Bach 300 (club edition)

~ Release by German Brass (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Brandenburgisches Konzert Nr. 3, BWV 1048: 2. Satz (Allegro)
audio engineer:
Wolfgang Gülich (engineer) (from 1984-07-20 until 1984-07-25)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for unknown versions) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
Johann Sebastian Bach5:23
2Toccata und Fuge C-Dur, BWV 564: Adagio
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564 (catch all for arrangements)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio
Johann Sebastian Bach3:33
3Kantate BWV 147 ‘Herz und Mund und Tat und Leben’: Jesus bleibet meine Freude
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:36
4Partita Nr. 2 c-Moll, BWV 826: Sinfonia
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Partita no. 2 in C minor, BWV 826: I. Sinfonia (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Partita no. 2 in C minor, BWV 826: I. Sinfonia
Johann Sebastian Bach5:35
5Orgelbüchlein: Ich ruf’ zu dir, Herr Jesu Christ (Choralvorspiel)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
Johann Sebastian Bach3:23
6Kleine Suite für Blechbläser aus den Orchestersuiten: I. Bourrée (Ouvertüre C-Dur, BWV 1066)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (Suite for Orchestra No. 1 in C major, BWV 1066: Ouverture) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:55
7Kleine Suite für Blechbläser aus den Orchestersuiten: II. Air (Ouvertüre D-Dur, BWV 1068)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach4:48
8Kleine Suite für Blechbläser aus den Orchestersuiten: III. Badinerie (Ouvertüre h-Moll, BWV 1067)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Johann Sebastian Bach1:30
9Toccata und Fuge d-Moll, BWV 565
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach8:53
10Matthäus-Passion, BWV 244: Wie wunderbarlich ist doch diese Strafe
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe"
Johann Sebastian Bach1:00
11Sonate für Flöte und Cembalo Es-Dur, BWV 1031: Siciliano
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
part of:
Flute Sonata in E-flat major, BWV 1031 (catch-all for arrangements)
Johann Sebastian Bach4:14
12Orgelbüchlein: Wachet auf ruft uns die Stimme (Choralvorspiel)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach4:54
13Matthäus-Passion, BWV 244: O Haupt voll Blut und Wunden
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
Johann Sebastian Bach1:55
14Italienisches Konzert F-Dur, BWV 971: 1. Satz (Allegro spiritoso e con brio)
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. Allegro (catch-all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro])
part of:
Italienisches Konzert F-Dur, BWV 971 (catch-all for arrangements)
Johann Sebastian Bach4:44
15Kantate BWV 60 ‘O Ewigkeit du Donnerwort’: Choral: Es ist genug
audio engineer:
Wolfgang Gülich (engineer)
producer:
Gerd Berg (producer)
orchestra:
German Brass (from 1984-07-20 until 1984-07-25)
arranger:
Enrique Crespo (trombonist)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Dominikanerbau in Bamberg, Bayern (Bavaria), Germany (from 1984-07-20 until 1984-07-25)
recording of:
Kantate, BWV 60: V. Choral "Es ist genug; Herr, wenn es dir gefällt" (catch all for arrangements) (from 1984-07-20 until 1984-07-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt"
Johann Sebastian Bach1:26