On the Edge

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Orange Crush
additional engineer:
Thom Cadley, George Cowan (US engineer) and Tom Laune
assistant engineer:
Jeff Kahan and Chris Laidlaw
engineer and mixer:
Jay Healy and Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1988) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
mixed at:
Bearsville Studios in Bearsville, New York, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 273)
recording of:
Orange Crush
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Chappell Music Ltd. and Night Garden Music
R.E.M.4.053:52
2Been Caught Stealing
additional engineer:
Bob Lacivita
engineer:
Ronnie S. Champagne
co-producer:
Dave Jerden
producer:
Perry Farrell and Dave Jerden
music videos:
Been Caught Stealing (Music video) by Jane’s Addiction
part of:
Indie 88: Top 500 Indie Rock Songs (number: 284)
recording of:
Been Caught Stealing
writer:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) and Stephen Perkins (American drummer)
Jane’s Addiction4.353:33
3Roam
miscellaneous support:
Budd Tunick (task: Production Manager)
programming:
Richard Hilton
additional engineer:
Paul Angelli, Ed Brooks (audio engineer at RFI Mastering in Seattle), Patrick Dillett and Keith Freedman
engineer:
Tom Durack
producer:
Nile Rodgers
mixer:
Tom Durack and Nile Rodgers
bass guitar [bass]:
Sara Lee (UK bassist, singer & songwriter)
drums (drum set):
Leroy Clouden
guitar:
Keith Strickland
keyboard [keyboards]:
Richard Hilton
vocals:
Kate Pierson and Cindy Wilson
phonographic copyright (℗) by:
Reprise Records (in 1989)
recorded at and mixed at:
Skyline Studios in New York, United States
recording of:
Roam
lyricist:
Robert Waldrop
composer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s3.94:53
4How Soon Is Now?
recording of:
How Soon Is Now? (in 1984)
lyricist:
Morrissey (English singer‐songwriter)
writer:
Johnny Marr and Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3:56
5There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:44
6Joey
producer:
Concrete Blonde and Chris Tsangarides
bass:
James Mankey and Johnette Napolitano
drums (drum set):
Paul Thompson (Roxy Music drummer)
guitar:
James Mankey
vocals:
Johnette Napolitano
phonographic copyright (℗) by:
International Record Syndicate, Inc. (in 1990)
produced at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
recording of:
Joey
lyricist and composer:
Johnette Napolitano
publisher:
International Velvet Music
Concrete Blonde4.354:10
7Here Comes Your Man
assistant engineer:
Dave Snider
engineer:
Matt Lane (engineer) and Gil Norton (British record producer)
producer:
Gil Norton (British record producer)
mixer:
Steve Haigler
drums (drum set):
Dave Lovering
electric bass guitar:
Kim Deal
electric guitar:
Black Francis (US singer, songwriter & guitarist)
electric guitar [lead guitar] and background vocals:
Joey Santiago
vocals:
Black Francis (US singer, songwriter & guitarist) and Kim Deal
phonographic copyright (℗) by:
4AD Ltd (in 1989)
recorded at:
Downtown Recorders in Boston, Massachusetts, United States
mixed at:
Carriage House Studios in Stamford, Connecticut, United States
music videos:
Here Comes Your Man (official video) by Pixies
part of:
Indie 88: Top 500 Indie Rock Songs (number: 190)
recording of:
Here Comes Your Man (from 1988-10-31 until 1988-11-23)
lyricist and composer:
Black Francis (US singer, songwriter & guitarist) (from 1974 until 1975)
publisher:
Rice and Beans Music (published Pixies songs)
Pixies4.33:23
8No Myth
drum machine programming:
Michael Penn
engineer:
Susan Rogers (US sound engineer)
producer:
Tony Berg (record producer, executive, and session guitarist)
bass, guitar and lead vocals:
Michael Penn
electric cello:
David Coleman (American cellist & composer)
keyboard:
Patrick Warren
percussion:
Art Wood (US session drummer/percussionist)
recorded at:
Zeitgeist Studio in Los Angeles, California, United States
recording of:
No Myth
lyricist and composer:
Michael Penn
publisher:
Careers Music, Inc. (in 1989) and Liafail Music (publisher) (in 1989)
Michael Penn3.54:12
9Hippychick
samples:
How Soon Is Now? (12″ version) by The Smiths (1980s English rock band)
recording of:
Hippychick
writer:
Johnny Marr and Tim Brinkhurst
Soho23:16
10Don’t Get Me Wrong
engineer:
Bruce Lampcov
producer:
Bob Clearmountain and Jimmy Iovine
mixer:
Bob Clearmountain
bass:
Chucho Merchán
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano and synthesizer:
Wix (UK / Paul Wickens)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) and Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hynde House of Hits Music
Pretenders4.23:49
11A Girl Like You
background vocals:
Maria Vidal (American singer-songwriter)
arranger:
Pat DiNizio
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
recording of:
A Girl Like You
lyricist and composer:
Pat DiNizio
The Smithereens44:41
12Here’s Where the Story Ends
bass:
Paul Brindley
drums (drum set):
Patch Hannan
guitar:
David Gavurin
lead vocals:
Harriet Wheeler
music videos:
Here’s Where the Story Ends by The Sundays
recording of:
Here’s Where the Story Ends
writer:
David Gavurin and Harriet Wheeler
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Sundays4.253:54
13Birdhouse in Your Soul
recording engineer and mixer:
Roger Moutenot
producer:
Clive Langer and Alan Winstanley (English record producer)
electric guitar:
John Flansburgh
keyboard, background vocals and lead vocals:
John Linnell
trumpet [sampled]:
Frank London
violin:
Mark Feldman (American violinist)
recording of:
Birdhouse in Your Soul
writer:
John Flansburgh and John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:18
14Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
The Church (in 2009)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
triple j’s Hottest 100 of Australian Songs (number: 29) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:59
15Just the Way It Is, Baby
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
writer:
Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
The Rembrandts3.54:09
16Groovy Train
engineer:
Gary Wilkinson
producer:
Graham McPherson and Mark Saunders (UK record producer)
mixer:
Mark Saunders (UK record producer)
phonographic copyright (℗) by:
Produce Records (UK label owned by the band The Farm)
music videos:
Groovy Train (music video) by The Farm (90s UK indie/synth-pop band)
recording of:
Groovy Train
lyricist:
Peter Hooton
composer:
Steve Grimes (The Farm)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Farm44:09
17Kiss This Thing Goodbye
recording of:
Kiss This Thing Goodbye
writer:
Justin Currie, Iain Harvie and Mick Slaven
publisher:
Polygram Music
Del Amitri4:30
18Twist in My Sobriety
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) and WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
lyricist and composer:
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:50
2▼CD
#TitleArtistRatingLength
1Higher Ground
additional engineer:
Michael Beinhorn
engineer:
Garth Richardson (Canadian music producer and engineer)
producer:
Michael Beinhorn
mixer:
Dave Jerden and Garth Richardson (Canadian music producer and engineer)
bass:
Flea (US bassist)
drums (drum set):
Chad Smith (drummer from Red Hot Chili Peppers)
guitar:
John Frusciante
background vocals:
Sir Babs, Vicki Calhoun, Aklia Chinn, Bruno Deron, Joel Virgel Viergel, Iris Parker, Julie Ritter, Randy Ruff, Gretchen Seager, Jack Sherman, Laura Spinosa, Kristen Vigard, WAG (Various Artists, add compilations to this artist) and Merrill Ward
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1989), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
produced for:
Demolition Sound
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
Higher Ground
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing (do not use as a release label!), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stein & Van Stock, Inc.
Red Hot Chili Peppers3.953:23
2Kiss Them for Me
producer:
Stephen Hague
guest performer:
Talvin Singh
recording of:
Kiss Them for Me
writer:
Jesse B. Weaver, Jr., Martin McCarrick, Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin and Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees54:30
3So Alive
engineer:
John Fryer (British producer and engineer)
producer:
John Fryer (British producer and engineer) and Love and Rockets
bass and keyboard:
David J (gothic rock)
drums (drum set), keyboard and percussion:
Kevin Haskins
guitar and keyboard:
Daniel Ash
guest background vocals:
Ruby James (British singer), Sylvia Mason‐James (British singer) and Lorna Wright
vocals:
Daniel Ash
phonographic copyright (℗) by:
Beggars Banquet Records (for copyrights purpose) (in 1989)
recording of:
So Alive
lyricist:
Daniel Ash
composer:
Daniel Ash, David J (gothic rock) and Kevin Haskins
Love and Rockets54:14
4Don’t Dream It’s Over
recording engineer:
Tchad Blake and Dennis Kirk
assistant engineer:
Glen Holguin (engineer)
producer:
Mitchell Froom
mixer:
Michael Frondelli
bass:
Nick Seymour (Nicholas More Seymour)
congas, mbira [kalimba] and shakers:
Jorge Bermudez
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric guitar [Gibson Les Paul Goldtop] and lead vocals:
Neil Finn
electric guitar [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
keyboard and organ:
Mitchell Froom
background vocals:
Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 5)
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Crowded House3.93:54
5Rush
assistant engineer:
Serge Glanzberg and Dave Mercer
engineer:
Andre Shapps
producer:
Mick Jones (The Clash/Big Audio Dynamite), Olimax and DJ Shapps
bass:
Gary Stonadge
drums (drum set):
Chris Kavanagh
guitar:
Nick Hawkins and Mick Jones (The Clash/Big Audio Dynamite)
vocals:
Nick Hawkins, Mick Jones (The Clash/Big Audio Dynamite), Chris Kavanagh and Gary Stonadge
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
recording of:
Rush
lyricist, writer and composer:
Mick Jones (The Clash/Big Audio Dynamite)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite II4.54:20
6Veronica
engineer and mixer:
Kevin Killen
acoustic guitar:
T‐Bone Burnett (musician, songwriter and producer)
bass guitar:
Paul McCartney (The Beatles)
chamberlin and electric piano:
Mitchell Froom
drums (drum set):
Jerry Marotta (drummer and composer)
electric guitar and lead vocals:
Elvis Costello
glockenspiel and timpani:
Michael Blair (American drummer/producer/songwriter based in Sweden)
piano and piano spinet [Baldwin spinet]:
Benmont Tench
recording of:
Veronica
writer:
Declan Patrick MacManus and Paul McCartney (The Beatles)
Elvis Costello4.653:09
7See a Little Light
recording of:
See a Little Light
lyricist and composer:
Bob Mould
Bob Mould3:33
8It’s a Shame About Ray
producer:
Evan Dando and Robb Brothers
recording of:
It's a Shame About Ray
lyricist:
Evan Dando and Tom Morgan (Smudge / Sneeze member)
composer:
Evan Dando
The Lemonheads43:08
9Right Here, Right Now
Jesus Jones3:10
10Heartbreak Beat
recording of:
Heartbreak Beat
writer:
John Ashton, Richard Butler (singer) and Tim Butler (co‐founder of The Psychedelic Furs)
The Psychedelic Furs4:06
11Getting Away With It
music videos:
Getting Away With It (US version, 1990) by Electronic and Getting Away With It (European version, 1989) by Electronic
part of:
TV Cream: Real 100 Best Singles Ever (number: 34)
recording of:
Getting Away With It
composer:
Johnny Marr, Bernard Sumner and Neil Tennant
Electronic4:21
12I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:44
13Baby’s Coming Back
Jellyfish2:58
14Head On
recording of:
Head On
writer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
publisher:
WB Music Corp. (1929–2019)
The Jesus and Mary Chain4:11
15Life in a Northern Town
additional producer:
David Gilmour (Pink Floyd)
producer:
David Gilmour (Pink Floyd), Nick Laird-Clowes and George Nicholson (engineer, producer)
part of:
TV Cream: Real 100 Best Singles Ever (number: 54)
recording of:
Life in a Northern Town
writer:
Gilbert Gabriel and Nick Laird-Clowes
dedicated to:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:17
16Step On
cover recording of:
He’s Gonna Step on You Again
lyricist:
Shaun Ryder
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
Happy Mondays4:25
17Superman’s Song
engineer:
Bob Doidge
producer:
Steve Berlin
mixer:
Bob Shaper
guest cello:
Lynn Selwood
recorded at:
Wayne Finucan Studio in Winnipeg, Manitoba, Canada
mixed at:
O’Henry Sound Studios in Burbank, California, United States
recording of:
Superman’s Song
lyricist and composer:
Brad Roberts (of Crash Test Dummies)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), BMG Music, Door Number Two Music, Dummies Productions Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Crash Test Dummies4.354:30

Credits

Release

ASIN:US: B004U7ZJU0 [info]