Johannes-Passion / Matthäus-Passion

~ Release by J.S. Bach; Collegium Vocale Gent, Philippe Herreweghe (see all versions of this release, 1 available)

Tracklist

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1▼CD: Johannes-Passion part 1
#TitleArtistRatingLength
1Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: I. Choral: "O Mensch, bewein' dein Sünde groß"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Choral "O Mensch, bewein dein Sünde groß" (1725 revision) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach5:52
2Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: II. Evangelist "Jesus ging mit seinen Jüngern" / Chorus "Jesus von Nazareth" / Evangelist "Jesus spricht zu ihnen" / Chorus "Jesus von Nazareth" / Evangelist "Jesus antwortete"
bass vocals [Jesus]:
Michael Volle (baritone) (from 2001-04-23 until 2001-04-27)
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:27
3Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: III. Choral: "O große Lieb"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" (from 2001-04-23 until 2001-04-27)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 168)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:53
4Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: IV. Evangelist "Auf daß das Wort erfüllet würde"
bass vocals [Jesus]:
Michael Volle (baritone) (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:10
5Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: V. Choral "Dein Will gescheh, Herr Gott, zugleich"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" (from 2001-04-23 until 2001-04-27)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 317)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:54
6Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: VI. Evangelist "Die Schar aber und der Oberhauptmann"
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:43
7Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: VII. Aria (Alt) "Von der Stricken meiner Sünden"
alto vocals:
Andreas Scholl (countertenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:32
8Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: VIII. Evangelist "Simon Petrus aber folgete Jesu nach"
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:15
9Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: IX. Aria (Sopran) "Ich folge dir gleichfalls"
soprano vocals:
Sibylla Rubens (soprano) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:00
10Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: X. Evangelist "Derselbige Jünger war dem Hohenpriester bekannt"
bass vocals [Jesus]:
Michael Volle (baritone) (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:54
11Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: XI. Choral "Wer hat dich so geschlagen"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" (from 2001-04-23 until 2001-04-27)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 293)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:43
12Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: XI. Aria (Baß): "Himmel reiße, Welt erbebe"
bass vocals:
Sebastian Noack (bass-baritone) (from 2001-04-23 until 2001-04-27)
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
soprano vocals:
Sibylla Rubens (soprano) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245a: Teil I. No. 11 Aria (Bass, Sopran, Chorus) & Choral "Himmel, reiße, Welt erhebe" (1725 revision) (from 2001-04-23 until 2001-04-27)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach3:54
13Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: XII. Evangelist "Und Hannas sandte ihn gebunden" / Chorus "Bist du nicht seiner Jünger einer?" / Evangelist "Er leugnete aber"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:19
14Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: XIII. Aria (Tenor) "Zerschmettert mich, ihr Felsen und ihr Hügel"
tenor vocals:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245b: Teil I. No. 13 Aria (Tenor) "Zerschmettert mich" (1725 revision) (from 2001-04-23 until 2001-04-27)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach5:23
15Johannes-Passion, BWV 245, Fassung 1725, Erster Teil: XIV. Choral "Petrus, der nicht denkt zurück"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" (from 2001-04-23 until 2001-04-27)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 192)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:13
2▼CD: Johannes-Passion part 2
#TitleArtistRatingLength
1Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XV. Choral "Christus, der uns selig macht"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" (from 2001-04-23 until 2001-04-27)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 49)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:08
2Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XVI. Evangelist "Da führeten sie Jesum von Kaiphas" / Chorus "Wäre dieser nicht ein Übeltäter" / Evangelist "Da sprach Pilatus zu ihnen" / Chorus "Wir dürfen niemand töten" / ...
bass vocals [Jesus]:
Michael Volle (baritone) (from 2001-04-23 until 2001-04-27)
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:04
3Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XVII. Choral "Ach großer König, groß zu allen Zeiten"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" (from 2001-04-23 until 2001-04-27)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 169)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:25
4Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XVIII. Evangelist "Da sprach Pilatus zu ihm" / Chorus "Nicht diesen, sondern Barrabam" / Evangelist "Barrabas aber war ein Mörder"
bass vocals [Jesus]:
Michael Volle (baritone) (from 2001-04-23 until 2001-04-27)
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:59
5Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XIX. Aria (Tenor) "Ach windet euch nicht so"
tenor vocals:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245c: Teil II. No. 19 Aria (Tenor) "Ach, windet euch nicht so" (1725 revision) (from 2001-04-23 until 2001-04-27)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach4:46
6Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXI. Evangelist "Und die Kriegsknechte flochten eine Krone von Dornen" / Chorus "Sei gegrüßet, lieber Jüdenkönig" / Evangelist "Und gaben ihm Backenstreiche" / Chorus "Kreuzige, kreuzige" / ...
bass vocals [Jesus]:
Michael Volle (baritone) (from 2001-04-23 until 2001-04-27)
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:30
7Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXII. Choral "Durch dein Gefängnis, Gottes Sohn"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 239)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:54
8Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXIII. Evangelist "Die Jüden aber schrieen und sprachen" / Chorus "Lässest du diesen los" / Evangelist "Da Pilatus das Wort hörete" / Chorus "Weg, weg mit dem, kreuzige ihn" / ...
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:54
9Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXIV. Aria (Baß) mit Chorus: "Eilt, ihr angefochtnen Seelen"
bass vocals:
Sebastian Noack (bass-baritone) (from 2001-04-23 until 2001-04-27)
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:11
10Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXV. Evangelist "Allda kreuzigten sie ihn" / Chorus "Schreibe nicht: der Jüden König" / Evangelist "Pilatus antwortet"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:10
11Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXVI. Choral "In meines Herzens Grunde"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde" (from 2001-04-23 until 2001-04-27)
lyricist:
Valerius Herberger (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 315)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:58
12Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXVII. Evangelist "Die Kriegsknechte aber" / Chorus "Lasset uns den nicht zerteilen" / Evangelist "Auf daß erfüllet würde die Schrift"
bass vocals [Jesus]:
Michael Volle (baritone) (from 2001-04-23 until 2001-04-27)
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:35
13Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXVIII. Choral "Er nahm alles wohl in acht"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" (from 2001-04-23 until 2001-04-27)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 193)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:00
14Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXIX. Evangelist "Und von Stund an nahm sie der Jünger zu sich"
bass vocals [Jesus]:
Michael Volle (baritone) (from 2001-04-23 until 2001-04-27)
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:19
15Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXX. Aria (Alt) "Es ist vollbracht"
alto vocals:
Andreas Scholl (countertenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:22
16Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXXI. Evangelist "Und neiget das Haupt und verschied"
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:23
17Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXXII. Aria (Baß) mit Choral "Mein teurer Heiland, laß dich fragen"
bass vocals:
Sebastian Noack (bass-baritone) (from 2001-04-23 until 2001-04-27)
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:44
18Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXXIII. Evangelist "Und siehe da"
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:28
19Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXXIV. Arioso (Tenor) "Mein Herz, indem die ganze Welt"
tenor vocals:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:57
20Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXXV. Aria (Sopran) "Zerfließe, mein Herze, in Fluten der Zähren"
soprano vocals:
Sibylla Rubens (soprano) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:30
21Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXXVI. Evangelist "Die Jüden aber, dieweil es der Rüsttag war"
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:06
22Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXXVII. Choral "O hilf, Christe, Gottes Sohn"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" (from 2001-04-23 until 2001-04-27)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 50)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:02
23Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXXVIII. Evangelist "Darnach hat Pilatum"
tenor vocals [Evangelist]:
Mark Padmore (British tenor) (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:52
24Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XXXIX. Chorus "Ruht wohl, ihr heiligen Gebeine"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:26
25Johannes-Passion, BWV 245, Fassung 1725, Zweiter Teil: XL. Choral "Christe, du Lamm Gottes"
choir vocals:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
orchestra:
Collegium Vocale Gent (from 2001-04-23 until 2001-04-27)
conductor:
Philippe Herreweghe (Belgian conductor) (from 2001-04-23 until 2001-04-27)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 2001)
recorded at:
Stolberger Saal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2001-04-23 until 2001-04-27)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Chorus "Christe, du Lamm Gottes" (1725 revision) (from 2001-04-23 until 2001-04-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach4:53
3▼CD: Matthäus-Passion part 1
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil I, No. 1. Chorus I & II "Kommt, ihr Töchter, helft mir klagen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals [Soprano in ripieno]:
Schola Cantorum Cantate Domino (Belgian boys choir) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:59
2Matthäus-Passion, BWV 244: Teil I, No. 2. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:42
3Matthäus-Passion, BWV 244: Teil I, No. 3. Choral "Herzliebster Jesu, was hast du verbrochen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1998-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:44
4Matthäus-Passion, BWV 244: Teil I, No. 4a. "Da versammleten sich die Hohenpriester" (Evangelista) / No. 4b. Chorus I & II "Ja nicht auf das Fest"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:59
5Matthäus-Passion, BWV 244: Teil I, No. 5. Recitativo (Alt) "Du lieber Heiland du"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
6Matthäus-Passion, BWV 244: Teil I, No. 6. Aria (Alt) "Buß und Reu"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:21
7Matthäus-Passion, BWV 244: Teil I, No. 7. "Da ging hin der Zwölfen einer" (Evangelista, Judas)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:33
8Matthäus-Passion, BWV 244: Teil I, No. 8. Aria (Sopran) "Blute nur, du liebes Herz"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:26
9Matthäus-Passion, BWV 244: Teil I, No. 9a. "Aber am ersten Tage der süßen Brot" (Evangelista) / No. 9b. Chorus I "Wo willst du, daß wir dir bereiten" / No. 9c. "Er sprach: Gehet ihn in die Stadt" (Evangelista, Jesus) /
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:11
10Matthäus-Passion, BWV 244: Teil I, No. 10. Choral "Ich bin's, ich sollte büßen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:48
11Matthäus-Passion, BWV 244: Teil I, No. 11. "Er antwortete und sprach" (Evangelista, Jesus, Judas)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:58
12Matthäus-Passion, BWV 244: Teil I, No. 12. Recitativo (Sopran) "Wiewohl mein Herz in Tränen schwimmt"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:18
13Matthäus-Passion, BWV 244: Teil I, No. 13. Aria (Sopran) "Ich will dir mein Herze schenken"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:28
14Matthäus-Passion, BWV 244: Teil I, No. 14. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:01
15Matthäus-Passion, BWV 244: Teil I, No. 15. Choral "Erkenne mich, mein Hüter"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:00
16Matthäus-Passion, BWV 244: Teil I, No. 16. "Petrus aber antwortete" (Evangelista, Petrus, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:59
17Matthäus-Passion, BWV 244: Teil I, No. 17. Choral "Ich will hier bei dir stehen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:02
18Matthäus-Passion, BWV 244: Teil I, No. 18. "Da kam Jesus mit ihnen zu einem Hofe" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:45
19Matthäus-Passion, BWV 244: Teil I, No. 19. Recitativo a doi Cori (Tenor) "O Schmerz! hier zittert das gequälte Herz"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:40
20Matthäus-Passion, BWV 244: Teil I, No. 20. Aria a doi Cori (Tenor) "Ich will bei meinem Jesu wachen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:52
21Matthäus-Passion, BWV 244: Teil I, No. 21. "Und ging hin ein wenig" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:40
22Matthäus-Passion, BWV 244: Teil I, No. 22. Recitativo (Baß) "Der Heiland fällt vor seinem Vater nieder"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
23Matthäus-Passion, BWV 244: Teil I, No. 23. Aria (Baß) "Gerne will ich mich bequemen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:15
24Matthäus-Passion, BWV 244: Teil I, No. 24. "Und er kam zu seinen Jüngern" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:19
25Matthäus-Passion, BWV 244: Teil I, No. 25. Choral "Was mein Gott will, das g'scheh' allzeit"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:10
26Matthäus-Passion, BWV 244: Teil I, No. 26. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:21
27Matthäus-Passion, BWV 244: Teil I, No. 27a. Aria a doi Cori (Sopran, Alt) "So ist mein Jesus nun gefangen" / No. 27b. Chorus I & II "Sind Blitze, sind Donner in Wolken verschwunden"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:34
28Matthäus-Passion, BWV 244: Teil I, No. 28. "Und siehe, einer aus denen" (Evangelista, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:23
29Matthäus-Passion, BWV 244: Teil I, No. 29. Choral "O Mensch, bewein' dein Sünde groß"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals [Soprano in ripieno]:
Schola Cantorum Cantate Domino (Belgian boys choir) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:40
4▼CD: Matthäus-Passion part 2
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1Matthäus-Passion, BWV 244: Teil II, No. 30. Aria (Alt, Chorus I & II) "Ach! nun ist mein Jesus hin"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:48
2Matthäus-Passion, BWV 244: Teil II, No. 31. "Die aber Jesum gegriffen hatten" (Evangelista)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
3Matthäus-Passion, BWV 244: Teil II, No. 32. Choral "Mir hat die Welt trüglich gericht't"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1998-08)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:48
4Matthäus-Passion, BWV 244: Teil II, No. 33. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I & II, Pontifex)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
5Matthäus-Passion, BWV 244: Teil II, No. 34. Recitativo (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:12
6Matthäus-Passion, BWV 244: Teil II, No. 35. Aria (Tenor) "Geduld, Geduld!"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals:
Werner Güra (German classical tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:44
7Matthäus-Passion, BWV 244: Teil II, No. 36a. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) / No. 36b. Chorus I & II "Er ist des Todes schuldig" / No. 36c. "Da speieten sie aus in sein Angesicht" /
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:01
8Matthäus-Passion, BWV 244: Teil II, No. 37. Choral "Wer hat dich so geschlagen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:53
9Matthäus-Passion, BWV 244: Teil II, No. 38a. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) / No. 38b. Chorus II "Wahrlich, du bist auch einer von denen" (Evangelista, Petrus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:14
10Matthäus-Passion, BWV 244: Teil II, No. 39. Aria (Alt) "Erbarme dich"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals and solo vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor and chorus master:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1998-08)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:38
11Matthäus-Passion, BWV 244: Teil II, No. 40. Choral "Bin ich gleich von dir gewichen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1998-08)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:10
12Matthäus-Passion, BWV 244: Teil II, No. 41a. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) / No. 41b. Chorus I & II "Was gehet uns das an" / No. 41c. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:39
13Matthäus-Passion, BWV 244: Teil II, No. 42. Aria (Baß) "Geht mir meinen Jesum wieder"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals:
Dietrich Henschel (baritone) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:49
14Matthäus-Passion, BWV 244: Teil II, No. 43. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
bass vocals [Jesus]:
Franz‐Josef Selig (operatic bass) (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:12
15Matthäus-Passion, BWV 244: Teil II, No. 44. Choral "Befiehl du deine Wege"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1998-08)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:03
16Matthäus-Passion, BWV 244: Teil II, No. 45a. "Auf das Fest aber hatte der Landpfleger" (Evangelista, Pilatus, Uxor Pilati, Chorus I & II) / No. 45b. Chorus I & II "Laß ihn kreuzigen!"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:17
17Matthäus-Passion, BWV 244: Teil II, No. 46. Choral "Wie wunderbarlich ist doch diese Strafe"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1998-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:48
18Matthäus-Passion, BWV 244: Teil II, No. 47. "Der Landpfleger sagte" (Evangelista, Pilatus)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:15
19Matthäus-Passion, BWV 244: Teil II, No. 48. Recitativo (Sopran) "Er hat uns allen wohlgetan"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
20Matthäus-Passion, BWV 244: Teil II, No. 49. Aria (Sopran) "Aus Liebe will mein Heiland sterben"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
soprano vocals:
Sibylla Rubens (soprano) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:44
21Matthäus-Passion, BWV 244: Teil II, No. 50a. "Sie schrieen aber noch mehr" (Evangelista ) / No. 50b. Chorus I & II "Laß ihn kreuzigen!" / No50c. "Da aber Pilatus sahe" (Evangelista, Pilatus) / No. 50d. Chorus I & II "Sein Blut komme über uns" /
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
tenor vocals [Evangelist]:
Ian Bostridge (tenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:51
22Matthäus-Passion, BWV 244: Teil II, No. 51. Recitativo (Alt) "Erbarm es Gott"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
23Matthäus-Passion, BWV 244: Teil II, No. 52. Aria (Alt) "Können Tränen meiner Wangen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
alto vocals:
Andreas Scholl (countertenor) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:47
5▶CD: Matthäus-Passion part 3

Credits

Release group

includes:Johannes-Passion - St John Passion - Passion selon Saint Jean by Johann Sebastian Bach (German Baroque period composer & musician); Sibylla Rubens (soprano), Andreas Scholl (countertenor), Mark Padmore (British tenor), Sebastian Noack (bass-baritone), Michael Volle (baritone), Collegium Vocale Gent , Philippe Herreweghe (Belgian conductor)
Matthäus‐Passion by J.S. Bach (Johann Sebastian Bach, German Baroque period composer & musician); Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor), Ian Bostridge (tenor), Franz-Josef Selig (operatic bass), Sibylla Rubens (soprano), Andreas Scholl (countertenor), Werner Güra (German classical tenor), Dietrich Henschel (baritone)