| # | Title | Artist | Rating | Length |
|---|
| 1 | U Can’t Touch This | MC Hammer | 4.1 | 4:15 |
| 2 | Come Back and Stay | Paul Young | 4.5 | 4:22 |
| 3 | Missing You- producer:
- Gary Gersh, David Thoener and John Waite
- phonographic copyright (℗) by:
- EMI Records USA (in 1984) and EMI USA (in 1984)
- edit of:
- Missing You by John Waite
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.65 | 3:31 |
| 4 | The Model | Kraftwerk | 4.15 | 3:39 |
| 5 | Kiss | Art of Noise feat. Tom Jones | 3 | 3:30 |
| 6 | French Kissin’ in the USA | Deborah Harry | | 5:08 |
| 7 | Killer | Adamski | | 4:09 |
| 8 | My Prerogative- assistant recording engineer and assistant mixer:
- Jim Hanneman
- recording engineer:
- Dennis Mitchell
- drum machine programming:
- Markell Riley
- producer:
- Gene Griffin
- mixer:
- Gene Griffin, Dennis Mitchell and Teddy Riley
- bass saxophone, bass synthesizer and synthesizer:
- Teddy Riley
- finger snaps:
- Bobby Brown
- background vocals:
- Bernard Bill, Lee Drakeford, Aaron Hall and Teddy Riley
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- G.R. Productions
- recorded at:
- Axis Studios in Manhattan, New York, New York, United States
- mixed at:
- Soundworks in New York, New York, United States
- music videos:
- My Prerogative by Bobby Brown
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 98) and Billboard: The 500 Best Pop Songs (number: 460)
- recording of:
- My Prerogative
- writer:
- Bobby Brown , Gene Griffin and Teddy Riley
- publisher:
- Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. , Universal Music–Z Tunes LLC and Virgin Music (Publishers) Ltd.
| Bobby Brown | 4 | 4:49 |
| 9 | Could It Be I’m Falling in Love | David Grant & Jaki Graham | 4.35 | 4:20 |
| 10 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) and Capitol Records, LLC (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:33 |
| 11 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:41 |
| 12 | Ghost Town | The Specials | 3.95 | 3:39 |
| 13 | War Baby | Tom Robinson | | 4:12 |
| 14 | Love & Pride | King | 4 | 3:21 |
| 15 | Hold Me Now- recording engineer, engineer and mixer:
- Phil Thornalley
- drums (drum set) programming:
- Tom Bailey
- producer:
- Tom Bailey and Alex Sadkin
- congas and synthesizer [Prophet V]:
- Joe Leeway
- double bass [contrabass], guitar, harmonica, piano and synthesizer:
- Tom Bailey
- drums (drum set), marimba, percussion and xylophone:
- Alannah Currie
- background vocals:
- Alannah Currie and Joe Leeway
- vocals:
- Tom Bailey
- phonographic copyright (℗) by:
- Arista Records Ltd. (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (in 1983), Arista Records Ltd. (in 1984) and Arista Records, Inc. (in 1984)
- music videos:
- Hold Me Now by Thompson Twins
- recording of:
- Hold Me Now
- writer:
- Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey
- vocals arranger:
- Tom Bailey , Alannah Currie and Joe Leeway
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Point Music and Point Music Ltd.
| Thompson Twins | 4.5 | 4:45 |
| 16 | Vienna | Ultravox | | 4:37 |
| 17 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1983, in 1984) and MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4 | 4:28 |
| 18 | Is Vic There? | Department S | | 3:04 |
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