Alive in the 90’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Hold On
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
additional guitar:
Joe Walsh (Eagles/James Gang)
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa (Brazilian percussionist)
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 312)
recording of:
Hold On
writer:
Glen Ballard, Chynna Phillips and Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips4.54:25
2I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:47
3Summertime
producer:
Hula & Fingers
mixer:
D.J. Jazzy Jeff (DJ/turntablist) and Def Geoff Hunt
background vocals arranger:
LaVette
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1991)
samples:
Summer Madness by Kool & the Gang
recording of:
Summertime
lyricist:
Will Smith (US actor aka The Fresh Prince)
writer:
Hula & K. Fingers
composer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lamar Hula Mahone, Robert Spike Mickens, Craig Simpkins, Claydes Smith, Will Smith (US actor aka The Fresh Prince), Alton Taylor, Dennis “D.T.” Thomas (Kool & The Gang) and Ricky West (Kool & The Gang member)
is based on:
Summer Madness
DJ Jazzy Jeff & the Fresh Prince4.454:33
4How Do You Talk to an Angel
recording of:
How Do You Talk to an Angel?
writer:
Barry Coffing, Stephanie Tyrell and Steve Tyrell (American producer and vocalist)
The Heights3:47
5Biological Didn’t Bother
Shaquille O’Neal5:10
6Would I Lie to You?
performer:
Charles & Eddie
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recording of:
Would I Lie to You?
writer:
Michael Leeson and Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L and BMG VM Music Ltd. (from 2013-05-16 to present)
Charles & Eddie4.254:40
7Tennessee
additional engineer:
Tom Held and Richard Wells (engineer)
engineer:
Alvin Speights
executive producer:
Michael T. Mauldin (record executive)
producer and mixer:
Speech (US rapper & musician)
additional vocals and guest performer:
Dionne Farris
arranger:
Arrested Development
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1992)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Tennessee
lyricist:
Speech (US rapper & musician)
composer:
Arrested Development
Arrested Development4.254:35
8I’m Too Sexy
programming and producer:
Tommy D.
engineer:
Graham Bonnett (Sound Engineer)
bass guitar:
Phil Spalding
guitar:
Robert Manzoli
lead vocals:
Richard Fairbrass
arranger:
Tommy D.
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom
mixed at:
Joe's Garage (Bristol) in Bristol, England, United Kingdom and Red Bus Studios in London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 475)
recording of:
I’m Too Sexy
writer:
Fred Fairbrass, Richard Fairbrass and Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:53
9U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:18
10Ice, Ice Baby
producer:
Vanilla Ice
vocals:
Vanilla Ice
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1990) and SBK Records (in 1990)
samples:
Under Pressure by Queen (UK rock group) & David Bowie (English singer‐songwriter)
music videos:
Ice Ice Baby by Vanilla Ice
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 49)
recording of:
Ice Ice Baby
lyricist:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) and Vanilla Ice
composer:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) and Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. and Sony/ATV Songs LLC
is based on:
Under Pressure
Vanilla Ice4.254:29
2▼CD
#TitleArtistRatingLength
1The Power
producer:
Snap! (dance group; tracks: “The Power” & “Rhythm Is a Dancer”)
phonographic copyright (℗) by:
Anzilotti & Münzing (in 1990) and BMG Ariola München GmbH (in 1990)
recording of:
The Power
writer:
Benito Benites, Antoinette Colandero and John Garrett III
publisher:
Hanseatic Musikverlag GmbH (1964–2001), House of Fun Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Snap!43:41
2Kiss Me Deadly
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
phonographic copyright (℗) by:
BMG Entertainment (in 1988) and Dreamland Records (in 1988)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 33) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 76)
recording of:
Kiss Me Deadly (in 1987)
lyricist and composer:
Mick Smiley
publisher:
Mike Chapman Publishing Enterprises, The Makiki Publishing Co. Ltd., The Twin Towers Co. and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lita Ford3.654:02
3Love Will Lead You Back
recording of:
Love Will Lead You Back
writer:
Diane Warren (US songwriter)
Taylor Dayne4:27
4I’m Gonna Get You
guest performer:
Angie Brown
recording of:
I'm Gonna Get You
writer:
Meecham, Meredith, Toni C and Turner
publisher:
House Of Fun Music Inc. and Schnozza Music
Bizarre Inc.5:21
5Gonna Make You Sweat (Everybody Dance Now)
assistant producer:
Ricky Crespo and Alan Friedman
producer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
additional drums (drum set):
Alan Friedman
drums (drum set) and percussion:
Robert Clivillés (record producer, songwriter, arranger, music video director)
keyboard:
Ricky Crespo and Dave Cole (US musician/producer, member of C+C Music Factory)
vocals:
Martha Wash and Freedom Williams
keyboard arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
part of:
Cachitos Nochevieja 2022 (number: 116) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 402)
recording of:
Gonna Make You Sweat (Everybody Dance Now)
writer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and Frederick B. Williams (UK dance vocalist aka Freedom Williams)
publisher:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (from 1990 to ????) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (from 1990 to ????)
C+C Music Factory4.154:06
6I’ve Been Thinking About You
producer and mixer:
Martyn Phillips (producer, engineer, multi-instrumentalist)
bass guitar:
William Henshall (Londonbeat)
electric guitar:
John Turnbull
piano and synthesizer:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat)
background vocals:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), William Henshall (Londonbeat) and John Turnbull
lead vocals:
Jimmy Helms (soul singer)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1990)
recording of:
I’ve Been Thinking About You
writer:
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) and William Henshall (Londonbeat)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Londonbeat43:50
7Damn I Wish I Was Your Lover
mixer:
David Leonard (US producer and engineer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recording of:
Damn I Wish I Was Your Lover
lyricist and composer:
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Broken Plate Music Inc. (in 1992) and The Night Rainbow Music (publisher) (in 1992)
Sophie B. Hawkins4.755:24
8Pump Up the Jam
producer:
Jo Bogaert (Belgian producer)
vocals:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
performer:
Felly (Felly Kilingi, “frontwoman” for Technotronic in the early ’90s)
phonographic copyright (℗) by:
ARS Productions Benelux (in 1989)
recording of:
Pump Up the Jam
lyricist:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
composer:
Patrick de Meyer (Belgian electronic music producer) and Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
is based on:
Technotronic
Technotronic3.653:37
9Love of a Lifetime
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990)
recording of:
Love of a Lifetime
writer:
Bill Leverty and CJ Snare (frontman of American glam metal band FireHouse)
FireHouse54:49
10I Saw Red
Warrant3:47
3▼CD
#TitleArtistRatingLength
1Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:32
2Life Is a Highway
engineer and mixer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
producer:
Tom Cochrane (of Red Rider) (task: pre-production), Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) and John Webster (Canadian keyboardist) (task: pre-production)
bass guitar [bass]:
Spider Sinneave
drums (drum set) [drums]:
Mickey Curry
electric guitar and harmonica:
Tom Cochrane (of Red Rider)
organ and percussion:
John Webster (Canadian keyboardist)
background vocals:
Tom Cochrane (of Red Rider), John Cody (Canadian-born singer/songwriter/producer) and Molly Johnson (Canadian jazz chanteuse)
vocals:
Tom Cochrane (of Red Rider)
drums (drum set) [drums] arranger:
John Webster (Canadian keyboardist)
arranger:
Tom Cochrane (of Red Rider)
recording of:
Life Is a Highway
lyricist and composer:
Tom Cochrane (of Red Rider)
publisher:
PW Arrangements and Universal Music Publishing Canada
Tom Cochrane54:28
3Wonderful
producer:
David Tickle
bass guitar:
Bruce Witkin
drums (drum set):
Dave Ruffy
guitar:
Boz Boorer and Marco Pirroni (British musician and producer)
vocals:
Adam Ant (English new wave singer and actor)
music videos:
Wonderful by Adam Ant (English new wave singer and actor)
part of:
The Downloader’s Music Source Book (number: 152)
recording of:
Wonderful
writer:
Adam Ant (English new wave singer and actor), Bonnie Hayes and Marco Pirroni (British musician and producer)
Adam Ant3.354:24
4Creep
engineer, producer and mixer:
Paul Q. Kolderie and Sean Slade
bass guitar:
Colin Greenwood (English bassist in Radiohead) (from 1992-09 until 1992-11)
drums (drum set):
Philip Selway (drummer in Radiohead) (from 1992-09 until 1992-11)
guitar:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
guitar, organ and piano:
Jonny Greenwood (English musician and score composer) (from 1992-09 until 1992-11)
vocals:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (from 1992-09 until 1992-11)
mixed at:
Fort Apache in Cambridge, Massachusetts, United States
music videos:
Creep by Radiohead
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 26), Indie 88: Top 500 Indie Rock Songs (number: 28), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 118)
recording of:
Creep (from 1992-09 until 1992-11)
lyricist:
Thom Yorke
composer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Albert Hammond, Mike Hazlewood, Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
EMI April Music Inc., Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
is based on:
The Air That I Breathe
Radiohead4.353:58
5Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:49
6Right Here Right Now
engineer and producer:
Martyn Phillips (producer, engineer, multi-instrumentalist)
mixer:
John Fryer (British producer and engineer)
music videos:
Right Here, Right Now by Jesus Jones
recording of:
Right Here, Right Now
lyricist and composer:
Mike Edwards (UK guitar/keyboards for Jesus Jones)
publisher:
EMI Blackwood Music Inc.
Jesus Jones4.43:11
7High Enough
recording of:
High Enough
writer:
Jack Blades (of Night Ranger), Ted Nugent and Tommy Shaw (of Styx)
Damn Yankees4:20
8Mr. Wendal
additional engineer:
Tom Held and Richard Wells (engineer)
engineer:
Alvin Speights
executive producer:
Michael T. Mauldin (record executive)
producer and mixer:
Speech (US rapper & musician)
arranger:
Arrested Development
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1992)
recording of:
Mr. Wendal
lyricist:
Speech (US rapper & musician)
composer:
Arrested Development
Arrested Development3.84:10
9More Than Words Can Say
part of:
The Downloader’s Music Source Book (number: 341)
recording of:
More Than Words Can Say (from 1989 until 1990)
writer:
Freddy Curci and Steve DeMarchi
publisher:
Could Be Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Alias53:53
10You’re in Love
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
bass:
Jimmy Johnson (US session bassist) and Abraham Laboriel
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa (Brazilian percussionist)
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990) and SBK Records (in 1990)
recording of:
You’re in Love
writer:
Glen Ballard, Chynna Phillips, Carnie Wilson and Wendy Wilson
publisher:
Aerostation Corporation, EMI Blackwood Music Inc., Get Out Songs, Smooshie Music, Wendihaus Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1990 until 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 1990 until 2003) and Universal Music Corp. (USA, affiliated with ASCAP) (from 2003 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Wilson Phillips3.654:50

Credits

Release

ASIN:US: B00000I8NM [info]