| # | Title | Artist | Rating | Length |
|---|
| 1 | Across the Ocean- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Across the Ocean
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 3:37 |
| 2 | Elemental- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Elemental
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 3:44 |
| 3 | Sháshà r íshà- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Sháshà r íshà
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:31 |
| 4 | Stop Wade!- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Stop Wade!
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:45 |
| 5 | Hot Air Balloon- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Hot Air Balloon
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:59 |
| 6 | Bubble Date- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Bubble Date
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:52 |
| 7 | Headphones- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Headphones
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 0:46 |
| 8 | Fern Grouchwood- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Fern Grouchwood
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:42 |
| 9 | Beach Glass- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Beach Glass
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 3:25 |
| 10 | Cloud Puff Fireball- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Cloud Puff Fireball
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 0:48 |
| 11 | Clod- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Clod
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 0:47 |
| 12 | Blue Flame- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Blue Flame
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:18 |
| 13 | Meet the Ripples- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Meet the Ripples
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:58 |
| 14 | Love Scooter- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Love Scooter
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:22 |
| 15 | Crying Games- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Crying Games
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:22 |
| 16 | Grand Re‐Opening- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Grand Re‐Opening
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 0:39 |
| 17 | Tìshôk’ (Embrace the Light)- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Tìshôk’ (Embrace the Light)
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:39 |
| 18 | Pipe Blows- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Pipe Blows
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:37 |
| 19 | Run for Your Life- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Run for Your Life
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:44 |
| 20 | Kol‐Nuts- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Kol‐Nuts
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:13 |
| 21 | Red Dot Sale- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Red Dot Sale
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 0:48 |
| 22 | 1000mph- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- 1000mph
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:30 |
| 23 | Smoke Reading- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Smoke Reading
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 0:45 |
| 24 | Rusty Hint of Motor Oil- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Rusty Hint of Motor Oil
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 0:58 |
| 25 | Mineral Lake- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Mineral Lake
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:17 |
| 26 | Lucky- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Lucky
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:10 |
| 27 | Garden Central Station- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Garden Central Station
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:05 |
| 28 | Full Purple- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Full Purple
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:05 |
| 29 | Vivisteria- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Vivisteria
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:36 |
| 30 | Firish- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Firish
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:27 |
| 31 | A Lonely Man Awash in Sadness- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- A Lonely Man Awash in Sadness
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 0:54 |
| 32 | Firetown Flood- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Firetown Flood
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:36 |
| 33 | You Were the Dream- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- You Were the Dream
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 3:54 |
| 34 | Make Connection- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Make Connection
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:21 |
| 35 | Bà Ksô (The Big Bow)- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Bà Ksô (The Big Bow)
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 1:09 |
| 36 | Steal the Show | Lauv | 2.45 | 3:13 |
| 37 | Grand Redux- recording engineer:
- Moisés Garcia, Jeff Gartenbaum and Tommy Vicari
- assistant engineer:
- Natalia Goldstein
- producer:
- Thomas Newman
- mixer and editor:
- Shinnosuke Miyazawa
- assistant editor:
- Moisés Garcia
- acoustic guitar, aeolian harp, autoharp, bağlama, banjo [paloma], bass, bell, cavaquinho, drums (drum set) [string drum], hammered dulcimer, kantele, lyre, octave mandolin, tanbur, ukulele and xylophone:
- George Doering
- bansuri, brass, clarinet, ocarina and tabla:
- Steve Tavaglione
- bass synthesizer, tabla [indian bol] and tambura:
- John Beasley
- instruments:
- Rick Cox
- solo piano:
- Thomas Newman
- conductor:
- Thomas Newman
- additional orchestrator:
- Ian Gottlieb and Benedict Sheehan
- orchestrator:
- Carl Johnson and Gary K. Thomas
- recorded at:
- Fox Studio Lot in Los Angeles, California, United States and Newman Scoring Stage in Century City, Los Angeles, California, United States
- instrumental recording of:
- Grand Redux
- composer:
- Thomas Newman
- publisher:
- Pixar Music and Wonderland Music Company, Inc.
| Thomas Newman | | 2:15 |
Play on ListenBrainz