Cinco Minutos de jazz

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Sequential bonus codes for each CD
00001
00002
00003

Annotazione modificata l'ultima volta il 2024-06-14 00:42 UTC.

Elenco tracce

| |
1▼CD: Pare
#TitoloArtistaValutazioneDurata
1My Baby Just Cares For Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone Quartet3.853:31
2In The Evening
Big Bill Broonzy (Solo)3:25
3Eventually
registrata a:
Los Angeles, California, Stati Uniti (il 1959-05-22)
batteria :
Billy Higgins (US jazz drummer) (il 1959-05-22)
contrabbasso :
Charlie Haden (American jazz bassist) (il 1959-05-22)
cornetta :
Don Cherry (jazz trumpeter) (il 1959-05-22)
sassofono contralto :
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (il 1959-05-22)
registrazione di:
Eventually (il 1959-05-22)
compositore:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
Ornette Coleman Quintet4:19
4Empty Bed Blues
registrazione di:
Empty Bed Blues (Part 1 & 2) (nel 1928)
autore:
J.C. Johnson
Bessie Smith com Fletcher Henderson3:00
5Rights Of Swing Prelude & Part 1
Phil Woods Octet6:39
6Blue Waltz
Clark Terry Octet6:37
7Nice N' Easy
registrazione di:
Nice ’n’ Easy (il 1960-04-13)
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
compositore:
Lew Spence
editore:
Spirit Two Music (conclusa), Threesome Music Company (conclusa), Warner Bros. Music Corp. (conclusa), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music e Spirit Two Music Crescendo
Frank Sinatra com Nelson Riddle Orchestra2:47
8What Is There To Stay
Gerry Mulligan Quartet4:07
9Lou's Blues
tecnico di registrazione:
Rudy van Gelder (il 1959-10-31)
produttore:
Alfred Lion
batteria :
Dave Bailey (US jazz drummer) (il 1959-10-31)
congas :
Ray Barretto (il 1959-10-31)
contrabbasso [bass] :
Laymon Jackson (il 1959-10-31)
pianoforte :
Horace Parlan (American‐Danish jazz pianist) (il 1959-10-31)
sassofono contralto :
Lou Donaldson (il 1959-10-31)
tromba :
Blue Mitchell (American trumpet player) (il 1959-10-31)
registrata presso:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Stati Uniti (il 1959-10-31)
Lou Donaldson Sextet5:59
10Yesterdays
registrata a:
New York, New York, Stati Uniti (nel 1950-02)
produttore:
Norman Granz
pianoforte :
Bud Powell (nel 1950-02)
registrazione strumentale di:
Yesterdays (nel 1950-02)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Bud Powell (Solo)2:51
11Penitentiary Blues
registrata a:
Houston, Texas, Stati Uniti (il 1959-01-16)
tecnico di registrazione:
Samuel B. Charters (il 1959-01-16)
chitarra :
Lightnin’ Hopkins (il 1959-01-16)
voce:
Lightnin’ Hopkins (il 1959-01-16)
registrazione di:
Penitentiary Blues
paroliere e compositore:
Lightnin’ Hopkins
Lightnin’ Hopkins (Solo)52:55
12You Don't Know What Love Is
registrazione strumentale di:
You Don’t Know What Love Is
paroliere:
Don Raye
compositore:
Gene de Paul
editore:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sonny Rollins Quartet6:29
13You Are My Sunshine
tecnico:
Val Valentin
produttore:
Jim Davis (jazz producer)
basso :
Ray Brown (jazz bassist) (nel 1963-02)
batteria :
Ed Thigpen (nel 1963-02)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1963-02)
voce:
Bill Henderson (US jazz vocalist & actor) (nel 1963-02)
registrazione di:
You Are My Sunshine (nel 1963-02)
inno di:
Louisiana, Stati Uniti
autore:
Jimmie Davis (American politician, singer and songwriter) e Charles Mitchell (1940s songwriter and steel guitarist)
editore:
Peer International (BMI) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (il 1940-01-30)
Bill Henderson com Oscar Peterson4:38
14Black Beauty
registrazione di:
Black Beauty
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington (Solo)3:01
15Darn That Dream
produttore:
Francis Wolff (photographer and record producer)
batteria :
Art Taylor (il 1964-06-02)
contrabbasso :
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (il 1964-06-02)
pianoforte :
Kenny Drew (il 1964-06-02)
sassofono tenore :
Dexter Gordon (il 1964-06-02)
registrata presso:
Studio Hoche (Barclay) in Paris, Île-de-France, Francia (il 1964-06-02)
registrazione strumentale di:
Darn That Dream (il 1964-06-02)
paroliere:
Eddie DeLange (nel 1939)
compositore:
Jimmy Van Heusen (nel 1939)
editore:
Scarsdale Music Corp. (ASCAP)
parte di:
Swingin’ the Dream
Dexter Gordon Quartet7:32
2▼CD: Escute
#TitoloArtistaValutazioneDurata
1St. James Infirmary
registrazione strumentale di:
St. James Infirmary (Joe Primrose’s arrangement) (il 1930-01-28)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Joe Primrose
editore:
EMI Harmonies Limited
arrangiamento di:
St. James Infirmary
versione di:
The Unfortunate Lass (Bad Girl's Lament)
King Oliver Orquestra3:38
2Things Ain't What They Used To Be
produttore:
Teo Macero (American jazz saxophonist and composer)
batteria :
Dannie Richmond (drummer) (il 1959-11-13)
contrabbasso :
Charles Mingus (il 1959-11-13)
pianoforte :
“Sir” Roland Hanna (jazz pianist) (il 1959-11-13)
sassofono contralto :
John Handy (US jazz alto saxophonist, born 1933) (il 1959-11-13)
sassofono tenore :
Booker Ervin (tenor saxophonist) (il 1959-11-13)
tromba :
Don Ellis (trumpet) (il 1959-11-13)
trombone :
Jimmy Knepper (trombonist) (il 1959-11-13)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1959-11-13)
registrazione strumentale di:
Things Ain’t What They Used to Be (il 1959-11-13)
paroliere:
Ted Persons
compositore:
Mercer Ellington (nel 1942)
editore:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Charles Mingus Orquestra57:36
3Struttin' With Some Barbecue
registrata a:
Los Angeles, California, Stati Uniti (il 1938-01-12)
ance :
Bingie Madison (il 1938-01-12) e Albert Nicholas (il 1938-01-12)
basso :
George "Pops" Foster (il 1938-01-12)
batteria :
Paul Barbarin (jazz drummer from New Orleans) (il 1938-01-12)
chitarra :
Lee Blair (il 1938-01-12)
pianoforte :
Luis Russell (il 1938-01-12)
sassofono contralto :
Pete Clark (Jazz altoist born around 1910) (il 1938-01-12) e Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (il 1938-01-12)
tromba :
Henry “Red” Allen (jazz musician) (il 1938-01-12), Louis Armstrong (il 1938-01-12), Louis Bacon (il 1938-01-12) e Shelton "Scad" Hemphill (il 1938-01-12)
trombone :
Wilbur de Paris (il 1938-01-12), J.C. Higginbotham (il 1938-01-12) e George Washington (jazz trombonist) (il 1938-01-12)
voce:
Louis Armstrong (il 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (il 1938-01-12)
registrazione di:
Struttin’ With Some Barbecue (il 1938-01-12)
compositore:
Lil Hardin Armstrong
Louis Armstrong Hot Five3:00
4King Porter Stomp
registrata a:
New York, New York, Stati Uniti (il 1928-03-14)
ance :
Coleman Hawkins (il 1928-03-14) e Jerome Pasquall (il 1928-03-14)
banjo :
Charlie Dixon (Jazz banjoist) (il 1928-03-14)
batteria :
Kaiser Marshall (il 1928-03-14)
clarinetto :
Buster Bailey (clarinetist) (il 1928-03-14)
cornetta :
Rex Stewart (il 1928-03-14)
pianoforte :
Fletcher Henderson (il 1928-03-14)
sassofono baritono e sassofono contralto :
Don Pasquall (il 1928-03-14)
sassofono tenore :
Coleman Hawkins (il 1928-03-14)
tromba :
Joe Smith (American jazz trumpeter/cornetist) (il 1928-03-14), Russell Smith (US jazz trumpeter) (il 1928-03-14) e Bobby Stark (il 1928-03-14)
trombone :
Jimmy Harrison (il 1928-03-14) e Benny Morton (il 1928-03-14)
tuba e tuba [brass bass] :
June Cole (il 1928-03-14)
arrangiatore:
Don Redman
registrazione di:
King Porter Stomp (il 1928-03-14)
compositore:
Jelly Roll Morton
Fletcher Henderson Orquestra2:56
5So What
registrata a:
New York, New York, Stati Uniti (il 1959-03-02)
tecnico di registrazione:
Fred Plaut (il 1959-03-02)
produttore:
Irving Townsend
batteria :
Jimmy Cobb (US jazz drummer) (il 1959-03-02)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1959-03-02)
pianoforte :
Bill Evans (pianist) (il 1959-03-02)
sassofono contralto :
Cannonball Adderley (il 1959-03-02)
sassofono tenore :
John Coltrane (il 1959-03-02)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1959-03-02)
registrata presso:
Columbia 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1959-03-02)
remix di:
So What (stereo) di Miles Davis (jazz trumpeter, bandleader, songwriter)
registrazione di:
So What (il 1959-03-02)
compositore:
Miles Davis (jazz trumpeter, bandleader, songwriter)
editore:
Jazz Horn Music
parte di:
The Real Book (compilation of jazz standards, volume I)
Miles Davis Sextet4.259:23
6One O'Clock Jump
registrazione di:
One O’Clock Jump
compositore:
Count Basie (pianist) (nel 1937)
editore:
EMI Feist Catalog Inc.
Count Basie Orquestra3:05
7What A Little Moonlight Can Do
registrata a:
New York, New York, Stati Uniti (dal 1960-08-18 al 1960-08-30)
tecnico:
William McMeekin
produttore:
Betty Carter e Sid Feller
voce:
Betty Carter (dal 1960-08-18 al 1960-08-30)
direttore d'orchestra:
Richard Wess (dal 1960-08-18 al 1960-08-30)
arrangiatore:
Richard Wess
Betty Carter com Richard Wess Orquestra2:06
8Royal Garden Blues
Bix Beiderbecke Orquestra3:01
9Prisoner Of Love
batteria :
Jo Jones (US jazz drummer) (il 1956-01-13)
contrabbasso :
Gene Ramey (il 1956-01-13)
pianoforte :
Teddy Wilson (il 1956-01-13)
sassofono tenore :
Lester Young (saxophonist) (il 1956-01-13)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1956-01-13)
registrazione strumentale di:
Prisoner of Love (il 1956-01-13)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Russ Columbo (American singer, songwriter, violinist and actor) e Clarence Gaskill
editore:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Music Sales Corporation (American copyright holder in both popular and classical music)
Lester Young Quartet7:38
10Ain't Misbehavin'
registrata a:
Camden, New Jersey, Stati Uniti (il 1929-08-02)
pianoforte :
Fats Waller (il 1929-08-02)
registrata presso:
Victor’s Church Studio in Camden, New Jersey, Stati Uniti
registrazione strumentale di:
Ain’t Misbehavin’ (il 1929-08-02)
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Fats Waller (Solo)3:00
11Giant Steps
tecnico di registrazione:
Tom Dowd (il 1959-05-05) e Phil Iehle (il 1959-05-05)
produttore:
Nesuhi Ertegun
batteria :
Art Taylor (il 1959-05-05)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1959-05-05)
pianoforte :
Tommy Flanagan (il 1959-05-05)
sassofono tenore :
John Coltrane (il 1959-05-05)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1959-05-05)
registrazione di:
Giant Steps (il 1959-05-05)
compositore:
John Coltrane
editore:
Jowcol Music
parte di:
The Real Book (compilation of jazz standards, volume I)
John Coltrane Quartet3.354:46
12Peace Piece
tecnico di registrazione:
Jack Higgins (recording engineer) (il 1958-12-15)
produttore:
Orrin Keepnews
pianoforte :
Bill Evans (pianist) (il 1958-12-15)
diritti fonografici (℗) detenuti da:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (nel 1975)
registrata presso:
Reeves Sound Studios in New York, New York, Stati Uniti (il 1956-12-15)
registrazione di:
Peace Piece (il 1958-12-15)
compositore:
Bill Evans (pianist)
editore:
Acorn Music Corp., Folkways Music e TRO-Acorn Music
Bill Evans (Solo)4.56:42
13Fine And Mellow
registrazione di:
Fine and Mellow
paroliere e compositore:
Billie Holiday
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:12
14I Remember Clifford
registrata a:
Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (il 1960-05-27)
batteria :
Connie Kay (il 1960-05-27)
contrabbasso :
Percy Heath (il 1960-05-27)
pianoforte :
John Lewis (pianist, member of Modern Jazz Quartet) (il 1960-05-27)
vibrafono :
Milt Jackson (il 1960-05-27)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1995)
registrazione dal vivo di:
I Remember Clifford
paroliere:
Jon Hendricks
compositore:
Benny Golson (American jazz saxophonist and composer)
versione di:
I Remember Clifford (instrumental original)
Modern Jazz Quartet6:03
15Body And Soul
pianoforte solista :
Teddy Wilson (il 1941-04-11)
registrazione strumentale di:
Body and Soul (il 1941-04-11)
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teddy Wilson (Solo)3:13
3▼CD: Ouça
#TitoloArtistaValutazioneDurata
1Blues For Mary Jane
Stan Getz Quartet7:51
2Salt Peanuts
Charlie Parker Quintet7:50
3Cherokee
registrazione cover di:
Cherokee
paroliere e compositore:
Ray Noble
editore:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) e Shapiro, Bernstein & Co., Inc.
Sarah Vaughan com Ernie Wilkins Orquestra2:32
4Ruby My Dear
tecnico di registrazione:
Reice Hamel
produttore:
Orrin Keepnews
pianoforte :
Thelonious Monk (il 1959-10-21)
registrata presso:
Fugazi Hall in San Francisco, California, Stati Uniti (il 1959-10-21)
registrazione di:
Ruby, My Dear (il 1959-10-21)
compositore:
Thelonious Monk (nel 1948)
editore:
Embassy Music Corporation
Thelonious Monk (Solo)4:00
5Jordu
produttore:
Norman Granz
batteria :
Charli Persip (American jazz drummer) (il 1957-04-07)
contrabbasso :
Paul West (bass) (il 1957-04-07)
pianoforte :
Wynton Kelly (il 1957-04-07)
sassofono baritono :
Bill Root (jazz saxophonist) (il 1957-04-07)
sassofono contralto :
Ernie Henry (il 1957-04-07) e Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (il 1957-04-07)
sassofono tenore :
Benny Golson (American jazz saxophonist and composer) (il 1957-04-07)
sassofono tenore solista :
Billy Mitchell (US jazz saxophonist)
tromba :
Talib Daawud (jazz trumpeter) (il 1957-04-07), E. V. Perry (il 1957-04-07), Lee Morgan (jazz trumpeter / composer) (il 1957-04-07) e Carl Warwick (jazz trumpeter) (il 1957-04-07)
tromba solista :
Dizzy Gillespie (il 1957-04-07)
trombone :
Al Grey (trombone) (il 1957-04-07) e Melba Liston (US jazz trombonist) (il 1957-04-07)
trombone basso :
Rod Levitt (jazz trombonist, composer, bandleader) (il 1957-04-07)
arrangiatore:
Ernie Wilkins
registrata presso:
WOR Studios in New York, New York, Stati Uniti (il 1957-04-07)
registrazione di:
Jordu (il 1957-04-07)
compositore:
Duke Jordan (nel 1953)
Dizzy Gillespie Orquestra4:13
6Dancing In The Dark
Art Tatum (Solo)2:57
7It Don't Mean A Thing
registrazione cover di:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
parte di:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald com Paul Smith4:15
8Blue Lou
batteria :
Buddy Rich (il 1950-07-01)
contrabbasso :
Ray Brown (jazz bassist) (il 1950-07-01)
pianoforte :
Hank Jones (piano) (il 1950-07-01)
registrazione di:
Blue Lou (il 1950-07-01)
compositore:
Irving Mills e Edgar Sampson
Ray Brown Trio2:18
9When It's Sleepy Time Down South
registrazione di:
When It’s Sleepy Time Down South (il 1941-04-28)
paroliere:
Leon René e Otis René
compositore:
Clarence Muse
editore:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication e Sherwin Music (publisher)
Sidney Bechet Orquestra3:02
10Bob White
Carmen McRae com Ralph Burns Orquestra2:58
11Now's The Time
John Lewis Trio3:49
12Nasty
Harry Edison Sextet5:25
13Sweet Georgia Brown
chitarra :
Herb Ellis (jazz guitarist)
contrabbasso :
Ray Brown (jazz bassist)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer)
registrata presso:
Town Tavern in Toronto, Ontario, Canada (il 1958-07-05)
registrazione di:
Sweet Georgia Brown
paroliere:
Kenneth Casey (nel 1925)
compositore:
Ben Bernie (nel 1925) e Maceo Pinkard (nel 1925)
editore:
Francis Day (publisher), Remick Music Corp. e Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
registrazione dal vivo strumentale cover di:
Sweet Georgia Brown
paroliere:
Kenneth Casey (nel 1925)
compositore:
Ben Bernie (nel 1925) e Maceo Pinkard (nel 1925)
editore:
Francis Day (publisher), Remick Music Corp. e Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Oscar Peterson Trio7:47
14All The Things You Are
batteria :
Eddie Locke (nel 1960-06)
contrabbasso :
Benny Moten (jazz bassist) (nel 1960-06)
pianoforte :
Ronnie Ball (nel 1960-06)
tromba :
Roy Eldridge (nel 1960-06)
registrazione strumentale di:
All the Things You Are (from “Very Warm for May”) (nel 1960-06)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1939)
compositore:
Jerome Kern (nel 1939)
editore:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (conclusa), T.B. Harms Inc. (conclusa) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Broadway Rhythm (film)
Roy Eldridge Quartet3:30
15Polka Dots And Moonbeams
registrazione di:
Polka Dots and Moonbeams
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher e Reganesque Music Company
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
Chet Baker Quartet7:56

Accreditamenti