richard)
aufgenommen bei:
EMI, Abbey Road in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und The Music Centre in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
instrumental cover recording of:
Baker Street
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
The Shadows4:55
42Battleship Chains
cover recording of:
Battleship Chains
Texter und Komponist(in):
Terry Anderson
publisher:
Funzalo (BMI-affiliated)
The Georgia Satellites3:45
43When You’re in Love With a Beautiful Woman
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook33:37
44Roll On Down the Highway
Produzent(in):
Fred Turner, Randy Murray, Robin Bachman und Blair Thornton
Bassgitarre und Sologesang:
Fred Turner
Gitarre:
Randy Murray und Blair Thornton
Perkussion und Schlagzeug:
Robin Bachman
recording of:
Roll on Down the Highway
Verfasser(in):
Robbie Bachman und C.F. “Fred” Turner
publisher:
Eventide Music (run by Kevin Kendle), Ranbach Music (publisher), Randy Backman Music, Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher) (vom 1975 bis heute)
Bachman–Turner Overdrive4:08
45A Glass of Champagne
Techniker(in):
Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Partner-Produzent(in):
Rupert Holmes
Produzent(in):
Georg Kajanus, Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Mix:
Jeffrey Lesser
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1975-10)
recording of:
Glass of Champagne (in 1975-10)
Texter und Komponist(in):
Georg Kajanus
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Music Ltd. (1996–2019)
Sailor52:40
46Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:02
47My Coo Ca Choo
Produzent(in):
Peter Shelley (British 1970s pop singer/songwriter)
Sologesang:
Peter Shelley (British 1970s pop singer/songwriter)
recording of:
My Coo Ca Choo
Texter und Komponist(in):
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust22:46
48I Love a Rainy Night
recording of:
I Love a Rainy Night
Verfasser(in):
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) und Even Stevens (singer / songwriter)
Eddie Rabbitt43:11
49For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:34
50Alone Again Or
Techniker(in):
Bruce Botnick
Produzent(in):
Bruce Botnick und Arthur Lee
Akustikgitarre und Sologesang:
Bryan MacLean (am 1967-09-10)
E-Bass:
Ken Forssi (am 1967-09-10)
Schlagzeug:
Michael Stuart-Ware (US drummer for Love) (am 1967-09-10)
zusätzlich Sologesang:
Arthur Lee (in 1967-09)
Horn arranger und Saiteninstrumente arranger:
David Angel (composer and arranger) (am 1967-09-10)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-10)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 436)
recording of:
Alone Again Or (am 1967-09-10)
Texter und Komponist(in):
Bryan MacLean
Love4.23:17