Royal Roost Recordings: Beverly Kenney Sings for Johnny Smith / Beverly Kenney Sings with Jimmy Jones and the Basie-ites

~ Release by Beverly Kenney (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1The Surrey With the Fringe on Top
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousie Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
keyboard and piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
The Surrey With the Fringe on Top (in 1955)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
2:11
2Tis’ Autumn
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousie Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
keyboard and piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
’Tis Autumn (in 1955)
lyricist and composer:
Henry Nemo
2:30
3Looking for a Boy
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousey Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
Looking for a Boy (in 1955)
lyricist:
Ira Gershwin (in 1925)
composer:
George Gershwin (composer) (in 1925)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to ????)
part of:
Tip-Toes
2:20
4I’ll Know My Love
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousey Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
2:35
5Destination Moon
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousey Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
2:22
6Ball and Chain
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousie Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
keyboard and piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
3:04
7Almost Like Being in Love
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousie Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
keyboard and piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1955)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:09
8Stairway to the Stars
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousey Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
Stairway to the Stars (in 1955)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
2:48
9There Will Never Be Another You
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousie Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
keyboard and piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
There Will Never Be Another You (in 1955)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
2:13
10This Little Town Is Paris
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousie Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
keyboard and piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
3:11
11Moe’s Blues
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousie Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
keyboard and piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
2:17
12Snuggled on Your Shoulder
recorded in:
New York, New York, United States (in 1955)
bass:
Knobby Totah (jazz bassist) (in 1955)
drums (drum set):
Mousey Alexander (in 1955)
guitar:
Johnny Smith (jazz guitarist) (in 1955)
piano:
Bob Pancoast (in 1955)
vocals:
Beverly Kenney (in 1955)
cover recording of:
Snuggled on Your Shoulder (Cuddled in Your Arms)
lyricist:
Joe Young (US lyricist)
composer:
Carmen Lombardo
2:30
13Give Me the Simple Life
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Give Me the Simple Life (in 1956-05)
lyricist:
Harry Ruby
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Harry Ruby
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
2:21
14I Guess I’ll Hang My Tears Out to Dry
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Guess I’ll Hang My Tears Out to Dry (in 1956-05)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
2:59
15Trolley Song
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1956-05)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
1:54
16Violets for My Furs
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Violets for Your Furs (in 1956-05)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:55
17This Can’t Be Love
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
This Can’t Be Love (in 1956-05)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
1:49
18Scarlet Ribbons
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Scarlet Ribbons (for Her Hair) (in 1956-05)
lyricist:
Jack O. Segal (US songwriter) (in 1949)
composer:
Evelyn Danzig (in 1949)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Helton Music and Mills Music Limited
1:58
19If I Were a Bell
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
If I Were a Bell (Guys and Dolls) (in 1956-05)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
2:10
20Why Try to Change Me Now?
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Why Try to Change Me Now (in 1956-05)
lyricist:
Joseph McCarthy, Jr. (Joseph Allen McCarthy, 1922–1975)
composer:
Cy Coleman
publisher:
Notable Music Co., Inc.
3:35
21Swinging on a Star
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
Swinging on a Star (in 1956-05)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. and Music Sales Corporation (American copyright holder in both popular and classical music)
part of:
The 17th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1944 winner)
3:03
22You Go to My Head
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
You Go to My Head (in 1956-05)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
2:40
23It Ain’t Necessarily So
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1956-05)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
1:34
24You Make Me Feel So Young
recorded in:
New York, New York, United States (in 1956-05)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (in 1956-05)
baritone saxophone:
Danny Bank (reeds) (in 1956-05) and George Berg (in 1956-05)
bass:
Milt Hinton (in 1956-05)
bongos:
Ted Sommer (in 1956-05)
clarinet:
Al Epstein (in 1956-05)
drums (drum set):
Don Lamond (in 1956-05)
French horn:
Julius Watkins (in 1956-05)
guitar:
Billy Bauer (US cool jazz guitarist) (in 1956-05) and Barry Galbraith (in 1956-05)
harp:
Janet Putnam (harpist) (in 1956-05)
piano:
Moe Wechsler (in 1956-05)
trombone:
Urbie Green (in 1956-05)
trumpet:
Nick Travis (in 1956-05)
vocals:
Beverly Kenney (in 1956-05)
orchestra:
Ralph Burns' Orchestra (in 1956-05)
cover recording of:
You Make Me Feel So Young (in 1956-05)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
2:11
2▼CD
#TitleRatingLength
1Nobody Else but Me
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
cover recording of:
Nobody Else but Me (in 1957)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Harms, Inc.
3:19
2The More I See You
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
cover recording of:
The More I See You (in 1957)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
3:05
3Old Buttermilk Sky
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
cover recording of:
Ole Buttermilk Sky (1946 song) (in 1957)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Hoagy Carmichael
part of:
The 19th Academy Award for Best Original Song (number: 2)
2:44
4I Never Has Seen Snow
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
I Never Has Seen Snow (in 1957)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music Corporation and S.A. Music Co.
3:52
5A Fine Romance
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
cover recording of:
A Fine Romance (from “Swing Time”) (in 1957)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
2:54
6Who Cares What People Say
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
recording of:
Who Cares What People Say?
writer:
M. K. Jerome and Jack Scholl
2:35
7Makin’ Whoopee
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
cover recording of:
Makin’ Whoopee! (in 1957)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
2:04
8The Charm of You
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
2:32
9Isn’t This a Lovely Day
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (in 1957)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:05
10Mairzy Doats
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
cover recording of:
Mairzy Doats (in 1957)
composer:
Milton Drake, Al Hoffman and Jerry Livingston (songwriter)
publisher:
Al Hoffman Songs Inc., Hallmark Music Co. Inc. (ASCAP affiliated), Milton Music Corp. and Sony/ATV Tunes LLC (ASCAP)
2:47
11My Kind of Love
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
2:26
12Can’t Get Out of This Mood
recorded in:
New York, New York, United States (in 1957)
bass:
Eddie Jones (US jazz double bassist) (in 1957)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957)
guitar:
Freddie Green (in 1957)
instruments:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1957)
trumpet:
Joe Newman (US jazz trumpeter) (in 1957)
woodwind:
Frank Wess (in 1957)
vocals:
Beverly Kenney (in 1957)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975)
2:47
13Gay Chicks
vocals:
Beverly Kenney
2:24
14Tea for Two
piano:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
2:51
15The Things We Did Last Summer
piano:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
The Things We Did Last Summer
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:38
16That’s All
piano:
Tony Tamburello
vocals:
Beverly Kenney
2:40
17A Foggy Day
piano:
Tony Tamburello
vocals:
Beverly Kenney
1:56
18The Surrey With the Fringe on Top
piano:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
The Surrey With the Fringe on Top
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
1:51
19Ball and Chain (Sweet Lorraine)
piano:
Tony Tamburello
vocals:
Beverly Kenney
2:07
20There Will Never Be Another You
piano:
Tony Tamburello
vocals:
Beverly Kenney
1:36
21Moe’s Blues
piano:
Tony Tamburello
vocals:
Beverly Kenney
1:48
22Snuggled on Your Shoulder
piano:
Tony Tamburello
vocals:
Beverly Kenney
cover recording of:
Snuggled on Your Shoulder (Cuddled in Your Arms)
lyricist:
Joe Young (US lyricist)
composer:
Carmen Lombardo
2:09
23Can’t Get Out of This Mood (False Start)
piano:
Tony Tamburello
vocals:
Beverly Kenney
0:21
24Can’t Get Out of This Mood
piano:
Tony Tamburello
vocals:
Beverly Kenney
2:23
25The Surrey With the Fringe on Top
recorded in:
New York, New York, United States (in 1956)
bass:
Tommy Potter (in 1956)
drums (drum set):
Ron Jefferson (in 1956)
piano:
Gildo Mahones (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
The Surrey With the Fringe on Top (in 1956)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
2:10
26Violets for Your Furs
recorded in:
New York, New York, United States (in 1956)
bass:
Tommy Potter (in 1956)
drums (drum set):
Ron Jefferson (in 1956)
piano:
Gildo Mahones (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
Violets for Your Furs (in 1956)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:23
27Mountain Greenery
recorded in:
New York, New York, United States (in 1956)
bass:
Tommy Potter (in 1956)
drums (drum set):
Ron Jefferson (in 1956)
piano:
Gildo Mahones (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
Mountain Greenery (in 1956)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
1:52
28Almost Like Being in Love
recorded in:
New York, New York, United States (in 1956)
bass:
Tommy Potter (in 1956)
drums (drum set):
Ron Jefferson (in 1956)
piano:
Gildo Mahones (in 1956)
vocals:
Beverly Kenney (in 1956)
cover recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1956)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:15