Great Opera

~ Release by Mozart, Rossini, Verdi, Bizet, Leoncavallo, Mascagni, Puccini (see all versions of this release, 1 available)

Tracklist

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1▼CD: Don Giovanni (Highlights)
#TitleArtistRatingLength
1Don Giovanni, K. 527: Overture
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Ouvertura (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart5:55
2Don Giovanni, K. 527: Act I, Scene 1: Introduzione: “Notte e giorno faticar” (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Renato Girolami (Baritone) (from 2000-11-20 until 2000-11-30) and Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Adrianne Pieczonka (soprano) (from 2000-11-20 until 2000-11-30)
vocals:
Janusz Monarcha (operatic bass) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:34
3Don Giovanni, K. 527: Act I, Scene 3: Duetto: “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
soprano vocals:
Adrianne Pieczonka (soprano) (from 2000-11-20 until 2000-11-30)
tenor vocals:
Torsten Kerl (tenor) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:00
4Don Giovanni, K. 527: Act I, Scene 5: Aria: “Ah chi mi dice mai” (Donna Elvira, Don Giovanni, Leporello)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Renato Girolami (Baritone) (from 2000-11-20 until 2000-11-30) and Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Regina Schörg (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:40
5Don Giovanni, K. 527: Act I, Scene 5: Aria: “Madamina, il catalogo e questo” (Leporello)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Renato Girolami (Baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:42
6Don Giovanni, K. 527: Act I, Scene 7: Coro: “Giovinette che fate all'amore” (Zerlina, Masetto, Chorus)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Boaz Daniel (Baritone) (from 2000-11-20 until 2000-11-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Ildikó Raimondi (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:26
7Don Giovanni, K. 527: Act I, Scene 8: Aria: “Ho capito, signor si” (Masetto)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Boaz Daniel (Baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:42
8Don Giovanni, K. 527: Act I, Scene 9: Duettino: “La ci darem la mano” (Zerlina, Don Giovanni)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Ildikó Raimondi (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:15
9Don Giovanni, K. 527: Act I, Scene 10: Aria: “Ah fuggi il traditor” (Donna Elvira)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
soprano vocals:
Regina Schörg (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:17
10Don Giovanni, K. 527: Act I, Scene 12: Quartetto: “Non ti fidar, o misera” (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
soprano vocals:
Adrianne Pieczonka (soprano) (from 2000-11-20 until 2000-11-30) and Regina Schörg (soprano) (from 2000-11-20 until 2000-11-30)
tenor vocals:
Torsten Kerl (tenor) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:18
11Don Giovanni, K. 527: Act I, Scene 13: Recitativo accompagnato ed Aria: “Don Ottavio, son morta!” - Aria: “Or sai chi l'onore” (Donna Anna, Don Ottavio)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:09
12Don Giovanni, K. 527: Act I, Scene 13 Appendix: Aria: “Dalla sua pace” (Don Ottavio)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:39
13Don Giovanni, K. 527: Act I, Scene 15: Aria: “Fin ch'han dal vino” (Don Giovanni)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
baritone vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:30
14Don Giovanni, K. 527: Act I, Scene 16: Aria: “Batti, batti, o bel Masetto” (Zerlina)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
vocals:
Boaz Daniel (Baritone) (from 2000-11-20 until 2000-11-30) and Ildikó Raimondi (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:33
15Don Giovanni, K. 527: Act II, Scene 3: Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
vocals:
Bo Skovhus (baritone) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:00
16Don Giovanni, K. 527: Act II, Scene 6: Aria: “Vedrai, carino” (Zerlina)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
vocals:
Ildikó Raimondi (soprano) (from 2000-11-20 until 2000-11-30)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:39
17Don Giovanni, K. 527: Act II, Scene 10: Aria: “Il mio tesoro intanto” (Don Ottavio)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:05
18Don Giovanni, K. 527: Act II, Scene 10 Appendix 2: Recitativo accompagnato ed Aria: “In quali eccessi” (Donna Elvira)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart5:34
19Don Giovanni, K. 527: Act II, Scene 15: “Don Giovanni, a cenar teco” (Il Commendatore, Don Giovanni, Leporello, Chorus)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:39
20Don Giovanni, K. 527: Act II, Scene 16: “Questo e il fin” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
engineer:
János Bohus (Hungarian sound engineer.) (in 2000-11)
producer:
Ibolya Tóth (in 2000-11)
editor:
Mária Falvay (editor/engineer) (in 2000-11) and Veronika Vincze (engineer) (in 2000-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2000-11-20 until 2000-11-30)
conductor:
Michael Halász (conductor) (from 2000-11-20 until 2000-11-30)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2000-11-20 until 2000-11-30)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (from 2000-11-20 until 2000-11-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:50
2▼CD: Die Zauberflöte (Highlights)
#TitleArtistRatingLength
1Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act I: Overture
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:41
2Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act I: „Zu Hilfe! Zu Hilfe!” (Tamino, the Three Ladies)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
choir vocals:
Hungarian Festival Chorus (from 1993-06-20 until 1993-06-30)
tenor vocals [Tamino]:
Herbert Lippert (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:27
3Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act I: „Der Vogelfänger bin ich ja” (Papageno)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals and baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Orchestra (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:58
4Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act I: „Dies Bildnis ist bezaubernd schön” (Tamino)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
tenor vocals [Tamino]:
Herbert Lippert (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:36
5Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act I: „O zitt're nicht, mein lieber Sohn!” (Queen of the Night)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
soprano vocals [The Queen of the Night]:
Hellen Kwon (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:47
6Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act I: „Hm! Hm! Hm! Hm!” (Papageno, Tamino, the Three Ladies)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
choir vocals:
Hungarian Festival Chorus (from 1993-06-20 until 1993-06-30)
tenor vocals [Tamino]:
Herbert Lippert (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:12
7Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act I: „Bei Männern, welche Liebe fühlen” (Pamina, Papageno)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
soprano vocals [Pamina]:
Elizabeth Norberg-Schulz (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:02
8Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act I: „Wie stark ist nicht dein Zauberton!” (Tamino)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
tenor vocals [Tamino]:
Herbert Lippert (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:46
9Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act I: „Schnelle Füsse, rascher Mut” (Pamina, Papageno, Monostatos, Slaves)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
choir vocals:
Hungarian Festival Chorus (from 1993-06-20 until 1993-06-30)
soprano vocals [Pamina]:
Elizabeth Norberg-Schulz (soprano) (from 1993-06-20 until 1993-06-30)
tenor vocals [Monostatos]:
Wilfried Gahmlich (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:16
10Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: March of the Priests
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:40
11Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: „O Isis und Osiris” (Sarastro, Chorus)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
bass vocals [Sarastro]:
Kurt Rydl (operatic bass) (from 1993-06-20 until 1993-06-30)
choir vocals:
Hungarian Festival Chorus (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:03
12Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: „Alles fühlt der Liebe Freuden” (Monostatos)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
tenor vocals [Monostatos]:
Wilfried Gahmlich (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:19
13Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: „Der Hölle Rache kocht in meinen Herzen” (Queen of the Night)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
soprano vocals [The Queen of the Night]:
Hellen Kwon (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Orchestra (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:56
14Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: I„n diesen heil'gen Hallen” (Sarastro)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
bass vocals [Sarastro]:
Kurt Rydl (operatic bass) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:58
15Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: „Ach, ich fühl's” (Pamina)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
soprano vocals [Pamina]:
Elizabeth Norberg-Schulz (soprano) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:17
16Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: „Ein Mädchen oder Weibchen” (Papageno)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:12
17Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: „Pa - Pa - Pa - Pa - Pa - Pa - Papageno” (Papageno, Papagena)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
baritone vocals [Papageno]:
Georg Tichy (baritone) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:30
18Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: „Nur stille, stille, stille, stille” (Monostatos, Queen of the Night, the Three Ladies)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
choir vocals:
Hungarian Festival Chorus (from 1993-06-20 until 1993-06-30)
soprano vocals [The Queen of the Night]:
Hellen Kwon (soprano) (from 1993-06-20 until 1993-06-30)
tenor vocals [Monostatos]:
Wilfried Gahmlich (tenor) (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:10
19Die Zauberflöte (The Magic Flute), K. 620 (excerpts): Act II: „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro, Chorus)
engineer:
Gábor Mocsáry (in 1993-06)
producer:
Tamás Benedek (in 1993-06)
bass vocals [Sarastro]:
Kurt Rydl (operatic bass) (from 1993-06-20 until 1993-06-30)
choir vocals:
Hungarian Festival Chorus (from 1993-06-20 until 1993-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1993-06-20 until 1993-06-30)
conductor:
Michael Halász (conductor) (from 1993-06-20 until 1993-06-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-06-20 until 1993-06-30)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (from 1993-06-20 until 1993-06-30)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:44
3▼CD: The Barber of Seville (Highlights)
#TitleArtistRatingLength
1The Barber of Seville: Overture
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
orchestra:
Failoni Chamber Orchestra (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini6:43
2The Barber of Seville: Act I. Cavatina: “Ecco, ridente in cielo” (Conte)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
tenor vocals [Il Conte Almaviva]:
Ramón Vargas (tenor) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:46
3The Barber of Seville: Act I. Cavatina: “Largo al factotum della città” (Figaro)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
baritone vocals and baritone vocals [Figaro]:
Roberto Servile (baritone) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:37
4The Barber of Seville: Act I. Duetto: “All'idea di quel metallo” (Figaro, Conte)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
baritone vocals:
Roberto Servile (baritone) (from 1992-11-16 until 1992-11-28)
tenor vocals:
Ramón Vargas (tenor) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:35
5The Barber of Seville: Act I. Cavatina: “Una voce poco fa” (Rosina)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
mezzo-soprano vocals [Rosina]:
Sonia Ganassi (mezzo-soprano) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:57
6The Barber of Seville: Act I. Aria: “La calunnia è un venticello” (Basilio)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
bass vocals:
Franco de Grandis (operatic bass) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:33
7The Barber of Seville: Act I. Duetto: “Dunque io son... tu non m'inganni” (Rosina, Figaro)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
baritone vocals:
Roberto Servile (baritone) (from 1992-11-16 until 1992-11-28)
mezzo-soprano vocals:
Sonia Ganassi (mezzo-soprano) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:04
8The Barber of Seville: Act I. Aria: “A un dottor della mia sorte” (Bartolo)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
bass vocals:
Angelo Romero (baritone) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:12
9The Barber of Seville: Act I. Finale: “Fredda ed immobile”
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
baritone vocals:
Roberto Servile (baritone) (from 1992-11-16 until 1992-11-28)
bass vocals:
Franco de Grandis (operatic bass) (from 1992-11-16 until 1992-11-28) and Angelo Romero (baritone) (from 1992-11-16 until 1992-11-28)
mezzo-soprano vocals:
Sonia Ganassi (mezzo-soprano) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini7:55
10The Barber of Seville: Act II. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
bass vocals:
Angelo Romero (baritone) (from 1992-11-16 until 1992-11-28)
tenor vocals:
Ramón Vargas (tenor) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:00
11The Barber of Seville: Act II. Aria: “Contro un cor che accende amore” (Rosina, Conte)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
mezzo-soprano vocals:
Sonia Ganassi (mezzo-soprano) (from 1992-11-16 until 1992-11-28)
tenor vocals:
Ramón Vargas (tenor) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini7:17
12The Barber of Seville: Act II. Seguito del Quintetto: “Buona sera, mio signore”
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
partial recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:11
13The Barber of Seville: Act II. Aria: “Il vecchiotto cerca moglie” (Berta)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
soprano vocals:
Ingrid Kertesi (soprano) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:09
14The Barber of Seville: Act II. Terzetto: “Ah! qual colpo inaspettato!” (Rosina, Figaro, Conte)
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
baritone vocals:
Roberto Servile (baritone) (from 1992-11-16 until 1992-11-28)
mezzo-soprano vocals:
Sonia Ganassi (mezzo-soprano) (from 1992-11-16 until 1992-11-28)
tenor vocals:
Ramón Vargas (tenor) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini6:39
15The Barber of Seville: Act II. Finaletto: “Di si felice innesto serbiam memoria eterna”
engineer:
Gábor Mocsáry (in 1992-11)
producer:
Tamás Benedek (in 1992-11)
baritone vocals:
Roberto Servile (baritone) (from 1992-11-16 until 1992-11-28)
bass vocals:
Franco de Grandis (operatic bass) (from 1992-11-16 until 1992-11-28)
choir vocals:
Hungarian Radio Chorus (Hungarian Radio and Television Chorus) (from 1992-11-16 until 1992-11-28)
mezzo-soprano vocals:
Sonia Ganassi (mezzo-soprano) (from 1992-11-16 until 1992-11-28)
soprano vocals:
Ingrid Kertesi (soprano) (from 1992-11-16 until 1992-11-28)
tenor vocals:
Ramón Vargas (tenor) (from 1992-11-16 until 1992-11-28)
orchestra:
Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:
Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1992-11-16 until 1992-11-28)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:07
4▼CD: La traviata (Highlights)
#TitleArtistRatingLength
1La traviata: Act I. Prelude
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Preludio (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:57
2La traviata: Act I. Brindisi (Drinking Song): “Libiamo ne'lieti calici” (Alfredo, Chorus, Violetta)
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-12-13 until 1990-12-21)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) and Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
chorus master:
Jan Rozehnal (choir master) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:01
3La traviata: Act I. “Un di, felice, eterea” (Alfredo, Violetta)
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:08
4La traviata: Act I. “E' strano! e strano!” (Violetta)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:34
5La traviata: Act I. “Follie!” … “Sempre libera degg'io” (Violetta)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “Follie! Follie! Delirio vano è questo!” (Violetta, Alfredo) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi4:45
6La traviata: Act II, Scene 1: “Lunge da lei per me” (Alfredo)
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:47
7La traviata: Act II, Scene 1: “O mio rimorso!” (Alfredo)
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto II, scena 1. “Oh, mio rimorso! Oh, infamia!” (Alfredo) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi1:39
8La traviata: Act II, Scene 1: “Pura si come un angelo” - “Dite alla giovine” (Germont, Violetta)
baritone vocals [Germont]:
Georg Tichy (baritone) (from 1990-12-13 until 1990-12-21)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto II, scena 1. Duetto “Ah! Dite alla giovine” (Violetta, Germont) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. Duetto “Pura siccome un angelo” (Germont, Violetta) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi10:08
9La traviata: Act II, Scene 1: “Dammi tu forza, o cielo!” (Violetta, Annina, Alfredo)
soprano vocals [Annina]:
Ivica Neshybová (soprano / mezzo soprano) (from 1990-12-13 until 1990-12-21)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!” … “Che gli dirò?” … “Amami, Alfredo” (Violetta, Annina, Alfredo) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:55
10La traviata: Act II, Scene 1: “Di Provenza il mar, il suol” (Germont)
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
baritone vocals [Germont]:
Georg Tichy (baritone) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:05
11La traviata: Act II, Scene 2: “Noi siamo zingarelle” (Chorus, Flora, Marchese)
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
bass vocals [Marchese d'Obigny]:
Ladislav Neshyba (Bass) (from 1990-12-13 until 1990-12-21)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-12-13 until 1990-12-21)
mezzo-soprano vocals [Flora]:
Rannveig Braga (mezzo soprano) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:50
12La traviata: Act III. Prelude
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto III. Preludio (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata: Act III (english version)
part of:
La Traviata: Akt III.
part of:
La traviata: Atto III (La traviata: Act III)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi4:07
13La traviata: Act III. “Teneste la promessa” (Violetta)
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto III. Recitativo “Teneste la promessa” (Violetta) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi4:09
14La traviata: Act III. “Signora!”… Che t'accade” - “Parigi, o cara” (Annina, Violetta, Alfredo)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi5:03
15La traviata: Act III. “Ah, Violetta!” … “Voi, Signor!” - “E strano!” … “Che!” (Germont, Violetta, Alfredo, Dottore, Annina, chorus)
baritone vocals [Germont]:
Georg Tichy (baritone) (from 1990-12-13 until 1990-12-21)
soprano vocals [Annina]:
Ivica Neshybová (soprano / mezzo soprano) (from 1990-12-13 until 1990-12-21)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto III, Finale “È strano!…Cessarono gli spasimi del dolore” (Violetta, Annina, Alfredo, Germont, Doctor) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La traviata: Atto III (La traviata: Act III)
recording of:
La traviata: Atto III. “Ah, Violetta!… Voi, Signor!” (Germont, Violetta, Alfredo) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi5:34
5▼CD: Aida (Highlights)
#TitleArtistRatingLength
1Aida: Preludio
producer:
Günter Appenheimer (producer/engineer) (in 1994-10)
orchestra:
National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi4:13
2Aida: Atto I. “Se quel guerrier io fossi! ... Celeste Aida”
producer:
Günter Appenheimer (producer/engineer) (in 1994-10)
tenor vocals [Radamès]:
Kristján Jóhannsson (tenor) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:29
3Aida: Atto I. “Ritorna vincitor! ... I sacri nomi di padre, d'amante”
soprano vocals [Aida]:
Maria Dragoni (soprano) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:29
4Aida: Atto I. Dance of the Priestesses
producer:
Günter Appenheimer (producer/engineer) (in 1994-10)
bass vocals [Ramfis]:
Francesco Ellero d’Artegna (operatic bass) (from 1994-10-01 until 1994-10-04)
choir vocals:
National Symphony Chorus of Ireland (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:39
5Aida: Atto II. Dance of the Moorish Slaves
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:46
6Aida: Atto II. “Sul del Nilo al sacro lido ... Numi, pieta del mio martir”
choir vocals:
National Symphony Chorus of Ireland (from 1994-10-01 until 1994-10-04)
mezzo-soprano vocals [Amneris]:
Barbara Dever (from 1994-10-01 until 1994-10-04)
soprano vocals [Aida]:
Maria Dragoni (soprano) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:55
7Aida: Atto II. “Gloria all' Egitto”
producer:
Günter Appenheimer (producer/engineer) (in 1994-10)
choir vocals:
National Symphony Chorus of Ireland (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:20
8Aida: Atto II. Grand March
producer:
Günter Appenheimer (producer/engineer) (in 1994-10)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:35
9Aida: Atto II. Ballet Music
producer:
Günter Appenheimer (producer/engineer) (in 1994-10)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:44
10Aida: Atto II. “Vieni, o guerrero vindice”
choir vocals:
National Symphony Chorus of Ireland (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:29
11Aida: Atto III. “Qui Radames verra! ... O patria mia”
soprano vocals [Aida]:
Maria Dragoni (soprano) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:23
12Aida: Atto III. “Ciel mio padre! ... Su dunque!“
baritone vocals [Amonasro]:
Mark Rucker (Baritone) (from 1994-10-01 until 1994-10-04)
soprano vocals [Aida]:
Maria Dragoni (soprano) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:09
13Aida: Atto IV. “L'aborrita rivale a me sfuggia ... Gia i sacerdoti”
mezzo-soprano vocals [Amneris]:
Barbara Dever (from 1994-10-01 until 1994-10-04)
tenor vocals [Radamès]:
Kristján Jóhannsson (tenor) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:55
14Aida: Atto IV. “Die mie discolpe”
producer:
Günter Appenheimer (producer/engineer) (in 1994-10)
mezzo-soprano vocals [Amneris]:
Barbara Dever (from 1994-10-01 until 1994-10-04)
tenor vocals [Radamès]:
Kristján Jóhannsson (tenor) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi0:59
15Aida: Atto IV. “Morire! Ah, tu dei vivere”
producer:
Günter Appenheimer (producer/engineer) (in 1994-10)
mezzo-soprano vocals [Amneris]:
Barbara Dever (from 1994-10-01 until 1994-10-04)
tenor vocals [Radamès]:
Kristján Jóhannsson (tenor) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:39
16Aida: Atto IV. “Chi ti salva, sciagurato”
producer:
Günter Appenheimer (producer/engineer) (in 1994-10)
baritone vocals [Amonasro]:
Mark Rucker (Baritone) (from 1994-10-01 until 1994-10-04)
mezzo-soprano vocals [Amneris]:
Barbara Dever (from 1994-10-01 until 1994-10-04)
tenor vocals [Radamès]:
Kristján Jóhannsson (tenor) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi0:36
17Aida: Atto IV. “E la morte un ben supremo”
mezzo-soprano vocals [Amneris]:
Barbara Dever (from 1994-10-01 until 1994-10-04)
tenor vocals [Radamès]:
Kristján Jóhannsson (tenor) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi1:26
18Aida: Atto IV. “La fatal pietra ... Morir! si pura e bella”
soprano vocals [Aida]:
Maria Dragoni (soprano) (from 1994-10-01 until 1994-10-04)
tenor vocals [Radamès]:
Kristján Jóhannsson (tenor) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:08
19Aida: Atto IV. “O terra, addio; addio di vale di pianto“
choir vocals:
National Symphony Chorus of Ireland (from 1994-10-01 until 1994-10-04)
mezzo-soprano vocals [Amneris]:
Barbara Dever (from 1994-10-01 until 1994-10-04)
soprano vocals [Aida]:
Maria Dragoni (soprano) (from 1994-10-01 until 1994-10-04)
tenor vocals [Radamès]:
Kristján Jóhannsson (tenor) (from 1994-10-01 until 1994-10-04)
orchestra:
The National Symphony Orchestra of Ireland (from 1994-10-01 until 1994-10-04)
conductor:
Rico Saccani (conductor) (from 1994-10-01 until 1994-10-04)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1994-10-01 until 1994-10-04)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (from 1994-10-01 until 1994-10-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:18
6▶CD: Carmen (Highlights)
7▶CD: Cavalleria rusticana & Pagliacci (Highlights)
8▶CD: Tosca (Highlights)
9▶CD: Madama Butterfly (1991 studio cast, highlights)
10▶CD: La Bohème (Highlights)