Just the Hits: 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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#TitoloArtistaValutazioneDurata
1Cheap Wine
tecnico:
Mark Opitz e Neil Rawle
produttore:
Cold Chisel
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
pianoforte :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
voce:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) e Ian Moss
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1999) e Cold Chisel Pty Ltd (nel 2011)
registrazione di:
Cheap Wine
paroliere e compositore:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor e Rondor Music (Australia) Pty Ltd
Cold Chisel33:26
2Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:32
3White Wedding Pt 1
assistente tecnico:
Steve Bates (engineer)
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
batteria :
Steve Missal
chitarra :
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
chitarra basso :
Phil Feit
voce principale:
Billy Idol (English rock singer‐songwriter)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982, nel 2002)
registrata presso e mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
registrazione di:
White Wedding
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol4.84:14
4Me Myself I
assistente tecnico:
Gregg Caruso
tecnico:
Thom Panunzio
produttore:
Richard Gottehrer (American songwriter and music executive)
basso :
Marcus Miller (jazz musician) (nel 1980-03)
batteria :
Anton Fig (nel 1980-03)
chitarra :
Hiram Bullock (nel 1980-03) e Chris Spedding (nel 1980-03)
organo :
Danny Federici (nel 1980-03)
pianoforte :
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (nel 1980-03)
sassofono :
Clarence Clemons (nel 1980-03)
voce:
Joan Armatrading (nel 1980-03)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1980)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1980-03)
registrazione di:
Me Myself I (nel 1980-03)
paroliere e compositore:
Joan Armatrading
editore:
Irving Music, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Rondor Music (London) Ltd. (nel 1980)
Joan Armatrading3.653:18
5All Night Long (All Night)
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983) e Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
All Night Long (All Night)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Music e Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:21
6The Lady In Red
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1986)
registrata presso:
RDS Arena in Dublin, County Dublin, Leinster, Irlanda (il 1988-12-07) e Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (il 2004-11-06)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 54)
registrazione di:
The Lady in Red (nel 1986)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 1988-12-07)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 2004-11-06)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
Chris de Burgh3.354:17
7Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker feat. Jennifer Warnes3.553:55
8Better Be Home Soon
basso elettrico [bass] :
Nick Seymour
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra e voce principale:
Neil Finn
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1988)
registrazione di:
Better Be Home Soon
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing e Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:09
9Flashdance... What A Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.553:53
10Our Lips Are Sealed
assistente tecnico di registrazione:
Ted Blechta e John Terelle
assistente tecnico di registrazione aggiunto:
James Ball, Eric Kortee e Darroll Gustamachio
tecnico di registrazione e tecnico di missaggio:
Rob Freeman (engineer)
produttore:
Rob Freeman (engineer) e Richard Gottehrer (American songwriter and music executive)
assistente tecnico di missaggio:
Gray Russell
batteria e percussione :
Gina Schock
chitarra e chitarra basso :
Kathy Valentine
chitarra [lead guitar] e tastiera :
Charlotte Caffey
chitarra [rhythm guitar] :
Jane Wiedlin
voce:
Charlotte Caffey e Jane Wiedlin
voce principale:
Belinda Carlisle
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981) e I.R.S., Inc. (nel 1981)
registrata in aggiunta presso:
Sound Mixers Studio in New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrata presso:
Pennylane Studios in New York, New York, Stati Uniti
mixata presso:
Sound Mixers Studio in New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 317) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 477)
registrazione di:
Our Lips Are Sealed
autore:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall e Jane Wiedlin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music e Plangent Visions Music
The Go-Go's4.52:46
11If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1989)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.754:02
12Real Wild Child (Wild One)
programmazione degli strumenti:
David Richards (Swiss-based producer and engineer) (dal 1986-04 al 1986-05)
tecnico:
David Richards (Swiss-based producer and engineer)
produttore e tecnico di missaggio:
David Bowie (English singer‐songwriter) e David Richards (Swiss-based producer and engineer)
basso, batteria, organo, campionatore [Akai S900], sintetizzatore [Yamaha DX7] e violino :
Erdal Kızılçay (dal 1986-04 al 1986-05)
chitarra :
Kevin Armstrong (UK guitarist, producer & songwriter) (dal 1986-04 al 1986-05) e Steve Jones (Sex Pistols member) (dal 1986-04 al 1986-05)
voce di accompagnamento:
Kevin Armstrong (UK guitarist, producer & songwriter) (dal 1986-04 al 1986-05), David Bowie (English singer‐songwriter) (dal 1986-04 al 1986-05) e Erdal Kızılçay (dal 1986-04 al 1986-05)
voce principale:
Iggy Pop (dal 1986-04 al 1986-05)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1986)
registrata presso:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1986-04 al 1986-05)
registrazione cover di:
Wild One (Real Wild Child) (dal 1986-04 al 1986-05)
autore:
Johnny Greenan, Johnny O’Keefe e Dave Owens (US songwriter, known for "Wild One")
editore:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Southern Music (publisher)
Iggy Pop3.853:36
13Boys Light Up
tecnico:
Ross Cockle
produttore:
David Briggs (producer, guitarist of Little River Band)
armonica (a bocca) :
James Reyne (dal 1981-03 al 1981-04)
batteria :
Bill McDonough (dal 1981-03 al 1981-04)
chitarra e chitarra slide :
Simon Binks (dal 1981-03 al 1981-04)
percussione :
Bill McDonough (dal 1981-03 al 1981-04) e Derek Pellicci (dal 1981-03 al 1981-04)
sassofono :
Bill Harrower (dal 1981-03 al 1981-04)
tastiera :
Peter Jones (Australian pianist/composer) (dal 1981-03 al 1981-04), Mal Logan (dal 1981-03 al 1981-04), Keith McKay (dal 1981-03 al 1981-04) e Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer) (dal 1981-03 al 1981-04)
voce:
Bill McDonough (dal 1981-03 al 1981-04), James Reyne (dal 1981-03 al 1981-04), Brad Robinson (dal 1981-03 al 1981-04), Mal Stainton (dal 1981-03 al 1981-04) e Paul Williams (bassist in 'Australian Crawl') (dal 1981-03 al 1981-04)
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) e EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 2002)
registrata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia (dal 1981-03 al 1981-04)
mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
registrazione di:
Boys Light Up (dal 1981-03 al 1981-04)
autore:
James Reyne
editore:
Warner/Chappell Music Ltd. (1996–2019)
registrazione di:
The Boys Light Up (dal 1981-03 al 1981-04)
autore:
James Reyne
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner/Chappell Pty. Ltd.
Australian Crawl34:41
14Pleasure And Pain
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985) e Chrysalis Records, Inc. (not for release label use!) (nel 1985)
registrazione di:
Pleasure and Pain
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
Hebbes Music Group Pty. Ltd., Warner Chappell e Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:49
15(I Just) Died In Your Arms
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.24:33
16The Winner Takes It All
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1980-06-06)
chitarra :
Lasse Wellander (il 1980-06-06)
chitarra basso :
Mike Watson (English‐Swedish rock musician) (il 1980-06-06)
percussione :
Åke Sundqvist (il 1980-06-06)
tastiera e sintetizzatore :
Benny Andersson (ABBA) (il 1980-06-06)
viola :
Nils Heie (il 1980-06-16), Håkan Roos (Swedish violist) (il 1980-06-16) e Bo Söderström (Swedish violinist) (il 1980-06-16)
violino :
Martin Bylund (Swedish violinist) (il 1980-06-16), Anders Dahl (Swedish violinist) (il 1980-06-16), Lars Stegenberg (Swedish violinist) (il 1980-06-16), Gunnar Michols (Swedish violinist) (il 1980-06-16), Bernt Nylund (Swedish violinist) (il 1980-06-16), Bertil Orsin (Swedish violinist) (il 1980-06-16), Sixten Strömvall (Swedish violinist) (il 1980-06-16) e Harry Teike (il 1980-06-16)
violoncello :
Olle Gustafsson (cellist) (il 1980-06-16) e Åke Olofsson (Swedish cellist) (il 1980-06-16)
voce di accompagnamento:
Frida (Swedish singer and member of ABBA) (il 1980-06-06)
voce principale:
Agnetha Fältskog (il 1980-06-06)
arrangiatore violoncello, viola e violino :
Rutger Gunnarsson (nel 1980)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1980)
registrata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1980-06-06, il 1980-06-16)
mixata presso:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1980-06-18)
parte di:
The Downloader’s Music Source Book (numero: 66)
registrazione di:
The Winner Takes It All (nel 1980-06)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
EMI Music Publishing (do not use as a release label!) (conclusa), Universal Music Publishing Group (conclusa), Universal/Union Songs Musikförlag AB (conclusa), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (dal 1980 al ????) e Countless Songs, Ltd. (dal 1980 al ????)
parte di:
Mamma Mia! (1999 musical)
ABBA3.854:58
17Dance Hall Days
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
diritti fonografici (℗) detenuti da:
Geffen Records
registrazione di:
Dance Hall Days
autore:
Darren Costin, Nick Feldman e Jack Hues
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:56
18I Got You Babe
produttore:
Ray “Pablo” Falconer e UB40
voce ospite:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
esecutore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e UB40
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 2000)
prodotta presso:
The Abattoir in Birmingham, West Midlands, England, Regno Unito
registrazione cover di:
I Got You Babe
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.753:08
19Love Is A Battlefield
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar5:16
20I Think We're Alone Now
tecnico di registrazione aggiunto:
John Kerns (US engineer)
programmazione degli strumenti:
John Duarte
tecnico:
Bill Smith (US recording engineer)
produttore:
George E. Tobin
chitarra :
Chuck Yamek
sintetizzatore :
John Duarte
voce di accompagnamento e voce principale:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin e Bill Smith (US recording engineer)
arrangiatore:
John Duarte
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 7)
registrazione cover di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tiffany3.83:47
2▼CD
#TitoloArtistaValutazioneDurata
1With Or Without You
tecnico di registrazione:
Flood (British producer Mark Ellis)
programmazione degli strumenti:
Brian Eno
tecnico aggiunto:
Pat McCarthy e Dave Meegan (producer)
produttore:
Brian Eno e Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistente tecnico di missaggio:
Mary Kettle
tecnico di missaggio:
Steve Lillywhite e Mark Wallis
armonica (a bocca) e voce principale:
Bono (singer of U2)
batteria e percussione :
Larry Mullen, Jr.
chitarra :
The Edge (U2 guitarist David Evans)
chitarra aggiunto, omnichord e tamburello :
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
chitarra basso :
Adam Clayton
tastiera :
Brian Eno
voce di accompagnamento:
The Edge (U2 guitarist David Evans), Brian Eno e Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1987, nel 2007, nel 2017), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1987) e Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 2007)
registrata presso e mixata presso:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 13), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 131) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 211)
registrazione di:
With or Without You
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., U2 Music, Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.354:56
2Don't You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
3Everybody Wants To Rule The World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.94:09
4The Power Of Love
edit di:
The Power of Love di Huey Lewis and the News (American pop rock band)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2)
parte di:
Back to the Future: the Musical
Huey Lewis & the News43:45
5Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
registrazione di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:41
6Karma Chameleon
tecnico:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) ospite :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2002, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club44:09
7Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps Inc.4.14:00
8Teardrops
produttore:
Chris Blackwell (Island Records), Lee Hamblin e The Gypsy Wave Power Co.
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1988)
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack33:51
9Walking On Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina & the Waves3.953:55
10Higher Love
registrazione di:
Higher Love
autore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America e Willin' David Music
Steve Winwood54:06
11Shout To The Top!
produttore:
Paul Weller (English singer‐songwriter and musician) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1984)
registrazione di:
Shout to the Top
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council34:15
12More Than This
registrazione di:
More Than This
paroliere e compositore:
Bryan Ferry
editore:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. e E.G. Music Ltd. (publisher) (nel 1982)
Roxy Music4:24
13There She Goes
tecnico:
Dave Charles (British drummer as well as producer & engineer)
produttore:
Bob Andrews (keyboardist and producer)
tecnico di missaggio:
Steve Lillywhite
batteria :
Chris Sharrock
chitarra basso e voce di accompagnamento:
John Power (of The La’s and Cast)
chitarra elettrica :
John Byrne (John 'Boo' Byrne, electric guitarist)
voce principale:
Lee Mavers
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1988)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 45), TV Cream: Real 100 Best Singles Ever (numero: 62) e Indie 88: Top 500 Indie Rock Songs (numero: 418)
registrazione di:
There She Goes (The La’s)
paroliere e compositore:
Lee Mavers
editore:
Go! Discs Music Ltd. (publisher) e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:44
14Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:54
15What's My Scene?
armonica (a bocca) :
Brad Shepherd
basso :
Clyde Bramley
batteria :
Mark Kingsmill
chitarra :
Dave Faulkner (David Faulkner) e Brad Shepherd
tastiera :
Dave Faulkner (David Faulkner)
voce:
Dave Faulkner (David Faulkner)
diritti fonografici (℗) detenuti da:
Hoodoo Gurus Pty Ltd (nel 1987)
registrazione di:
What’s My Scene?
autore:
Dave Faulkner (David Faulkner)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) e Sony/ATV Music Publishing
Hoodoo Gurus3.353:49
16Rain
diritti fonografici (℗) detenuti da:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 1984)
registrazione di:
Rain (Dragon song)
autore:
Marc Hunter, Todd Hunter (Todd Stuart Hunter of Dragon) e Johanna Pigott
editore:
Essex Music of Australia Pty. Ltd.
Dragon3:40
17Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:45
18Right Here Waiting
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:05
19Sweet Surrender
registrazione di:
Sweet Surrender
autore:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell e Marti Pellow
editore:
The Precious Music Company Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS) (nel 1989) e Precious Music Ltd. (publisher) (nel 1989)
Wet Wet Wet4:26
20Human
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1986, nel 2003)
video musicali:
Human di The Human League
registrazione di:
Human
autore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e Flyte Tyme Tunes
The Human League3.53:49

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