The Complete Tony Bennett/Bill Evans Recordings

~ Release by Tony Bennett and Bill Evans (see all versions of this release, 3 available)

Annotation

Copyright: © 2009 Concord Music Group, Inc.
This Compilation ℗ 2009 Concord Music Group, Inc.

Annotation last modified on 2025-06-13 22:53 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Young and Foolish
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
Young and Foolish (from 1975-06-10 until 1975-06-13)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
Tony Bennett and Bill Evans3:55
2The Touch of Your Lips
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
The Touch of Your Lips (from 1975-06-10 until 1975-06-13)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
Bill Evans & Tony Bennett3:57
3Some Other Time
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
On the Town: Some Other Time (from 1975-06-10 until 1975-06-13)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Bill Evans & Tony Bennett4:42
4When in Rome
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
When in Rome (I Do as the Romans Do) (from 1975-06-10 until 1975-06-13)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), Edwin H. Morris (a division of MPL Communications Inc.) (ended), Carwin Music, Inc., Hipgnosis Notes (ASCAP) and Notable Music Co., Inc.
Tony Bennett and Bill Evans2:55
5We’ll Be Together Again
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
We’ll Be Together Again (from 1975-06-10 until 1975-06-13)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Tony Bennett and Bill Evans4:39
6My Foolish Heart
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
My Foolish Heart (from 1975-06-10 until 1975-06-13)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Bill Evans & Tony Bennett4:51
7Waltz for Debby
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
Waltz for Debby (English lyrics) (from 1975-06-10 until 1975-06-13)
lyricist:
Gene Lees
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
version of:
Waltz for Debby (instrumental)
Tony Bennett and Bill Evans4:04
8But Beautiful
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
But Beautiful (from 1975-06-10 until 1975-06-13)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
Bill Evans & Tony Bennett3:37
9Days of Wine and Roses
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
Days of Wine and Roses (from 1975-06-10 until 1975-06-13)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
Bill Evans & Tony Bennett2:24
10The Bad and the Beautiful
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
The Bad and the Beautiful (Theme from The Bad and the Beautiful) (from 1976-09-27 until 1976-09-30)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
writer:
David Raksin
composer:
David Raksin (in 1952)
publisher:
EMI Robbins Catalog Inc. (ASCAP)
Tony Bennett and Bill Evans2:18
11Lucky to Be Me
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
On the Town: Lucky to Be Me (from 1976-09-27 until 1976-09-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
On the Town
Tony Bennett and Bill Evans3:45
12Make Someone Happy
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Make Someone Happy (Do Re Mi) (from 1976-09-27 until 1976-09-30)
orchestrator:
Bruce Coughlin
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent and Stratford Music Corporation
part of:
Do Re Mi
Tony Bennett and Bill Evans3:53
13You’re Nearer
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
You’re Nearer (from 1976-09-27 until 1976-09-30)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
Tony Bennett and Bill Evans2:23
14A Child Is Born
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
A Child Is Born (from 1976-09-27 until 1976-09-30)
lyricist:
Alec Wilder (American composer)
composer:
Thad Jones (American jazz trumpeter)
publisher:
D'accord Music
version of:
A Child Is Born (Original instrumental version)
Tony Bennett and Bill Evans3:17
15The Two Lonely People
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
The Two Lonely People (from 1976-09-27 until 1976-09-30)
lyricist:
Carol Hall (musical theatre songwriter)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
Tony Bennett and Bill Evans4:27
16You Don’t Know What Love Is
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
You Don’t Know What Love Is (from 1976-09-27 until 1976-09-30)
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Evans & Tony Bennett3:28
17Maybe September
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Maybe September (from 1976-09-27 until 1976-09-30)
writer:
Ray Evans (American songwriter), Percy Faith and Jay Livingston
publisher:
Sony/ATV Harmony
Tony Bennett and Bill Evans3:55
18Lonely Girl
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Lonely Girl (from 1976-09-27 until 1976-09-30)
lyricist:
Ray Evans (American songwriter)
composer:
Neal Hefti, Livingston & Evans (songwriting duo) and Jay Livingston
publisher:
Sony/ATV Harmony
is based on:
Sierra Leone
Tony Bennett and Bill Evans2:50
19You Must Believe in Spring
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Improv Records
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
You Must Believe in Spring (from 1976-09-27 until 1976-09-30)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
N.S. Beaujolais Music Inc. (ended) and EMI U Catalog Inc. (publisher; do NOT use as release label)
translated version of:
Chanson de Maxence
Tony Bennett and Bill Evans5:51
20Who Can I Turn To?
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Who Can I Turn To (When Nobody Needs Me) (from 1976-09-27 until 1976-09-30)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Tony Bennett and Bill Evans2:28
21Dream Dancing
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
engineer:
Don Cody
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Dream Dancing (from “You’ll Never Get Rich”) (from 1976-09-27 until 1976-09-30)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co., Inc. (USA)
Tony Bennett and Bill Evans3:46
2▼Digital Media
#TitleArtistRatingLength
1Young and Foolish (alternative take 4)
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
mixer:
Stephen Hart (engineer)
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
cover recording of:
Young and Foolish (from 1975-06-10 until 1975-06-13)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
Tony Bennett and Bill Evans4:46
2The Touch of Your Lips (alternative take 1)
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
mixer:
Stephen Hart (engineer)
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
cover recording of:
The Touch of Your Lips (from 1975-06-10 until 1975-06-13)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
Bill Evans & Tony Bennett2:55
3Some Other Time (alternative take 7)
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
mixer:
Stephen Hart (engineer)
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
cover recording of:
On the Town: Some Other Time (from 1975-06-10 until 1975-06-13)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Tony Bennett and Bill Evans4:56
4When in Rome (alternative take 11)
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
mixer:
Stephen Hart (engineer)
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
cover recording of:
When in Rome (I Do as the Romans Do) (from 1975-06-10 until 1975-06-13)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), Edwin H. Morris (a division of MPL Communications Inc.) (ended), Carwin Music, Inc., Hipgnosis Notes (ASCAP) and Notable Music Co., Inc.
Tony Bennett and Bill Evans2:57
5Waltz for Debby (alternative take 8)
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
mixer:
Stephen Hart (engineer)
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
cover recording of:
Waltz for Debby (English lyrics) (from 1975-06-10 until 1975-06-13)
lyricist:
Gene Lees
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
version of:
Waltz for Debby (instrumental)
Tony Bennett and Bill Evans3:50
6The Bad and the Beautiful (alternate take 1)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
The Bad and the Beautiful (Theme from The Bad and the Beautiful) (from 1976-09-27 until 1976-09-30)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
writer:
David Raksin
composer:
David Raksin (in 1952)
publisher:
EMI Robbins Catalog Inc. (ASCAP)
Tony Bennett and Bill Evans2:13
7The Bad and the Beautiful (alternative take 1)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
The Bad and the Beautiful (Theme from The Bad and the Beautiful) (from 1976-09-27 until 1976-09-30)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
writer:
David Raksin
composer:
David Raksin (in 1952)
publisher:
EMI Robbins Catalog Inc. (ASCAP)
Tony Bennett and Bill Evans2:10
8Make Someone Happy (alternative take 5)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Make Someone Happy (Do Re Mi) (from 1976-09-27 until 1976-09-30)
orchestrator:
Bruce Coughlin
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent and Stratford Music Corporation
part of:
Do Re Mi
Tony Bennett and Bill Evans3:54
9You’re Nearer (alternate take 9)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
You’re Nearer (from 1976-09-27 until 1976-09-30)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
Tony Bennett and Bill Evans2:58
10A Child Is Born (alternate take 2)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
A Child Is Born (from 1976-09-27 until 1976-09-30)
lyricist:
Alec Wilder (American composer)
composer:
Thad Jones (American jazz trumpeter)
publisher:
D'accord Music
version of:
A Child Is Born (Original instrumental version)
Tony Bennett and Bill Evans3:27
11A Child Is Born (alternate take 7)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
A Child Is Born (from 1976-09-27 until 1976-09-30)
lyricist:
Alec Wilder (American composer)
composer:
Thad Jones (American jazz trumpeter)
publisher:
D'accord Music
version of:
A Child Is Born (Original instrumental version)
Tony Bennett and Bill Evans3:12
12The Two Lonely People (alternate take 5)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
The Two Lonely People (from 1976-09-27 until 1976-09-30)
lyricist:
Carol Hall (musical theatre songwriter)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
Tony Bennett and Bill Evans4:44
13You Don’t Know What Love Is (alternate take 16)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
You Don’t Know What Love Is (from 1976-09-27 until 1976-09-30)
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Tony Bennett and Bill Evans3:33
14You Don’t Know What Love Is (alternative take 18)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
You Don’t Know What Love Is (from 1976-09-27 until 1976-09-30)
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Tony Bennett and Bill Evans3:37
15Maybe September (alternate take 5)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Maybe September (from 1976-09-27 until 1976-09-30)
writer:
Ray Evans (American songwriter), Percy Faith and Jay Livingston
publisher:
Sony/ATV Harmony
Tony Bennett and Bill Evans4:38
16Maybe September (alternate take 8)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Maybe September (from 1976-09-27 until 1976-09-30)
writer:
Ray Evans (American songwriter), Percy Faith and Jay Livingston
publisher:
Sony/ATV Harmony
Tony Bennett and Bill Evans4:32
17Lonely Girl (alternate take 1)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Lonely Girl (from 1976-09-27 until 1976-09-30)
lyricist:
Ray Evans (American songwriter)
composer:
Neal Hefti, Livingston & Evans (songwriting duo) and Jay Livingston
publisher:
Sony/ATV Harmony
is based on:
Sierra Leone
Tony Bennett and Bill Evans2:58
18You Must Believe in Spring (alternate take 1)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
You Must Believe in Spring (from 1976-09-27 until 1976-09-30)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
N.S. Beaujolais Music Inc. (ended) and EMI U Catalog Inc. (publisher; do NOT use as release label)
translated version of:
Chanson de Maxence
Tony Bennett and Bill Evans6:02
19You Must Believe in Spring (alternative take 4)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
You Must Believe in Spring (from 1976-09-27 until 1976-09-30)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
N.S. Beaujolais Music Inc. (ended) and EMI U Catalog Inc. (publisher; do NOT use as release label)
translated version of:
Chanson de Maxence
Tony Bennett and Bill Evans5:36
20Who Can I Turn To (alternate take 6)
recording engineer:
Don Cody (from 1976-09-27 until 1976-09-30)
co-producer:
Don Cody
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1976-09-27 until 1976-09-30)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1976-09-27 until 1976-09-30)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
recorded at:
Columbia Studios in San Francisco, California, United States (from 1976-09-27 until 1976-09-30)
cover recording of:
Who Can I Turn To (When Nobody Needs Me) (from 1976-09-27 until 1976-09-30)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Tony Bennett and Bill Evans2:30