The Dream of Gerontius

~ Release by Elgar; Royal Liverpool Philharmonic Orchestra, Vernon Handley (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Dream of Gerontius, Op.38, Part 1: Prelude
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar10:05
2The Dream of Gerontius, Op.38, Part 1: Jesu, Maria - I Am Near to Death (Gerontius)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:00
3The Dream of Gerontius, Op.38, Part 1: So Pray for Me - Kerie Eleison - Holy Mary, Pray for Him (Gerontius/ Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar2:21
4The Dream of Gerontius, Op.38, Part 1: Rouse Thee, My Fainting Soul (Gerontius/ Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:40
5The Dream of Gerontius, Op.38, Part 1: Sanctus Fortis, Sanctus Deus (Gerontius)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar5:38
6The Dream of Gerontius, Op.38, Part 1: I Can No More (Gerontius/ Chorus/ Semi Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar5:40
7The Dream of Gerontius, Op.38, Part 1: Proficiscere, Anima Christiana (Priest/ Chorus/ Semi-Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar6:39
2▼CD
#TitleArtistRatingLength
1The Dream of Gerontius, Op.38, Part 2: Introduction
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar2:06
2The Dream of Gerontius, Op.38, Part 2: I went to sleep (Soul of Gerontius)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:55
3The Dream of Gerontius, Op.38, Part 2: Another marvel.....My work is done (Soul/Angel)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar3:44
4The Dream of Gerontius, Op.38, Part 2: It Is a member of that family (Soul/Angel)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar5:56
5The Dream of Gerontius, Op.38, Part 2: But hark!....Low-born clods of brute earth (Soul/Angel/Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar1:34
6The Dream of Gerontius, Op.38, Part 2: Dispossessed, Aside thrust (Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar3:55
7The Dream of Gerontius, Op.38, Part 2: I see not those false spirits (Soul/Angel)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:48
8The Dream of Gerontius, Op.38, Part 2: There was a mortal....Praise to the Holiest (Angel/semi-chorus/chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar6:00
9The Dream of Gerontius, Op.38, Part 2: But hark! a grand mysterious harmony (Soul/Angel/chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:19
10The Dream of Gerontius, Op.38, Part 2: Parise to the Holiest (Chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar7:23
11The Dream of Gerontius, Op.38, Part 2: Thy judgement now is near (Angel/Soul)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:14
12The Dream of Gerontius, Op.38, Part 2: Jesu! by that shudd'ring dread (Angel of the Agony/Soul/semi-chorus/chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Sir Edward Elgar5:47
13The Dream of Gerontius, Op.38, Part 2: Praise to His Name!....Take me away (Angel/Soul/chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (on 1993-01-16, on 1993-01-19)
Sir Edward Elgar5:20
14The Dream of Gerontius, Op.38, Part 2: Softly and gently (Angel/Chorus/semi-chorus)
assistant engineer:
Mike Clements (engineer)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers (mezzo-soprano)
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar6:38