Swing for Lovers

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Annotation

Two Original Complete Studio Albums Digitally Remastered
Remastered by Larry Walsh at Capitol Recording Studios

Annotation last modified on 2017-11-07 08:54 UTC.

Tracklist

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1▼CD: Songs for Swingin' Lovers!
#TitleRatingLength
1You Make Me Feel So Young
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison (on 1956-01-09), Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-09)
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
recording of:
You Make Me Feel So Young (on 1956-01-09)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
42:57
2It Happened in Monterey
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jim Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
It Happened in Monterey (on 1956-01-12)
lyricist:
Billy Rose (lyricist and Broadway producer)
composer:
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. and EMI United Partnership Ltd.
42:37
3You’re Getting to Be a Habit With Me
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-10)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-10)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-10), Edgar Lustgarten (on 1956-01-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-10)
drums (drum set):
Alvin Stoller (on 1956-01-10)
guitar:
George van Eps (on 1956-01-10)
harp:
Kathryn Julye (on 1956-01-10)
piano:
William (Bill) Miller (pianist) (on 1956-01-10)
reeds:
Justin Gordon (on 1956-01-10), Harry Klee (on 1956-01-10), Morton Friedman (on 1956-01-10), Wilbur Schwartz (on 1956-01-10) and James Williamson (Saxophone player) (on 1956-01-10)
trombone:
Milt Bernhart (on 1956-01-10), Jim Priddy (on 1956-01-10) and Juan Tizol (on 1956-01-10)
trumpet:
Harry “Sweets” Edison (on 1956-01-10), Conrad Gozzo (on 1956-01-10), Mickey Mangano (on 1956-01-10) and Zeke Zarchy (on 1956-01-10)
viola:
Alvin Dinkin (on 1956-01-10), Dave Sterkin (on 1956-01-10) and Milton Thomas (violist) (on 1956-01-10)
violin:
Victor Bay (on 1956-01-10), Alex Beller (on 1956-01-10), Harold Dicterow (on 1956-01-10), David Frisina (on 1956-01-10), Alex Murray (violinist) (on 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-10), Nathan Ross (on 1956-01-10), Mischa Russell (violinist) (on 1956-01-10), Paul Shure (on 1956-01-10) and Felix Slatkin (on 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-10)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-10)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-10)
cover recording of:
You’re Getting to Be a Habit With Me (on 1956-01-10)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
2:19
4You Brought a New Kind of Love to Me
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle (ended)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
cover recording of:
You Brought a New Kind of Love to Me (on 1956-01-09)
lyricist:
Irving Kahal (in 1930)
composer:
Pierre Norman Connor (in 1930) and Sammy Fain (in 1930)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Sony/ATV Harmony (in 1930)
part of:
New York, New York (1977 musical film soundtrack)
part of:
The Real Book (compilation of jazz standards, volume I)
2:50
5Too Marvelous for Words
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
recording of:
Too Marvelous for Words (on 1956-01-16)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
cover recording of:
Too Marvelous for Words (on 1956-01-16)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:33
6Old Devil Moon
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1956-01-16)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
3:57
7Pennies From Heaven
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-10)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-10)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-10), Edgar Lustgarten (on 1956-01-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-10)
drums (drum set):
Alvin Stoller (on 1956-01-10)
guitar:
George van Eps (on 1956-01-10)
harp:
Kathryn Julye (on 1956-01-10)
piano:
William (Bill) Miller (pianist) (on 1956-01-10)
reeds:
Justin Gordon (on 1956-01-10), Harry Klee (on 1956-01-10), Morton Friedman (on 1956-01-10), Wilbur Schwartz (on 1956-01-10) and James Williamson (Saxophone player) (on 1956-01-10)
trombone:
Milt Bernhart (on 1956-01-10), Jim Priddy (on 1956-01-10) and Juan Tizol (on 1956-01-10)
trumpet:
Harry “Sweets” Edison (on 1956-01-10), Conrad Gozzo (on 1956-01-10), Mickey Mangano (on 1956-01-10) and Zeke Zarchy (on 1956-01-10)
viola:
Alvin Dinkin (on 1956-01-10), Dave Sterkin (on 1956-01-10) and Milton Thomas (violist) (on 1956-01-10)
violin:
Victor Bay (on 1956-01-10), Alex Beller (on 1956-01-10), Harold Dicterow (on 1956-01-10), David Frisina (on 1956-01-10), Alex Murray (violinist) (on 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-10), Nathan Ross (on 1956-01-10), Mischa Russell (violinist) (on 1956-01-10), Paul Shure (on 1956-01-10) and Felix Slatkin (on 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-10)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-10)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-10)
cover recording of:
Pennies From Heaven (on 1956-01-10)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
2:45
8Love Is Here to Stay
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1955-10-17)
bass trombone:
George Roberts (american bass trombone) (on 1955-10-17)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1955-10-17), Ray Kramer (on 1955-10-17) and Eleanor Slatkin (US cellist, b. Aller) (on 1955-10-17)
drums (drum set):
Irv Cottler (on 1955-10-17)
guitar:
George van Eps (on 1955-10-17)
harp:
Kathryn Julye (on 1955-10-17)
percussion:
Frank Flynn (on 1955-10-17)
piano:
William (Bill) Miller (pianist) (on 1955-10-17)
reeds:
Mahlon Clark (on 1955-10-17), Justin Gordon (on 1955-10-17), Robert Lawson (on 1955-10-17), Wilbur Schwartz (on 1955-10-17) and Warren Webbe (on 1955-10-17)
trombone:
Jim Priddy (on 1955-10-17), Dick Noel (trombone) (on 1955-10-17) and Paul Tanner (on 1955-10-17)
trumpet:
Harry “Sweets” Edison (on 1955-10-17), John Best (jazz trumpeter) (on 1955-10-17), Shorty Sherock (on 1955-10-17) and Zeke Zarchy (on 1955-10-17)
viola:
Maxine Johnson (on 1955-10-17), Paul Robyn (on 1955-10-17) and Dave Sterkin (on 1955-10-17)
violin:
Victor Bay (on 1955-10-17), Alex Beller (on 1955-10-17), Sam Cytron (on 1955-10-17), Robert E. Gross (on 1955-10-17), Henry Hill (Violin player) (on 1955-10-17), Dan Lube (on 1955-10-17), Alex Murray (violinist) (on 1955-10-17), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1955-10-17), Erno Neufeld (on 1955-10-17) and Mischa Russell (violinist) (on 1955-10-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-10-17)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-10-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-10-17)
cover recording of:
Love Is Here to Stay (on 1955-10-17)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
2:42
9I’ve Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
43:45
10I Thought About You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-01-09)
cover recording of:
I Thought About You (on 1956-01-09)
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:32
11We’ll Be Together Again
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
We’ll Be Together Again (on 1956-01-16)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:27
12Makin’ Whoopee
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
recording of:
Makin’ Whoopee! (on 1956-01-16)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
43:09
13Swingin’ Down the Lane
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irv Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
instruments:
William (Bill) Miller (pianist) (on 1956-01-12)
reeds:
Mort Friedman (on 1956-01-12), Justin Gordon (on 1956-01-12), Harry Klee (on 1956-01-12), Wilbur Schwartz (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jim Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Mickey Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
Swingin’ Down the Lane (on 1956-01-12)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) and Leo Feist, Inc. (on 1923-02-26)
recording of:
Swingin’ Down the Lane
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) and Leo Feist, Inc. (on 1923-02-26)
2:55
14Anything Goes
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Anything Goes (on 1956-01-16)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
42:45
15How About You?
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-10)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-10)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-10), Edgar Lustgarten (on 1956-01-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-10)
drums (drum set):
Alvin Stoller (on 1956-01-10)
guitar:
George van Eps (on 1956-01-10)
harp:
Kathryn Julye (on 1956-01-10)
piano:
William (Bill) Miller (pianist) (on 1956-01-10)
reeds:
Justin Gordon (on 1956-01-10), Harry Klee (on 1956-01-10), Morton Friedman (on 1956-01-10), Wilbur Schwartz (on 1956-01-10) and James Williamson (Saxophone player) (on 1956-01-10)
trombone:
Milt Bernhart (on 1956-01-10), Jim Priddy (on 1956-01-10) and Juan Tizol (on 1956-01-10)
trumpet:
Harry “Sweets” Edison (on 1956-01-10), Conrad Gozzo (on 1956-01-10), Mickey Mangano (on 1956-01-10) and Zeke Zarchy (on 1956-01-10)
viola:
Alvin Dinkin (on 1956-01-10), Dave Sterkin (on 1956-01-10) and Milton Thomas (violist) (on 1956-01-10)
violin:
Victor Bay (on 1956-01-10), Alex Beller (on 1956-01-10), Harold Dicterow (on 1956-01-10), David Frisina (on 1956-01-10), Alex Murray (violinist) (on 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-10), Nathan Ross (on 1956-01-10), Mischa Russell (violinist) (on 1956-01-10), Paul Shure (on 1956-01-10) and Felix Slatkin (on 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-10)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-10)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-01-10)
cover recording of:
How About You? (on 1956-01-10)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
2:46
2▼CD: A Swingin' Affair!
#TitleRatingLength
1Night and Day
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-11-26)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:59
2I Wish I Were in Love Again
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
I Wish I Were in Love Again (on 1956-11-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
recording of:
I Wish I Were in Love Again (on 1956-11-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
2:28
3I Got Plenty o’ Nuttin’
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, in 1956-11)
cover recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (on 1956-11-15)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:11
4I Guess I’ll Have to Change My Plans
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
I Guess I’ll Have to Change My Plan (on 1956-11-20)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
2:24
5Nice Work If You Can Get It
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-20)
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-20)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-20)
conductor:
Nelson Riddle (on 1956-11-20)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
Nice Work If You Can Get It (on 1956-11-20)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:21
6Stars Fell on Alabama
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
Stars Fell on Alabama (on 1956-11-15)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
2:37
7No One Ever Tells You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Chuck Gentry
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Helen Hutchinson
piano:
Bill Miller (pianist)
tenor saxophone:
Irving “Babe” Russin and Champ Webb
trombone:
Milt Bernhart, Ed Kusby and Jimmy Priddy
trumpet:
Harry “Sweets” Edison, Manny Klein, Ray Linn and Shorty Sherock
viola:
Alvin Dinkin and Maxine Johnson
violin:
Victor Bay, Alex Beller, Arnold Belnick, Harry Bluestone, Henry Hill (Violin player), Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-09)
recording of:
No One Ever Tells You (on 1956-04-09)
writer:
Hub Atwood and Carroll Coates
3:23
8I Won’t Dance
producer:
Voyle Gilmore
alto saxophone:
Jack Dumont and Dominic Mumolo
baritone saxophone:
Robert Lawson
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Don Raffell (reeds) and Buck Skalak
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Conrad Gozzo, Mickey Mangano, Shorty Sherock and Harry “Sweets” Edison (on 1956-11-15)
viola:
Alvin Dinkin, Maxine Johnson and Lou Kievman (violist)
violin:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross and Eudice Shapiro (Violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-15)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-15)
conductor:
Nelson Riddle (on 1956-11-15)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-15)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1956-11-15)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:22
9Lonesome Road
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
recording of:
Lonesome Road (on 1956-11-26)
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
3:54
10At Long Last Love
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Wilbur Schwartz
baritone saxophone:
Joe Koch
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (75- US saxophonist, the nephew)
trombone:
George Arus, Ed Kusby and Dick Noel (trombone)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Erno Neufeld, Lou Raderman, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-20)
cover recording of:
At Long Last Love (on 1956-11-20)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
42:24
11You’d Be So Nice to Come Home To
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:03
12I Got It Bad and That Ain’t Good
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
I Got It Bad (and That Ain’t Good) (on 1956-11-28)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
3:22
13From This Moment On
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
3:51
14If I Had You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
cover recording of:
If I Had You (jazz standard) (on 1956-11-26)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
recording of:
If I Had You (jazz standard) (on 1956-11-26)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
2:35
15Oh! Look at Me Now
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
Oh! Look at Me Now (on 1956-11-28)
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
recording of:
Oh! Look at Me Now
lyricist:
John DeVries (in 1941)
composer:
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation and Hampshire House Publishing Corp.
2:49
16The Lady Is a Tramp
producer:
Voyle Gilmore
alto saxophone:
Harry Klee and Willie Schwartz
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Jules Kinsler and James Williamson (Saxophone player)
trombone:
Murray McEachern, Dick Noel (trombone) and Juan Tizol
trumpet:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano and Shorty Sherock
viola:
Alvin Dinkin, Stanley Harris (US big band viola player) and Maxine Johnson
violin:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) and Joseph Stepansky
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-26)
orchestra:
The Nelson Riddle Orchestra (on 1956-11-26)
conductor:
Nelson Riddle (on 1956-11-26)
arranger and orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-26)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-11-26)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
53:14