Cool Cole: The King Cole Trio Story

~ Veröffentlichung von The Nat King Cole Trio (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: Straighten Up and Fly Right
Nr.TitelBewertungLänge
1Sweet Lorraine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-12-06)
Gitarre:
Oscar Moore (am 1940-12-06)
Klavier:
Nat King Cole (am 1940-12-06)
Kontrabass:
Wesley Prince (am 1940-12-06)
vocals:
Nat King Cole (am 1940-12-06)
cover recording of:
Sweet Lorraine (am 1940-12-06)
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
2:57
2Honeysuckle Rose
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-12-06)
Gitarre:
Oscar Moore (am 1940-12-06)
Klavier:
Nat King Cole (am 1940-12-06)
Kontrabass:
Wesley Prince (am 1940-12-06)
instrumental cover recording of:
Honeysuckle Rose (am 1940-12-06)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
2:33
3Scotchin’ With the Soda
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1941-03-14)
Gitarre:
Oscar Moore (am 1941-03-14)
Klavier:
Nat King Cole (am 1941-03-14)
Kontrabass:
Wesley Prince (am 1941-03-14)
vocals:
Nat King Cole (am 1941-03-14) und Oscar Moore (am 1941-03-14)
recording of:
Scotchin’ With the Soda (am 1941-03-14)
Verfasser(in):
W. Jack Riley
2:31
4Slow Down
3:09
5Early Morning Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1941-03-14)
2:43
6This Will Make You Laugh
Gitarre:
Oscar Moore (am 1941-07-16)
Klavier:
Nat King Cole (am 1941-07-16)
Kontrabass:
Wesley Prince (am 1941-07-16)
vocals:
Nat King Cole (am 1941-07-16)
recording of:
This Will Make You Laugh (am 1941-07-16)
Texter und Komponist(in):
Irene Higginbotham
3:17
7That Ain’t Right
recorded in:
New York, New York, Vereinigte Staaten (am 1941-10-22)
Bass und Kontrabass:
Wesley Prince (am 1941-10-22)
Gitarre:
Oscar Moore (am 1941-10-22)
Klavier:
Nat King Cole (am 1941-10-22)
vocals:
Nat King Cole (am 1941-10-22) und Oscar Moore (am 1941-10-22)
recording of:
That Ain't Right (am 1941-10-22)
Texter und Komponist(in):
Nat King Cole und Irving Mills
3:17
8Hit That Jive, Jack
recorded in:
New York, New York, Vereinigte Staaten (am 1941-10-22)
Gitarre:
Oscar Moore (am 1941-10-22)
Klavier:
Nat King Cole (am 1941-10-22)
Kontrabass:
Wesley Prince (am 1941-10-22)
vocals:
Nat King Cole (am 1941-10-22) und Oscar Moore (am 1941-10-22)
Interpret(in):
The Nat King Cole Trio (am 1941-10-22)
recording of:
Hit That Jive Jack (am 1941-10-22)
Verfasser(in):
John Alston und Skeets Tolbert
2:59
9Little Joe From Chicago
2:21
10All for You
Gitarre:
Oscar Moore (am 1942-10-11)
Klavier:
Nat King Cole (am 1942-10-11)
Kontrabass:
Red Callender (am 1942-10-11)
vocals:
Nat King Cole (am 1942-10-11)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-10-11)
recording of:
All for You (am 1942-10-11)
Texter und Komponist(in):
Robert Scherman
recording of:
All for You (in 1942)
Texter und Komponist(in):
Robert Scherman
3:25
11I’m Lost
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-03-01)
Gitarre:
Oscar Moore (am 1943-03-01)
Klavier:
Nat King Cole (am 1943-03-01)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-03-01)
vocals:
Nat King Cole (am 1943-03-01)
recording of:
I’m Lost (am 1943-03-01)
Verfasser(in):
Otis René
3:10
12F.S.T. (Fine, Sweet and Tasty)
3:05
13Got a Penny, Benny
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-02)
Gitarre:
Oscar Moore (am 1943-11-02)
Klavier:
Nat King Cole (am 1943-11-02)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-02)
vocals:
Nat King Cole (am 1943-11-02)
recording of:
Got a Penny (am 1943-11-02)
Verfasser(in):
Henry May und Robert Scherman
publisher:
St. James Music
2:35
14Straighten Up and Fly Right
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass und Kontrabass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30) und Oscar Moore (am 1943-11-30)
Interpret(in):
The Nat King Cole Trio (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
recording of:
Straighten Up and Fly Right (am 1943-11-30)
Verfasser(in):
Nat King Cole und Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30)
52:27
15Gee Baby, Ain’t I Good to You
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (am 1943-11-30)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:57
16Jumpin’ at Capitol
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass:
Red Callender (am 1943-11-30) und Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
recording of:
Jumpin’ at Capitol (am 1943-11-30)
Komponist(in):
Nadine Robinson
2:28
17If You Can’t Smile and Say Yes
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass:
Red Callender (am 1943-11-30) und Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30) und Oscar Moore (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
recording of:
If You Can’t Smile and Say Yes (am 1943-11-30)
Verfasser(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter) und Timmie Rogers
3:07
18Embraceable You
Gitarre:
Oscar Moore (am 1943-12-15)
Klavier:
Nat King Cole (am 1943-12-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15)
vocals:
Nat King Cole (am 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15) und Oscar Moore (am 1943-12-15)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-15)
instrumental cover recording of:
Embraceable You (am 1943-12-15)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:24
19It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
2:57
20I Can’t See for Lookin’
Gitarre:
Oscar Moore (am 1943-12-15)
Klavier:
Nat King Cole (am 1943-12-15)
Kontrabass:
Red Callender (am 1943-12-15) und Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15)
vocals:
Nat King Cole (am 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15) und Oscar Moore (am 1943-12-15)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-15)
recording of:
I Just Can’t See for Lookin’ (am 1943-12-15)
Verfasser(in):
Nadine Robinson und Dok Stanford
3:09
21The Man I Love
3:21
22Body and Soul
Gitarre:
Oscar Moore (am 1944-01-17)
Klavier:
Nat King Cole (am 1944-01-17)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1944-01-17)
vocals:
Nat King Cole (am 1944-01-17), Johnny Miller (part of the Nat King Cole Trio) (am 1944-01-17) und Oscar Moore (am 1944-01-17)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-01-17)
instrumental cover recording of:
Body and Soul (am 1944-01-17)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:21
23Prelude in C Sharp Minor
2:58
24What Is This Thing Called Love
2:59
25Easy Listening Blues
recording of:
Easy Listenin' Blues
Komponist(in):
Nadine Robinson (in 1944)
3:09
26I’m a Shy Guy
recording of:
I’m a Shy Guy
Texter und Komponist(in):
Nat King Cole
2:50
2▼CD: I’m an Errand Boy for Rhythm
Nr.TitelBewertungLänge
1Sweet Georgia Brown
Gitarre:
Oscar Moore (am 1945-05-23)
Klavier:
Nat King Cole (am 1945-05-23)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-05-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1945-05-23)
instrumental cover recording of:
Sweet Georgia Brown (am 1945-05-23)
Texter:
Kenneth Casey (in 1925)
Komponist(in):
Ben Bernie (in 1925) und Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. und Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:20
2(I Call My Papa) Fla‐Ga‐La‐Pa
recording of:
(I Call My Papa) Fla-Ga-La-Pa
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer), Marvin Fisher und C.L. Roberts
3:11
3It’s Better to Be by Yourself
recording of:
It’s Better to Be By Yourself
Texter und Komponist(in):
Nat King Cole
2:56
4Come on Baby, Do
recording of:
Come to Baby, Do
Verfasser(in):
Inez James und Sidney Miller (songwriter, director and actor)
3:06
5The Frim Fram Sauce
3:19
6I’m an Errand Boy for Rhythm
Gitarre:
Oscar Moore (am 1945-10-18)
Klavier:
Nat King Cole (am 1945-10-18)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-10-18)
vocals:
Nat King Cole (am 1945-10-18)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1945-10-18)
recording of:
I'm an Errand Boy for Rhythm (am 1945-10-18)
Texter und Komponist(in):
Nat King Cole
2:21
7This Way Out
3:04
8How Does It Feel
recording of:
How Does It Feel
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
2:57
9I’m in the Mood for Love
Gitarre:
Oscar Moore (am 1946-03-15)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
I’m in the Mood for Love (am 1946-03-15)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:13
10I Don’t Know Why (I Just Do)
Gitarre:
Oscar Moore (am 1946-03-15)
Klavier und Sologesang:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
cover recording of:
I Don’t Know Why (am 1946-03-15)
Texter:
Roy Turk (in 1931)
Komponist(in):
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. und Redwood Music
3:13
11Route 66
Gitarre:
Oscar Moore (am 1946-03-15)
Instrumente:
The Nat King Cole Trio (in 1946)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
Sologesang:
King Cole
vocals:
Nat King Cole (in 1946, am 1946-03-15)
Interpret(in):
The Nat King Cole Trio (am 1946-03-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (am 1946-03-15)
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
3:02
12Everyone Is Sayin’ Hello Again
Gitarre:
Oscar Moore (am 1946-03-15)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
Sologesang:
King Cole (am 1946-03-15)
vocals:
Nat King Cole (am 1946-03-15)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
Everyone Is Sayin’ Hello Again (Why Must We Say Goodbye?) (am 1946-03-15)
Verfasser(in):
Jerry Marlowe und Jack Segal (US songwriter)
2:41
13I’ve Got the World on a String
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:17
14Could Ja’
3:03
15Baby, Baby All the Time
recording of:
Baby Baby All the Time
Texter und Komponist(in):
Bobby Troup
3:02
16How High the Moon
recording of:
How High the Moon
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:00
17But She’s My Buddy’s Chick
recording of:
But She’s My Buddy’s Chick
Verfasser(in):
Charles Atkinson und Sy Oliver
3:08
18You Call It Madness
Gitarre:
Oscar Moore (am 1946-05-01)
Klavier:
Nat King Cole (am 1946-05-01)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-05-01)
vocals:
Nat King Cole (am 1946-05-01)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (am 1946-05-01)
Verfasser(in):
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad, Gladys DuBois und Paul Gregory (Songwriter)
Teil von:
Going Hollywood (1933 film)
3:05
19The Christmas Song
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire)
Texter:
Robert Wells (songwriter) (in 1945-07) und Mel Tormé (“The Velvet Fog”) (in 1945-07)
Komponist(in):
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. und Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (vom 1946 bis heute)
3:13
20The Best Man
3:08
21I Love You for Sentimental Reasons
Gitarre:
Oscar Moore (am 1946-08-22)
Klavier:
Nat King Cole (am 1946-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-08-22)
vocals:
Nat King Cole (am 1946-08-22)
Interpret(in):
The Nat King Cole Trio (am 1946-08-22)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (am 1946-08-22)
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
42:55
22In the Cool of the Evening
recording of:
In the Cool of the Evening
Komponist(in):
Nat King Cole
2:56
23Smoke Gets in Your Eyes
2:57
24You’re the Cream in My Coffee
2:29
25You Don’t Learn That in School
3:06
3▼CD: Nature Boy
Nr.TitelBewertungLänge
1Meet Me at No Special Place (And I’ll Be There at No Particular Time)
3:14
2Naughty Angeline
Gitarre:
Oscar Moore (am 1947-06-13)
Klavier:
Nat King Cole (am 1947-06-13)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-06-13)
vocals:
Nat King Cole (am 1947-06-13)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1947-06-13)
recording of:
Naughty Angeline (am 1947-06-13)
Verfasser(in):
Allan Roberts (songwriter) und Lester Lee
2:43
3That’s What
2:25
4When I Take My Sugar to Tea
Gitarre:
Oscar Moore (am 1947-08-06)
Klavier:
Nat King Cole (am 1947-08-06)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-08-06)
vocals:
Nat King Cole (am 1947-08-06)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1947-08-06)
recording of:
When I Take My Sugar to Tea (am 1947-08-06)
Komponist(in):
Pierre Norman Connor, Sammy Fain und Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:24
5What’ll I Do
3:05
6This Is My Night to Dream
recording of:
This Is My Night to Dream
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
2:24
7Makin’ Whoopee
cover recording of:
Makin’ Whoopee!
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
2:32
8There I’ve Said It Again
3:12
9I’ll String Along With You
recording of:
I’ll String Along With You
Texter:
Al Dubin (in 1934)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1934)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:14
10(It’s Easy to See) The Trouble With Me Is You
recording of:
(It’s Easy to See) The Trouble With Me Is You
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
2:25
11Too Marvelous for Words
2:34
12Cole Capers
recording of:
Cole Capers
Komponist(in):
Nat King Cole
publisher:
Chappell
1:56
13Blues in My Shower
recording of:
Blues in My Shower
Komponist(in):
Nat King Cole
publisher:
Chappell
2:54
14Kee‐Mo Ky‐Mo (The Magic Song)
2:23
15Save the Bones for Henry Jones
2:42
16Harmony
recording of:
Harmony
Verfasser(in):
Johnny Burke (American lyricist, 1908–1964) und Jimmy Van Heusen
2:58
17Nature Boy
Geige / Violine:
Harry Bluestone (am 1947-08-22)
Gitarre:
Oscar Moore (am 1947-08-22)
Klavier:
Nat King Cole (am 1947-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-08-22)
Rohrblattinstrumente:
Jules Kinsler (am 1947-08-22)
vocals:
Nat King Cole (am 1947-08-22)
Orchester:
Frank Devol and His Orchestra (am 1947-08-22)
conductor:
Frank De Vol (am 1947-08-22)
Interpret(in):
The Nat King Cole Trio (am 1947-08-22)
arranger:
Frank De Vol
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1947-08-22)
cover recording of:
Nature Boy (am 1947-08-22)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:40
18Lament in Chords
recording of:
Lament in Chords
Komponist(in):
Oscar Moore
2:59
19Those Things Money Can’t Buy
2:50
20Love Nest
recording of:
The Love Nest
Texter:
Otto Harbach
Komponist(in):
Louis A. Hirsch (composer, co-founder of ASCAP)
publisher:
Victoria Publishing Corp (am 1920-04-12)
2:37
21Dream a Little Dream of Me
recorded in:
New York, New York, Vereinigte Staaten (am 1947-10-28)
Gitarre:
Irving Ashby (am 1947-10-28)
Instrumente und Interpret(in):
The Nat King Cole Trio (am 1947-10-28)
Klavier:
Nat King Cole (am 1947-10-28)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-10-28)
vocals:
Nat King Cole (am 1947-10-28)
cover recording of:
Dream a Little Dream of Me (am 1947-10-28)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:52
22Then I’ll Be Tired of You
3:12
23Little Girl
recording of:
Little Girl (1931 song)
Verfasser(in):
Francis Henry (in 1931) und Madeline Hyde (in 1931)
2:26
24No Moon at All
recording of:
No Moon at All
Texter:
Redd Evans
Komponist(in):
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) und Rytvoc, Inc. (ASCAP)
2:59
25I Feel So Smoochie
recording of:
I Feel So Smoochie
Texter und Komponist(in):
Phil Moore (composer, jazz pianist and orchestra leader)
2:41
26You’ve Changed
3:06
27Confess
recording of:
Confess (1947 song)
Verfasser(in):
Bennie Benjamin und George David Weiss
2:59
4▶CD: Orange Colored Sky

Nennungen

Veröffentlichung

ASIN:UK: B00005RT8F [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000222993 [Info]