The Very Best of Pop Music 1989–90

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1I Don’t Want a Lover
recording of:
I Don’t Want a Lover
Texter und Komponist(in):
Johnny McElhone und Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas4:07
2I’ve Been Thinking About You
recording of:
I’ve Been Thinking About You
Verfasser(in):
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) und William Henshall (Londonbeat)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Londonbeat3:34
3Saviour’s Day
recording of:
Saviour’s Day
Texter und Komponist(in):
Chris Eaton (British pop/soul/CCM singer/songwriter)
publisher:
SGO Music Publishing Ltd.
Cliff Richard4:52
4Hold On
leitende(r) Produzent(in):
Charles Koppelman (American businessman and musician)
Produzent(in):
Glen Ballard
vocals:
Chynna Phillips, Carnie Wilson und Wendy Wilson
phonographisches Urheberrecht (℗) von:
SBK Records (in 1990)
recording of:
Hold On
Verfasser(in):
Glen Ballard, Chynna Phillips und Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) und Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips33:38
5Love Is Gonna Call
Sanne Salomonsen4:27
6She Drives Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:33
7Too Much
recording of:
Too Much
Texter und Komponist(in):
Luke Goss, Matt Goss und Nicky Graham
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Maximum Music Limited
Bros3:36
8The Power
Produzent(in):
Snap! (dance group; tracks: “The Power” & “Rhythm Is a Dancer”)
Samples:
Love 's Gonna Get You von Jocelyn Brown (Sologesang) und Pumper Piper Beats von Frankie Bones (US house/techno DJ) & Lenny Dee (US techno/hardtechno/hardcore producer & DJ) (Schlagzeug)
recording of:
The Power
Verfasser(in):
Benito Benites, Antoinette Colandero und John Garrett III
publisher:
Hanseatic Musikverlag GmbH (1964–2001), House of Fun Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Snap!3.25:42
9Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.83:55
10Road to Hell 1
recording of:
The Road to Hell, Part 1
Texter und Komponist(in):
Chris Rea
Teil von:
The Road to Hell
Chris Rea4:21
11Leave a Light OnBelinda Carlisle4:02
12Baby I Love Your Way
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 97)
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way / Freebird
Texter und Komponist(in):
Allen Collins, Peter Frampton und Ronnie Van Zant
publisher:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Medley von:
Baby, I Love Your Way
Medley von:
Free Bird
Will to Power44:05
13I Still Haven’t Found What I’m Looking For
Mix:
Manasseh (UK dub/reggae producer Nick Raphael) und Mr. Scruff (English DJ Andrew Carthy)
cover recording of:
I Still Haven’t Found What I’m Looking For
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. und The Edge (U2 guitarist David Evans)
publisher:
Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) und Blue Mountain Music Ltd. (in 1987)
Version von:
Desert of Our Love
The Chimes5:30
14Hangin’ Tough
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
recording of:
Hangin’ Tough
Texter und Komponist(in):
Maurice Starr
New Kids on the Block4:18
15U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:14
16Ride on Time
recording of:
Ride on Time
Verfasser(in):
Daniele Davoli, Dan Hartman, Mirko Limoni und Valerio Semplici (Black Box)
publisher:
Discomagic Records und Lombardoni Edizioni Musicali
quotes lyrics from:
Love Sensation
Black Box4:31
17Room in Your Heart
Produzent(in):
Living in a Box und Chris Porter (engineer and producer)
Mix:
Chris Porter (engineer and producer)
recording of:
Room in Your Heart
Verfasser(in):
Richard Darbyshire, Albert Hammond und Marcus Vere
publisher:
Chappell Music Ltd., Empire Music Ltd. und Windswept Pacific Music Ltd.
Living in a Box24:28
2CD
Nr.TitelKünstlerBewertungLänge
1Suicide Blonde
Programmierung:
Jon und Kirk
assistierende(r) Techniker(in):
Brendan Morley und Andy Strange
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Editing:
Tim Young (mastering engineer)
Bass und E-Bass [bass]:
Garry Gary Beers
E-Gitarre [guitar] und Gitarre:
Andrew Farriss (in band INXS), Tim Farriss und Kirk Pengilly
Keyboard [keyboards]:
Andrew Farriss (in band INXS) und Jon Farris
Saxophon und Hintergrundgesang [vocals]:
Kirk Pengilly
Schlagzeug [drums]:
Jon Farris
Schlagzeug und Keyboard [keyboards]:
Jon Farriss
Sologesang [vocals]:
Michael Hutchence
vocals:
Michael Hutchence und Kirk Pengilly
phonographisches Urheberrecht (℗) von:
INXS (in 1990)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1990)
aufgenommen bei:
Rhinoceros Studio 2 in Sydney, New South Wales, Australien und Rhinoceros Studio 2 in Sydney, New South Wales, Australien
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Suicide Blonde
Texter:
Michael Hutchence
Komponist(in):
Andrew Farriss (in band INXS)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Tol Muziek (in 1990)
INXS4.13:51
2Dub Be Good to Me
Produzent(in):
Norman Cook
vocals:
Lindy Layton
recording of:
Dub Be Good to Me
Komponist(in):
Norman Cook, James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Version von:
Just Be Good to Me
Beats International2.754:00
3I Drove All Night
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
I Drove All Night
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. und Warner Chappell Music Ltd.
Cyndi Lauper4.54:11
4Right Here Waiting
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:06
5Opposites Attract
Produzent(in):
Oliver Leiber
arranger:
Oliver Leiber
Teil von:
The Downloader’s Music Source Book (Nummer: 87)
recording of:
Opposites Attract
Texter und Komponist(in):
Oliver Leiber
Paula Abdul2.54:20
6Back to Life
Produzent(in) und Mix:
Nellee Hooper und Jazzie B
vocals:
Caron Wheeler (English singer, songwriter, and record producer)
phonographisches Urheberrecht (℗) von:
10 Records (in 1989)
recording of:
Back to Life
Verfasser(in):
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo und Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul4.53:45
7Lily Was Here
recording engineer:
Steve McLaughlin (British producer, engineer, musician and film producer)
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Mix:
Gary Bradshaw
Gast-Saxophon:
Candy Dulfer
Gitarre:
David A. Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1989) und Eligible Music Ltd. (in 1989)
recording of:
Lily Was Here
Komponist(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. und Eligible Music Ltd.
Dave Stewart & Candy Dulfer3.84:17
8Help
cover recording of:
Help!
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Unart Music Corp.
Bananarama2:58
9The Anniversary Waltz, Part 1Status Quo5:03
10Toy Soldiers
Schlagzeug [drum programming]-Programmierung:
Michael Jay (producer/engineer)
assistierende(r) Techniker(in):
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) und Karen Siegel (engineer)
Techniker(in) und Mix:
Michael McDonald (engineer)
Produzent(in):
Michael Jay (producer/engineer)
Gitarre:
Mark Leggett (Guitarist/composer in Los Angeles)
Keyboard [keyboards]:
Greg Smith (Producer/Keyboards)
sonstiger Gesang [The Toy Soldiers]:
Marlen Landin, Kimberly McCullough, Rahsaan Patterson, Rasha Patterson, Devyn Puett, Renee Sands, Stacy Ferguson (American singer) und Alitzah Wiener (American female actress\singer)
remixer:
Humberto Gatica
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) und Martika (American singer‐songwriter and actress)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
aufgenommen bei:
Trax Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988-04 bis 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Toy Soldiers von Martika (American singer‐songwriter and actress)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 67)
recording of:
Toy Soldiers
Verfasser(in):
Martika (American singer‐songwriter and actress) und Michael Jay (producer/engineer)
publisher:
Sony/ATV Harmony UK, Curley Top Music (in 1988), Ensign Music Corp. (in 1988), Famous Chappell (in 1988), Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1988) und Tika Tunes (publisher) (in 1988)
Martika44:47
11Kisses in the Wind
recording of:
Kisses on the Wind
Verfasser(in):
Neneh Cherry und Cameron McVey
Neneh Cherry3:58
12C’Mon and Get My Love
recording of:
C’mon and Get My Love
Texter und Komponist(in):
Danny Poku (British DJ, producer, remixer and A&R)
D Mob feat. Cathy Dennis3:53
13Elephant Stone
Techniker(in):
Paul Schroeder (UK rock/pop producer, engineer & remixer)
Produzent(in):
Peter Hook
Mix:
John Leckie
Bassgitarre:
Gary Mounfield
Gitarre:
John Squire
Schlagzeug und Hintergrundgesang:
Reni
vocals:
Ian Brown (UK singer, member of Stone Roses)
recording of:
Elephant Stone
Texter und Komponist(in):
Ian Brown (UK singer, member of Stone Roses) und John Squire
The Stone Roses4.353:04
14Sowing the Seeds of Love
recording of:
Sowing the Seeds of Love
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Curt Smith
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears5:06
15Poison
recording engineer:
Sir Arthur Payson (von 1988 bis 1989)
Synthesizer-Programmierung:
Steve Deutsch
assistierende(r) Techniker(in):
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber und Mark Tanzer
Produzent(in):
Desmond Child
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
Bassgitarre:
Hugh McDonald (bassist) (von 1988 bis 1989)
Gitarre:
John McCurry (von 1988 bis 1989)
Keyboard:
Alan St. John (von 1988 bis 1989)
Schlagzeug:
Bobby Chouinard (von 1988 bis 1989)
zusätzlich andere Instrumente [special effects]:
Gregg Mangiafico (von 1988 bis 1989)
zusätzlich Keyboard:
Paul Chiten (von 1988 bis 1989) und Gregg Mangiafico (von 1988 bis 1989)
Hintergrundgesang:
Alan St. John (von 1988 bis 1989), Michael Anthony (US bassist, formerly of Van Halen) (von 1988 bis 1989), Desmond Child (von 1988 bis 1989), Diana Grasselli (von 1988 bis 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (von 1988 bis 1989), Louie Merlino (von 1988 bis 1989), Hugh McDonald (bassist) (von 1988 bis 1989), Jamie Sever (von 1988 bis 1989), Bernie Shanahan (von 1988 bis 1989), Stiv Bator (von 1988 bis 1989), Tom Teeley (von 1988 bis 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (von 1988 bis 1989), Myriam Valle (von 1988 bis 1989) und Maria Vidal (American singer-songwriter) (von 1988 bis 1989)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (von 1988 bis 1989)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1988 bis 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Vereinigte Staaten (von 1988 bis 1989), Grog Kill Studio in Woodstock, New York, Vereinigte Staaten (von 1988 bis 1989), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1988 bis 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten (von 1988 bis 1989), The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989) und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989)
recording of:
Poison (von 1988 bis 1989)
Verfasser(in):
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) und John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, vom 1989 bis heute), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, vom 1989 bis ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1989 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:29
16Ice Ice Baby
recording of:
Ice Ice Baby
Texter:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) und Vanilla Ice
Komponist(in):
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) und Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. und Sony/ATV Songs LLC
basiert auf:
Under Pressure
Vanilla Ice5:02
17Girl I’m Gonna Miss You
recording of:
Girl I’m Gonna Miss You
Verfasser(in):
Frank Farian, Dietmar Kawohl und Peter Bishoph
publisher:
FAR Music (publisher for Frank Farian)
Milli Vanilli5:06

Nennungen

Veröffentlichung

Teil von:The Very Best of Pop Music (Reihenfolge: 15)
Discogs:https://www.discogs.com/release/1527107 [Info]