Platinum Collection

~ Release by Bryan Ferry + Roxy Music (see all versions of this release, 2 available)

Annotation

Countries excluded (Spotify + iTunes)

(As of 2024-01-22).

  • Northern America: 🇨🇦 Canada (ca) 🇺🇸 United States (us)
Annotation last modified on 2024-01-22 17:46 UTC.

Tracklist

| |
1▼Digital Media
#TitleArtistRatingLength
1Virginia Plain
engineer:
Andy Hendriksen (in 1972-03)
producer:
Peter Sinfield
bass:
Rik Kenton (production music composer) (in 1972-03)
arranger:
Roxy Music
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1972-03)
part of:
TV Cream: Real 100 Best Singles Ever (number: 3) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 348)
recording of:
Virginia Plain (in 1972-03)
lyricist and composer:
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)
Roxy Music3.652:59
2Pyjamarama
producer:
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1973) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973)
recording of:
Pyjamarama (in 1973)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd. and E.G. Music Ltd. (publisher)
Roxy Music22:53
3Do the Strand
engineer:
John Middleton (engineer) and John Punter
producer:
Roxy Music and Chris Thomas (UK record producer / remixer)
vocals:
Bryan Ferry (in 1973-02)
arranger:
Roxy Music
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1973, in 1999)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Do the Strand (in 1973-02)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc., E.G. Music Ltd. (publisher) (, in 1973), EG Music Publishers Ltd., Universal Music Careers and Universal Music Publishing Group
Roxy Music44:02
4A Hard Rain’s A‐Gonna Fall
assistant engineer:
Andy Arthurs (Producer)
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry, John Porter (producer and musician US and UK) and John Punter
alto saxophone and baritone saxophone:
Roger Ball (in 1973-06)
bass and guitar:
John Porter (producer and musician US and UK) (in 1973-06)
drums (drum set):
Paul Thompson (Roxy Music drummer) (in 1973-06)
keyboard, synthesizer and violin:
Eddie Jobson (in 1973-06)
piano:
David Skinner (Twice As Much) (in 1973-06)
piano [occasional piano]:
Bryan Ferry (in 1973-06)
tenor saxophone:
Malcolm Duncan (in 1973-06)
trumpet:
Henry Lowther (in 1973-06)
background vocals:
Jessie Davis (in 1973-06) and Robbie Montgomery (in 1973-06)
vocals:
Bryan Ferry (in 1973-06)
horn [horns] arranger:
Roger Ball
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1973-06)
cover recording of:
Hard Rain’s A‐Gonna Fall (in 1973-06)
lyricist and composer:
Bob Dylan (in 1962-10)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Bryan Ferry45:20
5Street Life
engineer:
John Punter
producer:
Chris Thomas (UK record producer / remixer)
electric bass guitar:
Chris Thomas (UK record producer / remixer) (in 1973-09)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1973), Virgin EG Records Ltd. (in 1973) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-09)
recording of:
Street Life (in 1973-09)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher)
Roxy Music43:29
6All I Want Is You
producer:
John Punter and Roxy Music
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1974) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
All I Want Is You
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd. and E.G. Music Ltd. (publisher) (in 1974)
Roxy Music3.52:53
7The ‘In’ Crowd
assistant engineer:
Rhett Davies, Mark Dobson (engineer), Gary Edwards (producer, engineer) and Sean Milligan
engineer:
John Punter
producer:
Bryan Ferry and John Punter
drums (drum set):
Paul Thompson (Roxy Music drummer) (in 1974)
electric bass guitar:
John Wetton (in 1974)
guitar:
David O’List (in 1974)
vocals:
Bryan Ferry (in 1974)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1974), Virgin EG Records Ltd. (in 1974) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Ramport Studios in Battersea, Wandsworth, London (Greater London), England, United Kingdom (in 1974)
cover recording of:
The “In” Crowd (in 1974)
orchestrator:
Gene Page
lyricist and composer:
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) and Unichappell Music, Inc. (in 1964)
recording of:
The “In” Crowd
orchestrator:
Gene Page
lyricist and composer:
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) and Unichappell Music, Inc. (in 1964)
Bryan Ferry4:35
8Smoke Gets in Your Eyes
assistant engineer:
Rhett Davies, Mark Dobson (engineer), Gary Edwards (producer, engineer) and Sean Milligan
engineer:
John Punter
producer:
Bryan Ferry and John Punter
drums (drum set):
Paul Thompson (Roxy Music drummer) (in 1974)
electric bass guitar:
John Wetton (in 1974)
vocals:
Bryan Ferry (in 1974)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1974), Virgin EG Records Ltd. (in 1974) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1974, in 1999)
cover recording of:
Smoke Gets in Your Eyes (in 1974)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Bryan Ferry32:55
9You Go to My Head
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
recording of:
You Go to My Head (from 1973 until 1976)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Bryan Ferry2:44
10Love Is the Drug
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:09
11Both Ends Burning
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Both Ends Burning
lyricist and composer:
Bryan Ferry
publisher:
BMG Songs Ltd.
Roxy Music45:16
12Let’s Stick Together
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
Let’s Stick Together (from 1973 until 1976)
lyricist and composer:
Wilbert Harrison
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
Bryan Ferry3.353:01
13The Price of Love
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
The Price of Love (from 1973 until 1976)
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music and Acuff-Rose (BMI) (in 1965)
recording of:
The Price of Love
writer:
Don Everly and Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music and Acuff-Rose (BMI) (in 1965)
Bryan Ferry3:28
14This Is Tomorrow
assistant engineer:
Ross Cullum and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Steve Nye (producer, engineer and pianist)
producer:
Bryan Ferry and Steve Nye (producer, engineer and pianist)
horn arranger:
Mel Collins and Chris Mercer (British saxophonist)
strings arranger:
Ann O'Dell
phonographic copyright (℗) by:
Virgin EG Records Ltd (company credits only; do NOT use as release label) (in 1977) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1976-06 until 1977)
recording of:
This Is Tomorrow (from 1976-06 until 1977)
lyricist, writer and composer:
Bryan Ferry
publisher:
BMG Songs Ltd. and E.G. Music Ltd. (publisher) (in 1977)
Bryan Ferry3:41
15Tokyo Joe
assistant engineer:
Ross Cullum and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Steve Nye (producer, engineer and pianist)
producer:
Bryan Ferry and Steve Nye (producer, engineer and pianist)
horn arranger:
Mel Collins and Chris Mercer (British saxophonist)
strings arranger:
Ann O'Dell
phonographic copyright (℗) by:
Virgin EG Records Ltd (company credits only; do NOT use as release label) (in 1977) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (from 1976-06 until 1977)
recording of:
Tokyo Joe (from 1976-06 until 1977)
lyricist, writer and composer:
Bryan Ferry
publisher:
BMG Songs Ltd. and E.G. Music Ltd. (publisher) (in 1977)
Bryan Ferry3:55
2▼Digital Media
#TitleArtistRatingLength
1Sign of the Times
producer:
Bryan Ferry, Rick Marotta (US drummer/percussionist), Steve Nye (producer, engineer and pianist), Simon Puxley and Waddy Wachtel
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1978) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Sign of the Times
lyricist, writer and composer:
Bryan Ferry
publisher:
BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1978)
Bryan Ferry32:29
2What Goes On
assistant engineer:
Randy Mason, Martin Pearson (Swiss classical/jazz producer/engineer) and Dave Richards (engineer)
engineer:
Jimmy Douglass (engineer), Lew Hahn and Steve Nye (producer, engineer and pianist)
producer:
Bryan Ferry, Rick Marotta (US drummer/percussionist), Steve Nye (producer, engineer and pianist), Simon Puxley and Waddy Wachtel
bass guitar:
Alan Spenner
drums (drum set):
Rick Marotta (US drummer/percussionist)
guitar:
Neil Hubbard and Waddy Wachtel
organ:
Ann O'Dell
background vocals:
Waddy Wachtel
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland
remixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
What Goes On
lyricist and composer:
Lou Reed
publisher:
Screen Gems–EMI Music Ltd.
Bryan Ferry4:11
3Carrickfergus
assistant engineer:
Randy Mason, Martin Pearson (Swiss classical/jazz producer/engineer) and Dave Richards (engineer)
engineer:
Jimmy Douglass (engineer), Lew Hahn and Steve Nye (producer, engineer and pianist)
producer:
Bryan Ferry, Rick Marotta (US drummer/percussionist), Steve Nye (producer, engineer and pianist), Simon Puxley and Waddy Wachtel
double bass [string bass]:
Herbie Flowers
guitar:
Waddy Wachtel
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland
remixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Carrickfergus
lyricist and composer:
[traditional] (special purpose artist)
publisher:
BMG Songs Ltd.
Bryan Ferry3:49
4Trash
engineer:
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) and Randy Mason
producer:
Roxy Music
performer:
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) and Gary Tibbs
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Trash
writer:
Bryan Ferry and Phil Manzanera
publisher:
BMG Music Publishing Ltd. and E.G. Music Ltd. (publisher)
Roxy Music42:13
5Dance Away
engineer:
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) and Randy Mason
producer:
Roxy Music
mixer:
Bob Clearmountain
performer:
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) and Gary Tibbs
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Dance Away (in 1979)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:47
6Angel Eyes
producer:
Roxy Music
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Angel Eyes
writer:
Bryan Ferry and Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1979)
Roxy Music42:53
7Over You
engineer:
Rhett Davies
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar and guitar:
Phil Manzanera
drums (drum set):
Allan Schwartzberg
keyboard:
Bryan Ferry
saxophone:
Andy Mackay (of Roxy Music)
vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Gallery Studio (Chertsey, until 1997) in Chertsey, Surrey, England, United Kingdom
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Over You
writer:
Bryan Ferry and Phil Manzanera
publisher:
BMG Music Publishing Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher)
Roxy Music3.253:28
8Oh Yeah!
engineer:
Rhett Davies
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Neil Jason (bassist)
drums (drum set):
Allan Schwartzberg
guitar:
Neil Hubbard and Phil Manzanera
keyboard and strings:
Paul Carrack
piano:
Bryan Ferry
saxophone:
Andy Mackay (of Roxy Music)
vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1980), Virgin EG Records Ltd. (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Gallery Studio (Chertsey, until 1997) in Chertsey, Surrey, England, United Kingdom
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Oh Yeah (Roxy Music)
lyricist and composer:
Bryan Ferry
publisher:
BMG Songs Ltd., Careers–BMG Music Publishing, Inc., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1980)
Roxy Music3.354:51
9Same Old Scene
engineer:
Rhett Davies
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner
drums (drum set):
Allan Schwartzberg
guitar:
Phil Manzanera
instruments:
Allan Schwartzberg
keyboard:
Bryan Ferry
saxophone:
Andy Mackay (of Roxy Music)
vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1980), Virgin EG Records Ltd. (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Gallery Studio (Chertsey, until 1997) in Chertsey, Surrey, England, United Kingdom
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Same Old Scene
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1980)
Roxy Music33:59
10Jealous Guy
producer:
Rhett Davies, Bryan Ferry and Roxy Music
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981, in 2000)
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
revision of:
Child of Nature
Roxy Music4.54:58
11More Than This
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner (in 1982)
drums (drum set):
Andy Newmark (in 1982)
guitar:
Neil Hubbard (in 1982) and Phil Manzanera (in 1982)
keyboard:
Bryan Ferry (in 1982)
percussion:
Jimmy Maelen (percussion) (in 1982)
saxophone:
Andy Mackay (of Roxy Music) (in 1982)
background vocals:
Fonzi Thornton (in 1982)
vocals:
Bryan Ferry (in 1982)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
More Than This (in 1982)
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music44:31
12Avalon
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Alan Spenner (from 1981 until 1982)
drums (drum set):
Andy Newmark (from 1981 until 1982)
guitar:
Neil Hubbard (from 1981 until 1982) and Phil Manzanera (from 1981 until 1982)
keyboard and lead vocals:
Bryan Ferry (from 1981 until 1982)
percussion:
Jimmy Maelen (percussion) (from 1981 until 1982)
saxophone:
Andy Mackay (of Roxy Music) (from 1981 until 1982)
background vocals:
Yannick Etienne (from 1981 until 1982) and Fonzi Thornton (from 1981 until 1982)
performer:
Roxy Music (from 1981 until 1982)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (from 1982 to present, in 1982), Virgin EG Records Ltd. (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1981 until 1982)
recording of:
Avalon (from 1981 until 1982)
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:17
13Take a Chance With Me
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Neil Jason (bassist)
drums (drum set):
Andy Newmark
guitar:
Neil Hubbard and Phil Manzanera
keyboard:
Bryan Ferry
oboe:
Andy Mackay (of Roxy Music)
percussion:
Jimmy Maelen (percussion)
background vocals:
Fonzi Thornton
vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Take a Chance With Me
composer:
Bryan Ferry and Phil Manzanera
publisher:
BMG Music Publishing Ltd., E.G. Music Inc. and EMI Virgin Music Ltd. (do not use this as a release label!)
Roxy Music3.54:44
14Don’t Stop the Dance
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Don’t Stop the Dance
writer:
Rhett Davies and Bryan Ferry
publisher:
BMG Music Publishing Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry44:22
15Windswept
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
guitar:
Mark Knopfler
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Windswept
lyricist and composer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry44:37
3▼Digital Media
#TitleArtistRatingLength
1Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.854:27
2Is Your Love Strong Enough?
producer:
Rhett Davies and Bryan Ferry
solo guitar:
David Gilmour (Pink Floyd)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1986)
recording of:
Is Your Love Strong Enough
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Ltd., BMG Songs Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and USI B Music Publishing
Bryan Ferry54:53
3The Right Stuff
engineer:
Ian Eales, Steve Jackson (recording engineer) and Kevin Killen
executive producer:
Simon Puxley
producer:
Bryan Ferry, Chester Kamen and Patrick Leonard (producer, songwriter and pianist)
mixer:
Bruce Lampcov and Alan Meyerson
guitar:
Johnny Marr
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Compass Point Studios in Nassau, Bahamas, Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France, Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, France and Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, France
recording of:
The Right Stuff
writer:
Bryan Ferry
composer:
Johnny Marr
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Marr Songs Ltd., Virgin Music (Publishers) Ltd., Virgin-Nymph Music Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
Bryan Ferry3.754:23
4Kiss and Tell
engineer:
Ian Eales, Steve Jackson (recording engineer) and Kevin Killen
executive producer:
Simon Puxley
producer:
Bryan Ferry, Chester Kamen and Patrick Leonard (producer, songwriter and pianist)
mixer:
Bruce Lampcov and Alan Meyerson
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Compass Point Studios in Nassau, Bahamas, Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France, Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, France and Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, France
recording of:
Kiss and Tell
writer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Virgin-Nymph Music Inc. and Virgin Music (Publishers) Ltd. (in 1988)
Bryan Ferry44:54
5Limbo
engineer:
Ian Eales, Steve Jackson (recording engineer) and Kevin Killen
executive producer:
Simon Puxley
producer:
Bryan Ferry and Patrick Leonard (producer, songwriter and pianist)
mixer:
Bruce Lampcov and Alan Meyerson
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Compass Point Studios in Nassau, Bahamas, Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France, Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, France and Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, France
recording of:
Limbo
writer:
Bryan Ferry and Patrick Leonard (producer, songwriter and pianist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony ATV Music Publishing (UK) Ltd., Virgin-Nymph Music Inc., Virgin Music (Publishers) Ltd. (in 1988) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1988)
Bryan Ferry3.55:01
6He’ll Have to Go
producer:
Bryan Ferry, Rick Marotta (US drummer/percussionist), Steve Nye (producer, engineer and pianist), Simon Puxley and Waddy Wachtel
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1988) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1988)
recording of:
He’ll Have to Go
writer:
Audrey Allison and Joe Allison
publisher:
Campbell Connelly & Co. Ltd., Central Songs and Central Songs, Inc.
Bryan Ferry4:05
7I Put a Spell on You
programming and engineer:
Richard T. Norris (producer / mixer)
producer:
Bryan Ferry and Robin Trower
mixer:
Bob Clearmountain
alto saxophone:
Maceo Parker (US funk/jazz saxophonist)
bass:
Nathan East
drums (drum set):
Steve Ferrone
guitar:
Neil Hubbard
guitar [atmos guitar]:
Michael Brook (Canadian guitarist)
guitar [fender guitar]:
Robin Trower
guitar [rhythm guitar] and other instruments [hook]:
David Williams (San Francisco songwriter)
piano:
Bryan Ferry
strings:
Bryan Ferry and Greg Phillinganes
vibraphone [vibes]:
Greg Phillinganes
vocals:
Carleen Anderson and Bryan Ferry
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1993, in 1999)
recorded at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom
mixed at:
Bearsville Studios in Bearsville, New York, United States
cover recording of:
I Put a Spell on You
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Bryan Ferry5:27
8Will You Love Me Tomorrow
engineer:
Richard T. Norris (producer / mixer)
producer:
Bryan Ferry and Robin Trower
mixer:
Bob Clearmountain
bass:
Nathan East and Steve Pearce (UK bassist)
drums (drum set):
Steve Ferrone
effects [wah wah]:
Robin Trower
guitar [atmos guitar]:
Michael Brook (Canadian guitarist)
guitar [probe guitar]:
Neil Hubbard
piano:
Bryan Ferry
synthesizer:
Bryan Ferry and Greg Phillinganes
vocals:
Bryan Ferry
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1993, in 1999)
recorded at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
Will You Love Me Tomorrow (Carole King song)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
cover recording of:
Will You Love Me Tomorrow (Carole King song)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Bryan Ferry4:19
9Girl of My Best Friend
engineer:
Richard T. Norris (producer / mixer)
producer:
Bryan Ferry and Robin Trower
mixer:
Bob Clearmountain
bass:
Nathan East
drums (drum set):
Steve Ferrone
effects [wah wah]:
Robin Trower
guitar [lead guitar]:
Neil Hubbard
guitar [rhythm guitar]:
David Williams (San Francisco songwriter)
organ and piano:
Bryan Ferry
synthesizer:
Greg Phillinganes
vocals:
Bryan Ferry
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
The Girl of My Best Friend
writer:
Sam Bobrick and Ross Butler
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
Bryan Ferry3:27
10Your Painted Smile
programming:
Richard T. Norris (producer / mixer)
additional engineer:
Richard T. Norris (producer / mixer)
engineer:
Sven Taits
assistant producer:
Johnson Somerset
producer:
Bryan Ferry and Robin Trower
mixer:
Bob Clearmountain
bass:
Nathan East
drums (drum set):
Steve Ferrone
guitar [atmos guitar]:
Jeff Thall
guitar [lead guitar]:
Neil Hubbard
guitar [mood guitar]:
Chester Kamen
guitar [rhythm guitar]:
David Williams (session guitarist and songwriter)
percussion:
Luís Jardim
piano and synthesizer [syn-oboe]:
Bryan Ferry
background vocals:
Carleen Anderson
vocals:
Bryan Ferry
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Master Rock Studios in Kilburn, Brent (London Borough of Brent), London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Utopia Studios (London) in London (Greater London), England, United Kingdom
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
additionally engineered at:
Studio One (Bryan Ferry’s studio) in London (Greater London), England, United Kingdom
recording of:
Your Painted Smile
lyricist and composer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and EMI/Virgin Music Publishing Ltd.
Bryan Ferry3:14
11Mamouna
additional engineer:
Richard T. Norris (producer / mixer)
engineer:
Sven Taits
assistant producer:
Johnson Somerset
producer:
Bryan Ferry and Robin Trower
mixer:
Bob Clearmountain
bass:
Pino Palladino
drums (drum set):
Steve Ferrone
guitar [atmos guitar]:
Jeff Thall
guitar [card guitar]:
Chester Kamen
guitar [licks guitar]:
Neil Hubbard
guitar [rhythm guitar]:
David Williams (session guitarist and songwriter)
mellotron [chiortron], piano and synthesizer [syn-sax]:
Bryan Ferry
other instruments [sonic awareness]:
Brian Eno
background vocals:
Carleen Anderson
vocals:
Bryan Ferry
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Master Rock Studios in Kilburn, Brent (London Borough of Brent), London (Greater London), England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Utopia Studios (London) in London (Greater London), England, United Kingdom
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
additionally engineered at:
Studio One (Bryan Ferry’s studio) in London (Greater London), England, United Kingdom
recording of:
Mamouna
lyricist and composer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and EMI/Virgin Music Publishing Ltd.
Bryan Ferry5:12
12As Time Goes By
additional engineer:
Chris Dibble (engineer) and Sven Taits
assistant engineer:
Steve Pelluet
engineer:
Mark Tucker (engineer)
producer:
Rhett Davis (English record producer and engineer.) and Bryan Ferry
bass:
Richard Jeffries (Bassist)
cello:
Anthony Pleeth (cellist)
drums (drum set):
John Sutton (drums)
guitar:
Nils Solberg
harp:
Hugh Webb (harpist)
ondes Martenot:
Cynthia Millar (English Ondes Martenot player)
piano:
Colin Good
viola:
Philip Dukes (classical viola soloist)
violin:
Dave Woodcock (violinist) and Gavyn Wright (UK violinist, conductor)
vocals:
Bryan Ferry
arranger:
Bryan Ferry and Colin Good
phonographic copyright (℗) by:
Virgin Schallplatten GmbH & Co. KG (not for release label use!) (in 1999)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
cover recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Bryan Ferry32:35
13Goddess of Love
programming:
Ben Chapman, Reece Karl Gilmore (production music) and James Sanger
assistant engineer:
Dan Grech‐Marguerat and Kevin Harp
engineer:
Nick Addison, Michael Boddy, Neil Brockbank, Ash Howes (British mixer, writer and musician), Richard Norris (UK producer, engineer and musician), Sven Taits and Mark Tucker (engineer and producer)
additional producer:
Rhett Davies and Colin Good
producer:
Bryan Ferry and Dave Stewart (UK guitarist/singer for Eurythmics)
mixer:
Bob Clearmountain
bass:
David Williams (session guitarist and songwriter)
drums (drum set):
Andy Newmark and Paul Thompson (Roxy Music drummer)
guitar:
Adam Lamprell, Chris Spedding, Dave Stewart (UK guitarist/singer for Eurythmics) and David Williams (session guitarist and songwriter)
harmonica:
Bryan Ferry
keyboard:
Terry Disley, Brian Eno, Bryan Ferry and Paul Taylor (Winger rhythm guitarist and keyboardist)
piano:
Colin Good
background vocals:
Sarah Brown (backing singer), Brian Eno, Nicole Blumberg (Backing Vocalist), Stevie De Granville and Audrey Wheeler
vocals:
Bryan Ferry
phonographic copyright (℗) by:
Virgin Schallplatten GmbH & Co. KG (not for release label use!) (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom and Studio One (Bryan Ferry’s studio) in London (Greater London), England, United Kingdom
recording of:
Goddess of Love
writer:
Bryan Ferry and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bryan Ferry Publishing Designee, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eligible Music Ltd. and Universal Music Careers
Bryan Ferry3:33
14It’s All Over Now Baby Blue
assistant engineer:
Dan Grech‐Marguerat and Kevin Harp
engineer:
Nick Addison, Michael Boddy, Neil Brockbank, Ash Howes (British mixer, writer and musician), Richard Norris (UK producer, engineer and musician), Sven Taits and Mark Tucker (engineer and producer)
producer:
Rhett Davies, Bryan Ferry and Colin Good
mixer:
Bob Clearmountain
bass:
Zev Katz
drums (drum set):
Bobby Irwin
guitar:
Pete Glenister and Mick Green (English guitarist)
harmonica:
Bryan Ferry
percussion:
Frank Ricotti (percussionist)
piano:
Colin Good
strings:
Natalia Bonner (violinist), Lucy Theo, Rosie Wetters and Lucy Wilkins (violinist)
vocals:
Bryan Ferry
strings arranger:
Colin Good
phonographic copyright (℗) by:
Virgin Schallplatten GmbH & Co. KG (not for release label use!) (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom and Studio One (Bryan Ferry’s studio) in London (Greater London), England, United Kingdom
recording of:
It’s All Over Now, Baby Blue
lyricist and composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Bryan Ferry4:07
15Fool for Love
assistant engineer:
Dan Grech‐Marguerat and Kevin Harp
engineer:
Nick Addison, Michael Boddy, Neil Brockbank, Ash Howes (British mixer, writer and musician), Richard Norris (UK producer, engineer and musician), Sven Taits and Mark Tucker (engineer and producer)
producer:
Rhett Davies, Bryan Ferry and Colin Good
mixer:
Bob Clearmountain
bass:
Zev Katz
drums (drum set):
Paul Thompson (Roxy Music drummer)
guitar:
Pete Glenister, Mick Green (English guitarist), Chris Spedding and Martin Wheatley
harmonica:
Bryan Ferry
harp:
Julia Thornton
percussion:
Andy Newmark and Frank Ricotti (percussionist)
piano:
Colin Good
woodwind:
Keith Thompson (woodwinds)
background vocals:
Sarah Brown (backing singer)
soprano vocals:
Mary Nelson (soprano)
vocals:
Bryan Ferry
phonographic copyright (℗) by:
Virgin Schallplatten GmbH & Co. KG (not for release label use!) (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom and Studio One (Bryan Ferry’s studio) in London (Greater London), England, United Kingdom
recording of:
A Fool for Love
writer and composer:
Bryan Ferry
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Bryan Ferry4:43