Classic FM: Hall of Fame Gold

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
▼ CD 1: The Movies
Nr.TitelKünstlerBewertungLänge
1Piano Concerto No. 3, 1st movement (Shine)
Klavier:
Evgeny Kissin (Russian classical pianist) (am 1993-01-21)
Orchester:
Boston Symphony Orchestra (am 1993-01-21)
conductor:
Seiji Ozawa (conductor and composer) (am 1993-01-21)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1993-01-21)
live recording of:
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto (Konzert für Klavier und Orchester Nr. 3 D-Moll, Op. 30: I. Allegro Ma Non Tanto) (am 1993-01-21)
Komponist(in):
Sergei Rachmaninov (Sergei Rachmaninow, Russian composer) (von 1909 bis 1909-09-23)
Teil von:
Piano Concerto no. 3 in D minor, op. 30 (Konzert für Klavier und Orchester Nr. 3 D-Moll, Op. 30)
Сергей Васильевич Рахманинов18:32
2Hedwig's Therme (Harry Potter)
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Nic Raine
arranger:
Adam Saunders (production music)
cover recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
Komponist(in):
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
Teil von:
Harry Potter and the Philosopher’s Stone (Harry Potter und der Stein der Weisen, 2001 film score)
John Williams4:53
3Symphony No. 5 in C-sharp minor: IV. Adagietto (Death in Venice)
Techniker(in):
John Timperley
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orchester:
Royal Philharmonic Orchestra (von 1997-11-15 bis 1997-11-17)
conductor:
Daniele Gatti (Italian conductor) (von 1997-11-15 bis 1997-11-17)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1997-11-15 bis 1997-11-17)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (von 1997-11-15 bis 1997-11-17)
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Gustav Mahler10:07
4Adagio for Strings (Platoon)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Libor Pešek (conductor)
recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
Komponist(in):
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber7:11
5The Fellowship (The Lord of The Rings)
Produzent(in):
James Fitzpatrick
Chorgesang:
Crouch End Festival Chorus
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker) (in 2002)
conductor:
Nic Raine (in 2002)
chorus master:
David Temple
cover recording of:
Main Theme (The Lord of the Rings)
Komponist(in):
Howard Shore (Canadian score composer)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Howard Shore5:54
6Ride of the Valkyries (Apocalypse Now)
Orchester:
Netherlands Radio Philharmonic (Netherlands Radio Philharmonic Orchestra)
conductor:
Edo de Waart (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:08
7Organ Symphony No. 3 in C minor 4th movement (Babe)
Orchester:
London Philharmonic Orchestra (LPO)
conductor:
Enrique Bátiz (conductor and pianist)
teilweise recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
Teil von:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns8:21
8Main Theme (Star Wars)
Produzent(in):
James Fitzpatrick
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Paul Bateman (conductor)
phonographisches Urheberrecht (℗) von:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2008)
cover recording of:
Main Title (Star Wars) (in 1996)
Komponist(in):
John Williams (American score composer) (beendet)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teil von:
Star Wars Holiday Special (television soundtrack)
Teil von:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
Teil von:
Star Wars, Episode II: Attack of the Clones (2002 film score)
Teil von:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
Teil von:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Teil von:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Teil von:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Teil von:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
Teil von:
Star Wars: Shadows of the Empire
John Williams5:25
▼ CD 2: The Opera
Nr.TitelKünstlerBewertungLänge
1Flower Duet (Lakme)
recording engineer:
Mike Ross‐Trevor (engineer) (in 1991)
Produzent(in):
Phillip Thomas (classical producer) (in 1991)
Soprangesang:
Lesley Garrett (soprano) (in 1991)
Orchester:
The Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991)
conductor:
Andrew Greenwood (conductor) (in 1991)
phonographisches Urheberrecht (℗) von:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1991, in 1992)
aufgenommen bei:
The Hit Factory (London) in London (Greater London), England, Vereinigtes Königreich (in 1991)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (in 1991)
Komponist(in):
Léo Delibes (composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes43:52
2Largo al Factotum (Barber of Seville)
Baritongesang [Figaro]:
Thomas Hampson (baritone) (in 1992)
Orchester:
Orchestra della Toscana (in 1992)
conductor:
Gianluigi Gelmetti (Italian conductor and composer) (in 1992)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1993)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1992)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:23
3Nessun Dorma (Turandot)
Chorgesang:
Chorus of the Royal Opera House, Covent Garden
Tenor-Gesang:
Johan Botha (operatic tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Edward Downes (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:23
4Song of the Moon (Rusalka)
Soprangesang:
Lesley Garrett (soprano) und Lucia Popp (soprano)
Soprangesang [Rusalka]:
Lucia Popp (soprano)
Orchester:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor) und Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Komponist(in):
Antonín Dvořák (composer) (von 1900-04-21 bis 1900-11-27)
Teil von:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák36:00
5Au Fond Du Temple Saint (The Pearl Fishers)
recording engineer:
Lewis Layton (engineer)
Produzent(in):
Richard Mohr (producer)
Baritongesang [Zurga]:
Robert Merrill (American operatic baritone) (am 1951-01-03)
Tenor-Gesang [Nadir]:
Jussi Björling (tenor) (am 1951-01-03)
Orchester:
RCA Victor Symphony Orchestra (am 1951-01-03)
conductor:
Renato Cellini (conductor) (am 1951-01-03)
aufgenommen bei:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (am 1951-01-03)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (am 1951-01-03)
Komponist(in):
Georges Bizet (composer) (von 1863-04 bis 1863-08)
Librettist:
Michel Carré (librettist) und Eugène Cormon
Teil von:
Les Pêcheurs de perles : Acte I
Georges Bizet4:39
6Casta Diva (Norma)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Soprangesang:
Leontyne Price (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Henry Lewis (conductor)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini7:16
7Che Gelida Manina (La Boheme)
Techniker(in):
Anthony Salvatore (engineer)
Produzent(in):
Richard Mohr (producer)
Solo Tenor-Gesang:
Plácido Domingo (tenor)
Tenor-Gesang:
Plácido Domingo (tenor) (von 1973-07 bis 1973-08)
Orchester:
London Philharmonic Orchestra (LPO) (von 1973-07 bis 1973-08)
conductor:
Sir Georg Solti (conductor) (von 1973-07 bis 1973-08)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1973-07 bis 1973-08)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (von 1973-07 bis 1973-08)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:47
8Easter Hymn (Cavelleria Rusticana)
Soprangesang:
Lesley Garrett (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor)
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn)
Komponist(in):
Pietro Mascagni (composer & conductor)
Librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
Teil von:
Cavalleria rusticana
Pietro Mascagni6:16
9Toreador's Song (Carmen)
Baritongesang:
Robert Merrill (American operatic baritone) (in 1963)
Baritongesang [Moralès]:
Bernard Demigny (French barytone vocalist)
Bass-Gesang [Zuniga]:
Frank Schooten
Chorgesang:
Konzertvereinigung Wiener Staatsopernchor (Chor der Wiener Staatsoper) (in 1963)
Mezzosoprangesang [Mercédès]:
Geneviève Macaux (mezzo-soprano)
Soprangesang [Carmen]:
Leontyne Price (soprano)
Soprangesang [Frasquita]:
Monique Linval (french soprano)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker) (in 1963)
conductor:
Herbert von Karajan (conductor) (in 1963)
chorus master:
Wilhelm Pitz (chorus master) (in 1963)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (vom 1964 bis heute)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1963)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (in 1963)
Komponist(in):
Georges Bizet (composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte II
Georges Bizet5:38
10Brindisi (La Traviata)
Chorgesang:
Coro della RCA Italiana
Orchester:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra)
conductor:
Georges Prêtre (conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:09
11Humming Chorus (Madame Butterfly)
recording engineer:
Lewis Layton (engineer) (von 1962-07-10 bis 1962-07-20)
Produzent(in):
Richard Mohr (producer)
Chorgesang:
RCA Italiana Opera Chorus (von 1962-07-10 bis 1962-07-20)
Orchester:
RCA Italiana Opera Orchestra (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (von 1962-07-10 bis 1962-07-20)
conductor:
Erich Leinsdorf (conductor) (von 1962-07-10 bis 1962-07-20)
aufgenommen bei:
RCA Italiana Studios in Roma (Rom), Roma, Lazio, Italien (von 1962-07-10 bis 1962-07-20)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (von 1962-07-10 bis 1962-07-20)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:53
12Celeste Aida (Aida)
Tenor-Gesang:
Bonaventura Bottone (tenor)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Giuseppe Verdi4:43
13La ci darem la mano (Don Giovanni)
Baritongesang:
François Le Roux (baritone)
Soprangesang:
Inger Dam-Jensen
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Nicholas McGegan
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:58
14Chorus of the Hebrew Slaves (Nabucco)
Chorgesang:
Rhos Male Voice Choir (Côr Meibion Rhosllannerchrugog)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi3:56
15O mio Babbino Caro (Gianni Schicchi)
Produzent(in):
Celso Valli
Geige / Violine [first violin]:
Gavin Wright (UK violinist, conductor)
Orchester:
The London Session Orchestra
conductor:
Celso Valli
Orchestrator(in):
Celso Valli
aufgenommen bei und mixed at:
Fonoprint in Bologna (Provinz Bologna), Emilia-Romagna, Italien
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:37
▼ CD 3: Classics
Nr.TitelKünstlerBewertungLänge
1Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro energico
Geige / Violine:
Tasmin Little (violinist)
Orchester:
Royal Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: III. Finale. Allegro energico)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:39
2Piano Sonata No. 23, Op. 57: II. Andante con moto
Klavier:
Mikhail Pletnev (pianist & conductor)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1806)
Teil von:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven7:00
3Rose Adagio (The Sleeping Beauty)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Марк Эрмлер (Mark Ermler, conductor)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio")
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66: Acte I
Пётр Ильич Чайковский7:23
4Hebrides Overture (Fingal's Cave)
Orchester:
Ulster Orchestra
conductor:
Dmitry Sitkovetsky (violinist)
recording of:
Die Hebriden, op. 26 (Fingal's Cave)
Premiere in:
London (Greater London), England, Vereinigtes Königreich (am 1832-05-14)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1830)
Teil von:
Works of Felix Mendelssohn by opus number (Nummer: op. 26) und Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (Nummer: MWV P 7)
Felix Mendelssohn10:32
5Symphony No. 3, Op. 90: III. Poco allegretto
Orchester:
Bavarian Radio Symphony Orchestra (Symphonie-Orchester des Bayerischen Rundfunks)
conductor:
Sir Colin Davis (English conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
Komponist(in):
Johannes Brahms (German composer) (in 1883)
Teil von:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:43
6Dance of the Reed Flutes (The Nutcracker)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Марк Эрмлер (Mark Ermler, conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:37
7Cello Concerto, 1st and 2nd movements
Cello:
Steven Isserlis (cellist)
Orchester:
London Symphony Orchestra
conductor:
Richard Hickox (conductor)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Sir Edward Elgar12:41
8Piano Concerto No.2, 2nd movement
Klavier:
Evelyn Chen (pianist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leonard Slatkin (conductor)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Premiere in:
Moscow (Moskau), Russland (am 1900-12-15)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (von 1900 bis 1901-04)
Teil von:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов12:26

Nennungen