Jazz on My Way

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:48
2A Fine Romance
clarinet:
Irving Fazola (on 1936-09-29)
double bass:
Artie Bernstein (on 1936-09-29)
drums (drum set):
Cozy Cole (on 1936-09-29)
guitar:
Dick McDonough (on 1936-09-29)
piano:
Clyde Hart (on 1936-09-29)
trumpet:
Bunny Berigan (on 1936-09-29)
vocals:
Billie Holiday (on 1936-09-29)
recording of:
A Fine Romance (from “Swing Time”) (on 1936-09-29)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Billie Holiday2:51
3Bugle Call Rag
recording of:
Bugle Call Rag
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
Benny Goodman and His Orchestra2:35
4Groovin’ High
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-02-28)
double bass:
Slam Stewart (on 1945-02-28)
drums (drum set):
Cozy Cole (on 1945-02-28)
guitar:
Remo Palmier (on 1945-02-28)
piano:
Clyde Hart (on 1945-02-28)
trumpet:
Dizzy Gillespie (on 1945-02-28)
orchestra:
Dizzy Gillespie Sextet (on 1945-02-28)
recording of:
Groovin’ High (on 1945-02-28)
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker2:40
5Sweet Georgia Brown
alto saxophone:
Benny Carter and André Ekyan
double bass:
Eugène d’Hellemmes
drums (drum set):
Tommy Benford
guitar:
Django Reinhardt (French jazz guitarist and composer)
tenor saxophone:
Alix Combelle and Coleman Hawkins
instrumental recording of:
Sweet Georgia Brown (on 1937-04-28)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Coleman Hawkins3:01
6Let's Beat Out Some Love
Buddy Johnson and His Orchestra3:02
7A‐Tisket, A‐Tasket
vocals:
Ella Fitzgerald (American jazz singer)
recording of:
A‐Tisket, A‐Tasket (in 1938)
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Ella Fitzgerald2:37
8Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Lena Horne2:36
9Yes Indeed
recording of:
Yes Indeed
lyricist and composer:
Sy Oliver
Tommy Dorsey3:31
10Artistry in Rhythm
recorded in:
Hollywood, Los Angeles, California, United States (on 1943-11-19)
alto saxophone:
Eddie Meyers and Art Pepper
baritone saxophone:
Bob Gioga
bass:
Clyde Singleton
drums (drum set):
Joe Vernon
guitar:
Bob Ahern
instruments:
Stan Kenton
solo piano:
Stan Kenton (on 1943-11-19)
tenor saxophone:
Maurice Beeson and Red Dorris
trombone:
George Faye, Harry Forbes (jazz trombonist) and Bart Varsalona
trumpet:
Ray Borden, John Carroll (jazz trumpeter), Buddy Childers (American jazz trumpeter & composer), Karl George (US jazz trumpeter) and Dick Morse
arranger:
Stan Kenton
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-19)
recording of:
Artistry in Rhythm (on 1943-11-19)
composer:
Stan Kenton
publisher:
Sierra Music Publications and Robbins Music Corp. (from 1945 to present)
Stan Kenton2.53:19
11Blue Prelude
recording of:
Blue Prelude
lyricist:
Gordon Jenkins
composer:
Joe Bishop
Woody Herman3:15
12Tea for Two
Art Tatum2:05
13St. Louis Blues
recorded in:
New York, New York, United States (on 1925-01-14)
cornet:
Louis Armstrong (on 1925-01-14)
reed organ:
Fred Longshaw (on 1925-01-14)
vocals:
Bessie Smith (Tennessee blues singer) (on 1925-01-14)
recording of:
St. Louis Blues (on 1925-01-14)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Bessie Smith43:11
14Skyliner
recording of:
Skyliner
composer:
Charlie Barnet (saxophonist, bandleader)
publisher:
Atlantic Music (BMI)
Charlie Barnet3:02
15Milestones
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1947-08-14)
recording of:
Milestones (originally titled “Miles”) (on 1947-08-14)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Miles Davis2:36
16Autumn Mood
piano:
Erroll Garner (on 1944-11-22)
recording of:
Autumn Mood (on 1944-11-22)
composer:
Claudio Roditi
Erroll Garner7:21
17Down South Camp Meetin’
recorded in:
New York, New York, United States (on 1934-09-12)
double bass [bass]:
Elmer James (on 1934-09-12)
drums (drum set) [drums]:
Walter Johnson (drums) (on 1934-09-12)
guitar:
Lawrence Lucie (on 1934-09-12)
piano:
Fletcher Henderson (on 1934-09-12)
reeds:
Buster Bailey (clarinetist) (on 1934-09-12), Hilton Jefferson (on 1934-09-12), Russell Procope (on 1934-09-12) and Ben Webster (on 1934-09-12)
trombone:
Keg Johnson (jazz trombonist) (on 1934-09-12) and Claude Jones (on 1934-09-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1934-09-12), Irving Randolph (on 1934-09-12) and Russell Smith (US jazz trumpeter) (on 1934-09-12)
arranger:
Fletcher Henderson
recording of:
Down South Camp Meetin’ (on 1934-09-12)
composer:
Fletcher Henderson and Irving Mills
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Fletcher Henderson and His Orchestra2:58
18Tangerine
vocals:
Bob Eberly (on 1941-12-10) and Helen O’Connell (on 1941-12-10)
recording of:
Tangerine (1941 song) (on 1941-12-10)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Jimmy Dorsey3:12
2▼CD
#TitleArtistRatingLength
1’Round Midnight
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1950-06)
live recording of:
’Round Midnight (in 1950-06)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Charlie Parker5:08
2I Loves You Porgy
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone3.54:09
3Good Bait
Dizzy Gillespie’s All‐Star Quintet3:00
4Moon Dreams
alto saxophone:
Lee Konitz (jazz saxophonist)
baritone saxophone:
Gerry Mulligan
bass:
Al McKibbon (double bassist)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
French horn:
Junior Collins
piano:
John Lewis (pianist, member of Modern Jazz Quartet)
trombone:
Mike Zwerin
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
tuba:
Bill Barber (Jazz tuba player)
recorded at:
The Royal Roost in New York, New York, United States (on 1948-09-04)
live recording of:
Moon Dreams
composer:
Chummy MacGregor and Johnny Mercer
Miles Davis3:05
5Basin Street Blues
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
Sy Oliver and His Orchestra (from 1949 until 1954)
cover recording of:
Basin Street Blues (in 1956)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Ella Fitzgerald53:07
6It’s a Sin to Tell a Lie
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-06-05)
drums (drum set):
Arnold Boling (on 1936-06-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-06-05)
piano:
Fats Waller (on 1936-06-05)
reeds:
Gene Sedric (on 1936-06-05)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-06-05)
vocals:
Fats Waller (on 1936-06-05)
cover recording of:
It’s a Sin to Tell a Lie (on 1936-06-05)
lyricist and composer:
Billy Mayhew (in 1936)
Fats Waller2:55
7Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington2:44
8How Long Has This Been Going On?
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Lena Horne3:24
9Struttin’ With Some Barbecue
recorded in and engineered in:
Chicago, Illinois, United States (on 1927-12-09)
banjo:
Johnny St. Cyr (on 1927-12-09)
clarinet:
Johnny Dodds (on 1927-12-29)
cornet:
Louis Armstrong (on 1927-12-09)
piano:
Lil Hardin Armstrong (on 1927-12-09)
trombone:
Kid Ory (on 1927-12-09)
recording of:
Struttin’ With Some Barbecue (on 1927-12-09)
composer:
Lil Hardin Armstrong
Louis Armstrong3:02
10Fan It
Woody Herman3:15
11Straight No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:57
12Indian Summer
double bass:
Wilson Myers (on 1940-02-05)
drums (drum set):
Kenny Clarke (on 1940-02-05)
electric guitar and guitar:
Charlie Howard (on 1940-02-05)
piano:
Sonny White (on 1940-02-05)
soprano saxophone:
Sidney Bechet (on 1940-02-05)
vocals:
Wilson Myers (on 1940-02-05)
Sidney Bechet43:09
13Jumpin’ on the Blacks and Whites
double bass:
Al Hall (on 1939-09-12)
drums (drum set):
J.C. Heard (on 1939-09-12)
guitar:
Al Casey (US jazz/soul guitarist) (on 1939-09-12)
piano:
Teddy Wilson (on 1939-09-12)
reeds:
Pete Clark (Jazz altoist born around 1910) (on 1939-09-12) and Rudy Powell (on 1939-09-12)
tenor saxophone:
George Irish (on 1939-09-12) and Ben Webster (on 1939-09-12)
trombone:
Floyd "Stumpy" Brady (on 1939-09-12)
trumpet:
Harold “Shorty” Baker (on 1939-09-12) and Karl George (US jazz trumpeter) (on 1939-09-12)
Teddy Wilson and His Orchestra3:03
14I Was Doing All Right
alto saxophone:
Len Goldstein (1930s US jazz musician) (on 1938-01-21)
clarinet:
Hank D'Amico (on 1938-01-21)
double bass:
Pete Peterson (jazz bassist) (on 1938-01-21)
drums (drum set):
George Wettling (on 1938-01-21)
guitar:
Allen Hanlon (jazz guitarist) (on 1938-01-21)
piano:
Bill Miller (pianist) (on 1938-01-21)
saxophone:
Charles Lamphere (on 1938-01-21)
tenor saxophone:
Jerry Jerome (on 1938-01-21)
trombone:
Wes Hein (1930s US jazz trombone player) (on 1938-01-21) and Al Mastren (on 1938-01-21)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1938-01-21), Zeke Zarchy (on 1938-01-21) and Barney Zudecoff (on 1938-01-21)
xylophone:
Red Norvo (on 1938-01-21)
vocals:
Mildred Bailey (on 1938-01-21)
recording of:
I Was Doing All Right (on 1938-01-21)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
Red Norvo2:59
15East of the Sun
recorded in:
New York, New York, United States (on 1944-12-31)
clarinet:
Aaron Sachs (on 1944-12-31)
double bass:
Jack Lesberg (on 1944-12-31)
drums (drum set):
Morey Feld (on 1944-12-31)
guitar:
Chuck Wayne (on 1944-12-31)
piano:
Leonard Feather (on 1944-12-31)
tenor saxophone:
Georgie Auld (on 1944-12-31)
trumpet:
Dizzy Gillespie (on 1944-12-31)
vocals:
Sarah Vaughan (on 1944-12-31)
orchestra:
Dizzy Gillespie and His Orchestra (on 1944-12-31)
cover recording of:
East of the Sun (and West of the Moon) (on 1944-12-31)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
Sarah Vaughan2:51
16Harlem Madness
alto saxophone:
Hilton Jefferson (on 1934-03-06)
bass:
John Kirby (jazz bass/trombone/tuba player) (on 1934-03-06)
drums (drum set):
Vic Engle (on 1934-03-06)
guitar:
Bernard Addison (on 1934-03-06)
piano:
Fletcher Henderson (on 1934-03-06)
tenor saxophone:
Coleman Hawkins (on 1934-03-06)
trombone:
Keg Johnson (jazz trombonist) (on 1934-03-06) and Claude Jones (on 1934-03-06)
trumpet:
Henry “Red” Allen (jazz musician) (on 1934-03-06), Russell Smith (US jazz trumpeter) (on 1934-03-06) and Joe Thomas (jazz trumpeter) (on 1934-03-06)
recording of:
Harlem Madness (on 1934-03-06)
writer:
Fletcher Henderson
Fletcher Henderson and His Orchestra3:30
17One O’Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Harry James2:56
18The Frim Fram Sauce
recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Nat King Cole3:16
3▼CD
#TitleArtistRatingLength
1My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3.853:37
2Conception
double bass:
Gene Ramey (on 1947-02-18)
drums (drum set):
Art Blakey (on 1947-02-18)
tenor saxophone:
Stan Getz (on 1947-02-18)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-02-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-02-18)
live recording of:
Conception (on 1950-02-18)
composer:
George Shearing (British jazz pianist)
recording of:
Conception
composer:
George Shearing (British jazz pianist)
Miles Davis44:08
3It Might as Well Be Spring
alto saxophone:
Russell Procope (on 1946-01-09)
bass and double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1946-01-09)
clarinet:
Buster Bailey (clarinetist) (on 1946-01-09)
drums (drum set):
Bill Beason (on 1946-01-09)
piano:
Billy Kyle (on 1946-01-09)
trumpet:
Clarence Brereton (on 1946-01-09)
vocals:
Sarah Vaughan (on 1946-01-09)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1946-01-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Sarah Vaughan3:00
4What a Difference a Day Makes
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.252:29
5Salt Peanuts
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-11)
double bass:
Curley Russell (on 1945-05-11)
drums (drum set):
Sid Catlett (on 1945-05-11)
piano:
Al Haig (on 1945-05-11)
trumpet:
Dizzy Gillespie (on 1945-05-11)
vocals:
Dizzy Gillespie (on 1945-05-11) and Sarah Vaughan (on 1945-05-11)
orchestra:
Dizzy Gillespie and His All Stars (on 1945-05-11)
recording of:
Salt Peanuts (on 1945-05-11)
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Dizzy Gillespie’s All‐Star Quintet3:17
6Rhythm Rhapsody
recorded in:
Chicago, Illinois, United States (on 1937-08-10)
double bass:
Quinn Wilson (jazz bassist, tubist) (on 1937-08-10)
drums (drum set):
Oliver Coleman (on 1937-08-10)
guitar:
Hurley Ramey (on 1937-08-10)
piano:
Earl Hines (jazz pianist and bandleader) (on 1937-08-10)
reeds:
Leroy Harris (on 1937-08-10), Willie Randall (on 1937-08-10) and Leon Washington (on 1937-08-10)
trombone:
Ed Fant (on 1937-08-10), Ken Stewart (trombone) (on 1937-08-10) and Louis Taylor (on 1937-08-10)
trumpet:
Ray Nance (on 1937-08-10) and Leon Scott (on 1937-08-10)
orchestra:
Earl Hines and His Orchestra (on 1937-08-10)
Earl Hines and His Orchestra3:03
7Fidgety Feet
banjo:
Charlie Dixon (Jazz banjoist) (on 1927-03-19)
drums (drum set):
Kaiser Marshall (on 1927-03-19)
piano:
Fletcher Henderson (on 1927-03-19)
reeds:
Buster Bailey (clarinetist) (on 1927-03-19), Coleman Hawkins (on 1927-03-19) and Don Redman (on 1927-03-19)
trombone:
Jimmy Harrison (on 1927-03-19) and Benny Morton (on 1927-03-19)
trumpet:
Tommy Ladnier (American jazz trumpeter) (on 1927-03-19), Joe Smith (American jazz trumpeter/cornetist) (on 1927-03-19) and Russell Smith (US jazz trumpeter) (on 1927-03-19)
tuba [brass bass]:
June Cole (on 1927-03-19)
recording of:
Fidgety Feet (on 1927-03-19)
composer:
Nick LaRocca and Larry Shields
Fletcher Henderson and His Orchestra2:58
8Bossa Nova U.S.A.
Quincy Jones3:00
9Baby, Won’t You Say You Love Me?
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-02-02)
cover recording of:
Baby, Won’t You Say You Love Me? (on 1950-02-02)
writer:
Mack Gordon and Josef Myrow
Ella Fitzgerald2:57
10Blue Monk
recorded in:
Paris, Île-de-France, France (on 1967-11-03)
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1967-11-03)
double bass [bass]:
Larry Gales (on 1967-11-03)
drums (drum set):
Ben Riley (American jazz drummer) (on 1967-11-03)
piano:
Thelonious Monk (on 1967-11-03)
tenor saxophone:
Johnny Griffin (on 1967-11-03) and Charlie Rouse (on 1967-11-03)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1967-11-03)
trumpet:
Ray Copeland (US jazz trumpeter) (on 1967-11-03) and Clark Terry (American swing trumpeter) (on 1967-11-03)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1967-11-03)
live recording of:
Blue Monk (on 1967-11-03)
publisher:
Thelonious Monk
composer:
Thelonious Monk
recording of:
Blue Monk
publisher:
Thelonious Monk
composer:
Thelonious Monk
Thelonious Monk5:19
11Panacea
Woody Herman3:22
12Just Friends
Sonny Stitt & Red Holloway6:14
13Seven Come Eleven
recorded in:
New York, New York, United States (on 1944-01-05)
double bass:
Slam Stewart (on 1944-01-05)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1944-01-05)
piano:
Art Tatum (US jazz pianist) (on 1944-01-05)
instrumental recording of:
Moonglow (on 1944-01-05)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Red Norvo4:12
14Moonglow
recorded in:
New York, New York, United States (on 1944-01-05)
double bass:
Slam Stewart (on 1944-01-05)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1944-01-05)
piano:
Art Tatum (US jazz pianist) (on 1944-01-05)
instrumental recording of:
Moonglow (on 1944-01-05)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Art Tatum2:37
15Can’t Help Lovin’ That Man
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, volume I)
Lena Horne2:45
16Ornithology
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1946-03-28)
double bass:
Vic McMillan (on 1946-03-28)
drums (drum set):
Roy Porter (on 1946-03-28)
guitar:
Arvin Garrison (on 1946-03-28)
piano:
Dodo Marmarosa (on 1946-03-28)
tenor saxophone:
Lucky Thompson (on 1946-03-28)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-03-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-28)
recording of:
Ornithology (on 1946-03-28)
composer:
Benny Harris and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker2:58
17Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
recorded at and engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw33:13
18Jersey Bounce
recording of:
Jersey Bounce
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson (US songwriter) and Bobby Plater
Benny Goodman and His Orchestra3:09