Fritz Wunderlich (part of the DG series "Große Stimmen")

~ Release by Fritz Wunderlich (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Die Zauberflöte: Aufzug I. "Dies Bildnis ist bezaubernd schön"
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:46
2Die Entführung aus dem Serail: Aufzug I. "Hier soll ich dich denn sehen"
tenor vocals [Belmonte]:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:47
3Die Entführung aus dem Serail: Aufzug II. "Wenn der Freude Tränen fließen"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:23
4La Traviata: Aufzug I. "O Freunde, so leeret in vollen Zügen"
baritone vocals [Baron]:
Günter Missenhardt (operatic bass-baritone) (in 1966-09)
bass vocals [Doktor]:
Karl Christian Kohn (operatic bass) (in 1966-09)
bass vocals [Marquis]:
Hans Bruno Ernst (operatic bass) (in 1966-09)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-09)
contralto vocals [Flora]:
Claudia Hellmann (contralto) (in 1966-09)
soprano vocals [Violetta]:
Hilde Güden (soprano) (in 1966-09)
tenor vocals [Alfredo]:
Fritz Wunderlich (operatic tenor) (in 1966-09)
tenor vocals [Gaston]:
Friedrich Lenz (tenor) (in 1966-09)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1966-09)
conductor:
Bruno Bartoletti (conductor) (in 1966-09)
recording of:
La Traviata: Akt I. „O Freunde, so leeret in vollen Zügen“ (Alfredo, Chor, Violetta) (in 1966-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
part of:
La Traviata: Akt I.
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi2:25
5La Traviata: Aufzug III. "O, laß uns fliehen aus diesen Mauern"
soprano vocals [Violetta]:
Hilde Güden (soprano) (in 1966-09)
tenor vocals [Alfredo]:
Fritz Wunderlich (operatic tenor) (in 1966-09)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1966-09)
conductor:
Bruno Bartoletti (conductor) (in 1966-09)
recording of:
La Traviata: Akt III. „O, laß uns fliehen aus diesen Mauern“ (Alfred, Violetta) (in 1966-09)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
part of:
La Traviata: Akt III.
Giuseppe Verdi3:55
6Eugen Onegin: Aufzug II. "Wohin seid ihr entschwunden"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
orchestra:
Orchester Der Staatsoper Munchen (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1966-07)
conductor:
Otto Gerdes (conductor and producer) (in 1966-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Eugen Onegin: Aufzug II. "Wohin seid ihr entschwunden" (Lensky) (in 1966-07)
composer:
Tschaikowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin, op. 24 (German translation)
Пётр Ильич Чайковский7:01
7Zar und Zimmerman: Aufzug II. "Lebe wohl, mein flandrisch Mädchen"
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Hans Ritter
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-09)
soprano vocals [Marie]:
Ingeborg Hallstein (soprano) (in 1966-09)
tenor vocals [Marquis]:
Fritz Wunderlich (operatic tenor) (in 1966-09)
orchestra:
Bamberger Symphoniker (Bamberg Symphony) (in 1966-09)
conductor:
Hans Gierster (conductor) (in 1966-09)
chorus master:
Wolfgang Schubert (conductor) (in 1966-09)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-09)
recorded at:
Kulturraum in Bamberg, Bayern (Bavaria), Germany (in 1966-09)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor) (in 1966-09)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing5:08
8Der Waffenschmied: Aufzug I. "Man wird ja einmal nur geboren"
tenor vocals and tenor vocals [Georg]:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Hans Moltkau
recording of:
Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg)
composer and librettist:
Albert Lortzing (German composer)
part of:
Der Waffenschmied: Akt I
Albert Lortzing3:39
9Der Barbier von Sevilla: Aufzug I. "Strahlt auf mich der Blitz des Goldes"
baritone vocals [Bariton] and baritone vocals [Figaro]:
Hermann Prey (baritone)
tenor vocals and tenor vocals [Almaviva]:
Fritz Wunderlich (operatic tenor)
vocals:
Hermann Prey (baritone) and Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Der Barbier von Sevilla: Akt I. „Strahlt auf mich der Blitz des Goldes”
composer:
Gioachino Rossini (composer)
translated version of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte)
part of:
Der Barbier von Sevilla (german lyrics)
Gioachino Rossini7:33
10Rigoletto: Aufzug I. "Ich denk ihn lieber mir von meinem Stunde" / "Liebe ist Seligkeit, ist Licht und Leben"
soprano vocals:
Erika Köth (soprano)
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Rigoletto: 1. Akt. „Giovanna, mir ist so bange“ (Gilda, Giovanna) / „Ich denk ihn lieber mir“ / Duett „Ich liebe dich!“ (Herzog, Gilda)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto I, scena 2. N°5 “Giovanna, ho dei rimorsi …” (Gilda, Giovanna) / Duetto “T'amo! T'amo” (Duca, Gilda)
part of:
Rigoletto: 1. Akt
part of:
Rigoletto: 1. Akt
Giuseppe Verdi6:19
11Don Carlos: Aufzug II. "Sie ist verloren" / "Er ist's! Carlos!"
baritone vocals [Posa]:
Hermann Prey (baritone) (in 1963-01)
tenor vocals [Don Carlos]:
Fritz Wunderlich (operatic tenor) (in 1963-01)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1963-01)
conductor:
Horst Stein (conductor) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recording of:
Don Carlos: Aufzug II. "Sie ist verloren" / "Er ist's! Carlos!" (in 1963-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlos: Akt I (German translation)
Giuseppe Verdi6:01
12La Bohème: Aufzug IV. "Infame Feder" / "Welch scheußlicher Pinsel" / "Ach, Geliebte! Nie kehrst du mir wieder!"
baritone vocals [Marcello]:
Hermann Prey (baritone) (in 1961-12)
tenor vocals [Rodolfo]:
Fritz Wunderlich (operatic tenor) (in 1961-12)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1961-12)
conductor:
Kurt Eichhorn (conductor) (in 1961-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recording of:
La Bohème: Akt IV. "Infame Feder" / "Welch scheußlicher Pinsel" / "Ach, Geliebte! Nie kehrst du mir wieder!" (in 1961-12)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Akt IV (German translation)
Giacomo Puccini3:34
13Tosca: Aufzug III. "Und es blitzen die Sterne"
tenor vocals [Cavaradossi]:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Südwestfunk-Orchester Baden-Baden (SWR Radio Orchestra Kaiserslautern) (in 1965-12)
conductor:
Emmerich Smola (German conductor) (in 1965-12)
recorded at:
SWR Studio in Kaiserslautern, Rheinland-Pfalz (Rhineland-Palatinate), Germany (in 1965-12)
recording of:
Tosca: 3. Akt. „Und es blitzen die Sterne” (Cavaradossi) (“E lucevan le stelle”) (in 1965-12)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
part of:
Tosca: 3. Akt
Giacomo Puccini2:54
14Heidenröslein, D 257
piano:
Hubert Giesen (pianist) (in 1966-07)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1966-07)
vocals:
Fritz Wunderlich (operatic tenor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1966) and Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1966-07)
recording of:
Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”) (in 1966-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-08-19)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)
Franz Schubert1:49
15Ich liebe dich, WoO 123
producer:
Hans Weber (producer/engineer)
piano:
Hubert Giesen (pianist) (from 1965-10-31 until 1965-11-03)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03)
recording of:
Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" (from 1965-10-31 until 1965-11-03)
lyricist:
Karl Friedrich Wilhelm Herrosee
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 287) and Kinsky catalogue (Beethoven WoO works) (number: WoO 123)
Ludwig van Beethoven2:16
16Funiculi-Funicula
choir vocals:
Singgemeinschaft Rudolf Lamy
tenor vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonie-Orchester Kurt Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Hans Carste (composer and bandleader)
arranger:
Heinz Schreiter
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recording of:
Funiculì, funiculà
composed in:
Castellammare di Stabia, Napoli, Campania, Italy (in 1880)
lyricist:
Peppino Turco
composer:
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. and Robbins Music Corp.
Luigi Denza52:20
17Ein Lied geht um die Welt
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-04)
orchestra:
Symphonie-Orchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1962-04)
conductor:
Hans Carste (composer and bandleader) (in 1962-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recording of:
Ein Lied geht um die Welt (aus dem Film „Ein Lied geht um die Welt“) (in 1962-04)
lyricist:
Ernst Neubach
composer:
Hans May (Austrian Film Composer)
Hans May3:39

Credits

Release

photography:Siegfried Lauterwasser
part of:Große Stimmen (Deutsche Grammophon) (order: 4)
ASIN:DE: B000026AI2 [info]