Beg, Scream & Shout! The Big Ol’ Box of ’60s Soul

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This 6 CD collection was packaged in a box designed to look like the type people used in the 1960's to carry their 45 rpm records in. Each CD is printed with artwork resembling the labels Stax, Cadet, Atco, Motown, Tamla and Atlantic. They attach to a plastic insert that is shaped like a 45 rpm record that is then slipped into a cardboard "record sleeve". This collection comes with a 15 page booklet of liner notes and a box of 144 cards measuring 2.5" x 3.5" with a full color picture and brief biography of each artist.

Annotation last modified on 2018-03-07 00:34 UTC.

Tracklist

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1▼CD: Beg 1
#TitleArtistRatingLength
1That’s How It Feels
recording of:
That's How It Feels
composer:
Don Covay and Bobby Womack
The Soul Clan3:37
2La‐La Means I Love You
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1971)
recording of:
La La (Means I Love You) (in 1968)
writer:
Thom Bell (keyboards, songwriter, producer) and William Hart (of The Delfonics)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Delfonics4.53:19
3The Whole World Is a Stage
recording of:
The Whole World Is a Stage
writer:
Al Hamilton, Ronnie Savoy and Eddie Wingate (label owner, soul songwriter, producer)
The Fantastic Four2:56
4Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
5You’re the Best (That Ever Did It)
recording of:
You’re the Best (That Ever Did It)
writer:
Gary “U.S.” Bonds, Charles Walker (blues/soul singer b. 1940, aka “Wigg”) and Jerry Williams (a.k.a. Swamp Dogg)
The Precisions2:54
6Eight Men, Four Women
recording of:
Eight Men, Four Women
lyricist and composer:
Deadric Malone
O.V. Wright3:07
7Every Little Bit Hurts
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 16)
recording of:
Every Little Bit Hurts
lyricist and composer:
Ed Cobb
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Brenda Holloway43:00
8Nothing Takes the Place of You
producer:
Ray Doggett (1950s Rockabilly artist)
recorded at:
Pasadena Sounds Studios in Pasadena, Texas, United States
recording of:
Nothing Takes the Place of You
lyricist and composer:
Toussaint McCall
Toussaint McCall3:27
9Private Number
producer:
Booker T. Jones
performer:
Judy Clay (American soul and gospel singer)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (in 1968)
recording of:
Private Number (in 1968)
writer:
William Bell and Booker T. Jones
publisher:
Irving Music, Inc. and Music for Africa (South Africa)
Judy Clay & William Bell22:45
10I Don’t Want to Lose Your Love
recording of:
I Don't Want to Lose Your Love
writer:
Quincy Billops, William C. Brown (60s doo wop/soul singer), Julius Green (In Group The Mad Lads) and John Gary Williams (60s doo wop/soul singer)
The Mad Lads2:22
11Who’s Lovin You
recording of:
Who’s Lovin’ You
lyricist and composer:
Smokey Robinson
publisher:
Jobete Music Co., Inc.
The Jackson 54:23
12Cry Baby
producer:
Jerry Ragovoy
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor)
arranger:
Jerry Ragovoy
recording of:
Cry Baby (in 1963-05)
writer:
Bert Russell Berns and Jerry Ragovoy
Garnet Mimms43:28
13Dry Your Eyes
recording of:
Dry Your Eyes (Brenda & the Tabulations 1967 hit song)
writer:
Maurice Coates and Brenda Payton
arranger:
Bob Finiz (Producer - songwriter - author)
publisher:
Bee Cool Music
Brenda & the Tabulations2:44
14Yes, I’m Ready
recording of:
Yes, I’m Ready
lyricist and composer:
Barbara Mason
publisher:
Embassy Music Corporation and Jamie Music Publishing Co.
Barbara Mason3:05
15The Love I Saw in You Was Just a Mirage
recording of:
The Love I Saw in You Was Just a Mirage
writer:
Marvin Tarplin and William Robinson, Jr.
Smokey Robinson & The Miracles3:03
16When Something Is Wrong With My Baby
recorded in:
Memphis, Tennessee, United States (on 1966-11-15)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
keyboard:
Isaac Hayes (on 1966-11-15)
vocals:
Dave Prater (soul artist) (on 1966-11-15) and Sam Moore (singer, ex "Sam and Dave") (on 1966-11-15)
recording of:
When Something Is Wrong With My Baby (on 1966-11-15)
composer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Sam & Dave43:19
17That’s How It Is (When You’re in Love)
recording of:
That’s How It Is (When You’re in Love)
writer:
Maurice Dollison and Milton Bland
Otis Clay2:39
18Sweet Inspiration
recording of:
Sweet Inspiration
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Press Music Co.
The Sweet Inspirations2:56
19Baby, I’m Yours
producer:
Bert Berns and Ollie McLaughlin
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1965-01-08)
double bass [bass]:
Jimmy Lewis (jazz bassist) (on 1965-01-08)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1965-01-08)
guitar:
Bill Suyker (on 1965-01-08)
piano:
Paul Griffin (American pianist, session musician) (on 1965-01-08)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1965-01-08)
tenor saxophone:
Charlie Brown (saxophonist) (on 1965-01-08)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1965-01-08) and Tony Studd (on 1965-01-08)
trumpet:
Dud Bascomb (Sr., jazz trumpeter) (on 1965-01-08) and Clark Terry (American swing trumpeter) (on 1965-01-08)
background vocals:
vocal group ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1965-01-08)
vocals:
Barbara Lewis (on 1965-01-08)
conductor:
Teacho Wiltshire (on 1965-01-08)
arranger:
Teacho Wiltshire
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours (on 1965-01-08)
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. and Van McCoy Music
Barbara Lewis2:31
20It Tears Me Up
recording of:
It Tears Me Up
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd.
Percy Sledge2:51
21I Had a Talk With My Man
recording of:
I Had a Talk With My Man
writer:
Lenny Caston (son of Leonard Caston) and Billy Davis (r&b producer/songwriter/performer Roquel Davis)
Mitty Collier2:53
22Love Makes the World Go Round
recording of:
Love Makes the World Go Round
lyricist and composer:
Deon Jackson
Deon Jackson2:37
23Back Up Train
recording of:
Back Up Train
lyricist and composer:
Palmer James and Curtis Rodgers
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing France
Al Green & the Soul Mates2:22
24Choice of Colors
recording of:
Choice of Colors
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Camad Music Company (from 1969 to ????)
The Impressions3:18
2▼CD: Beg 2
#TitleArtistRatingLength
1Ice Cream Song
recording of:
Ice Cream Song
lyricist and composer:
Ronnie Shannon
The Dynamics3:18
2I’ve Been Loving You Too Long (To Stop Now)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 25)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding32:56
3Stay in My Corner
recorded in:
Chicago, Illinois, United States (on 1965-02-19)
producer:
Calvin Carter
recording of:
Stay in My Corner (on 1965-02-19)
writer:
Wade Flemons, Bobby Miller (US songwriter & record producer) and Barrett Strong
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells2:54
4Selfish One
recording of:
Selfish One
writer:
Wilfred McKinley (US songwriter from Chicago, IL.) and Carl Smith (US songwriter and producer active in Chicago)
Jackie Ross3:21
5Hey There Lonely Girl
recording of:
Hey There Lonely Girl
lyricist:
Earl S. Shuman (composer / lyricist)
composer:
Leon Carr
publisher:
Campbell Connelly & Co. Ltd.
Eddie Holman4.653:37
6Everyday Will Be Like a Holiday
recording of:
Everyday Will Be Like a Holiday
lyricist and composer:
William Bell and Booker T. Jones
publisher:
Irving Music, Inc., Cotillion (in 1991) and Warner Bros. (holding: file NO releases) (in 1991)
William Bell52:39
7Funny How Time Slips Away
Joe Hinton3:05
8Wrong Number (I Am Sorry, Goodbye)
recording of:
Wrong Number (I’m Sorry, Goodbye)
lyricist and composer:
Naomi Neville
publisher:
EMI Unart Catalog Inc.
Aaron Neville2:52
9The Entertainer
recording of:
The Entertainer
lyricist and composer:
Tony Clarke (soul artist)
Tony Clarke2:36
10It’s Got to Be Mellow
recording of:
It’s Got to Be Mellow
lyricist and composer:
Leon Haywood (funk and soul singer, songwriter, record producer)
Leon Haywood2:27
11Can I Change My Mind
recorded in:
Chicago, Illinois, United States (on 1968-11-11)
producer:
Carl Davis (record producer)
drums (drum set) [drums]:
Quinton Joseph (on 1968-11-11)
guitar:
Carl Wolff (guitarist) (on 1968-11-11) and Mighty Joe Young (US blues guitarist) (on 1968-11-11)
piano:
Floyd Morris (on 1968-11-11)
vocals:
Tyrone Davis (“Wonder Boy”) (on 1968-11-11)
conductor:
Willie Henderson (on 1968-11-11)
arranger:
Willie Henderson
recording of:
Can I Change My Mind (on 1968-11-11)
writer:
Barry Despenza and Carl Wolfolk
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Tyrone Davis2:50
12Sunny
recording of:
Sunny
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bobby Hebb2:50
13Cowboys to Girls
producer:
Gamble-Huff
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, United States (in 1967)
recording of:
Cowboys to Girls (in 1967)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blockbuster Music, Inc., EMI Blackwood Music Inc., Mijac Double Diamond Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Intruders22:38
14Don’t Make Me Over
recording of:
Don’t Make Me Over
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), JAC Music Co., Inc., MCA Music Ltd., New Hidden Valley Music Co., Windswept Pacific Music Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick2:51
15Oh No Not My Baby
producer:
Luther Dixon and Stan Green
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recording of:
Oh No Not My Baby
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Maxine Brown2:44
16Fly Me to the Moon
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Bobby Womack2:58
17I Do Love You
recording of:
I Do Love You
Billy Stewart3:06
18Voice Your Choice
part of:
CBC Music: The Ultimate Election Day Playlist
recording of:
Voice Your Choice
writer:
Maurice McAlister and Gerald Sims
The Radiants42:36
19I’m Your Puppet
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1966)
cover recording of:
I’m Your Puppet
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (1996–2019), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Australia Pty. Ltd.
James & Bobby Purify3:02
20Release Me
cover recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) and Robert Yount (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Esther Phillips3:19
21Rainbow
recording of:
Rainbow
lyricist and composer:
Curtis Mayfield
publisher:
Conrad Music (publisher; do NOT use as release label), Placid Music Corp. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gene Chandler2:54
22Sad Girl
Jay Wiggins2:21
23Wish Someone Would Care
recorded at:
Slim’s in San Francisco, California, United States (from 1990-08-30 until 1990-08-31)
live recording of:
Wish Someone Would Care (in 1990-08)
lyricist and composer:
Irma Thomas
Irma Thomas2:23
24In the Heat of the Night
cover recording of:
In the Heat of the Night
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Quincy Jones
publisher:
United Artists
Ray Charles3:25
25Stay With Me
producer:
Jerry Ragovoy
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Stay With Me Baby
writer:
Jerry Ragovoy and George David Weiss
publisher:
TRO Essex Music Ltd.
Lorraine Ellison3:30
3▼CD: Scream 1
#TitleArtistRatingLength
1Function at the Junction
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Function at the Junction
lyricist and composer:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) and Frederic Earl ‘Shorty’ Long (soul singer, musician, songwriter and producer)
Shorty Long2:51
2Memphis Soul Stew
recorded in:
Memphis, Tennessee, United States (on 1967-07-05)
producer:
King Curtis (saxophonist)
baritone saxophone:
Floyd Newman (on 1967-07-05)
bass guitar [bass]:
Tommy Cogbill (on 1967-07-05)
drums (drum set) [drums]:
Gene Chrisman (on 1967-07-05)
guitar:
R.F. Taylor (guitarist) (on 1967-07-05) and Reggie Young (Guitarist and songwriter) (on 1967-07-05)
organ:
Bobby Emmons (on 1967-07-05)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1967-07-05)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-07-05), King Curtis (saxophonist) (on 1967-07-05) and Jimmy Mitchell (saxophone) (on 1967-07-05)
trumpet:
Bowlegs Miller (American trumpeter) (on 1967-07-05)
vocals:
King Curtis (saxophonist) (on 1967-07-05)
recording of:
Memphis Soul Stew (on 1967-07-05)
writer:
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. and Pronto Music (publisher)
King Curtis2:58
3The “In” Crowd
recording of:
The “In” Crowd
orchestrator:
Gene Page
lyricist and composer:
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) and Unichappell Music, Inc. (in 1964)
Dobie Gray2:53
4I Sold My Heart to the Junkman
conductor:
Bobby Martin (US soul/R&B producer/arranger)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recording of:
I Sold My Heart to the Junkman
writer:
Leon René and Otis René
The Starlets2:28
5Love Makes a Woman
producer:
Carl Davis (record producer) and Eugene Record
arranger:
Sonny Sanders
part of:
The Downloader’s Music Source Book (number: 135)
recording of:
Love Makes a Woman (on 1968-03-25)
writer:
Carl Davis (record producer), Eugene Record, Sonny Sanders and Gerald Sims
publisher:
Chappell & Co., Inc. (USA), Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Barbara Acklin2:57
6Lipstick Traces (on a Cigarette)
engineer:
Lanky Linstrot (US recording engineer)
producer:
Tommy LiPuma
conductor:
Nick de Caro
arranger:
Harold Battiste
cover recording of:
Lipstick Traces (on a Cigarette) (in 1965)
lyricist and composer:
Naomi Neville
publisher:
EMI Unart Catalog Inc. and Unart Music Corp.
The O’Jays2:45
7Make Me Yours
recording of:
Make Me Yours
lyricist and composer:
Bettye Champion
Bettye Swann2:59
8She Shot a Hole in My Soul
recording of:
She Shot a Hole in My Soul
writer:
Mac Gayden and Chuck Neese
Clifford Curry2:21
9You’re No Good
recording of:
You’re No Good
lyricist and composer:
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Betty Everett2:24
10I’m Blue (The Gong‐Gong Song)
recording of:
Gong, gong
lyricist:
Danyel Gérard (French pop singer)
composer:
Ike Turner
version of:
I’m Blue
The Ikettes2:33
117 Rooms of Gloom
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
7 Rooms of Gloom
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
Four Tops52:35
12(Sweet Sweet Baby) Since You’ve Been Gone
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
choir vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17), Erma Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
horn arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Aretha Franklin4.352:26
13Wack Wack
recording of:
Wack Wack
writer:
Isaac "Redd" Holt, Donald Storball, Hysear Don Walker and Eldee Young
is based on:
Cool Jerk
The Young Holt Trio3:01
14Got to Get You Off My Mind
producer:
Bert Berns and Jerry Wexler
recording of:
Got to Get You Off My Mind (Solomon Burke)
writer:
Dolores Burke, Solomon Burke, J.B. Moore (producer, composer) and Josephine Burke Moore
publisher:
Cotillion Music Inc. (BMI)
Solomon Burke2:36
15You’ve Been in Love Too Long
recording of:
You've Been in Love Too Long
writer:
Ivy Jo Hunter, Clarence Paul and William Stevenson (Motown songwriter)
publisher:
Jobete Music Co., Inc. and Stone Agate Music Division
Martha and the Vandellas3:03
16Pouring Water on a Drowning Man
recording of:
Pouring Water on a Drowning Man
writer:
Drew Baker and Danny McCormick
James Carr2:42
17Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:55
18Show Me
recorded in:
Nashville, Tennessee, United States (on 1967-02-01)
producer:
Buddy Killen
drums (drum set) [drums]:
Clyde Williams (US drummer) (on 1967-02-01)
guitar:
Lee Royal Hadley (guitar, Soul) (on 1967-02-01)
tenor saxophone:
Charles Farley (on 1967-02-01)
trombone:
Anthony Dorsey (on 1967-02-01) and Sly Sellers (on 1967-02-01)
trumpet:
Emile Hall (on 1967-02-01) and Leroy Monroe (on 1967-02-01)
background vocals:
vocal group ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-02-01)
vocals:
Joe Tex (American southern soul musician) (on 1967-02-01)
part of:
Cachitos Nochevieja 2022 (number: 28)
recording of:
Show Me (on 1967-02-01)
writer:
Joe Tex (American southern soul musician)
publisher:
London Tree Music and Tree Publishing Co., Inc.
Joe Tex2:57
19Friendship Train
recording of:
Friendship Train
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music Co., Inc.
Gladys Knight & the Pips3:47
20Temptation ’bout to Get Me
recording of:
Temptation ’bout to Get Me
lyricist and composer:
Jimmy Diggs (US soul songwriter and vocalist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Knight Brothers3:26
21Snatching It Back
recording of:
Snatchin’ It Back
lyricist and composer:
Clarence George Carter (in 1969) and George Henry Jackson (US soul songwriter/vocalist) (in 1969)
writer:
Little Steven
publisher:
Fame Music and Screen Gems-EMI
Clarence Carter2:42
22Dead End Street Monologue / Dead End Street
Lou Rawls3:47
4▼CD: Scream 2
#TitleArtistRatingLength
1Out of Sight
recording of:
Out of Sight
lyricist and composer:
James Brown (The Godfather of Soul)
writer:
Ted Wright (The Godfather of Soul)
publisher:
Freddy Bienstock Music Co. and Try Me Music, Inc. (BMI-affiliated)
James Brown2:25
2Get On Up
recording of:
Get on Up
writer:
Johnny Taylor (member of The Esquires), Gilbert Moorer and Bill Sheppard
publisher:
EMI Longitude Music
The Esquires52:25
3Only the Strong Survive
producer:
Gamble-Huff
arranger:
Thom Bell (keyboards, songwriter, producer) and Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1968)
recording of:
Only the Strong Survive (in 1968)
writer:
Jerry Butler (soul singer), Leon Huff (Philly soul producer, of Gamble & Huff) and Kenny Gamble (songwriter for Philadelphia International)
publisher:
Blue Crest Music, Double Diamond Music, Downstairs Music, Ensign Music Corp., Parabut, Sony/ATV Melody and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jerry Butler2:39
4Teasin’ You
recording of:
Teasin’ You
lyricist and composer:
Earl King Johnson
Willie Tee2:45
5Backfield in Motion
recording of:
Backfield in Motion
writer:
Melvin Harden and Tim McPherson
Mel & Tim2:32
6Piece of My Heart
producer:
Bert Russell Berns
vocals:
Erma Franklin (in 1967-08)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (in 1967-08)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
Piece of My Heart (in 1967-08)
writer:
Bert Russell and Jerry Ragovoy
publisher:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. and Wren Music Co.
Erma Franklin3.752:38
7I Don’t Want to Cry
recording of:
I Don't Want to Cry
composer:
Luther Dixon and Chuck Jackson (US R&B/soul vocalist)
Chuck Jackson2:17
8Girl Watcher
recording of:
Girl Watcher
writer:
Wayne Pittman and Ronald Killette
The O’Kaysions2:37
9I Was Made to Love Her
producer:
Henry Cosby
bass:
James Jamerson (on 1967-03-31)
electric sitar:
Eddie Willis (on 1967-03-31)
harmonica and lead vocals:
Stevie Wonder (on 1967-03-31)
instruments:
The Funk Brothers (on 1967-03-31)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1967-03-31)
recording of:
I Was Made to Love Her (on 1967-03-31)
writer:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.652:38
10B‐A‐B‐Y
recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Carla Thomas4.252:57
11You Are the Circus
recording of:
You Are the Circus
lyricist and composer:
Jerry Williams (a.k.a. Swamp Dogg)
C & the Shells3:03
12I’m in Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (Guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
I’m in Love (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Pronto Music (publisher)
Wilson Pickett2:32
13Searching for My Love
recording of:
Searching for My Love
lyricist and composer:
Bobby Moore (jazz musician)
publisher:
Chevis Publishing Corp. and EMI Blackwood Music Inc.
Bobby Moore & the Rhythm Aces2:33
14He Was Really Sayin’ Somethin’
recording of:
He Was Really Sayin’ Somethin’ (on 1964-12-07)
writer:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team), William Stevenson (Motown songwriter) and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (appears also as: Jobete Msc.)
The Velvelettes42:35
15The Chokin’ Kind
cover recording of:
The Chokin’ Kind
lyricist and composer:
Harlan Howard
publisher:
Sony/ATV Songs (SOCAN) and Wilderness Music Publishing Co.
Joe Simon2:43
16See Saw
recorded in:
Memphis, Tennessee, United States (on 1965-06-30)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (on 1965-06-30)
bass guitar [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-06-30)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (on 1965-06-30)
guitar:
Steve Cropper (on 1965-06-30)
keyboard:
Booker T. Jones (on 1965-06-30)
tenor saxophone:
Andrew Love (on 1965-06-30)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-06-30)
vocals:
Don Covay (on 1965-06-30)
recording of:
See Saw (on 1965-06-30)
writer:
Don Covay and Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Don Covay & the Goodtimers3:02
1739‐21‐46
recording of:
39‒21‒46 (You)
lyricist and composer:
Norman Johnson (US soul singer, R&B songwriter & producer)
The Showmen3:03
18A Fool in Love
recording of:
A Fool in Love
lyricist and composer:
Ike Turner
Ike & Tina Turner2:55
19Bye Bye Baby
recorded in:
New York, New York, United States (in 1960-08)
producer:
Berry Gordy, Jr.
recording of:
Bye Bye Baby (in 1960-08)
lyricist and composer:
Mary Wells (Motown singer)
publisher:
Stone Agate Music Division (in 1960)
Mary Wells2:56
20The Oogum Boogum Song
recording of:
The Oogum Boogum Song
lyricist and writer:
Alfred Smith
publisher:
Arlovol Music
Brenton Wood2:30
21Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
producer:
Artie Ripp
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:32
22Time Is Tight
recording of:
Time Is Tight
writer:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
publisher:
Al Jackson Jr. Music and Irving Music (BMI)
Booker T. & the MG’s3:16
5▶CD: Shout 1
6▶CD: Shout 2