Karajan A-Z: Holst - Liszt

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1The Planets, Op. 32: I. Mars, the Bringer of War
recording engineer:
Gordon Parry (engineer) (in 1961-09)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (in 1961-09)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:59
2The Planets, Op. 32: II. Venus, the Bringer of Peace
recording engineer:
Gordon Parry (engineer) (in 1961-09)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (in 1961-09)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:18
3The Planets, Op. 32: III. Mercury, the Winged Messenger
recording engineer:
Gordon Parry (engineer) (in 1961-09)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (in 1961-09)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst3:55
4The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
recording engineer:
Gordon Parry (engineer) (in 1961-09)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1961-09)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:35
5The Planets, Op. 32: V. Saturn, the Bringer of Old Age
recording engineer:
Gordon Parry (engineer) (in 1961-09)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (in 1961-09)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:30
6The Planets, Op. 32: VI. Uranus, the Magician
recording engineer:
Gordon Parry (engineer) (in 1961-09)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
The Planets, op. 32: VI. Uranus, the Magician (in 1961-09)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VI. Uranus, the Magician (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst5:44
7The Planets, Op. 32: VII. Neptune, the Mystic
recording engineer:
Gordon Parry (engineer) (in 1961-09)
producer:
John Culshaw
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1961-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
performer:
Damen des Wiener Staatsopernchors (Wiener Staatsoper Choir) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (in 1961-09)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:36
8The Planets, Op. 32: I. Mars, the Bringer of War
producer:
Günther Breest (producer for classical music) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-27 until 1981-03-20)
conductor:
Herbert von Karajan (conductor) (from 1981-01-27 until 1981-03-20)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-27 until 1981-03-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-27 until 1981-03-20)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (from 1981-01-27 until 1981-03-20)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:21
9The Planets, Op. 32: II. Venus, the Bringer of Peace
producer:
Günther Breest (producer for classical music) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-27 until 1981-03-20)
conductor:
Herbert von Karajan (conductor) (from 1981-01-27 until 1981-03-20)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-27 until 1981-03-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-27 until 1981-03-20)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (from 1981-01-27 until 1981-03-20)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:37
10The Planets, Op. 32: III. Mercury, the Winged Messenger
producer:
Günther Breest (producer for classical music) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-27 until 1981-03-20)
conductor:
Herbert von Karajan (conductor) (from 1981-01-27 until 1981-03-20)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-27 until 1981-03-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-27 until 1981-03-20)
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (from 1981-01-27 until 1981-03-20)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst4:16
11The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
producer:
Günther Breest (producer for classical music) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-27 until 1981-03-20)
conductor:
Herbert von Karajan (conductor) (from 1981-01-27 until 1981-03-20)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-27 until 1981-03-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-27 until 1981-03-20)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1981-01-27 until 1981-03-20)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:36
12The Planets, Op. 32: V. Saturn, the Bringer of Old Age
producer:
Günther Breest (producer for classical music) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-27 until 1981-03-20)
conductor:
Herbert von Karajan (conductor) (from 1981-01-27 until 1981-03-20)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-27 until 1981-03-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-27 until 1981-03-20)
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (from 1981-01-27 until 1981-03-20)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst9:22
13The Planets, Op. 32: VI. Uranus, the Magician
producer:
Günther Breest (producer for classical music) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-27 until 1981-03-20)
conductor:
Herbert von Karajan (conductor) (from 1981-01-27 until 1981-03-20)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-27 until 1981-03-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-27 until 1981-03-20)
recording of:
The Planets, op. 32: VI. Uranus, the Magician (from 1981-01-27 until 1981-03-20)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VI. Uranus, the Magician (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:03
14The Planets, Op. 32: VII. Neptune, the Mystic
producer:
Günther Breest (producer for classical music) and Michel Glotz
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1981-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-27 until 1981-03-20)
conductor:
Herbert von Karajan (conductor) (from 1981-01-27 until 1981-03-20)
chorus master:
Uwe Gronostay (chorus master and composer) (in 1981-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-27 until 1981-03-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-27 until 1981-03-20)
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (from 1981-01-27 until 1981-03-20)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:47
15Symphony No. 2 for Trumpet and Strings: I. Molto moderato - Allegro
producer:
Hans Weber (producer/engineer)
trumpet:
Fritz Wesenigk (trumpet player) (from 1969-08-08 until 1969-08-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1969-08-08 until 1969-08-11)
conductor:
Herbert von Karajan (conductor) (from 1969-08-08 until 1969-08-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1969-08-08 until 1969-08-11)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1969-08-08 until 1969-08-11)
recording of:
Symphony no. 2 for Strings and Trumpet in D, H. 153: 1. Molto moderato - Allegro (from 1969-08-08 until 1969-08-11)
composer:
Arthur Honegger (composer) (from 1937 until 1941)
part of:
Symphony no. 2 for Strings and Trumpet in D, H. 153
Arthur Honegger10:57
16Symphony No. 2 for Trumpet and Strings: II. Adagio mesto
producer:
Hans Weber (producer/engineer)
trumpet:
Fritz Wesenigk (trumpet player) (from 1969-08-08 until 1969-08-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1969-08-08 until 1969-08-11)
conductor:
Herbert von Karajan (conductor) (from 1969-08-08 until 1969-08-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1969-08-08 until 1969-08-11)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1969-08-08 until 1969-08-11)
recording of:
Symphony no. 2 for Strings and Trumpet in D, H. 153: 2. Adagio mesto (from 1969-08-08 until 1969-08-11)
composer:
Arthur Honegger (composer) (from 1937 until 1941)
part of:
Symphony no. 2 for Strings and Trumpet in D, H. 153
Arthur Honegger9:20
17Symphony No. 2 for Trumpet and Strings: III. Vivace, non troppo
producer:
Hans Weber (producer/engineer)
trumpet:
Fritz Wesenigk (trumpet player) (from 1969-08-08 until 1969-08-11)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1969-08-08 until 1969-08-11)
conductor:
Herbert von Karajan (conductor) (from 1969-08-08 until 1969-08-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1969-08-08 until 1969-08-11)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1969-08-08 until 1969-08-11)
recording of:
Symphony no. 2 for Strings and Trumpet in D, H. 153: 3. Vivace non troppo (from 1969-08-08 until 1969-08-11)
composer:
Arthur Honegger (composer) (from 1937 until 1941)
part of:
Symphony no. 2 for Strings and Trumpet in D, H. 153
Arthur Honegger5:05
18Symphony No. 3 "Liturgique": I. Dies irae. Allegro marcato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-09-23)
conductor:
Herbert von Karajan (conductor) (on 1969-09-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1969-09-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1969-09-23)
recording of:
Symphony no. 3 "Liturgique": I. Dies Irae. Allegro marcato (on 1969-09-23)
composer:
Arthur Honegger (composer) (from 1945 until 1946)
part of:
Symphony no. 3 "Liturgique"
Arthur Honegger7:03
19Symphony No. 3 "Liturgique": II. De profundis clamavi. Adagio
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-09-23)
conductor:
Herbert von Karajan (conductor) (on 1969-09-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1969-09-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1969-09-23)
recording of:
Symphony no. 3 "Liturgique": II. De profundis clamavi. Adagio (on 1969-09-23)
composer:
Arthur Honegger (composer) (from 1945 until 1946)
part of:
Symphony no. 3 "Liturgique"
Arthur Honegger14:26
20Symphony No. 3 "Liturgique": III. Dona nobis pacem. Andante
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-09-23)
conductor:
Herbert von Karajan (conductor) (on 1969-09-23)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1969-09-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1969-09-23)
recording of:
Symphony no. 3 "Liturgique": III. Dona nobis pacem. Andante (on 1969-09-23)
composer:
Arthur Honegger (composer) (from 1945 until 1946)
part of:
Symphony no. 3 "Liturgique"
Arthur Honegger11:44
21Die lustige Witwe, Act I: No. 1, Introduction - Verehrteste Damen und Herren
bass vocals:
Zoltán Kelemen (operatic bass)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
tenor vocals:
Donald Grobe (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 1 Introduktion „Verehrteste Damen und Herren” / Dialog „Danke, danke, meine Herrschaften” (Cascada, Chor, Zeta, Valencienne, Sylviane, Olga, Praskowia, Camille, St. Brioche, Zeta, Kromow)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár3:19
22Die lustige Witwe, Act I: Dialogue. Camille ich muss mit Ihnen sprechen!
bass vocals:
Zoltán Kelemen (operatic bass)
spoken vocals:
Helga Trümper (German actress, voice actor, dubbing speaker and director)
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 1a Ballmusik / Dialog: „Camille ich muss mit Ihnen sprechen!” (Valencienne, Camille, Zeta)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:46
23Die lustige Witwe, Act I: No. 2, So kommen Sie! - Ich bin eine anständ'ge Frau
soprano vocals:
Teresa Stratas (soprano)
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 2 Duett „So kommen Sie! ’s ist niemand hier!” / Nr. 2b „Ich bin eine anständige Frau” (Valencienne, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár4:45
24Die lustige Witwe, Act I: Dialogue. Nun, Njegus, haben Sie meine Botschaft überbracht?
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 2 Duett „So kommen Sie! ’s ist niemand hier!” / Nr. 2b „Ich bin eine anständige Frau” (Valencienne, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:12
25Die lustige Witwe, Act I: No. 3, Bitte meine Herr'n - Hab' in Paris mich noch nicht ganz so akklimasiert
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Elizabeth Harwood (soprano)
tenor vocals:
Donald Grobe (tenor) and Werner Krenn (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 3 Entréelied “Bitte, meine Herr'n! Welche Galantrie'n” … “Gar oft hab ich gehört” … “Hab’ in Paris mich noch nicht ganz so akklimatisiert” (Hanna, Cascada, St. Brioche, Herrenchor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár3:24
26Die lustige Witwe, Act I: Accompanied Dialogue. Ah, gnädige Frau, ich bin glücklich
spoken vocals:
Elizabeth Harwood (soprano), Zoltán Kelemen (operatic bass), Werner Krenn (tenor) and Helga Trümper (German actress, voice actor, dubbing speaker and director)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. Dialog „Ah, gnädige Frau, ich bin glücklich, Sie in meinem Hause begrüßen zu können” (Valencienne, Zeta, Hanna, Camille)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:41
27Die lustige Witwe, Act I: No. 4, O Vaterland - Da geh' ich zu Maxim
tenor vocals:
René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:57
28Die lustige Witwe, Act I: Dialogue. Njegus, Geliebter, ich bin hier
spoken vocals:
Elizabeth Harwood (soprano), Zoltán Kelemen (operatic bass), René Kollo (tenor) and Karl Renar
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. Dialog: „Njegus, Geliebter, ich bin hier” … „Bitte noch, bitte noch” (Danilo, Njegus, Hanna, Valencienne, Zeta)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:17
29Die lustige Witwe, Act I: No. 6, Finale: a. Damenwahl!
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Elizabeth Harwood (soprano)
tenor vocals:
Donald Grobe (tenor), René Kollo (tenor) and Werner Krenn (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. Nr. 6 Finale I „Damenwahl! Hört man rufen rings im Saal!” (Chor, Hanna, Danilo, Sylviane, Cascada, St. Brioche, Valencienne)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:39
30Die lustige Witwe, Act I: No. 6, Finale: B. Hilfe kommt zur rechten Zeit!
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Elizabeth Harwood (soprano) and Teresa Stratas (soprano)
tenor vocals:
Donald Grobe (tenor), Werner Hollweg (tenor), René Kollo (tenor) and Werner Krenn (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt I. „Hilfe kommt zur rechten Zeit!” ... „O kommet doch, oh kommt, ihr Ballsirenen” (Danilo, eine Frau, Frauenchor, alle)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár7:44
31Die lustige Witwe, Act II: No. 7a, Introduction - Dance - Ich bitte, hier jetzt zu verweilen - Mi velimo dase
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár3:16
32Die lustige Witwe, Act II: No. 7b, Nun lasst uns aber wie daheim - Vilja-Lied. Es lebt ein Vilja
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár6:39
33Die lustige Witwe, Act II: No. 7a, (Excerpt) Mi velimo dase
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár0:24
34Die lustige Witwe, Act II: Dialogue. Gospodina, dieses vaterländische Fest
spoken vocals:
Elizabeth Harwood (soprano), Zoltán Kelemen (operatic bass), René Kollo (tenor) and Karl Renar
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. Dialog: "Gospodina, dieses vaterländische Fest"
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár0:39
35Die lustige Witwe, Act II: No. 8, Duet. Heia, Mädel, aufgeschaut - Dummer, dummer Reitersmann
soprano vocals:
Elizabeth Harwood (soprano)
tenor vocals:
René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár3:28
36Die lustige Witwe, Act II: Dialogue. Graf! Graf Danilowitsch!
spoken vocals:
Zoltán Kelemen (operatic bass), René Kollo (tenor) and Karl Renar
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. Dialog: "Graf! Graf Danilowitsch!"
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár0:14
37Die lustige Witwe, Act II: No. 9, Marsch-Septtet. Ja, das Studium der Weiber ist schwer
baritone vocals:
Ernst Krukowski (baritone)
bass vocals:
Manfred Röhrl (operatic bass)
tenor vocals:
Donald Grobe (tenor), Zoltán Kelemen (operatic bass), René Kollo (tenor), Werner Krenn (tenor) and Martin Vantin (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°9. Marsch-Septett: „Wie die Weiber man behandelt” … „Ja, das Studium der Weiber ist schwer” (Danilo, Zeta, Cascada, St. Brioche, Kromow, Bogdanowitsch, Pritschitsch) (Weibermarsch)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár2:52
38Die lustige Witwe, Act II: Dialogue. Graf Danilo!
spoken vocals:
Elizabeth Harwood (soprano) and René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. Dialog: "Graf Danilo!"
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár0:20
39Die lustige Witwe, Act II: No. 10a, Spielszene und Tanzduett
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°10. Spielszene und Tanzduett „Er führt sie zu Maxim” (Hanna, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:40
40Die lustige Witwe, Act II: Accompanied Dialogue. Ach! Sehen Sie
spoken vocals:
Elizabeth Harwood (soprano) and René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. Dialog: "Ach! Sehen Sie"
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:04
41Die lustige Witwe, Act II: No. 10b, Valse moderato
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. Valse moderato
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár2:17
42Die lustige Witwe, Act II: No. 11a, Duet. Mein Freund, Vernunft!
soprano vocals:
Teresa Stratas (soprano)
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°11. Duett und Romanze: "Mein Freund, Vernunft ... Wie eine Rosenknospe" (Camille, Valencienne)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:28
43Die lustige Witwe, Act II: No. 11b-c, Duet & Romance. Wie eine Rosenknospe - Sieh dort den kleinen Pavillon
soprano vocals:
Teresa Stratas (soprano)
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°12. Finale II: “Ha! Ha! Wir fragen” … “Wie eine Rosenknospe” … “Den Herrschaften hab' ich was zu erzählen” (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár6:04
44Die lustige Witwe, Act II: Dialogue. Ah, die Baronin und Herr Rosillon
spoken vocals:
Zoltán Kelemen (operatic bass), René Kollo (tenor) and Karl Renar
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. Dialog: "Ah, die Baronin und Herr Rosillon"
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár0:54
45Die lustige Witwe, Act II: No. 12, FInale: a. Ha! Ha! Wir fragen
bass vocals:
Zoltán Kelemen (operatic bass)
soprano vocals:
Elizabeth Harwood (soprano) and Teresa Stratas (soprano)
spoken vocals:
Karl Renar
tenor vocals:
Werner Hollweg (tenor) and René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°12. Finale II: “Ha! Ha! Wir fragen” … “Wie eine Rosenknospe” … “Den Herrschaften hab' ich was zu erzählen” (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:40
46Die lustige Witwe, Act II: No. 12, Finale: b. Wie eine Rosenknospe (Reprise)
bass vocals:
Zoltán Kelemen (operatic bass)
soprano vocals:
Elizabeth Harwood (soprano) and Teresa Stratas (soprano)
tenor vocals:
Werner Hollweg (tenor) and René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°12. Finale II: “Ha! Ha! Wir fragen” … “Wie eine Rosenknospe” … “Den Herrschaften hab' ich was zu erzählen” (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár2:21
47Die lustige Witwe, Act II: No. 12, Finale: c. Den Herrschaften hab' ich was zu erzählen
bass vocals:
Zoltán Kelemen (operatic bass)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Elizabeth Harwood (soprano) and Teresa Stratas (soprano)
tenor vocals:
Werner Hollweg (tenor) and René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°12. Finale II: “Ha! Ha! Wir fragen” … “Wie eine Rosenknospe” … “Den Herrschaften hab' ich was zu erzählen” (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:33
48Die lustige Witwe, Act II: No. 12, Finale. d. Die Ehe ist für mich privat
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Elizabeth Harwood (soprano) and Teresa Stratas (soprano)
tenor vocals:
Werner Hollweg (tenor) and René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. “Die Ehe ist für mich privat” … “Ein flotter Ehestand soll’s sein” … “Das hat Rrrrass’” (Hanna, Camille, Zeta, Valencienne, Chorus, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár4:20
49Die lustige Witwe, Act II: No. 12, Finale. e. Es waren zwei Königskinder
soprano vocals:
Elizabeth Harwood (soprano)
tenor vocals:
René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. "Es waren zwei Königskinder" (Danilo, Hanna, Alle)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár4:20
50Die lustige Witwe, Act III: Entracte. Vilja-Lied
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt II. N°12a. Entr'act. Vilja-Lied
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár3:08
51Die lustige Witwe, Act III: Accompanied Dialogue. Also! Wo sind die versprochenen Grisetten?
spoken vocals:
Zoltán Kelemen (operatic bass) and Karl Renar
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt III. Dialog „Also! Wo sind die versprochenen Grisetten?” (Valencienne, Ensemble, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:40
52Die lustige Witwe, Act III: No. 13, Tanzszene
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt III. Nr. 13 Tanz-Szene
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:58
53Die lustige Witwe, Act III: No. 14, Chanson "Grisetten-Lied". Ja, wir sind es die Grisetten
soprano vocals:
Teresa Stratas (soprano)
spoken vocals:
Mechthild Gessendorf
tenor vocals:
René Kollo (tenor)
vocals:
Kaja Boris, Elke Großhans, Catherine Ott, Carol Pritchett and Maria Theresa Reinoso
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt III. Nr. 14 Chanson „Ja, wir sind es, die Grisetten” (Valencienne, Grisetten)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár3:17
54Die lustige Witwe, Act III: Dialogue. Exzellenz, Exzellenz, Graf, eine Expreßdepesche!
spoken vocals:
Zoltán Kelemen (operatic bass) and René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt III. Dialog „Exzellenz, Exzellenz, Graf, eine Expreßdepesche!”
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:34
55Die lustige Witwe, Act III: No. 14a, Reminiszenz: Tra la la la la...
tenor vocals:
René Kollo (tenor)
vocals:
Kaja Boris, Mechthild Gessendorf, Elke Großhans, Catherine Ott, Carol Pritchett and Martha Reikow
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt III. Nr. 14a Reminiszenz „Da geh’ ich zu Maxim”
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:36
56Die lustige Witwe, Act III: Dialogue. Gospodina!
spoken vocals:
Elizabeth Harwood (soprano) and René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt III. Dialog „Gospodina!” (Danilo, Hanna)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:48
57Die lustige Witwe, Act III: No. 15, Lippen schweigen "Love Duet"
soprano vocals:
Elizabeth Harwood (soprano)
tenor vocals:
René Kollo (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár2:31
58Die lustige Witwe, Act III: Dialogue. Valencienne, unsere lustige Witwe
spoken vocals:
Elizabeth Harwood (soprano), Zoltán Kelemen (operatic bass), René Kollo (tenor), Karl Renar and Helga Trümper (German actress, voice actor, dubbing speaker and director)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt III. Dialog „Valencienne, unsere lustige Witwe...”
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár1:45
59Die lustige Witwe, Act III: No. 16, Schlussgesang. Ja, das Studium der Weiber ist schwer
baritone vocals:
Ernst Krukowski (baritone)
bass vocals:
Zoltán Kelemen (operatic bass) and Manfred Röhrl (operatic bass)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Elizabeth Harwood (soprano) and Teresa Stratas (soprano)
tenor vocals:
René Kollo (tenor) and Martin Vantin (tenor)
vocals:
Kaja Boris, Mechthild Gessendorf, Elke Großhans, Catherine Ott, Carol Pritchett and Maria Theresa Reinoso
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Die lustige Witwe: Akt III. Nr. 16 Schlussgesang: "Ja, das Studium der Weiber ist schwer" (Hanna, Zeta, Danilo, alle)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:47
60Pagliacci, Prologue: Prelude
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Prologo. Preludio (from 1965-09 until 1965-10)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Prologo (Pagliacci: Prologue)
Ruggero Leoncavallo2:51
61Pagliacci, Prologue: Si può? Signore! Signori!
producer:
Hans Weber (producer/engineer)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Prologo. “Si può? Si può?” (Tonio) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Prologo (Pagliacci: Prologue)
Ruggero Leoncavallo5:21
62Pagliacci, Act I: Son qua! Ritornano
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano
tenor vocals [Beppe (Arlecchino)]:
Ugo Benelli (tenor)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Eh! Son qua! Ritornano” (Canio, Coro, Beppe) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:23
63Pagliacci, Act I: Un grande spettacolo!
producer:
Hans Weber (producer/engineer)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
tenor vocals [Beppe (Arlecchino)]:
Ugo Benelli (tenor)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Mi accordan di parlar?” … “Un grande spettacolo” (Canio, Coro, Tonio, Beppe) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:53
64Pagliacci, Act I: Un tal gioco, credetemi
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Un tal gioco, credetemi” (Canio, Nedda, Coro) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:15
65Pagliacci, Act I: I zampognari! - Don din don
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “I zampognari!” … “Don, din don, … din don, suona vespero” (Ragazzi, Coro di contadini e contadine) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:17
66Pagliacci, Act I: Qual fiamma avea nel guardo!
producer:
Hans Weber (producer/engineer)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Qual fiamma avea nel guardo!” (Nedda) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:39
67Pagliacci, Act I: Stridono lassù
producer:
Hans Weber (producer/engineer)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Stridono lassù” (Nedda) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:43
68Pagliacci, Act I: Sei là - So ben che difforme - Oh! lasciami
producer:
Hans Weber (producer/engineer)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Sei là! Credea che te ne fossi andato” … “So ben che difforme, contorto son io” (Nedda, Tonio) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:59
69Pagliacci, Act I: Nedda! Silvio, a quest'ora
producer:
Hans Weber (producer/engineer)
baritone vocals [Silvio]:
Rolando Panerai (baritone)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Nedda!” - “Silvio! A quest'ora” (Silvio, Nedda) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo1:51
70Pagliacci, Act I: Decidi il mio destin
producer:
Hans Weber (producer/engineer)
baritone vocals [Silvio]:
Rolando Panerai (baritone)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “E fra quest' ansie ... Decidi il mio destin” (Silvio, Nedda) (from 1965-09 until 1965-10)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo2:07
71Pagliacci, Act I: Non mi tentar! "Love Duet"
producer:
Hans Weber (producer/engineer)
baritone vocals [Silvio]:
Rolando Panerai (baritone)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Non mi tentar!” (Nedda, Silvio, Tonio) (from 1965-09 until 1965-10)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo5:27
72Pagliacci, Act I: Cammina adagio
producer:
Hans Weber (producer/engineer)
baritone vocals [Silvio]:
Rolando Panerai (baritone)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Cammina adagio” (Tonio, Nedda, Canio, Silvio) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo1:47
73Pagliacci, Act I: Derisione e scherno! - Padron! che fate!
producer:
Hans Weber (producer/engineer)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
tenor vocals [Beppe (Arlecchino)]:
Ugo Benelli (tenor)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Derisione e scherno!” (Tonio, Nedda, Canio, Beppe) (from 1965-09 until 1965-10)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:06
74Pagliacci, Act I: Recitar! - Vesti la giubba
producer:
Hans Weber (producer/engineer)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:03
75Pagliacci, Act I: Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto I. Intermezzo (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:36
76Pagliacci, Act II: Presto, affrettiamoci
producer:
Hans Weber (producer/engineer)
baritone vocals [Silvio]:
Rolando Panerai (baritone)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto II. “Ohè! ... Ohè! Presto, affrettiamoci” (Coro, Tonio, Silvio, Nedda) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo4:20
77Pagliacci, Act II: Pagliaccio, mio marito
producer:
Hans Weber (producer/engineer)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto II. “Pagliaccio, mio marito” (Colombina) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo1:40
78Pagliacci, Act II: O Columbina, il tenero fido - Di fare il segno
producer:
Hans Weber (producer/engineer)
tenor vocals [Beppe (Arlecchino)]:
Ugo Benelli (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto II. “Ah! Colombina, il tenero” (Arlecchino) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo2:27
79Pagliacci, Act II: E dessa! Dei, come è bella
producer:
Hans Weber (producer/engineer)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
tenor vocals [Beppe (Arlecchino)]:
Ugo Benelli (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto II. “Di fare il segno convenuto” … “È dessa! Dei, come è bella” (Colombina, Taddeo, Arlecchino) (from 1965-09 until 1965-10)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo3:42
80Pagliacci, Act II: Arlecchin! ... Colombina! - Prendi questo narcotico
producer:
Hans Weber (producer/engineer)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
tenor vocals [Beppe (Arlecchino)]:
Ugo Benelli (tenor)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto II. “Arlecchin!” - “Colombina!” (Colombina, Arlecchino, Taddeo, Pagliaccio) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo1:53
81Pagliacci, Act II: Versa il filtro ne la tazza sua! - Coraggio!
producer:
Hans Weber (producer/engineer)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
tenor vocals [Beppe (Arlecchino)]:
Ugo Benelli (tenor)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto II. “Versa il filtro ne la tazza sua!” … “Coraggio! Un uomo era con te” (Pagliaccio, Colombina, Taddeo, Arlecchino) (from 1965-09 until 1965-10)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo2:55
82Pagliacci, Act II: No, Pagliaccio non son
producer:
Hans Weber (producer/engineer)
baritone vocals [Silvio]:
Rolando Panerai (baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto II. “No, Pagliaccio non son” (Canio, Coro, Silvio, Nedda) (from 1965-09 until 1965-10)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo3:35
83Pagliacci, Act II: Suvvia, cosi terrible
producer:
Hans Weber (producer/engineer)
baritone vocals [Silvio]:
Rolando Panerai (baritone)
baritone vocals [Tonio (Taddeo)]:
Giuseppe Taddei (baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Nedda (Colombina)]:
Joan Carlyle (soprano)
tenor vocals [Beppe (Arlecchino)]:
Ugo Benelli (tenor)
tenor vocals [Canio (Pagliaccio)]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Pagliacci: Atto II. “Suvvia, così terribile” (Nedda, Canio, Beppe, Tonio, Silvio, Coro) (from 1965-09 until 1965-10)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II (Pagliacci: Act II)
Ruggero Leoncavallo2:48
84Pagliacci, Act I: Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Pagliacci: Atto I. Intermezzo (from 1967-09-22 until 1967-09-25)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:43
85Mazeppa, Symphonic Poem No. 6, S. 100
producer:
Otto Gerdes (conductor and producer) (in 1961-02) and Herbert von Karajan (conductor) (in 1961-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-02-16 until 1961-02-17)
conductor:
Herbert von Karajan (conductor) (from 1961-02-16 until 1961-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-02-16 until 1961-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-02-16 until 1961-02-17)
recording of:
Mazeppa, S. 100 (from 1961-02-16 until 1961-02-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 100)
Franz Liszt15:19
86Hungarian Rhapsody No. 5 in E Minor, S. 359/9 "Heroïde-Elégiaque" (Orch. Doppler/Liszt from S. 244/5) [Recorded 1961]
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1960-12-12 until 1960-12-13)
conductor:
Herbert von Karajan (conductor) (from 1960-12-12 until 1960-12-13)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-12-12 until 1960-12-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-12-12 until 1960-12-13)
recording of:
Hungarian Rhapsody for Orchestra no. 5 in E minor, S. 359/5 (from 1960-12-12 until 1960-12-13)
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 5 in E minor, S. 244 no. 5 "Héroïde élégiaque"
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt12:43
87Fantasia on Hungarian Folk Tunes, S. 123
producer:
Hans Ritter
piano:
Shura Cherkassky (American pianist) (from 1960-12-12 until 1960-12-13)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1960-12-12 until 1960-12-13)
conductor:
Herbert von Karajan (conductor) (from 1960-12-12 until 1960-12-13)
balance engineer:
Günter Hermanns (producer/engineer) (from 1960-12-12 until 1960-12-13)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1960-12-12 until 1960-12-13)
recording of:
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 (from 1960-12-12 until 1960-12-13)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1846 until 1852)
dedicated to:
Hans von Bülow (German conductor and composer)
premiered at:
[concert] (1853-06-01)
publisher:
Gustav Heinze (in 1864)
part of:
The Music of Liszt (number: S. 123)
is based on:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14
Franz Liszt15:52
88Hungarian Rhapsody No. 12, S. 359/4 (Orch. Doppler/Liszt in D Minor from S. 244/12) [Recorded 1961]
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-02-16 until 1961-02-17)
conductor:
Herbert von Karajan (conductor) (from 1961-02-16 until 1961-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-02-16 until 1961-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-02-16 until 1961-02-17)
recording of:
Hungarian Rhapsody for Orchestra no. 4 in D minor, S. 359/4 (for orchestra; Liszt/Doppler) (from 1961-02-16 until 1961-02-17)
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt13:01
89Les préludes, Symphonic Poem No. 3, S. 97 (Recorded 1967)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-04-14 until 1967-04-17)
conductor:
Herbert von Karajan (conductor) (from 1967-04-14 until 1967-04-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-04-14 until 1967-04-17)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-04-14 until 1967-04-17)
recording of:
Les Préludes, S. 97 (from 1967-04-14 until 1967-04-17)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1848, from 1850 until 1855)
part of:
The Music of Liszt (number: S. 97)
Franz Liszt17:03
90Hungarian Rhapsody No. 2, S. 244/2 (Orch. Müller-Berghaus in C Minor)
producer:
Hans Weber (producer/engineer) (in 1967-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-04-14 until 1967-04-17)
conductor:
Herbert von Karajan (conductor) (from 1967-04-14 until 1967-04-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-04-14 until 1967-04-17)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-04-14 until 1967-04-17)
recording of:
Hungarian Rhapsody for Orchestra no. 4 in D minor, S. 359/4 (for orchestra; Liszt/Doppler) (from 1967-04-14 until 1967-04-17)
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt11:20
91Mephisto Waltz No. 1, S. 110/2 (Orchestral Version)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Deux épisodes d’après le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer) (for orchestra) (in 1971-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke" (for piano solo)
part of:
Deux épisodes d’après le Faust de Lenau, S. 110 (for orchestra)
Franz Liszt11:09
92Hungarian Rhapsody No. 12, S. 359/4 (Orch. Doppler/Liszt in D Minor from S. 244/12) [Recorded 1975]
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-10-20 until 1975-11-13)
conductor:
Herbert von Karajan (conductor) (from 1975-10-20 until 1975-11-13)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-10-20 until 1975-11-13)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-10-20 until 1975-11-13)
recording of:
Hungarian Rhapsody for Orchestra no. 4 in D minor, S. 359/4 (for orchestra; Liszt/Doppler) (from 1975-10-20 until 1975-11-13)
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt13:42
93Hungarian Rhapsody No. 5 in E Minor, S. 359/5 "Heroïde-Elégiaque" (Orch. Doppler/Liszt from S. 244/5) [Recorded 1975]
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-10-20 until 1975-11-13)
conductor:
Herbert von Karajan (conductor) (from 1975-10-20 until 1975-11-13)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-10-20 until 1975-11-13)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-10-20 until 1975-11-13)
recording of:
Hungarian Rhapsody for Orchestra no. 5 in E minor, S. 359/5 (from 1975-10-20 until 1975-11-13)
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 5 in E minor, S. 244 no. 5 "Héroïde élégiaque"
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt13:25
94Tasso, Symphonic Poem No. 2, S. 96
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-10-20 until 1975-11-13)
conductor:
Herbert von Karajan (conductor) (from 1975-10-20 until 1975-11-13)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-10-20 until 1975-11-13)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-10-20 until 1975-11-13)
recording of:
Tasso: Lamento e Trionfo, S. 96 (from 1975-10-20 until 1975-11-13)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1849)
part of:
The Music of Liszt (number: S. 96)
Franz Liszt22:52
95Les préludes, Symphonic Poem No. 3, S. 97 (Recorded 1984)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-12-28 until 1984-02-24)
conductor:
Herbert von Karajan (conductor) (from 1983-12-28 until 1984-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-12-24 until 1984-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-12-28 until 1984-02-24)
recording of:
Les Préludes, S. 97 (from 1983-12-28 until 1984-02-24)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1848, from 1850 until 1855)
part of:
The Music of Liszt (number: S. 97)
Franz Liszt16:41
96Hungarian Rhapsody No. 5 in E Minor, S. 359/5 "Heroïque-Elégiaque" (Orch. Doppler/Liszt from S. 244/5) [Recorded 1984]
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-12-28 until 1984-02-24)
conductor:
Herbert von Karajan (conductor) (from 1983-12-28 until 1984-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-12-24 until 1984-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-12-28 until 1984-02-24)
recording of:
Hungarian Rhapsody for Orchestra no. 5 in E minor, S. 359/5 (from 1983-12-28 until 1984-02-24)
additional orchestrator:
Franz Doppler
orchestrator and composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 5 in E minor, S. 244 no. 5 "Héroïde élégiaque"
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt12:55