100 Jahre Salzburger Festspiele

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Compilation of significant recordings over 70 years from the Salzburg Festival. Released as part of the 100th anniversary of the festival.

Annotation last modified on 2020-09-20 09:00 UTC.

Tracklist

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1▼CD: Strauss: Arabella (Act I)
#TitleArtistRatingLength
1Arabella: Akt I. “Die Karten fallen besser als das letzte Mal” (Kartenaufschlägerin, Adelaide, Zdenka)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
alto vocals [Eine Kartenaufschlägerin]:
Ruth Michaelis (alto) (on 1947-08-12)
mezzo-soprano vocals [Adelaide, seine Frau]:
Rosette Anday (mezzo-soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Die Karten fallen besser als das letzte Mal" (Kartenaufschlägerin, Adelaide, Zdenka) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss5:06
2Arabella: Akt I. “Sie wollen alle Geld!” (Zdenka)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Sie wollen alle Geld!" (Zdenka) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss1:59
3Arabella: Akt I. “Matteo!” - “Zdenko! Du! Bist du allein?” (Zdenka, Matteo)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
tenor vocals [Matteo, Jägeroffizier]:
Horst Taubmann (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Matteo! - Zdenko! Du! Bist du allein?" (Zdenka, Matteo) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss4:20
4Arabella: Akt I. “Ich danke, Fräulein” (Arabella, Zdenka)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Ich danke, Fräulein" (Arabella, Zdenka) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
publisher:
Adolph Fürstner Ltd. and Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Arabella, op. 79: Akt I
Richard Strauss5:44
5Arabella: Akt I. “Aber der Richtige, wenn's einen gibt” (Arabella, Zdenka)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Aber der Richtige, wenns einen gibt" (Arabella, Zdenka) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss5:21
6Arabella: Akt I. “Das ist der Schlitten vom Elemer” (Zdenka, Arabella)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Das ist der Schlitten vom Elemer" (Zdenka, Arabella) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss2:36
7Arabella: Akt I. “Was hast du denn?” (Arabella, Zdenka, Elemer)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
tenor vocals [Graf Elemer]:
Julius Patzak (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "So triumphierend treten Sie herein?" (Arabella, Elemer, Zdenka) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss6:58
8Arabella: Akt I. “Lasst uns allein, meine Töchter” (Adelaide, Waldner)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass vocals [Graf Waldner, Rittmeister a. D.]:
Georg Hann (operatic bass) (on 1947-08-12)
mezzo-soprano vocals [Adelaide, seine Frau]:
Rosette Anday (mezzo-soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Laßt uns allein, meine Kinder" (Adelaide, Waldner, Zimmerkellner) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss3:47
9Arabella: Akt I. “Bin nicht in der Lage, länger zu warten!” (Waldner, Zimmerkellner, Mandryka, Welko)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass vocals [Graf Waldner, Rittmeister a. D.]:
Georg Hann (operatic bass) (on 1947-08-12)
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
other vocals [Welko, Leibhusar des Mandryka]:
Franz Szkokan (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Der Onkel ist dahin" (Mandryka, Waldner) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
live recording of:
Arabella, op. 79: Act I. "Herr Graf, Sie haben Ihrem werten Brief" (Mandryka, Waldner) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
live recording of:
Arabella, op. 79: Act I. "Mandryka! Der reiche Kerl!" (Waldner, Zimmerkellner, Mandryka, Welko) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss15:15
10Arabella: Akt I. “Hab' ich geträumt?” (Waldner, Zimmerkellner, Zdenka, Matteo, Arabella)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass vocals [Graf Waldner, Rittmeister a. D.]:
Georg Hann (operatic bass) (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
tenor vocals [Matteo, Jägeroffizier]:
Horst Taubmann (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Das ist ein Fall von andrer Art" (Mandryka, Waldner, Zimmerkellner, Zdenka, Matteo, Arabella) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt I
Richard Strauss3:27
11Arabella: Akt I. “Mein Elemer! Das hat so einen sonderbaren Klang!” (Arabella, Zdenka)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act I. "Mein Elemer!" (Arabella, Zdenka) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
publisher:
Adolph Fürstner Ltd. and Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Arabella, op. 79: Akt I
Richard Strauss9:23
2▼CD: Strauss: Arabella (Act II)
#TitleArtistRatingLength
1Arabella: Akt II. “Das ist ein Engel, der vom Himmel niedersteigt!” (Mandryka, Waldner, Adelaide, Arabella)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass vocals [Graf Waldner, Rittmeister a. D.]:
Georg Hann (operatic bass) (on 1947-08-12)
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
mezzo-soprano vocals [Adelaide, seine Frau]:
Rosette Anday (mezzo-soprano) (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act II. "Das ist ein Engel" (Mandryka, Waldner, Adelaide, Arabella) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
Richard Strauss2:56
2Arabella: Akt II. “Sie seh'n nicht aus wie jemand, den das alles da int'ressiert” (Arabella, Mandryka, Dominik, Elemer, Lamoral)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
baritone vocals [Graf Lamoral]:
Alfred Poell (baritone) (on 1947-08-12)
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
tenor vocals [Graf Dominik]:
Josef Witt (tenor) (on 1947-08-12)
tenor vocals [Graf Elemer]:
Julius Patzak (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act II. "Sie sehn nicht aus wie jemand" (Arabella, Mandryka, Elemer) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
Richard Strauss6:07
3Arabella: Akt II. “Sie woll'n mich heiraten, sagt mein Vater” (Arabella, Mandryka)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act II. "Sie wollen mich heiraten, sagt mein Vater" (Arabella, Mandryka) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
publisher:
Adolph Fürstner Ltd. and Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Arabella, op. 79: Akt II
Richard Strauss6:55
4Arabella: Akt II. “Und du wirst mein Gebieter sein” (Arabella, Mandryka)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act II. "Und du wirst mein Gebieter sein" (Arabella, Mandryka, Dominik) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
Richard Strauss4:07
5Arabella: Akt II. “Der Ball begehrt nach seiner Königin” (Dominik, Fiakermilli, Chor)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1947-08-12)
soprano vocals [Die Fiakermilli]:
Herma Handl (soprano) (on 1947-08-12)
tenor vocals [Graf Dominik]:
Josef Witt (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act II. "Die Wiener Herrn verstehn sich" (Fiakermilli, Grafen, Fiaker) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
Richard Strauss2:34
6Arabella: Akt II. “Sie sind allein? Wo ist Arabella?” (Adelaide, Mandryka, Matteo, Zdenka, Waldner)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass vocals [Graf Waldner, Rittmeister a. D.]:
Georg Hann (operatic bass) (on 1947-08-12)
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
mezzo-soprano vocals [Adelaide, seine Frau]:
Rosette Anday (mezzo-soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
tenor vocals [Matteo, Jägeroffizier]:
Horst Taubmann (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act II. "Sie sind allein?" (Adelaide, Mandryka, Matteo, Zdenka, Waldner) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
Richard Strauss4:06
7Arabella: Akt II. “Und jetzt sag' ich Adieu, mein lieber Dominik” (Arabella, Dominik, Elemer, Lamoral)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
baritone vocals [Graf Lamoral]:
Alfred Poell (baritone) (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
tenor vocals [Graf Dominik]:
Josef Witt (tenor) (on 1947-08-12)
tenor vocals [Graf Elemer]:
Julius Patzak (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act II. "Und jetzt sag ich Adieu" (Arabella, Dominik, Elemer) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
publisher:
Adolph Fürstner Ltd. and Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Arabella, op. 79: Akt II
Richard Strauss7:46
8Arabella: Akt II. “Ein Feigling bin ich” (Matteo, Zdenka, Mandryka, Welko, Djura, Fiakermilli, Elemer, Jankel, Adelaide, Waldner)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass vocals [Graf Waldner, Rittmeister a. D.]:
Georg Hann (operatic bass) (on 1947-08-12)
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
mezzo-soprano vocals [Adelaide, seine Frau]:
Rosette Anday (mezzo-soprano) (on 1947-08-12)
other vocals [Djura]:
Franz Kolin (on 1947-08-12)
other vocals [Jankel]:
Emanuel Haller (on 1947-08-12)
other vocals [Welko, Leibhusar des Mandryka]:
Franz Szkokan (on 1947-08-12)
soprano vocals [Die Fiakermilli]:
Herma Handl (soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
tenor vocals [Graf Elemer]:
Julius Patzak (tenor) (on 1947-08-12)
tenor vocals [Matteo, Jägeroffizier]:
Horst Taubmann (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act II. "Ein Feigling bin ich" (Matteo, Zdenka, Mandryka, Welko) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
live recording of:
Arabella, op. 79: Act II. "Ging durch einen Wald" (Mandryka, Fiakermilli, Adelaide, Waldner) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
live recording of:
Arabella, op. 79: Act II. "Und wenn hier viele Arabella heissen" (Mandryka, Fiakermilli, Elemer, Piccolo) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
Richard Strauss12:33
9Arabella: Akt II. Zwischenspiel - Walzer
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live partial recording of:
Arabella, op. 79: Act II. "Ging durch einen Wald" (Mandryka, Fiakermilli, Adelaide, Waldner) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt II
Richard Strauss4:41
3▼CD: Strauss: Arabella (Act III)
#TitleArtistRatingLength
1Arabella: Akt III. “Über seine Felder wird der Wagen fahren” (Arabella, Matteo, Adelaide, Mandryka, Welko, Waldner)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass vocals [Graf Waldner, Rittmeister a. D.]:
Georg Hann (operatic bass) (on 1947-08-12)
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
mezzo-soprano vocals [Adelaide, seine Frau]:
Rosette Anday (mezzo-soprano) (on 1947-08-12)
other vocals [Welko, Leibhusar des Mandryka]:
Franz Szkokan (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
tenor vocals [Matteo, Jägeroffizier]:
Horst Taubmann (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act III. "Über seine Felder wird der Wagen fahren" (Arabella, Matteo) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt III
Richard Strauss13:47
2Arabella: Akt III. “Ich gratuliere Ihnen, Herr Leutnant” (Mandryka, Arabella, Waldner, Chor, Adelaide, Matteo)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass vocals [Graf Waldner, Rittmeister a. D.]:
Georg Hann (operatic bass) (on 1947-08-12)
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1947-08-12)
mezzo-soprano vocals [Adelaide, seine Frau]:
Rosette Anday (mezzo-soprano) (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
tenor vocals [Matteo, Jägeroffizier]:
Horst Taubmann (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act III. "Ich gratuliere Ihnen, Herr Leutnant" (Mandryka, Arabella, Waldner, Hotelgäste, Adelaide, Spieler, Matteo) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt III
Richard Strauss5:36
3Arabella: Akt III. “Papa!” - “Zdenka! Was für ein Aufzug!” (Zdenka, Adelaide, Arabella, Waldner, Chor, Mandryka, Matteo)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass vocals [Graf Waldner, Rittmeister a. D.]:
Georg Hann (operatic bass) (on 1947-08-12)
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1947-08-12)
mezzo-soprano vocals [Adelaide, seine Frau]:
Rosette Anday (mezzo-soprano) (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
soprano vocals [Zdenka]:
Lisa della Casa (soprano) (on 1947-08-12)
tenor vocals [Matteo, Jägeroffizier]:
Horst Taubmann (tenor) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act III. "Papa, Mama!" (Zdenka, Adelaide, Arabella, Waldner, Spieler, Mandryka, Matteo) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt III
Richard Strauss12:39
4Arabella: Akt III. “Sie gibt mir keinen Blick” (Mandryka)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act III. "Sie gibt mir keinen Blick" (Mandryka) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
part of:
Arabella, op. 79: Akt III
Richard Strauss2:17
5Arabella: Akt III. “Das war sehr gut, Mandryka” (Arabella, Mandryka)
recording engineer:
Walter Craigher (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Emmerich Zillner
bass-baritone vocals [Mandryka]:
Hans Hotter (German operatic bass-baritone) (on 1947-08-12)
soprano vocals [Arabella]:
Maria Reining (soprano) (on 1947-08-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-08-12)
conductor:
Karl Böhm (Austrian conductor) (on 1947-08-12)
chorus master:
Wolfgang Baumgart (on 1947-08-12)
recorded at:
Salzburg Festival 1947 (1947-07-27 – 1947-08-31)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1947-08-12)
live recording of:
Arabella, op. 79: Act III. "Das war sehr gut, Mandryka" (Arabella) (on 1947-08-12)
composer:
Richard Strauss (German composer) (in 1932)
librettist:
Hugo von Hofmannsthal
publisher:
Adolph Fürstner Ltd. and Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Arabella, op. 79: Akt III
Richard Strauss9:10
4▼CD: Strauss: Ariadne auf Naxos (Prologue & Opera 1)
#TitleArtistRatingLength
1Ariadne auf Naxos: Vorspiel. “Mein Herr Haushofmeister!” (Musiklehrer, Haushofmeister)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
spoken vocals [Der Haushofmeister]:
Alfred Neugebauer (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [2] “Mein Herr Haushofmeister!” (Musiklehrer, Haushofmeister, Lakai, Offizier)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss5:24
2Ariadne auf Naxos: Vorspiel. “Hier finden Euer Gnaden die Mamsell Zerbinetta” (Lakai, Offizier, Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Tanzmeister)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
bass vocals [Ein Lakai]:
Franz Bierbach (operatic bass) (on 1954-08-07)
bass-baritone vocals [Ein Perückenmacher]:
Walter Berry (bass‐baritone) (on 1954-08-07)
other vocals [Ein Offizier]:
Georges Müller (German classical vocalist) (on 1954-08-07)
soprano vocals [Der Komponist]:
Irmgard Seefried (soprano) (on 1954-08-07)
soprano vocals [Primadonna]:
Lisa della Casa (soprano) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
tenor vocals [Der Tenor]:
Rudolf Schock (tenor) (on 1954-08-07)
tenor vocals [Ein Tanzmeister]:
Peter Klein (tenor) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [3] „Lieber Freund! Verschaffen Sie mir die Geigen” … „Hier finden Euer Gnaden die Mamsell Zerbinetta” (Komponist, Lakai)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss8:52
3Ariadne auf Naxos: Vorspiel. “Hast ein Stücker! Notenpapier?” (Komponist, Zerbinetta, Musiklehrer, Primadonna, Tanzmeister, Lakai)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
bass vocals [Ein Lakai]:
Franz Bierbach (operatic bass) (on 1954-08-07)
soprano vocals [Der Komponist]:
Irmgard Seefried (soprano) (on 1954-08-07)
soprano vocals [Primadonna]:
Lisa della Casa (soprano) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
tenor vocals [Ein Tanzmeister]:
Peter Klein (tenor) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [8] „Hast' ein Stückerl Notenpapier?” … „Meine Partner! Meine erprobten Freunde!” … „Die ungetreue Zerbinetta und ihre vier Liebhaber” (Zerbinetta, Komponist, Musiklehrer, Primadonna, Tanzmeister)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:16
4Ariadne auf Naxos: Vorspiel. “Ist schon geschehn. Wir sind bereit” (Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
soprano vocals [Der Komponist]:
Irmgard Seefried (soprano) (on 1954-08-07)
soprano vocals [Primadonna]:
Lisa della Casa (soprano) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
spoken vocals [Der Haushofmeister]:
Alfred Neugebauer (on 1954-08-07)
tenor vocals [Der Tenor]:
Rudolf Schock (tenor) (on 1954-08-07)
tenor vocals [Ein Tanzmeister]:
Peter Klein (tenor) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [9] „Die Herrschaften stehen von Tisch auf!” – „Meine Damen und Herren, an Ihre Plätze” … „Ist schon geschehen. Wir sind bereit” (Lakai, Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss8:21
5Ariadne auf Naxos: Vorspiel. “Nein, Herr, so kommt es nicht” (Komponist, Zerbinetta, Musiklehrer)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
soprano vocals [Der Komponist]:
Irmgard Seefried (soprano) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [11] „Nein, Herr, so kommt es nicht! (Komponist, Zerbinetta, Musiklehrer)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss9:40
6Ariadne auf Naxos: Vorspiel. “An Ihre Plätze, meine Damen und Herren!” (Musiklehrer, Primadonna)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
soprano vocals [Primadonna]:
Lisa della Casa (soprano) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [13] „An Ihre Plätze, meine Damen und Herrn!” (Musiklehrer, Primadonna, Komponist)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss0:53
7Ariadne auf Naxos: Vorspiel. “Sein wir wieder gut” ... “Musik ist eine heilige Kunst” (Komponist, Musiklehrer)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
soprano vocals [Der Komponist]:
Irmgard Seefried (soprano) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [14] „Seien wir wieder gut” (Musiklehrer, Komponist)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:49
8Ariadne auf Naxos: Oper. Ouvertüre
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. Ouvertüre
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:59
9Ariadne auf Naxos: Oper. “Schläft sie?” (Najade, Dryade, Echo)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto) (on 1954-08-07)
soprano vocals [Echo]:
Lisa Otto (soprano) (on 1954-08-07)
soprano vocals [Najade]:
Rita Streich (soprano) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [1] „Schläft sie?” (Najade, Dryade, Echo)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:18
10Ariadne auf Naxos: Oper. “Wo war ich? Tot?” (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
baritone vocals [Harlekin]:
Alfred Poell (baritone) (on 1954-08-07)
bass vocals [Truffaldin]:
Oskar Czerwenka (operatic bass) (on 1954-08-07)
soprano vocals [Ariadne]:
Lisa della Casa (soprano) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [2] ”Ach! Wo war ich?” (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss2:56
11Ariadne auf Naxos: Oper. “Ein Schönes war: hieß Theseus - Ariadne” (Ariadne, Najade, Dryade, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
baritone vocals [Harlekin]:
Alfred Poell (baritone) (on 1954-08-07)
bass vocals [Truffaldin]:
Oskar Czerwenka (operatic bass) (on 1954-08-07)
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto) (on 1954-08-07)
soprano vocals [Ariadne]:
Lisa della Casa (soprano) (on 1954-08-07)
soprano vocals [Echo]:
Lisa Otto (soprano) (on 1954-08-07)
soprano vocals [Najade]:
Rita Streich (soprano) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
tenor vocals [Scaramuccio]:
August Jaresch (tenor) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [3] „Ein Schönes war: hieß Theseus–Ariadne” (Ariadne, Najade, Echo, Dryade, Harlekin, Zerbinetta, Scaramuccio, Truffaldin)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:40
12Ariadne auf Naxos: Oper. “Ach, so versuchet doch ein kleines, Lied” (Zerbinetta, Harlekin, Echo)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
baritone vocals [Harlekin]:
Alfred Poell (baritone) (on 1954-08-07)
soprano vocals [Echo]:
Lisa Otto (soprano) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [4] „Ach, so versuchet doch ein kleines Lied!” … „Lieben, Hassen, Hoffen, Zagen” (Zerbinetta, Harlekin)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss2:06
13Ariadne auf Naxos: Oper. “Es gibt ein Reich, wo alles rein ist” (Ariadne)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
soprano vocals [Ariadne]:
Lisa della Casa (soprano) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:16
14Ariadne auf Naxos: Oper. “Die Dame gibt mit trübem Sinn” ... “Wie sie sich schwingen” (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
baritone vocals [Harlekin]:
Alfred Poell (baritone) (on 1954-08-07)
bass vocals [Truffaldin]:
Oskar Czerwenka (operatic bass) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
tenor vocals [Brighella]:
Murray Dickie (tenor) (on 1954-08-07)
tenor vocals [Scaramuccio]:
August Jaresch (tenor) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [6] „Die Dame gibt mit trübem Sinn” (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:02
5▼CD: Strauss: Ariadne auf Naxos (Opera 2)
#TitleArtistRatingLength
1Ariadne auf Naxos: Oper. “Großmächtige Prinzessin” (Zerbinetta)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss11:01
2Ariadne auf Naxos: Oper. “Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
baritone vocals [Harlekin]:
Alfred Poell (baritone) (on 1954-08-07)
bass vocals [Truffaldin]:
Oskar Czerwenka (operatic bass) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
tenor vocals [Brighella]:
Murray Dickie (tenor) (on 1954-08-07)
tenor vocals [Scaramuccio]:
August Jaresch (tenor) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [8] „Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:30
3Ariadne auf Naxos: Oper. “Ein schönes Wunder!” - “Ein reizender Knabe!” (Dryade, Najade, Echo)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto) (on 1954-08-07)
soprano vocals [Echo]:
Lisa Otto (soprano) (on 1954-08-07)
soprano vocals [Najade]:
Rita Streich (soprano) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [9] „Ein schönes Wunder!” (Dryade, Najade, Echo)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:33
4Ariadne auf Naxos: Oper. “Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto) (on 1954-08-07)
soprano vocals [Ariadne]:
Lisa della Casa (soprano) (on 1954-08-07)
soprano vocals [Echo]:
Lisa Otto (soprano) (on 1954-08-07)
soprano vocals [Najade]:
Rita Streich (soprano) (on 1954-08-07)
tenor vocals [Bacchus]:
Rudolf Schock (tenor) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [10] „Circe, Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:40
5Ariadne auf Naxos: Oper. “Theseus! Nein, nein! Es ist der schöne stille Gott” (Ariadne, Bacchus)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
soprano vocals [Ariadne]:
Lisa della Casa (soprano) (on 1954-08-07)
tenor vocals [Bacchus]:
Rudolf Schock (tenor) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss13:32
6Ariadne auf Naxos: Oper. “Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta)
recording engineer:
Josef Sladko (engineer)
engineer:
Othmar Eichinger (task: digital remastering) and Prof. Gottfried Kraus (writer, critic, producer, radio host) (task: digital remastering)
executive producer:
Prof. Gottfried Kraus (writer, critic, producer, radio host)
producer:
Hans Sachs (producer)
contralto vocals [Dryade]:
Hilde Rössel‐Majdan (Austrian contralto) (on 1954-08-07)
soprano vocals [Ariadne]:
Lisa della Casa (soprano) (on 1954-08-07)
soprano vocals [Echo]:
Lisa Otto (soprano) (on 1954-08-07)
soprano vocals [Najade]:
Rita Streich (soprano) (on 1954-08-07)
soprano vocals [Zerbinetta]:
Hilde Güden (soprano) (on 1954-08-07)
tenor vocals [Bacchus]:
Rudolf Schock (tenor) (on 1954-08-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-08-07)
conductor:
Karl Böhm (Austrian conductor) (on 1954-08-07)
recorded at:
Salzburg Festival 1954 (1954-07-25 – 1954-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (on 1954-08-07)
live recording of:
Ariadne auf Naxos, op. 60: Oper. [13] „Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:15
6▼CD: Verdi: Don Carlo (Acts I & II/1)
#TitleArtistRatingLength
1Don Carlo: Atto I, Quadro primo. Scena e preghiera: "Carlo il sommo imperatore" (coro, un frate)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
bass vocals [un frate]:
Nicola Zaccaria (operatic bass) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi6:12
2Don Carlo: Atto I, Quadro primo. Scena e preghiera: "Io l'ho perduta!" (Don Carlo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
tenor vocals [Don Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:31
3Don Carlo: Atto I, Quadro primo. Scena e preghiera: "Io la vidi, e al suo sorriso" (Don Carlo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:41
4Don Carlo: Atto I, Quadro primo. Scena e preghiera: "Il duolo della terra" (un frate, Don Carlo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
bass vocals [un frate]:
Nicola Zaccaria (operatic bass) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 1. N°2 “Il duolo della terra” (Al chiostro di San Giusto) (Un frate, Carlo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:04
5Don Carlo: Atto I, Quadro primo. Scena e duetto: "È lui! desso! l'infante!" (Rodrigo, Don Carlo, coro, un frate)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
bass vocals [un frate]:
Nicola Zaccaria (operatic bass) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:43
6Don Carlo: Atto I, Quadro primo. Scena e duetto: "Dio, che nell'alma infondere" (Don Carlo, Rodrigo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:35
7Don Carlo: Atto I, Quadro secondo. Coro e scena: "Sotto ai folti, immensi abeti" (coro, Eboli, Tebaldo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Tebaldo]:
Norbert Balatsch (baritone, chorus master and conductor) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:17
8Don Carlo: Atto I, Quadro secondo. Canzone del velo: "Nei giardin del bello" (Eboli, Tebaldo, dame)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Tebaldo]:
Norbert Balatsch (baritone, chorus master and conductor) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:39
9Don Carlo: Atto I, Quadro secondo. Scena, terzettino dialogato e romanza: "La regina! / Un'arcana mestizia" (coro, Eboli, Elisabetta, Tebaldo, Rodrigo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
baritone vocals [Tebaldo]:
Norbert Balatsch (baritone, chorus master and conductor) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:50
10Don Carlo: Atto I, Quadro secondo. Scena, terzettino dialogato e romanza: "Che mai si fa nel suol francese ... Carlo, ch'è sol il nostro amore" (Eboli, Rodrigo, Elisabetta)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°8 “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:52
11Don Carlo: Atto I, Quadro secondo. Grande scena e duetto: "Io vengo a domandar grazia" (Don Carlo, Elisabetta)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi8:20
12Don Carlo: Atto I, Quadro secondo. Scena e romanza: "Il re! / Perché sola è la regina?" (Tebaldo, Filippo, coro)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Tebaldo]:
Norbert Balatsch (baritone, chorus master and conductor) (on 1958-07-26)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:13
13Don Carlo: Atto I, Quadro secondo. Scena e romanza: "Non pianger, mia compagna" (Elisabetta, coro, Rodrigo, Filippo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:41
14Don Carlo: Atto I, Quadro secondo. Scena e duetto "Restate! ... O signor, di Fiandra arrivo" (Filippo, Rodrigo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
live recording of:
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi11:46
15Don Carlo: Atto II, Quadro primo. Coro interno e scena: "Mandoline, corde d'or ... Deh! vieni a me!" (coro, Elisabetta, Eboli)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
partial recording of:
Don Carlo: Atto II (III) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo (Italian translation)
Giuseppe Verdi2:30
16Don Carlo: Atto II, Quadro primo. Scena, duetto e terzetto: "A mezzanotte, ai giardin della regina ... Sei tu, sei tu, bell'adorata" (Don Carlo, Eboli)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi9:01
17Don Carlo: Atto II, Quadro primo. Scena, duetto e terzetto: "Carlo, se mai su te fogli importanti serbi" (Rodrigo, Don Carlo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto II, scena 1. N°4 “Carlo! se mai su te fogli importanti serbi” (Rodrigo, Carlo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:18
18Don Carlo: Atto II, Quadro secondo. Gran finale: "Spuntato ecco il dì d'esultanza" (coro)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live partial recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi4:38
19Don Carlo: Atto II, Quadro secondo. Gran finale: "Il dì spuntò" (coro)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live partial recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:46
20Don Carlo: Atto II, Quadro secondo. Gran finale: "Or la porta s'apra del tempio!" (aralda, coro)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
bass-baritone vocals [un araldo]:
Norman Foster (bass-baritone singer and actor) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto II, scena 2. N°6 “Schiusa or sia la porta del tempio!” (L'araldo, Coro) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:29
7▼CD: Verdi: Don Carlo (Acts II/2. & III)
#TitleArtistRatingLength
1Don Carlo: Atto II, Quadro secondo. Gran finale: "Nel posar sul mio capo la corona ... Sire, no, l'ora estrama" (Filippo, coro, Elisabetta, Rodrigo, Don Carlo, deputati di Fiandra, sei frati, Tebaldo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
baritone vocals [Tebaldo]:
Norbert Balatsch (baritone, chorus master and conductor) (on 1958-07-26)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi5:54
2Don Carlo: Atto II, Quadro secondo. Gran finale: "Sire, egli è tempo ch'io viva!" (Don Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, coro, voce dal cielo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
baritone vocals [Tebaldo]:
Norbert Balatsch (baritone, chorus master and conductor) (on 1958-07-26)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
soprano vocals [una voce dal cielo]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto II, scena 2. N°8 “Sire! Egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi5:42
3Don Carlo: Atto III, Quadro primo. Scena e cantabile: "Ella giammai m'amò!" (Filippo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi10:22
4Don Carlo: Atto III, Quadro primo. Scena: "Il Grande Inquisitor! / Son io dinanzi al re?" (Lerma, inquisitore, Filippo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
bass vocals [l'inquisitore]:
Marco Stefanoni (on 1958-07-26)
tenor vocals [Lerma]:
Carlo Schmidt (Tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi8:41
5Don Carlo: Atto III, Quadro primo. Scena e quartetto: "Giustizia! O Sire" (Elisabetta, Filippo, Eboli, Rodrigo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:52
6Don Carlo: Atto III, Quadro primo. Sceba e quartetto: "Soccorso alla regina!" (Filippo, Eboli, Rodrigo, Elisabetta)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 1. N°12 “Soccorso alla Regina!” (Filippo, Eboli, Rodrigo, Elisabetta) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:08
7Don Carlo: Atto III, Quadro primo. Scena ed aria: "Pietà! Perdon per la rea che si pente" (Eboli, Elisabetta)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:12
8Don Carlo: Atto III, Quadro primo. Scena ed aria: "Ah più non vedrò la Regina! O don fatale" (Eboli)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:05
9Don Carlo: Atto III, Quadro secondo. Morte di Rodrigo: "Son io, mio Carlo" (Rodrigo, Don Carlo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:12
10Don Carlo: Atto III, Quadro secondo. Morte di Rodrigo: "Per me giunto è il dì supremo" (Rodrigo, Don Carlo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:17
11Don Carlo: Atto III, Quadro secondo. Morte di Rodrigo: "O Carlo, ascolta" (Rodrigo, Don Carlo)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
baritone vocals [Rodrigo]:
Ettore Bastianini (baritone) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:30
12Don Carlo: Atto III, Quadro secondo. Sommossa: "Mio Carlo, a te la spada io rendo!" (Filippo, Don Carlo, coro, Lerma, Eboli, inquisitore)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
bass vocals [l'inquisitore]:
Marco Stefanoni (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
mezzo-soprano vocals [Eboli]:
Giulietta Simionato (mezzo-soprano) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
tenor vocals [Lerma]:
Carlo Schmidt (Tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:14
13Don Carlo: Act IV. Scena ed aria: "Tu che le vanità conoscesti del mondo" (Elisabetta)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi9:27
14Don Carlo: Act IV. Scena e duetto d'addio - Scena finale: "È dessa! / Un detto, un sol" (Don Carlo, Elisabetta)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:38
15Don Carlo: Act IV. Scena e duetto d'addio - Scena finale: "Sì, per sempre!" (Filippo, inquisitore, Elisabetta, Don Carlo, un frate, coro)
recording engineer:
Meinhard Leitich
executive producer:
Gottfried Kraus (writer, critic, producer, radio host)
producer:
Otto Serti
bass vocals:
Nicola Zaccaria (operatic bass) (on 1958-07-26)
bass vocals [Filippo]:
Cesare Siepi (operatic bass) (on 1958-07-26)
bass vocals [l'inquisitore]:
Marco Stefanoni (on 1958-07-26)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1958-07-26)
soprano vocals [Elisabetta]:
Sena Jurinac (soprano) (on 1958-07-26)
tenor vocals [Carlo]:
Eugenio Fernandi (tenor) (on 1958-07-26)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1958-07-26)
conductor:
Herbert von Karajan (conductor) (on 1958-07-26)
recorded at:
Salzburg Festival 1958 (1958-07-26 – 1958-08-31)
recorded at:
Felsenreitschule in Salzburg, Salzburg, Austria (on 1958-07-26)
live recording of:
Don Carlo: Atto IV. N°15 “Sì, per sempre!” (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) (on 1958-07-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi1:47
8▶CD: Gluck: Orfeo ed Euridice (Acts I & II)
9▶CD: Gluck: Orfeo ed Euridice (Act III)
10▶CD: Strauss: Die schweigsame Frau (Acts I & II/1)
11▶CD: Strauss: Die schweigsame Frau (Acts II/2 & III)
12▶CD: Strauss: Der Rosenkavalier (Act I)
13▶CD: Strauss: Der Rosenkavalier (Act II)
14▶CD: Strauss: Der Rosenkavalier (Act III)
15▶CD: Mozart: Idomeneo (Acts I & II/1)
16▶CD: Mozart: Idomeneo (Acts II/2 & III)
17▶CD: Verdi: Il trovatore (Parts I & II)
18▶CD: Verdi: Il trovatore (Parts III & IV)
19▶CD: Strauss: Der Rosenkavalier (Act I)
20▶CD: Strauss: Der Rosenkavalier (Act II)
21▶CD: Strauss: Der Rosenkavalier (Act III)
22▶CD: Mozart: Così fan tutte (Act I/1)
23▶CD: Mozart: Così fan tutte (Acts I/2 & II)
24▶CD: Mozart: Don Giovanni (Act I/1)
25▶CD: Mozart: Don Giovanni (Acts I/2 & II/1)
26▶CD: Mozart: Don Giovanni (Act II/2)
27▶CD: Janáček: From the House of the Dead (Acts I & II)
28▶CD: Janáček: From the House of the Dead (Act III)
29▶CD: Verdi: La traviata (Acts I & II/1)
30▶CD: Verdi: La traviata (Acts II/2 & III)
31▶CD: Tchaikovsky: Eugene Onegin (Act I)
32▶CD: Tchaikovsky: Eugene Onegin (Acts II & III)
33▶CD: Mozart: Symphonies nos. 35 “Haffner” & 41 “Jupiter” / Piano Concerto no. 21
34▶CD: Mozart: Symphonies nos. 26 & 30 / Divertimento K 136 / Arias
35▶CD: Mozart: Arias
36▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
37▶CD: Schubert: Symphony no. 3 / Strauss: Ein Heldenleben
38▶CD: Schubert: Symphony no. 8 “Unfinished” / Johann Strauss I & II: Waltzes
39▶CD: Bartók: Piano Concerto no. 3 / Schumann: Symphony no. 4
40▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I)
41▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II)
42▶CD: Wagner: Orchestral Works
43▶CD: Tchaikovsky: Violin Concerto
44▶CD: Beethoven: Missa solemnis (Kyrie - Gloria - Credo)
45▶CD: Beethoven: Missa solemnis (Sanctus - Agnus Dei)
46▶CD: Berlioz: Symphonie fantastique / Liszt: Les Préludes
47▶CD: Tchaikovsky: Overture to “The Tempest” / Symphony no. 6 “Pathétique”
48▶CD: Bartók: Four Orchestral Pieces / Boulez: Notations I-IV / Stravinsky: Le Sacre du printemps
49▶CD: Mahler: Das klagende Lied / Berg: Lulu-Suite
50▶CD: Bruckner: Symphony no. 2
51▶CD: Strauss: Der Bürger als Edelmann
52▶CD: Alfred Brendel: Haydn / Schubert / Liszt
53▶CD: Alfred Brendel: Haydn / Beethoven / Schubert / Mozart
54▶CD: Grigory Sokolov: Mozart
55▶CD: Grigory Sokolov: Chopin / Scriabin / Rameau / Bach
56▶CD: Martha Argerich & Nelson Freire: Brahms / Rachmaninov / Schubert / Ravel
57▶CD: Hofmannsthal: Jedermann
58▶CD: Paumgartner: Erzähltes Leben