The Great Satchmo

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1When It's Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
3:24
2I Can't Give You Anything but Love
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Posaune:
Al Philburn (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Johnny McGhee (trumpet) (am 1938-06-24) und Robert Cusumano (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Bearbeitung von:
I Can't Give You Anything but Love (with pre-groove chatter) von Louis Armstrong
recording of:
I Can’t Give You Anything but Love, Baby (am 1938-06-24)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:57
3Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-01-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-01-18)
Gitarre:
Lee Blair (am 1939-01-18)
Klavier:
Luis Russell (am 1939-01-18)
Kontrabass:
George "Pops" Foster (am 1939-01-18)
Posaune:
Wilbur de Paris (am 1939-01-18), J.C. Higginbotham (am 1939-01-18) und Bull City Red (aka George Washington) (am 1939-01-18)
Schlagzeug:
Sid Catlett (am 1939-01-18)
Tenorsaxophon:
Bingie Madison (am 1939-01-18) und Albert Nicholas (am 1939-01-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-01-18), Louis Armstrong (am 1939-01-18), Shelton "Scad" Hemphill (am 1939-01-18) und Otis Johnson (trumpet) (am 1939-01-18)
vocals:
Louis Armstrong (am 1939-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1939-01-18)
Interpret(in):
Louis Armstrong & His Orchestra
spätere Veröffentlichungen:
Jeepers Creepers von Louis Armstrong
recording of:
Jeepers Creepers (am 1939-01-18)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2)
42:43
4You Rascal You
3:10
5Struttin' With Some Barbecue
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Bass:
George "Pops" Foster (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
arranger:
Chippie Willett
recording of:
Struttin’ With Some Barbecue (am 1938-01-12)
Komponist(in):
Lil Hardin Armstrong
3:09
6I'm Confessin'
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-25)
Gitarre:
Lee Blair (am 1939-04-25)
Klavier:
Luis Russell (am 1939-04-25)
Kontrabass:
George "Pops" Foster (am 1939-04-25)
Posaune:
Wilbur de Paris (am 1939-04-25), J.C. Higginbotham (am 1939-04-25) und George Washington (jazz trombonist) (am 1939-04-25)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-25), Joe Garland (saxophonist, composer) (am 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-25) und Bingie Madison (am 1939-04-25)
Schlagzeug:
Sid Catlett (am 1939-04-25)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-25), Louis Armstrong (am 1939-04-25), Bernard Flood (am 1939-04-25) und Shelton "Scad" Hemphill (am 1939-04-25)
Sologesang:
Louis Armstrong (am 1939-04-25)
vocals:
Louis Armstrong (am 1939-04-25)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-25)
arranger:
Luis Russell
recording of:
I’m Confessin’ (That I Love You) (am 1939-04-25)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:14
7Lazybones
recorded in:
New York, New York, Vereinigte Staaten (am 1939-02-20)
alto saxophone:
Glen Gray (am 1939-02-20), Clarence Hutchenrider (am 1939-02-20), Murray McEachern (am 1939-02-20), Art Ralston (am 1939-02-20) und Kenny Sargent (am 1939-02-20)
baritone saxophone:
Kenny Sargent (am 1939-02-20)
Gitarre:
Jack Blanchette (am 1939-02-20)
Klavier:
Joe "Horse" Hall (US jazz pianist, swing era) (am 1939-02-20)
Kontrabass:
Stanley Dennis (am 1939-02-20)
Posaune:
Pee Wee Hunt (am 1939-02-20), Murray McEachern (am 1939-02-20) und Billy Rauch (US jazz trombonist) (am 1939-02-20)
Rohrblattinstrumente:
Art Ralston (am 1939-02-20)
Schlagzeug:
Tony Briglia (am 1939-02-20)
Tenorsaxophon:
Dan D’Andrea (am 1939-02-20) und Pat Davis (am 1939-02-20)
Trompete:
Louis Armstrong (am 1939-02-20), Sonny Dunham (am 1939-02-20), Frank Ryerson (am 1939-02-20) und Grady Watts (am 1939-02-20)
vocals:
Pee Wee Hunt (am 1939-02-20) und Louis Armstrong (am 1939-04-05)
Orchester:
Glen Gray & the Casa Loma Orchestra (am 1939-02-20)
recording of:
Lazy Bones (am 1939-02-20)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
53:13
8Save It Pretty Mama
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Save It, Pretty Mama (am 1939-04-05)
Verfasser(in):
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) und Don Redman
3:09
9Wolverine Blues
recording of:
Wolverine Blues
Texter:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) und John Spikes
Komponist(in):
Jelly Roll Morton
3:30
10Dinah
recorded in:
New York, New York, Vereinigte Staaten (am 1930-05-04)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-05-04) und Ted McCord (am 1930-05-04)
Gitarre:
Bernard Addison (am 1930-05-04)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-05-04)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-05-04)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-05-04)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-05-04)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-05-04) und Louis Armstrong (am 1930-05-04)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-05-04)
vocals:
Louis Armstrong (am 1930-05-04)
recording of:
Dinah (am 1930-05-04)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:23
11I Gotta Right to Sing the Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Gitarre:
Big Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass und Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
vocals:
Louis Armstrong (am 1933-01-26)
recording of:
I Gotta Right to Sing the Blues (am 1933-01-26)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
3:06
12Stardust
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04) und George James (US jazz saxophonist) (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Stardust (the jazz standard) (am 1931-11-04)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:31
13Dippermouth Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Klarinette:
Jimmy Dorsey (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
recording of:
Dippermouth Blues (am 1936-08-07)
Komponist(in):
Louis Armstrong und King Oliver (jazz cornetist)
2:46
14Ain't Missbehavin'
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
2:57
15I Ain't Got Nobody
recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:49
16Rockin' Chair
recorded in:
New York, New York, Vereinigte Staaten (am 1939-02-20)
alto saxophone:
Glen Gray (am 1939-02-20), Clarence Hutchenrider (am 1939-02-20), Murray McEachern (am 1939-02-20), Art Ralston (am 1939-02-20) und Kenny Sargent (am 1939-02-20)
baritone saxophone:
Kenny Sargent (am 1939-02-20)
Gitarre:
Jack Blanchette (am 1939-02-20)
Klavier:
Joe "Horse" Hall (US jazz pianist, swing era) (am 1939-02-20)
Kontrabass:
Stanley Dennis (am 1939-02-20)
Posaune:
Pee Wee Hunt (am 1939-02-20), Murray McEachern (am 1939-02-20) und Billy Rauch (US jazz trombonist) (am 1939-02-20)
Rohrblattinstrumente:
Art Ralston (am 1939-02-20)
Schlagzeug:
Tony Briglia (am 1939-02-20)
Tenorsaxophon:
Dan D’Andrea (am 1939-02-20) und Pat Davis (am 1939-02-20)
Trompete:
Louis Armstrong (am 1939-02-20), Sonny Dunham (am 1939-02-20), Frank Ryerson (am 1939-02-20) und Grady Watts (am 1939-02-20)
vocals:
Louis Armstrong (am 1939-02-20) und Pee Wee Hunt (am 1939-02-20)
Orchester:
Glen Gray & the Casa Loma Orchestra (am 1939-02-20)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1939-02-20)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:14
17Do You Know What It Means to Miss New Orleans?
recording of:
Do You Know What It Means to Miss New Orleans
Texter:
Eddie DeLange und Cathrine Legardh
Verfasser(in):
Louis Alter und Eddie DeLange
Komponist(in):
Louis Alter
3:01
18Perdido Street Blues
recording of:
Perdido Street Blues
Komponist(in):
Lil Armstrong
3:15
19St. Louis Blues
recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:06
20Basin Street Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
cover recording of:
Basin Street Blues (am 1933-01-27)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:30
21High Society
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (am 1933-01-26)
Texter:
Walter Melrose
Komponist(in):
Porter Steele (in 1901-04)
basiert auf:
High Society (march composed by Porter Steele in 1901)
3:28
22St. James Infirmary
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
Arrangement von:
St. James Infirmary
Version von:
The Unfortunate Lass (Bad Girl's Lament)
3:25
23That's My Home
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08, am 1932-12-28)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Gitarre:
John Trueheart (am 1932-12-08)
Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass] und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08, am 1932-12-28), Louis Bacon (am 1932-12-08), Billy Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08, am 1932-12-28)
Orchester:
Louis Armstrong and His Orchestra (am 1932-12-28)
recording of:
That’s My Home (am 1932-12-08)
Komponist(in):
Ben Ellison, Leon René und Otis René
43:14
24When the Saints Go Marching In
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (am 1938-05-13)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
2:44