| # | Title | Artist | Rating | Length |
|---|
| 1 | Cheap Wine | Cold Chisel | 3 | 3:26 |
| 2 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:32 |
| 3 | White Wedding Pt 1- assistant engineer:
- Steve Bates
- engineer:
- Brian Reeves
- producer:
- Keith Forsey
- bass guitar:
- Phil Feit
- drums (drum set):
- Steve Missal
- guitar:
- Billy Idol and Steve Stevens
- lead vocals:
- Billy Idol
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records (in 1982), Capitol Records, Inc. (in 1982), Capitol Records, LLC (in 1982) and Chrysalis Records, Inc. (in 1982, in 2002)
- recorded at and mixed at:
- Westlake Audio in Los Angeles, California, United States
- music videos:
- White Wedding, Pt. 1 by Billy Idol
- recording of:
- White Wedding
- lyricist and composer:
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music , Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Copyright Control and Rare Blue Music Inc
| Billy Idol | 4.8 | 4:14 |
| 4 | Me Myself I | Joan Armatrading | 3.65 | 3:18 |
| 5 | All Night Long (All Night) | Lionel Richie | 3.4 | 4:21 |
| 6 | The Lady In Red | Chris de Burgh | 3.35 | 4:17 |
| 7 | Up Where We Belong | Joe Cocker feat. Jennifer Warnes | 3.55 | 3:55 |
| 8 | Better Be Home Soon | Crowded House | 3.5 | 3:09 |
| 9 | Flashdance... What A Feeling- producer:
- Giorgio Moroder
- vocals:
- Irene Cara
- phonographic copyright (℗) by:
- Polygram Records, Inc. (New York) (in 1983), Unidisc Music Inc. (in 1983) and Universal Music TV (in 1995)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (number: 492)
- recording of:
- Flashdance… What a Feeling
- lyricist:
- Irene Cara and Keith Forsey
- composer:
- Giorgio Moroder
- publisher:
- Alcor Music , Carasmatic Music, Carub Music , Chappell Music Ltd., Famous Music Corporation , GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. , Sony/ATV Harmony and WB Music Corp.
- part of:
- The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
| Irene Cara | 3.65 | 3:53 |
| 10 | Our Lips Are Sealed- additional assistant recording engineer:
- James Ball, Eric Kortee and Darroll Gustamachio
- assistant recording engineer:
- Ted Blechta and John Terelle
- recording engineer and mixer:
- Rob Freeman
- producer:
- Rob Freeman and Richard Gottehrer
- assistant mixer:
- Gray Russell
- bass guitar and guitar:
- Kathy Valentine
- drums (drum set) and percussion:
- Gina Schock
- guitar [lead guitar] and keyboard:
- Charlotte Caffey
- guitar [rhythm guitar]:
- Jane Wiedlin
- lead vocals:
- Belinda Carlisle
- vocals:
- Charlotte Caffey and Jane Wiedlin
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1981) and I.R.S., Inc. (in 1981)
- additionally recorded at:
- Sound Mixers Studio in New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recorded at:
- Pennylane Studios in New York, New York, United States
- mixed at:
- Sound Mixers Studio in New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 25), Billboard: The 500 Best Pop Songs (number: 317) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 477)
- recording of:
- Our Lips Are Sealed
- writer:
- Go‐Go’s , Terence Edward Hall and Jane Wiedlin
- publisher:
- Copyright Control , Gotown Music and Plangent Visions Music
| The Go-Go's | 4.5 | 2:46 |
| 11 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989), The David Geffen Company (in 1989), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 4:02 |
| 12 | Real Wild Child (Wild One)- drum machine [Linn drum] programming:
- David Richards (from 1986-04 until 1986-05)
- engineer:
- David Richards
- producer and mixer:
- David Bowie and David Richards
- bass, drums (drum set), organ, sampler [Akai S900], synthesizer [Yamaha DX7] and violin:
- Erdal Kızılçay (from 1986-04 until 1986-05)
- guitar:
- Kevin Armstrong (from 1986-04 until 1986-05) and Steve Jones (from 1986-04 until 1986-05)
- background vocals:
- Kevin Armstrong (from 1986-04 until 1986-05), David Bowie (from 1986-04 until 1986-05) and Erdal Kızılçay (from 1986-04 until 1986-05)
- lead vocals:
- Iggy Pop (from 1986-04 until 1986-05)
- phonographic copyright (℗) by:
- A&M Records (in 1986)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud , Switzerland (from 1986-04 until 1986-05)
- cover recording of:
- Wild One (from 1986-04 until 1986-05)
- writer:
- Johnny Greenan, Johnny O’Keefe and Dave Owens
- publisher:
- Melodie der Welt , MPL Communications Inc. , Peermusic (Germany) GmbH, Peermusic (UK) Limited and Southern Music
| Iggy Pop | 3.85 | 3:36 |
| 13 | Boys Light Up | Australian Crawl | 3 | 4:41 |
| 14 | Pleasure And Pain | Divinyls | 3.35 | 3:49 |
| 15 | (I Just) Died In Your Arms | Cutting Crew | 4.1 | 4:33 |
| 16 | The Winner Takes It All- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Mike Watson (on 1980-06-06)
- cello:
- Olle Gustafsson (on 1980-06-16) and Åke Olofsson (on 1980-06-16)
- drums (drum set):
- Ola Brunkert (on 1980-06-06)
- guitar:
- Lasse Wellander (on 1980-06-06)
- keyboard and synthesizer:
- Benny Andersson (on 1980-06-06)
- percussion:
- Åke Sundqvist (on 1980-06-06)
- viola:
- Nils Heie (on 1980-06-16), Håkan Roos (on 1980-06-16) and Bo Söderström (on 1980-06-16)
- violin:
- Martin Bylund (on 1980-06-16), Anders Dahl (on 1980-06-16), Lars Stegenberg (on 1980-06-16), Gunnar Michols (on 1980-06-16), Bernt Nylund (on 1980-06-16), Bertil Orsin (on 1980-06-16), Sixten Strömvall (on 1980-06-16) and Harry Teike (on 1980-06-16)
- background vocals:
- Frida (on 1980-06-06)
- lead vocals:
- Agnetha Fältskog (on 1980-06-06)
- cello, viola and violin arranger:
- Rutger Gunnarsson (in 1980)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-06, on 1980-06-16)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-18)
- part of:
- The Downloader’s Music Source Book (number: 66)
- recording of:
- The Winner Takes It All (in 1980-06)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- EMI Music Publishing (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB , Universal PolyGram International Publishing, Inc. , Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
- part of:
- Mamma Mia!
| ABBA | 3.9 | 4:58 |
| 17 | Dance Hall Days | Wang Chung | 3.2 | 3:56 |
| 18 | I Got You Babe | UB40 feat. Chrissie Hynde | 2.75 | 3:08 |
| 19 | Love Is A Battlefield | Pat Benatar | | 5:16 |
| 20 | I Think We're Alone Now | Tiffany | 3.8 | 3:47 |
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