Dakota '66 (mono)

~ Release by Dakota Staton (see all versions of this release, 4 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1(Get Your Kicks on) Route 66
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
bass:
Freddy Logan (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
electronic organ [Lowrey]:
John Baldwin (keyboard player) (in 1966-01)
piano:
Ralph Dollimore (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
arranger:
Ralph Dollimore
cover recording of:
(Get Your Kicks on) Route 66 (in 1966-01)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
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A2A Sunday Kind of Love
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
baritone saxophone:
Don Honeywell (in 1966-01) and Harry Klein (saxophone) (in 1966-01)
bass:
Freddy Logan (in 1966-01)
brass:
Ray Davies (British composer, arranger, conductor, and trumpeter) (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
piano:
Alan Branscombe (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
woodwind:
Ray Swinfield (in 1966-01)
conductor:
Tony Osborne (in 1966-01)
arranger:
Tony Osborne
cover recording of:
A Sunday Kind of Love (in 1966-01)
writer:
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima and Stan Rhodes
publisher:
Leeds Music Inc.
?:??
A3The Midnight Sun Will Never Set
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
bass:
Freddy Logan (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
euphonium:
Harry Roche (in 1966-01)
French horn:
Tony Tunstall (in 1966-01) and Keith Whitmore (horn player) (in 1966-01)
piano:
Kenny Powell (composer, keyboardist, conductor) (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
tuba:
Alfie Reece (in 1966-01)
woodwind:
Duncan Lamont (in 1966-01) and Ray Swinfield (in 1966-01)
conductor:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger) (in 1966-01)
arranger:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger)
cover recording of:
The Midnight Sun Will Never Set (Sarah Vaughan) (in 1966-01)
lyricist:
Dorcas Cochran
composer:
Quincy Jones and Henri Salvador
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A4Isn't This a Lovely Day
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
bass:
Freddy Logan (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
piano:
Ralph Dollimore (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
arranger:
Ralph Dollimore
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (in 1966-01)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
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A5You Go to My Head
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
baritone saxophone:
Don Honeywell (in 1966-01) and Harry Klein (saxophone) (in 1966-01)
bass:
Freddy Logan (in 1966-01)
brass:
Ray Davies (British composer, arranger, conductor, and trumpeter) (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
piano:
Alan Branscombe (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
woodwind:
Ray Swinfield (in 1966-01)
conductor:
Tony Osborne (in 1966-01)
arranger:
Tony Osborne
cover recording of:
You Go to My Head (in 1966-01)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
?:??
A6Maybe You'll Be There
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
bass:
Freddy Logan (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
euphonium:
Harry Roche (in 1966-01)
French horn:
Tony Tunstall (in 1966-01) and Keith Whitmore (horn player) (in 1966-01)
piano:
Kenny Powell (composer, keyboardist, conductor) (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
tuba:
Alfie Reece (in 1966-01)
woodwind:
Duncan Lamont (in 1966-01) and Ray Swinfield (in 1966-01)
conductor:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger) (in 1966-01)
arranger:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger)
cover recording of:
Maybe You’ll Be There (in 1966-01)
lyricist:
Sammy Gallop
composer:
Rube Bloom (American songwriter, pianist and vocalist)
?:??
B1Moon River
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
bass:
Freddy Logan (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
piano:
Ralph Dollimore (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
arranger:
Ralph Dollimore
cover recording of:
Moon River (in 1966-01)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
?:??
B2Early Autumn
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
bass:
Freddy Logan (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
euphonium:
Harry Roche (in 1966-01)
French horn:
Tony Tunstall (in 1966-01) and Keith Whitmore (horn player) (in 1966-01)
piano:
Kenny Powell (composer, keyboardist, conductor) (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
tuba:
Alfie Reece (in 1966-01)
woodwind:
Duncan Lamont (in 1966-01) and Ray Swinfield (in 1966-01)
conductor:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger) (in 1966-01)
arranger:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger)
cover recording of:
Early Autumn (in 1966-01)
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
?:??
B3How Did He Look?
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
baritone saxophone:
Cyril Rubens (saxophonist) (in 1966-01) and Harry Klein (saxophone) (in 1966-01)
bass:
Freddy Logan (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
tuba:
Ron Snyder (in 1966-01)
woodwind:
Ray Swinfield (in 1966-01)
arranger:
Ralph Dollimore
cover recording of:
How Did He Look? (in 1966-01)
lyricist:
Gladys Shelley
composer:
Abner Silver
publisher:
Spiral Record Corp.
?:??
B4Nice Work If You Can Get It
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
bass:
Freddy Logan (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
piano:
Ralph Dollimore (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
arranger:
Ralph Dollimore
cover recording of:
Nice Work If You Can Get It (in 1966-01)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
?:??
B5He's Funny That Way
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
baritone saxophone:
Don Honeywell (in 1966-01) and Harry Klein (saxophone) (in 1966-01)
bass:
Freddy Logan (in 1966-01)
brass:
Ray Davies (British composer, arranger, conductor, and trumpeter) (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
piano:
Alan Branscombe (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
woodwind:
Ray Swinfield (in 1966-01)
conductor:
Tony Osborne (in 1966-01)
arranger:
Tony Osborne
cover recording of:
She’s Funny That Way (in 1966-01)
lyricist:
Richard A. Whiting (in 1928)
writer:
Neil Moret and Richard A. Whiting
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
?:??
B6Everything Happens to Me
recorded in:
London (Greater London), England, United Kingdom (in 1966-01)
bass:
Freddy Logan (in 1966-01)
drums (drum set):
Jackie Dougan (in 1966-01)
euphonium:
Harry Roche (in 1966-01)
French horn:
Tony Tunstall (in 1966-01) and Keith Whitmore (horn player) (in 1966-01)
piano:
Kenny Powell (composer, keyboardist, conductor) (in 1966-01)
tenor saxophone:
Pete King (UK jazz saxophonist and manager of Ronnie Scott’s) (in 1966-01)
tuba:
Alfie Reece (in 1966-01)
woodwind:
Duncan Lamont (in 1966-01) and Ray Swinfield (in 1966-01)
conductor:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger) (in 1966-01)
arranger:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger)
cover recording of:
Everything Happens to Me (in 1966-01)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
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