Showbiz Kids: The Steely Dan Story

~ Veröffentlichung von Steely Dan (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Anmerkung

Images on pages 2, 8-9, 15 from MCA files.
Photography (back cover) © Kei Muto/Photonica

Anmerkung zuletzt geändert am 2019-07-28 14:27 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Do It Again
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
E-Gitarre:
Jeff “Skunk” Baxter (in 1972-08)
Hybrid-Piano, Keyboard [Yamaha YC-30] und Sologesang:
Donald Fagen (in 1972-08)
Perkussion:
Victor Feldman (jazz musician) (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Solo-E-Sitars:
Denny Dias (in 1972-08)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1972), Geffen Records (in 1972) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
recording of:
Do It Again (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
4.15:57
2Dirty Work
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
Akustikgitarre:
Denny Dias (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
E-Gitarre:
Jeff “Skunk” Baxter (in 1972-08)
Flügelhorn:
Snooky Young (in 1972-08)
Orgel und Wurlitzer Electric Piano:
Donald Fagen (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Tenorsaxophon:
Jerome Richardson (in 1972-08)
Hintergrundgesang:
Walter Becker (in 1972-08), Donald Fagen (in 1972-08) und Jim Hodder (in 1972-08)
Sologesang:
David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1972) und Geffen Records (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 6)
recording of:
Dirty Work (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music Ltd., Red Giant Inc., Red Giant Music, Inc., United Artists Music, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
3.853:09
3Reelin’ In the Years
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
E-Gitarre:
Jeff “Skunk” Baxter (in 1972-08) und Denny Dias (in 1972-08)
Klavier und Sologesang:
Donald Fagen (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Solo-E-Gitarre:
Elliott Randall (in 1972-08)
Hintergrundgesang:
Donald Fagen (in 1972-08) und David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (in 1972), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
recording of:
Reelin’ In the Years (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Ampar Music Corp., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
4.554:37
4Only a Fool Would Say That
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Sologesang:
Donald Fagen (in 1972-08)
Sprecher:
Jeff “Skunk” Baxter (in 1972-08)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (in 1972) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
recording of:
Only a Fool Would Say That (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., Ampar Music Corp., Anchor Music Ltd., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Red Giant Music, Inc. und Wingate Music Corp.
32:58
5Change of the Guard
assistierende(r) Techniker(in):
Tim Weston (in 1972-08)
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
Produzent(in):
Gary Katz (in 1972-08)
E-Bass:
Walter Becker (in 1972-08)
Schlagzeug:
Jim Hodder (in 1972-08)
Sologesang:
Donald Fagen (in 1972-08)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-08)
recording of:
Change of the Guard (in 1972-08)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Red Giant Music, Inc. und Wingate Music Corp.
33:40
6Bodhisattva
assistierende(r) Techniker(in):
Miss Natalie
Techniker(in):
Roger (The Immortal) Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Klavier und Synthesizer und Sologesang:
Donald Fagen
Schlagzeug:
Jim Hodder
Solo-Gitarre:
Jeff “Skunk” Baxter und Denny Dias
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bodhisattva
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), American Broadcasting Music, Inc. (in 1973) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1973)
3.755:18
7The Boston Rag
assistierende(r) Techniker(in):
Miss Natalie
Techniker(in):
Roger (The Immortal) Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Boston Rag
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1973) und American Broadcasting Music, Inc. (in 1973)
2.55:40
8Show Biz Kids
assistierende(r) Techniker(in):
Miss Natalie
Techniker(in):
Roger (The Immortal) Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Slide-Gitarre:
Rick Derringer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
aufgenommen bei:
Carabou Ranch in Nederland, Colorado, Vereinigte Staaten (Slide-Gitarre)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Show Biz Kids
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1973) und American Broadcasting Music, Inc. (in 1973)
45:26
9My Old School
assistierende(r) Techniker(in):
Miss Natalie
Techniker(in):
Roger (The Immortal) Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Gitarre:
Denny Dias
Klavier und Sologesang:
Donald Fagen
Saxophon:
John Rotella (woodwind), Lanny Morgan, Bill Perkins (jazz saxophonist) und Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Schlagzeug:
Jim Hodder
Solo-Gitarre:
Jeff “Skunk” Baxter
Hintergrundgesang:
Patricia Hall, Myrna Matthews und Sherlie Matthews (US vocalist)
Horn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972) und Geffen Records (in 1973)
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
My Old School
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), American Broadcasting Music, Inc. (in 1973) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1973)
4.255:46
10Rikki Don’t Lose That Number
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Akustikgitarre:
Dean Parks (American session guitarist)
Bass:
Walter Becker
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Solo-Gitarre:
Jeff “Skunk” Baxter
Hintergrundgesang:
Timothy B. Schmit
Hintergrundgesang und Sologesang:
Donald Fagen
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
mixed at:
Cherokee Sound in Chatsworth, California (Kalifornien), Vereinigte Staaten
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rikki Don’t Lose That Number
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group, Universal/MCA Music Ltd. (not for release label use!) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974)
4.354:33
11Night by Night
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Gitarre:
Jeff “Skunk” Baxter, Walter Becker und Denny Dias
Keyboard:
Donald Fagen
Pedal-Steel-Gitarre:
Jeff “Skunk” Baxter
Schlagzeug:
Jeff Porcaro
vocals:
Donald Fagen
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
mixed at:
Cherokee Sound in Chatsworth, California (Kalifornien), Vereinigte Staaten
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Night by Night
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc. und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1974)
33:40
12Pretzel Logic
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Gitarre:
Jeff “Skunk” Baxter, Walter Becker und Denny Dias
Keyboard:
Donald Fagen
Pedal-Steel-Gitarre:
Jeff “Skunk” Baxter
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
vocals:
Donald Fagen
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
mixed at:
Cherokee Sound in Chatsworth, California (Kalifornien), Vereinigte Staaten
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Pretzel Logic
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music Ltd. und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974)
34:33
13Any Major Dude Will Tell You
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Gitarre:
Jeff “Skunk” Baxter, Walter Becker und Denny Dias
Keyboard:
Donald Fagen
Pedal-Steel-Gitarre:
Jeff “Skunk” Baxter
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
vocals:
Donald Fagen
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
mixed at:
Cherokee Sound in Chatsworth, California (Kalifornien), Vereinigte Staaten
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Any Major Dude Will Tell You
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974)
4.53:08
14Black Friday
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Chuck Rainey (American bassist) (von 1974-11 bis 1975-01)
Bass und Gitarre und Solo-Gitarre:
Walter Becker (von 1974-11 bis 1975-01)
Keyboard:
Donald Fagen (von 1974-11 bis 1975-01), Michael Omartian (von 1974-11 bis 1975-01) und David Paich (von 1974-11 bis 1975-01)
Klavier und Sologesang:
Donald Fagen (von 1974-11 bis 1975-01)
Perkussion und Vibraphon:
Victor Feldman (jazz musician) (von 1974-11 bis 1975-01)
Schlagzeug:
Jeff Porcaro (von 1974-11 bis 1975-01)
arranger:
Walter Becker und Donald Fagen
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1975), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
aufgenommen bei:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-11 bis 1975-01)
recording of:
Black Friday (von 1974-11 bis 1975-01)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Ltd., Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974), American Broadcasting Music, Inc. (in 1975), Francis, Day & Hunter Ltd. (in 1977) und Rudolf Slezak Musikverlag GmbH (publisher) (in 1977)
4.53:41
15Bad Sneakers
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker (von 1974-11 bis 1975-01), Wilton Felder (von 1974-11 bis 1975-01) und Chuck Rainey (American bassist) (von 1974-11 bis 1975-01)
Gitarre:
Walter Becker (von 1974-11 bis 1975-01) und Hugh McCracken (von 1974-11 bis 1975-01)
Keyboard und Hintergrundgesang und Sologesang:
Donald Fagen (von 1974-11 bis 1975-01)
Klavier:
Donald Fagen (von 1974-11 bis 1975-01) und Michael Omartian (von 1974-11 bis 1975-01)
Perkussion und Vibraphon:
Victor Feldman (jazz musician) (von 1974-11 bis 1975-01)
Schlagzeug:
Jeff Porcaro (von 1974-11 bis 1975-01)
Solo-Gitarre:
Walter Becker (von 1974-11 bis 1975-01)
Hintergrundgesang:
Michael McDonald (R&B & soul singer) (von 1974-11 bis 1975-01)
arranger:
Walter Becker und Donald Fagen
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1975), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
aufgenommen bei:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-11 bis 1975-01)
recording of:
Bad Sneakers (von 1974-11 bis 1975-01)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974) und American Broadcasting Music, Inc. (in 1975)
33:21
16Doctor Wu
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
alto saxophone:
Phil Woods (US jazz woodwind player) (von 1974-11 bis 1975-01)
Bass:
Walter Becker (von 1974-11 bis 1975-01), Wilton Felder (von 1974-11 bis 1975-01) und Chuck Rainey (American bassist) (von 1974-11 bis 1975-01)
Gitarre:
Walter Becker (von 1974-11 bis 1975-01)
Keyboard und Klavier:
Donald Fagen (von 1974-11 bis 1975-01)
Perkussion:
Victor Feldman (jazz musician) (von 1974-11 bis 1975-01) und Jeff Porcaro (von 1974-11 bis 1975-01)
Schlagzeug:
Jeff Porcaro (von 1974-11 bis 1975-01)
Vibraphon:
Victor Feldman (jazz musician) (von 1974-11 bis 1975-01)
arranger:
Walter Becker und Donald Fagen
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
aufgenommen bei:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-11 bis 1975-01)
recording of:
Doctor Wu (von 1974-11 bis 1975-01)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1974) und American Broadcasting Music, Inc. (in 1975)
3:56
17Any World That I’m Welcome To
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker (von 1974-11 bis 1975-01), Wilton Felder (von 1974-11 bis 1975-01) und Chuck Rainey (American bassist) (von 1974-11 bis 1975-01)
Gitarre:
Walter Becker (von 1974-11 bis 1975-01)
Keyboard und Klavier:
Donald Fagen (von 1974-11 bis 1975-01)
Perkussion und Vibraphon:
Victor Feldman (jazz musician) (von 1974-11 bis 1975-01)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (von 1974-11 bis 1975-01)
Hintergrundgesang:
Michael McDonald (R&B & soul singer) (von 1974-11 bis 1975-01)
arranger:
Walter Becker und Donald Fagen
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
aufgenommen bei:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-11 bis 1975-01)
recording of:
Any World (That I’m Welcome To) (von 1974-11 bis 1975-01)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Anchor Music Ltd., MCA Inc. (US record company and parent company for MCA publishing companies, affiliated to ASCAP), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1973), American Broadcasting Music, Inc. (in 1973), Red Giant Inc. (in 1973) und Red Giant Music, Inc. (in 1973)
3:55
18Chain Lightning
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker (von 1974-11 bis 1975-01), Wilton Felder (von 1974-11 bis 1975-01) und Chuck Rainey (American bassist) (von 1974-11 bis 1975-01)
Gitarre:
Walter Becker (von 1974-11 bis 1975-01)
Keyboard, Klavier und Sologesang:
Donald Fagen (von 1974-11 bis 1975-01)
Perkussion und Vibraphon:
Victor Feldman (jazz musician) (von 1974-11 bis 1975-01)
Schlagzeug:
Jeff Porcaro (von 1974-11 bis 1975-01)
Solo-Gitarre:
Rick Derringer (von 1974-11 bis 1975-01)
arranger:
Walter Becker und Donald Fagen
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.), ABC Records, Inc (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
aufgenommen bei:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-11 bis 1975-01)
recording of:
Chain Lightning (von 1974-11 bis 1975-01)
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1974), Universal‐MCA Music Publishing (US) und American Broadcasting Music, Inc. (in 1975)
3:00
2▼CD
Nr.TitelBewertungLänge
1Kid Charlemagne
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) und Elliot Scheiner
Produzent(in):
Gary Katz
Mix:
Roger Nichols (US mastering, recording engineer and producer) und Barney Perkins
Bass:
Walter Becker und Chuck Rainey (American bassist)
Gitarre:
Walter Becker und Larry Carlton
Horn:
Bob Findley und Dick Hyde
Keyboard:
Donald Fagen, Paul Griffin (American pianist, session musician) und Don Grolnick
Perkussion:
Gary Coleman (US percussionist)
Posaune:
Dick Hyde
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson und John Klemmer
Schlagzeug:
Bernard “Pretty” Purdie
Solo-Gitarre:
Larry Carlton
Trompete:
Chuck Findley (trumpet, trombone, horn player)
Hintergrundgesang:
Venetta Fields, Clydie King, Sherlie Matthews (US vocalist) und Michael McDonald (R&B & soul singer)
Hintergrundgesang und Sologesang:
Donald Fagen
vocals:
Donald Fagen
Horn arranger:
Walter Becker, Donald Fagen und Chuck Findley (trumpet, trombone, horn player)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Kid Charlemagne
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (in 1976) und Anchor Music Ltd. (in 1976)
4.354:39
2Don’t Take Me Alive
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) und Elliot Scheiner
Produzent(in):
Gary Katz
Mix:
Roger Nichols (US mastering, recording engineer and producer) und Barney Perkins
Bass:
Walter Becker und Chuck Rainey (American bassist)
Gitarre:
Walter Becker und Larry Carlton
Horn:
Bob Findley und Dick Hyde
Keyboard:
Donald Fagen und Paul Griffin (American pianist, session musician)
Perkussion:
Gary Coleman (US percussionist)
Posaune:
Dick Hyde
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson und John Klemmer
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Solo-Gitarre:
Larry Carlton
Trompete:
Chuck Findley (trumpet, trombone, horn player)
Hintergrundgesang und Sologesang:
Donald Fagen
Horn arranger:
Walter Becker, Donald Fagen und Chuck Findley (trumpet, trombone, horn player)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Take Me Alive
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), ABC/Dunhill Music, Inc. (in 1976) und Anchor Music Ltd. (in 1976)
44:16
3Haitian Divorce
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) und Elliot Scheiner
Produzent(in):
Gary Katz
Mix:
Roger Nichols (US mastering, recording engineer and producer) und Barney Perkins
Bass:
Walter Becker und Chuck Rainey (American bassist)
Gitarre:
Walter Becker und Dean Parks (American session guitarist)
Horn:
Bob Findley und Dick Hyde
Keyboard:
Donald Fagen und Paul Griffin (American pianist, session musician)
Perkussion:
Gary Coleman (US percussionist)
Posaune:
Dick Hyde
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson und John Klemmer
Schlagzeug:
Bernard “Pretty” Purdie
Solo-Gitarre:
Dean Parks (American session guitarist)
Trompete:
Chuck Findley (trumpet, trombone, horn player)
Hintergrundgesang und Sologesang:
Donald Fagen
Horn arranger:
Walter Becker, Donald Fagen und Chuck Findley (trumpet, trombone, horn player)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1976), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Haitian Divorce
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), ABC/Dunhill Music, Inc. (in 1976) und Anchor Music Ltd. (in 1976)
3.655:51
4The Fez
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) und Elliot Scheiner
Produzent(in):
Gary Katz
Mix:
Roger Nichols (US mastering, recording engineer and producer) und Barney Perkins
Bass:
Walter Becker und Chuck Rainey (American bassist)
Gitarre und Solo-Gitarre:
Walter Becker
Horn:
Bob Findley und Dick Hyde
Keyboard:
Donald Fagen und Paul Griffin (American pianist, session musician)
Perkussion:
Gary Coleman (US percussionist)
Posaune:
Dick Hyde
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson und John Klemmer
Schlagzeug:
Bernard “Pretty” Purdie
Trompete:
Chuck Findley (trumpet, trombone, horn player)
Hintergrundgesang und Sologesang:
Donald Fagen
Horn arranger:
Walter Becker, Donald Fagen und Chuck Findley (trumpet, trombone, horn player)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990), ABC Records, Inc (in 1976), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Fez
Verfasser(in):
Walter Becker, Donald Fagen und Paul Griffin (American pianist, session musician)
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA–Duchess Music Corp, ABC/Dunhill Music, Inc. (in 1976), Anchor Music Ltd. (in 1976) und ELDG Music, Inc. (in 1976)
4:02
5Here at the Western World
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer) und Elliot Scheiner
Produzent(in):
Gary Katz
Bass:
Chuck Rainey (American bassist)
Gitarre:
Dean Parks (American session guitarist)
Klavier:
Michael Omartian
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Hintergrundgesang:
Leslie Miller, Casey Syszik und Florence Warner
Sologesang:
Donald Fagen
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
mixed at:
Automated Sound Studios in New York, New York, Vereinigte Staaten
recording of:
Here at the Western World
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
Feckless Music, Jump Tunes und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
4:02
6Black Cow
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bassgitarre:
Chuck Rainey (American bassist)
Clavinet:
Joe Sample
Gitarre:
Larry Carlton
Rhodes Piano [Fender Rhodes]:
Victor Feldman (jazz musician)
Schlagzeug:
Paul Humphrey (jazz, r&b drummer)
Synthesizer und Sologesang:
Donald Fagen
Tenorsaxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Venetta Fields, Clydie King, Rebecca Louis (US 1970/80s vocalist, aka Becky Lopez) und Sherlie Matthews (US vocalist)
conductor:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (Horn)
Horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1977) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
recording of:
Black Cow
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Universal‐MCA Music Publishing (US), ABC/Dunhill Music, Inc. (in 1977) und Anchor Music Ltd. (in 1977)
3.355:10
7Aja
recording engineer:
Bill Schnee
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bassgitarre:
Chuck Rainey (American bassist)
Gitarre:
Walter Becker, Larry Carlton und Denny Dias
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Rhodes Piano [Fender Rhodes]:
Joe Sample
Schlagzeug:
Steve Gadd (drummer)
Synthesizer, Trillerpfeife [police whistle] und Sologesang:
Donald Fagen
Tenorsaxophon:
Wayne Shorter (US jazz saxophonist and composer)
Hintergrundgesang:
Donald Fagen und Tim Schmit
conductor:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (Horn)
Horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
aufgenommen bei:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Aja
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
ABC/Dunhill Music, Inc. (, in 1977), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Anchor Music Ltd. (in 1977)
38:00
8Deacon Blues
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bass:
Walter Becker
Gitarre:
Larry Carlton und Lee Ritenour
Hybrid-Piano und Rhodes Piano [Fender Rhodes]:
Victor Feldman (jazz musician)
Schlagzeug:
Bernard Purdie
Synthesizer und Sologesang:
Donald Fagen
Tenorsaxophon:
Pete Christlieb
Hintergrundgesang:
Venetta Fields, Clydie King und Sherlie Matthews (US vocalist)
conductor:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (Horn)
Horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1977) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 214)
recording of:
Deacon Blues
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (in 1977) und Anchor Music Ltd. (in 1977)
4.357:37
9Peg
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bassgitarre:
Chuck Rainey (American bassist)
Clavinet:
Don Grolnick
Gitarre:
Steve Kahn und Steve Khan
Hybrid-Piano und Rhodes Piano [Fender Rhodes]:
Paul Griffin (American pianist, session musician)
Lyricon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Perkussion:
Gary Coleman (US percussionist) und Victor Feldman (jazz musician)
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Solo-Gitarre:
Jay Graydon
Hintergrundgesang:
Paul Griffin (American pianist, session musician) und Michael McDonald (R&B & soul singer)
Sologesang:
Donald Fagen
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1977), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 62)
recording of:
Peg
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (in 1977) und Anchor Music Ltd. (in 1977)
4.24:00
10Josie
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bassgitarre:
Chuck Rainey (American bassist)
Gitarre:
Larry Carlton und Dean Parks (American session guitarist)
Perkussion und Schlagzeug:
Jim Keltner
Rhodes Piano [Fender Rhodes]:
Victor Feldman (jazz musician)
Solo-Gitarre:
Walter Becker
Synthesizer und Sologesang:
Donald Fagen
Hintergrundgesang:
Donald Fagen und Tim Schmit
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1977), Geffen Records (in 1977) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
recording of:
Josie
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal‐MCA Music Publishing (US), ABC/Dunhill Music, Inc. (in 1977) und Anchor Music Ltd. (in 1977)
3.54:36
11FM
Produzent(in):
Gary Katz
Bass und E-Gitarre:
Walter Becker
Klavier und Sologesang:
Donald Fagen
Perkussion:
Victor Feldman (jazz musician) und Jeff Porcaro
Schlagzeug:
Jeff Porcaro
Tenorsaxophon:
Pete Christlieb
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley und Timothy B. Schmit
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
recording of:
FM (No Static at All)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Duchess Music Corporation (BMI-affiliated), Feckless Music, Hornall Brothers Music Ltd. (limited company), Jump Tunes, Kobalt Music Publishing Ltd. (UK) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3.55:06
12Babylon Sisters
recorded in:
Vereinigte Staaten (von 1978 bis 1980)
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Mix:
Elliot Scheiner (von 1978 bis 1980)
alto saxophone, Klarinette und Tenorsaxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (von 1978 bis 1980)
Bassgitarre:
Chuck Rainey (American bassist) (von 1978 bis 1980)
Bassklarinette:
George Marge (von 1978 bis 1980) und Walter Kane (US woodwind player) (von 1978 bis 1980)
Clavinet und Hybrid-Piano:
Don Grolnick (von 1978 bis 1980)
Flügelhorn und Trompete:
Randy Brecker (von 1978 bis 1980)
Gitarre:
Steve Khan (von 1978 bis 1980)
Perkussion:
Crusher Bennett (von 1978 bis 1980)
Schlagzeug:
Bernard Purdie (von 1978 bis 1980)
Hintergrundgesang:
Patti Austin (von 1978 bis 1980), Diva Gray (von 1978 bis 1980), Gordon Grody (von 1978 bis 1980), Lani Groves (von 1978 bis 1980), Leslie Miller (von 1978 bis 1980) und Toni Wine (von 1978 bis 1980)
Sologesang:
Donald Fagen (von 1978 bis 1980)
Blechblasinstrumente [horns] arranger:
Rob Mounsey (von 1978 bis 1980)
arranger:
Steely Dan (group founded by Walter Becker and Donald Fagen)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1980) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
recording of:
Babylon Sisters (von 1978 bis 1980)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing Ltd. (UK), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Freejunket Music (in 1980) und Zeon Music (in 1980)
55:49
13Hey Nineteen
recorded in:
Vereinigte Staaten (von 1978 bis 1980)
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Mix:
Elliot Scheiner (von 1978 bis 1980)
Bassgitarre und Gitarre:
Walter Becker (von 1978 bis 1980)
Gitarre:
Hugh McCracken (von 1978 bis 1980)
Hybrid-Piano und Synthesizer und Sologesang:
Donald Fagen (von 1978 bis 1980)
Perkussion:
Victor Feldman (jazz musician) (von 1978 bis 1980) und Steve Gadd (drummer) (von 1978 bis 1980)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1978 bis 1980)
Hintergrundgesang:
Frank Floyd (US soul disco funk singer) (von 1978 bis 1980) und Zachary Sanders (von 1978 bis 1980)
arranger:
Steely Dan (group founded by Walter Becker and Donald Fagen)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1980)
recording of:
Hey Nineteen (von 1978 bis 1980)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing Ltd. (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996), Freejunket Music (in 1980) und Zeon Music (in 1980)
45:07
14Time Out of Mind
recorded in:
Vereinigte Staaten (von 1978 bis 1980)
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Mix:
Elliot Scheiner (von 1978 bis 1980)
alto saxophone:
David Sanborn (von 1978 bis 1980)
baritone saxophone:
Ronnie Cuber (von 1978 bis 1980)
Bassgitarre und Gitarre:
Walter Becker (von 1978 bis 1980)
Gitarre:
Hugh McCracken (von 1978 bis 1980)
Hybrid-Piano, Synthesizer und Sologesang:
Donald Fagen (von 1978 bis 1980)
Klavier:
Rob Mounsey (von 1978 bis 1980)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1978 bis 1980)
Solo-Gitarre:
Mark Knopfler (von 1978 bis 1980)
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (von 1978 bis 1980) und David Tofani (von 1978 bis 1980)
Trompete:
Randy Brecker (von 1978 bis 1980)
Hintergrundgesang:
Patti Austin (von 1978 bis 1980), Michael McDonald (R&B & soul singer) (von 1978 bis 1980), Leslie Miller (von 1978 bis 1980) und Valerie Simpson (von 1978 bis 1980)
Blechblasinstrumente [horns] arranger:
Rob Mounsey (von 1978 bis 1980)
arranger:
Steely Dan (group founded by Walter Becker and Donald Fagen)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1980) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
recording of:
Time Out of Mind (von 1978 bis 1980)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Freejunket Music (in 1980) und Zeon Music (in 1980)
54:13
15Third World Man
recorded in:
Vereinigte Staaten (von 1978 bis 1980)
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Mix:
Elliot Scheiner (von 1978 bis 1980)
Akustikgitarre und E-Gitarre:
Steve Khan (von 1978 bis 1980)
Bassgitarre:
Chuck Rainey (American bassist) (von 1978 bis 1980)
Hybrid-Piano:
Joe Sample (von 1978 bis 1980)
Schlagzeug:
Steve Gadd (drummer) (von 1978 bis 1980)
Solo-E-Gitarre:
Larry Carlton (von 1978 bis 1980)
Synthesizer:
Rob Mounsey (von 1978 bis 1980)
Sologesang:
Donald Fagen (von 1978 bis 1980)
arranger:
Steely Dan (group founded by Walter Becker and Donald Fagen)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
recording of:
Third World Man (von 1978 bis 1980)
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
Freejunket Music (in 1980) und Zeon Music (in 1980)
5:14

Nennungen

Veröffentlichung

hergestellt in:Europa
Fotografie:Kei Muto
Michael Northrop
Marie Rose (photographer)
remastering:Roger Nichols (US mastering, recording engineer and producer)
Zusammensteller:Walter Becker
Donald Fagen
design:Carol Bobolts
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000)
remastered at:Digital Atomics (Miami) in Miami, Florida, Vereinigte Staaten
Discogs:https://www.discogs.com/release/1137889 [Info]