Millennium Gold

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1One Vision
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Queen (UK rock group) und Reinhold Mack (German rock producer/engineer Reinhold Mack)
Bassgitarre:
John Deacon
E-Gitarre, Gitarre und Synthesizer:
Brian May (Queen guitarist)
elektronisches Schlagzeug / E-Drums und Schlagzeug:
Roger Taylor (Queen drummer)
Sampler:
Brian May (Queen guitarist) und Freddie Mercury
Hintergrundgesang:
John Deacon, Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
Sologesang:
Freddie Mercury
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1985, in 2011) und Raincloud Productions Ltd. (in 1985, von 1985-??-19 bis 1985)
aufgenommen bei:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich, Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1985-09 bis 1986-04), Musicland Studios (Munich) in München, Bayern, Deutschland (von 1985-09 bis 1986-04), The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1985-09 bis 1986-04) und Townhouse Three in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich (von 1985-09 bis 1986-04)
engineered at:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich und Musicland (Munich) in München, Bayern, Deutschland
Bearbeitung von:
One Vision von Queen (UK rock group)
Musikvideos:
One Vision von Queen (UK rock group)
recording of:
One Vision
Verfasser(in):
John Deacon, Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 1986) und Queen Music Ltd. (in 1986)
enthalten in:
We Will Rock You (Queen musical)
Queen3.154:01
2Ashes to Ashes
Produzent(in):
David Bowie (English singer‐songwriter) und Tony Visconti
Mix:
Tony Visconti
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-02) und Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1980-04)
recording of:
Ashes to Ashes (von 1980-02 bis 1980-04)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
David Bowie4.43:37
3When Doves Cry
recording engineer:
David Leonard (US producer and engineer) (am 1984-03-01) und Peggy Mac (am 1984-03-01)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], E-Gitarre, Synthesizer [Oberheim OB-Xa], Synthesizer [Yamaha DX7], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1984-03-01)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1984-03-01)
Bearbeitung von:
When Doves Cry (album version) von Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
When Doves Cry (am 1984-03-01)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions und Controversy Music
Prince4.53:48
4Roxanne
Techniker(in):
Chris Gray (UK engineer) und Nigel Gray (UK producer)
Produzent(in):
The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Schlagzeug:
Stewart Copeland
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1978), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978), A&M Records, Inc. (in 1997) und A&M Records, Ltd. (in 2003)
aufgenommen bei:
Surrey Sound Studios in Leatherhead, Surrey, England, Vereinigtes Königreich
Musikvideos:
Roxanne (Music video) von The Police (British rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 388)
recording of:
Roxanne
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Mushroom Music (Mushroom label’s publishing company) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:06
5Start!
Produzent(in):
Vic Coppersmith‐Heaven und The Jam (late 70s/early 80s UK punk/mod revival band)
Bassgitarre:
Bruce Foxton
Gitarre und Sologesang:
Paul Weller (English singer‐songwriter and musician)
Schlagzeug:
Rick Buckler
vocals:
Bruce Foxton
recording of:
Start!
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. und And Son Music Ltd. (vom 1980 bis heute)
The Jam3.752:16
6Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
The Pretenders4.33:03
7Money for Nothing
Produzent(in):
Neil Dorfsman und Mark Knopfler
zusätzlich Gast vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1988) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022)
recording of:
Money for Nothing (Dire Straits song)
Texter und Komponist(in):
Mark Knopfler
zusätzliche(r) Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Chariscourt Ltd., Rondor Music (London) Ltd. und Virgin Music (Publishers) Ltd.
quotes music from:
Don’t Stand So Close to Me
Dire Straits3.854:04
8Dead Ringer for Love
Produzent(in):
Jimmy Iovine und Jim Steinman
Bassgitarre:
Steve Buslowe
Gitarre [guitars]:
Davey Johnstone
Horn:
Alan Rubin, Lou Delgatto, Lou Marani und Tom Malone (US trombonist)
Klavier:
Roy Bittan
Perkussion:
Jimmy Maelen (percussion)
Schlagzeug:
Liberty DeVitto (US drummer)
Schlitztrommel [African logs]:
Neleam Ymmij
Hintergrundgesang:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley und Eric Troyer
vocals:
Cher und Meat Loaf
Interpret(in):
Cher
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Dead Ringer for Love
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1981), Neverland Music Publishing Company (in 1981) und Peg Music Company (in 1981)
Meat Loaf feat. Cher3.84:22
9Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:38
10The Joker
assistierende(r) Techniker(in) und assistierende(r) Mix:
Gene Hicks
Techniker(in) und Mix:
Jay Ranellucci
Produzent(in):
Steve Miller (leader of Steve Miller Band)
phonographisches Urheberrecht (℗) von:
Sailor Music (in 1973)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:30
11You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:16
12I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:00
13Crazy
recording of:
Crazy (Seal song)
Verfasser(in):
Seal (English‐born singer and songwriter) und Guy Sigsworth
publisher:
Beethoven Street Music Ltd und Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Seal4:42
14Brown-Eyed GirlVan Morrison3:02
15More Than Words
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme43:59
16The Boxer
recording engineer:
Ted Brosnan (am 1969-11-08)
Techniker(in):
Roy Halee
Produzent(in):
Arthur Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter) (am 1969-11-08)
Gitarre:
Fred Carter, Jr. (am 1969-11-08) und Paul Simon (of Simon & Garfunkel) (am 1969-11-08)
Keyboard:
Larry Knechtel (am 1969-11-08)
Saiteninstrumente:
Ernie Freeman (am 1969-11-08) und Jimmie Haskell (am 1969-11-08)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1969-11-08)
vocals:
Art Garfunkel und Paul Simon (of Simon & Garfunkel)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) und CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 105)
recording of:
The Boxer (am 1969-11-08)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher) und Paul Simon Music (in 1968)
Simon & Garfunkel4.155:09
17Lay Lady Lay
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Gitarre und Sologesang:
Bob Dylan (am 1969-02-14)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
recording of:
Lay, Lady, Lay (am 1969-02-14)
Texter und Komponist(in):
Bob Dylan (von 1968 bis 1969)
zusätzlicher Texter:
Bob Dylan (in 1976)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Big Sky Music (publisher for Bob Dylan) (vom 1969 bis heute)
sub-publisher:
Sonora Musikförlags AB
Bob Dylan4.13:16
18Venus in Furs
recording engineer:
Omi Haden
Produzent(in):
Andy Warhol (American artist)
recording of:
Venus in Furs
Texter und Komponist(in):
Lou Reed
The Velvet Underground4.455:08
19There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:40
20Babylon
recording of:
Babylon
Texter und Komponist(in):
David Gray (British singer/songwriter)
publisher:
Chrysalis und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
David Gray3:31
2CD
Nr.TitelKünstlerBewertungLänge
1Pride (In the Name of Love)
recording of:
Pride (In the Name of Love)
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) und Warner Chappell Music (publisher as Warner/Chappell Music)
U23:43
2Substitute
Produzent(in):
Shel Talmy und The Who
Bass:
John Entwistle (am 1966-02-12)
Schlagzeug:
Keith Moon (drummer) (am 1966-02-12)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1966)
aufgenommen bei:
Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, Vereinigtes Königreich (am 1966-02-12)
recording of:
Substitute (am 1966-02-12)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who43:47
3Run to You
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1984-03-27 bis 1984-09-21)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-21)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-21)
Gitarre [rhythm and lead guitars]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-21)
Gitarre [rhythm guitar] und Sologesang:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-21)
Keyboard [keyboards]:
Tommy (von 1984-03-27 bis 1984-09-21)
Perkussion:
Jim (von 1984-03-27 bis 1984-09-21)
Schlagzeug [drums]:
Mickey (von 1984-03-27 bis 1984-09-21)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-21)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-21)
Teil von:
The Downloader’s Music Source Book (Nummer: 175)
recording of:
Run to You (von 1984-03-27 bis 1984-09-21)
geschrieben in:
Vancouver, British Columbia, Kanada (von 1983-01-12 bis 1983-01-14)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (von 1983-01-12 bis 1983-01-14) und Jim Vallance (von 1983-01-12 bis 1983-01-14)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Rondor Music (London) Ltd. (, in 1984), Rondor Music Publishing GmbH, Testatyme Music und Calypso Toonz (in 1984)
Bryan Adams3.93:51
4The Changingman
recording of:
The Changingman
Verfasser(in):
Brendan Lynch (London producer) und Paul Weller (English singer‐songwriter and musician)
Paul Weller3:18
5Don’t Stop
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:09
620th Century BoyT. Rex3:38
7Sunshine of Your Love
recording engineer:
Tom Dowd (von 1967-04 bis 1967-05)
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-04 bis 1967-05)
Gitarre:
Eric Clapton (von 1967-04 bis 1967-05)
Schlagzeug:
Ginger Baker (von 1967-04 bis 1967-05)
vocals:
Jack Bruce (von 1967-04 bis 1967-05) und Eric Clapton (von 1967-04 bis 1967-05)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-04 bis 1967-05)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 65) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (von 1967-04 bis 1967-05)
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce und Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
Cream4.354:09
8School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:27
9Breakfast in America
Sound-Engineering:
Russel Pope
assistierende(r) Techniker(in):
Lenise Bent und Jeff Harris (recording engineer)
Techniker(in):
Peter Henderson (English sound engineer)
Produzent(in):
Peter Henderson (English sound engineer) und Supertramp
Bassgitarre:
Dougie Thomson
Gitarre und Keyboard:
Roger Hodgson
Holzblasinstrumente:
John Helliwell
Keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
Schlagzeug:
Bob Siebenberg
vocals:
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
phonographisches Urheberrecht (℗) von:
A&M Records (in 2010)
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Crystal Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Breakfast in America
Verfasser(in):
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Delicate Music
Supertramp3.952:37
10I Shot the Sheriff
assistierende(r) Techniker(in):
Steve Klein (Engineer)
Techniker(in):
Karl Richardson
Produzent(in):
Tom Dowd
E-Bass [Bass]:
Carl Radle (von 1974-04-18 bis 1974-05-10)
elektronische Orgel:
Dick Sims (von 1974-04-18 bis 1974-05-10)
Gitarre:
Eric Clapton (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Klavier:
Albhy Galuten (von 1974-04-18 bis 1974-05-10)
Schlagzeug:
Jamie Oldaker (von 1974-04-18 bis 1974-05-10)
Hintergrundgesang:
Yvonne Elliman (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Sologesang:
Eric Clapton (von 1974-04-18 bis 1974-05-10)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1974)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1974-04-18 bis 1974-05-10)
cover recording of:
I Shot the Sheriff (von 1974-04-18 bis 1974-05-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:23
11Rocket Man
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
Gitarre:
Davey Johnstone
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Synthesizer:
David Hentschel
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 149) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 242)
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Elton John4.054:38
12Long Train Runnin’
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers44:09
13Imitation of Life
recording engineer und Mix:
Jamie Candiloro und Pat McCarthy
recording of:
Imitation of Life
Verfasser(in):
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Temporary Music
R.E.M.4.23:55
14Disco 2000
Programmierung:
Matthew Vaughan (UK producer)
assistierende(r) Techniker(in):
John Brant (engineer), Julie Gardner (engineer), Pete Lewis (engineer) und Anthony Lycenko (Australian producer and engineer)
Techniker(in):
David "Chipper" Nicholas (Australian recording engineer and producer)
zusätzliche(r) Techniker(in):
Pete Lewis (engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Alan Tarney
Mix:
John Hudson (producer, recording and mixing engineer) und Gerry Kitchingham
zusätzlich Keyboard:
Oliver Tarney
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1995)
recording of:
Disco 2000
Texter:
Jarvis Cocker
Komponist(in):
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist), Russell Senior und Mark Andrew Webber (Guitarist with Pulp)
Premiere bei:
Glastonbury Festival 1995, day 2: Pyramid Stage (1995-06-24)
publisher:
Island Music Ltd.
Pulp3.54:47
15True Faith
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
New Order5:47
16Fairground
recording of:
Fairground
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red4:20
17Missing
Produzent(in):
John Coxon und Everything but the Girl
zusätzliche(r) Produzent(in):
Todd Terry (US house DJ, producer and remixer)
Editing:
Ben Watt
vocals:
Tracey Thorn (of Everything but the Girl) und Ben Watt
remixer:
Todd Terry (US house DJ, producer and remixer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 1995)
Bearbeitung von:
Missing (Todd Terry club mix) von Everything but the Girl
recording of:
Missing
Texter:
Tracey Thorn (of Everything but the Girl)
Komponist(in):
Tracey Thorn (of Everything but the Girl) und Ben Watt
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl3.553:54
18Breathless
recording engineer:
Michel Gallone und Tim Martin (engineer)
Programmierung:
Richard Meyer (American folk singer-songwriter)
zusätzliche Programmierung:
Cory Churko und Kevin Churko
assistierende(r) Techniker(in):
Michel Gallone, Frances Murphy und Keith Roche
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
assistierende(r) Mix:
Adam Olmsted (engineer)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bassgitarre:
Keith Duffy (bass player for the Corrs)
Bodhrán, Perkussion und Schlagzeug:
Caroline Corr
Geige / Violine:
Sharon Corr
Gitarre und Keyboard:
Jim Corr
Gitarre [lead guitar]:
Anthony Drennan
tin whistle:
Andrea Corr
Hintergrundgesang:
Caroline Corr, Jim Corr und Sharon Corr
vocals:
Andrea Corr
aufgenommen bei:
Westland Studios in Dublin, County Dublin, Leinster, Irland
zusätzlich aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Breathless von The Corrs
recording of:
Breathless
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr und Robert John “Mutt” Lange (Robert John Lange)
The Corrs3.553:26
19Englishman in New York
Produzent(in):
Neil Dorfsman und Sting (singer, songwriter & member of The Police)
assistierende(r) Mix:
Mark McKenna (engineer) und Bob Vogt
Mix:
Neil Dorfsman und Hugh Padgham
Sologesang:
Sting (singer, songwriter & member of The Police)
arranger:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1997)
Musikvideos:
Englishman in New York von Sting (singer, songwriter & member of The Police)
recording of:
Englishman in New York
Texter und Verfasser(in):
Gordon Matthew Sumner (singer, songwriter & member of The Police)
publisher:
Songs of Universal, Inc. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sting44:27

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