The Pablo Years

~ Release by Ella Fitzgerald (see all versions of this release, 1 available)

Tracklist

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1▼CD: Ella Fitzgerald With The Tommy Flanagan Trio Montreux ’77
#TitleRatingLength
1Too Close for Comfort
cover recording of:
Too Close for Comfort (Mr. Wonderful)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
3:27
2I Ain’t Got Nothing but the Blues
cover recording of:
I Ain’t Got Nothin’ but the Blues
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music and Tempo Music Co.
4:07
3My Man
cover recording of:
My Man (Mon homme) (Channing Pollock lyrics)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
3:48
4Come Rain or Come Shine
cover recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
2:30
5Day by Day
cover recording of:
Day by Day
lyricist:
Sammy Cahn
composer:
Axel Stordahl and Paul Weston
publisher:
Barton Music Corp. and Hanover Music Corp.
1:46
6Ordinary Fool
cover recording of:
Ordinary Fool (Bugsy Malone)
lyricist and composer:
Paul Williams (US songwriter/soft rock vocalist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hobbitron Enterprises inc. and Sunset Squid Music (ASCAP)
sub-publisher:
Rondor Music (France), Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ユニバーサル・ミュージック・パブリッシング合同会社 (work publisher – do NOT use as a release label), ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
Bugsy Malone
3:20
7One Note Samba
cover recording of:
One Note Samba
lyricist:
Jon Hendricks and Newton Mendonça
composer:
Antônio Carlos Jobim and Newton Mendonça
translator:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Samba de uma nota só
part of:
The Real Book (compilation of jazz standards, volume I)
6:26
8I Let a Song Go Out of My Heart
cover recording of:
I Let a Song Go Out of My Heart
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, volume I)
4:31
9Billie’s Bounce
cover recording of:
Billie’s Bounce
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
4:49
2▼CD: Digital III At Montreux
#TitleRatingLength
1You Are the Sunshine of My Life
cover recording of:
You Are the Sunshine of My Life
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
part of:
The Real Book (compilation of jazz standards, volume I)
3:53
2I Can’t Get Started
cover recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:39
3Good Mileage
7:00
4(I Don’t Stand a) Ghost of a Chance (with You)
recording of:
(I Don’t Stand) A Ghost of a Chance
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
3:19
5Flying Home
cover recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
7:52
6I Cover the Waterfront
3:34
7Lil’ Darlin’
recording of:
Lil’ Darlin’
composer and arranger:
Neal Hefti
4:30
8In Your Own Sweet Way
6:51
9Oleo
4:10
3▼CD: The Stockholm Concert 1966
#TitleRatingLength
1Imagine My Frustration
recording of:
Imagine My Frustration
lyricist:
Billy Strayhorn (in 1965)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1965), Billy Strayhorn (in 1965) and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger) (in 1965)
4:43
2Duke’s Place
recording of:
Duke’s Place
lyricist:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
“C” Jam Blues
4:53
3Satin Doll
cover recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
2:53
4Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
lyricist and composer:
Billy Strayhorn
4:44
5Wives and Lovers
cover recording of:
Wives and Lovers
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
2:13
6So Danco Samba
3:45
7Let’s Do It
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
4:23
8Lover Man
cover recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
4:21
9Cottontail
cover recording of:
Cotton Tail
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:54
4▼CD: Take Love Easy
#TitleRatingLength
1Take Love Easy
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
Take Love Easy
lyricist:
John Latouche
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:32
2Once Loved
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
Once I Loved
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Ray Gilbert
publisher:
Corcovado Music Corp. and Ipanema Music Corp.
translated version of:
O amor em paz
2:15
3Don’t Be That Way
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
Don’t Be That Way
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
4:38
4You’re Blase
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
You’re Blasé
lyricist:
Bruce Sievier
composer:
Ord Hamilton
3:24
5Lush Life
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
Lush Life
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, volume I)
3:29
6A Foggy Day
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
36:05
7Gee Baby, Ain’t I Good to You
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
Gee, Baby Ain’t I Good to You
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
4:00
8You Go to My Head
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
5:40
9I Want to Talk About You
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
cover recording of:
I Want to Talk About You
lyricist and composer:
Billy Eckstine
publisher:
Belinda Scandinavia AB
3:25
5▼CD: Ella In London
#TitleRatingLength
1Sweet Georgia Brown
cover recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3:15
2They Can’t Take That Away From Me
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
5:11
3Everytime We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:57
4The Man I Love
cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
8:10
5It Don’t Mean a Thing (If It Ain’t Got That Swing)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
7:25
6You’ve Got a Friend
cover recording of:
You’ve Got a Friend
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
6:45
7Lemon Drop
instrumental cover recording of:
Lemon Drop
composer:
George Wallington
3:50
8The Very Thought of You
cover recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
4:12
9Happy Blues
6:00
6▼CD: At The Montreux Jazz Festival 1975
#TitleRatingLength
1Caravan
cover recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
2:20
2Satin Doll
cover recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
2:37
3Teach Me Tonight
cover recording of:
Teach Me Tonight
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
4:27
4Wave
cover recording of:
Wave (English lyrics)
lyricist and composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
version of:
Wave (original instrumental)
5:02
5It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
2:49
6Let’s Do It
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
5:29
7How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:20
8The Girl From Ipanema
cover recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, volume I)
6:49
9T’Aint Nobody’s Bizness
cover recording of:
T’ain’t Nobody’s Bizness If I Do
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
5:42
7▼CD: Ella And Oscar
#TitleRatingLength
1Mean to Me
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-05-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1975-05-19)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1975-05-19)
cover recording of:
Mean to Me (on 1975-05-19)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
3:25
2How Long Has This Been Going On
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-05-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1975-05-19)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1975-05-19)
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1975-05-19)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
4:48
3When Your Lover Has Gone
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-05-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1975-05-19)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1975-05-19)
cover recording of:
When Your Lover Has Gone (on 1975-05-19)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
4:54
4More Than You Ever Know
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-05-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1975-05-19)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1975-05-19)
recording of:
More Than You Know (on 1975-05-19)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
4:32
5There’s a Lull in My Life
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-05-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1975-05-19)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1975-05-19)
cover recording of:
There’s a Lull in My Life (on 1975-05-19)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
4:55
6Midnight Sun
double bass:
Ray Brown (jazz bassist) (on 1975-05-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-05-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1975-05-19)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1975-05-19)
cover recording of:
Midnight Sun (on 1975-05-19)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
3:37
7I Hear Music
double bass:
Ray Brown (jazz bassist) (on 1975-05-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-05-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1975-05-19)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1975-05-19)
cover recording of:
I Hear Music (Dancing on a Dime) (on 1975-05-19)
lyricist:
Frank Loesser
composer:
Burton Lane
5:06
8Street of Dreams
double bass:
Ray Brown (jazz bassist) (on 1975-05-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-05-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1975-05-19)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1975-05-19)
cover recording of:
Street of Dreams (on 1975-05-19)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
4:03
9April in Paris
double bass:
Ray Brown (jazz bassist) (on 1975-05-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1975-05-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1975-05-19)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1975-05-19)
cover recording of:
April in Paris (on 1975-05-19)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
8:35
8▼CD: Fitzgerald & Pass…Again
#TitleRatingLength
1I Ain’t Got Nothing but the Blues
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
I Ain’t Got Nothin’ but the Blues
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music and Tempo Music Co.
4:04
2’Tis Autumn
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
5:05
3My Old Flame
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:49
4That Old Feeling
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
That Old Feeling
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
2:45
5Rain
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
2:22
6I Didn’t Know About You
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
I Didn’t Know About You
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
is based on:
Sentimental Lady
4:41
7You Took Advantage of Me
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
You Took Advantage of Me
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:35
8I’ve Got the World on a String
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:07
9All Too Soon
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
All Too Soon
lyricist:
Carl Sigman (in 1940)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
4:24
10The One I Love (Belongs to Somebody Else)
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
The One I Love (Belongs to Somebody Else)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild and Milton Weil Music Co. (on 1924-01-07)
4:02
11Solitude
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
3:43
12Nature Boy
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
Nature Boy
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:24
13Tennessee Waltz
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
Tennessee Waltz
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
3:42
14One Note Samba
guitar:
Joe Pass (jazz guitarist)
vocals:
Ella Fitzgerald (American jazz singer)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
cover recording of:
One Note Samba
lyricist:
Jon Hendricks and Newton Mendonça
composer:
Antônio Carlos Jobim and Newton Mendonça
translator:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Samba de uma nota só
part of:
The Real Book (compilation of jazz standards, volume I)
5:00
9▼CD: Ella Fitzgerald & Cole Porter “Dream Dancing”
#TitleRatingLength
1Dream Dancing
bass trombone:
Christopher Riddle (on 1978-02-13)
clarinet:
Mahlon Clark (on 1978-02-13) and William Green (woodwind) (on 1978-02-13)
drums (drum set):
Louie Bellson (on 1978-02-13)
flute:
Harry Klee (on 1978-02-13) and Wilbur Schwartz (on 1978-02-13)
guitar:
Ralph Grasso (on 1978-02-13) and John Heard (on 1978-02-13)
oboe:
Norman Benno (on 1978-02-13) and Gordon Schoneberg (on 1978-02-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1978-02-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1978-02-13), Dick Noel (trombone) (on 1978-02-13) and Bill Watrous (on 1978-02-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1978-02-13), Carroll Lewis (trumpeter) (on 1978-02-13), Shorty Sherock (on 1978-02-13) and Charles Turner (US jazz trumpeter) (on 1978-02-13)
tuba:
Don Chrislieb (on 1978-02-13) and Robert Tricarico (on 1978-02-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1978-02-13)
conductor:
Nelson Riddle (on 1978-02-13)
arranger:
Nelson Riddle
recording of:
Dream Dancing (from “You’ll Never Get Rich”) (on 1978-02-13)
lyricist and composer:
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co., Inc. (USA)
3:59
2I’ve Got You Under My Skin
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
I’ve Got You Under My Skin (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
3:14
3I Concentrate on You
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
I Concentrate on You (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
4:01
4My Heart Belongs to Daddy
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
My Heart Belongs to Daddy (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:30
5Love for Sale
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
Love for Sale (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
4:32
6So Near and Yet So Far
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”) (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1941)
2:17
7Down in the Depths
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1936)
3:36
8After You
bass trombone:
Christopher Riddle (on 1978-02-13)
clarinet:
Mahlon Clark (on 1978-02-13) and William Green (woodwind) (on 1978-02-13)
drums (drum set):
Louie Bellson (on 1978-02-13)
flute:
Harry Klee (on 1978-02-13) and Wilbur Schwartz (on 1978-02-13)
guitar:
Ralph Grasso (on 1978-02-13) and John Heard (on 1978-02-13)
oboe:
Norman Benno (on 1978-02-13) and Gordon Schoneberg (on 1978-02-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1978-02-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1978-02-13), Dick Noel (trombone) (on 1978-02-13) and Bill Watrous (on 1978-02-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1978-02-13), Carroll Lewis (trumpeter) (on 1978-02-13), Shorty Sherock (on 1978-02-13) and Charles Turner (US jazz trumpeter) (on 1978-02-13)
tuba:
Don Chrislieb (on 1978-02-13) and Robert Tricarico (on 1978-02-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1978-02-13)
conductor:
Nelson Riddle (on 1978-02-13)
arranger:
Nelson Riddle
recording of:
After You (on 1978-02-13)
lyricist and composer:
Cole Porter (composer)
publisher:
Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
3:11
9Just One of Those Things
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
Just One of Those Things (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:43
10I Get a Kick Out of You
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
I Get a Kick Out of You (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:18
11All of You
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
All of You (Silk Stockings musical) (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
2:14
12Anything Goes
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
Anything Goes (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
2:48
13At Long Last Love
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
At Long Last Love (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
2:23
14C’est magnifique
recording engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
Christopher Riddle (on 1972-06-13)
clarinet:
Mahlon Clark (on 1972-06-13) and William Green (woodwind) (on 1972-06-13)
double bass:
John Heard (on 1972-06-13)
drums (drum set):
Louie Bellson (on 1972-06-13)
flute:
Harry Klee (on 1972-06-13) and Wilbur Schwartz (on 1972-06-13)
guitar:
Ralph Grasso (on 1972-06-13)
oboe:
Norman Benno (on 1972-06-13) and Gordon Schoneberg (on 1972-06-13)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1972-06-13)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1972-06-13), Dick Noel (trombone) (on 1972-06-13) and Bill Watrous (on 1972-06-13)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1972-06-13), Carroll Lewis (trumpeter) (on 1972-06-13), Shorty Sherock (on 1972-06-13) and Charles Turner (US jazz trumpeter) (on 1972-06-13)
tuba:
Don Chrislieb (on 1972-06-13) and Robert Tricarico (on 1972-06-13)
vocals:
Ella Fitzgerald (American jazz singer) (on 1972-06-13)
conductor:
Nelson Riddle (on 1972-06-13)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Salle Records
recorded at:
MGM Recording Studios (Los Angeles) in Los Angeles, California, United States (on 1972-06-13)
cover recording of:
C’est magnifique (Can-Can [Pistache, Judge Aristide Forestier]) (on 1972-06-13)
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can (1960 musical film)
2:28
10▶CD: Lady Time – Ella with Jackie Davis and Louie Bellson
11▶CD: Fine And Mellow
12▶CD: Ella Fitzgerald & Joe Pass “Speak Love”
13▶CD: Ella Fitzgerald And Joe Pass “Easy Living”
14▶CD: All That Jazz
15▶CD: Ella Fitzgerald & Count Basie “A Perfect Match”
16▶CD: Ella Fitzgerald Sings – Count Basie Plays “A Classy Pair”
17▶CD: The Best Is Yet To Come
18▶CD: Ella Fitzgerald And André Previn “Nice Work If You Can Get It”
19▶CD: Ella Abraca Jobim
20▶CD: Ella À Nice