My Perfect List: 60 titres annees 80

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Robert De Niro’s Waiting
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1984)
recording of:
Robert De Niro's Waiting
Komponist(in):
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), In a Bunch Music (publisher), J&S Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama2.353:31
2Josephine
Chris Rea3:50
3SallyCarmel3:47
4Johnny, Johnny Come Home
recording of:
Johnny, Johnny Come Home
Verfasser(in):
Vinton Hoover und Kjetil Røsnes
publisher:
Chappell und Edition Dagobert (publisher)
Avalanche4:15
5Peter Gunn
Produzent(in):
Art of Noise, Anne Dudley (English score composer), J.J. Jeczalik und Gary Langan
Gast-Gitarre:
Duane Eddy
arranger:
Anne Dudley (English score composer), J.J. Jeczalik und Gary Langan
instrumental cover recording of:
Peter Gunn
Texter und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Teil von:
Peter Gunn (American TV series 1958–1961)
recording of:
Peter Gunn
Texter und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Teil von:
Peter Gunn (American TV series 1958–1961)
The Art of Noise feat. Duane Eddy43:48
6Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:47
7I Feel for You (remastered)
Bass, drum machine und Gitarre:
Reggie Griffin (in 1984)
chromatische Mundharmonika:
Stevie Wonder (in 1984)
Keyboard und Synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) und Philippe Saisse (in 1984)
Schlagzeug:
Steve Ferrone (in 1984)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1984)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 395)
cover recording of:
I Feel for You (in 1984)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:49
8Venus
cover recording of:
Venus (Shocking Blue (I’m Your Venus))
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Bananarama3:38
9On the Beach
recording of:
On the Beach (Chris Rea)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea5:02
10Ride Like the Wind (2001 remaster)
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Solo-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Klavier:
Michael Omartian
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Synthesizer:
Rob Meurer
Hintergrundgesang:
Christopher Cross (US singer‐songwriter) und Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 1979) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross4.14:29
11Nougayork
recorded in:
New York, New York, Vereinigte Staaten (in 1987)
Programmierung:
Philippe Saisse
alto saxophone:
Lou Marini (in 1987)
Gitarre [guitars]:
Nick Moroch (US guitarist) (in 1987)
Keyboard:
Philippe Saisse (in 1987)
Posaune:
Birch Johnson (in 1987)
Trompete:
Alan Rubin (in 1987)
vocals:
Claude Nougaro (in 1987)
arranger:
Philippe Saisse
phonographisches Urheberrecht (℗) von:
WEA Music (not for release label use! this was the FR distributor fka WEA Filipacchi Music) (in 1987)
recording of:
Nougayork (in 1987)
Texter:
Claude Nougaro
Komponist(in):
Philippe Saisse
publisher:
Éditions du chiffre neuf und Sen‐Saisse‐tional Music
Claude Nougaro3.53:30
12Don’t Leave Me This Way
Produzent(in):
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris3.44:31
13Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.13:53
14Never Can Say Goodbye
Produzent(in):
Stephen Hague
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Shep Pettibone
Mix:
Steve Peck (producer and engineer)
gemixt für:
Master Mix Productions Ltd.
cover recording of:
Never Can Say Goodbye
Texter und Komponist(in):
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. und Portable Music Co., Inc.
The Communards34:25
15Aviateur
recording of:
Aviateur
Texter:
Alain Souchon
Komponist(in):
Laurent Voulzy
adaptations:
Aviateur
Véronique Jannot4:23
16Plus près des étoiles
recording of:
Plus près des étoiles
Texter und Komponist(in):
Jean Garcia
Gold3:58
17Gimme All Your Lovin’ (2003 remaster)
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Gimme All Your Lovin’
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three und Songs of Mosaic
ZZ Top4.053:58
18Paris Latino
recording of:
Paris Latino
Texter:
José Perez (The Perez Brothers)
Komponist(in):
Carlos Pérez (member of Bandolero)
Bandolero34:09
19Les divas du dancing
recording of:
Les Divas du dancing
Texter:
Jean Schultheis
Komponist(in):
Philippe Cataldo
Philippe Cataldo4:01
20Chacun fait (C’qui lui plait)Chagrin d’amour4:09
21Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
22Twist in My Sobriety
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) und WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
Texter und Komponist(in):
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:52
23Two of Hearts
Partner-Produzent(in):
Jeff C. Fishman (producer)
Produzent(in):
Jon St. James (American guitarist, songwriter, and producer) und William J. Walker (US executive producer William J. Walker)
Keyboard [keyboard system]:
Skip Hahn
Keyboard [keyboard systems]:
Jon St. James (American guitarist, songwriter, and producer) und Rich West
Schlagzeug [drum system]:
Karl Moet (drummer and songwriter)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 4)
recording of:
Two of Hearts
Verfasser(in):
Sue Gatlin, Tim Greene und John Dixon Mitchell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), On The Note Publishing (in 1986) und Tim Green Music (publisher) (in 1986)
Stacey Q43:58
24Temple of Love (remastered)
Produzent(in):
Andrew Eldritch
Bassgitarre:
Craig Adams (bass player for Sisters of Mercy/The Mission)
drum machine:
Doktor Avalanche
Gitarre:
Ben Gunn und Gary Marx
Sologesang:
Andrew Eldritch
Teil von:
Pitchfork: The Story of Goth in 33 Songs
recording of:
Temple of Love
Texter und Komponist(in):
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sisters of Mercy4.257:42
25It’s Only Love
Simply Red4:56
26Baby, Come to Me
Gast vocals:
Patti Austin
recording of:
Baby, Come to Me
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) und Rondor Music (London) Ltd.
Patti Austin & James Ingram3:35
27Don’t Stop… Planet Rock
recording of:
Planet Rock
Verfasser(in):
Afrika Bambaataa (US DJ singer, songwriter & producer), Robert Darrell Allen, Arthur Baker (American record producer and DJ), John Miller (MC G.L.O.B.E. (Soulsonic Force)), John Robie und Ellis Williams
publisher:
Bambaataa Music, No Hassle Music, Shakin’ Baker Music, Sony/ATV Songs (SOCAN) und T-Girl Music LLC
quotes music from:
Trans Europa Express
Afrika Bambaataa & Soulsonic Force5:21
28Nuit de folieDébut de Soirée4:13
29The Sun Always Shines on T.V.
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 11) und The Downloader’s Music Source Book (Nummer: 283)
recording of:
The Sun Always Shines on T.V.
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und Sony ATV Publishing
a‐ha3.95:02
30Stars de La Pub
Écran Total 803:28
31Thaï na na
recording of:
Thaï nana (sometimes written Thaï Na Na)
Texter:
Erick Casero (a.k.a. Éric Casero and Jean Dupont)
Komponist(in):
Véronique Segaud
Kazero3:12
32Coeur de loupPhilippe Lafontaine3:41
33J’aurais voulu te dire
Caroline Legrand3:49
34Ce mec est too much
Les Coco Girls2:53
35Rap Folie
Marcel Fobert & Folie Club3:55
36Gym Tonic (Toutoutouyoutou)
Moving On 80’s4:53
37Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.43:45
38Self Control
leitende(r) Produzent(in):
Jack White (German producer Horst Nußbaum)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) und Harold Faltermeier
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Musikvideos:
Self Control von Laura Branigan
cover recording of:
Self Control (in 1984)
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Version von:
Self Control
Laura Branigan4.654:07
39More Than I Can Bear
Techniker(in) und Mix:
Phil Harding (engineer, producer and remixer)
Produzent(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
Flügelhorn:
Guy Barker
Keyboard:
Danny White (keyboardist)
Perkussion:
Robin Jones (latin jazz percussionist)
vocals:
Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
More Than I Can Bear
Verfasser(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
publisher:
Matt Music Ltd. (PRS) und WC Music Corp.
Matt Bianco44:18
40When Sly Calls (Don’t Touch That Phone) (remastered)
Michael Franks5:50
41I Keep Forgettin’ (Every Time You’re Near) (remastered)
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald43:38
42Each Time You Break My Heart
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
Verfasser(in):
Stephen Bray und Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:30
43I Can’t Wait
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:40
44Forget Me Nots (remastered version)
Interpret(in):
Patrice Rushen
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 86)
recording of:
Forget Me Nots
Verfasser(in):
Terri McFaddin, Patrice Rushen und Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) und Yamina Music
Patrice Rushen3.654:43
45Johnny Come Home
Produzent(in):
Andy Cox (Composer) und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
phonographisches Urheberrecht (℗) von:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1985)
Musikvideos:
Johnny Come Home von Fine Young Cannibals
recording of:
Johnny Come Home
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1985)
Fine Young Cannibals3.73:32
46Waiting for a Girl Like You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und Warner Music International (trademark of Warner Music International the company) (in 1981)
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.54:48
47Message personnel
Produzent(in):
Michel Berger
vocals:
Françoise Hardy
recording of:
Message personnel (in 1973)
Texter:
Michel Berger und Françoise Hardy
Komponist(in):
Michel Berger
Françoise Hardy34:17
48Où est ma ch’mise grise (You’re The One That I Want)
Patrick Topaloff & Sim3:02
49Laissez‐nous chanter
recording of:
Laissez‐nous chanter
Texter:
Jacques Cardona
Komponist(in):
Lucien Crémadès, Francis Delmas, Alain Llorca, Bernard Mazauric, Étienne Salvador und Émile Wandelmer
publisher:
droits réservés (maybe not a valid publisher; the term "droits réservés" means "rights reserved")
Gold4:16
50Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.954:28
51What Is Love?
Techniker(in):
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
Sologesang:
Howard Jones (English singer, songwriter)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Is Love?
Texter:
William Bryant (UK lyricist, writer and speaker) und Howard Jones (English singer, songwriter)
Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group und Warner Chappell Publishing
Howard Jones4.53:38
52Comment te dire adieu
Techniker(in):
Stephen W. Tayler (UK engineer)
Produzent(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter)
Mix:
Avril MacKintosh (producer/engineer)
Saiteninstrumente:
David Emanuel (violinist), Wilfred Gibson (UK violinist) und Gavyn Wright (UK violinist, conductor)
Trompete:
Luke Tunney
turntable:
DJ D-Zire
vocals:
June Miles-Kingston (singer / drummer) und Jimmy Somerville
Gast-Interpret(in):
June Miles-Kingston (singer / drummer)
arranger:
Luke Tunney
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (vom 1989 bis heute)
cover recording of:
Comment te dire adieu ?
Texter:
Serge Gainsbourg
Komponist(in):
Arnold Goland und Jack Gold
publisher:
CBS U Catalog Inc. und EMI United Partnership Ltd. (vom 1968 bis heute)
übersetzte Version von:
It Hurts to Say Goodbye
Jimmy Somerville with June Miles Kingston23:34
53Falling
recording engineer:
Art Polhemus
Koproduzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Produzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Mix:
Jay Healy
E-Gitarre:
Vinnie Bell und Eddie Dixon
flute und Klarinette:
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) und Al Regni
Klavier:
Angelo Badalamenti (American score composer)
Schlagzeug:
Grady Tate
Synthesizer:
Angelo Badalamenti (American score composer) und Kinny Landrum
Tenorsaxophon:
Al Regni
vocals:
Julee Cruise (US singer and actress)
arranger und Orchestrator(in):
Angelo Badalamenti (American score composer)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1990)
aufgenommen bei:
Excalibur Sound in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Falling (Twin Peaks theme song)
Texter:
David Lynch (filmmaker)
Komponist(in):
Angelo Badalamenti (American score composer)
publisher:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
Version von:
Theme from Twin Peaks
Teil von:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
54Elle imagine…Nacash4:04
55Tu dis que tu l’m
Dennis’ Twist3:07
56Mise au point
recording of:
Mise au point
Texter:
Jakie Quartz (Jacqueline Cuchet)
Komponist(in):
Gérard Anfosso (composer & arranger)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing MGB France
Jakie Quartz4:43
57Capitaine abandonnéGold3:51
58Jamais j’oublierai ça jamais
Natali Kaufmann3:24
59Tout pour la danse
recording of:
Tout pour la danse
Texter:
William Picard
Komponist(in):
Claude Mainguy und Guy Mattéoni (Matt Hoggy)
Début de Soirée3:16
60Tequila Bar
Jean Schultheis3:32

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