Pure… Disco/Funk

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Play That Funky Music
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
edit of:
Play That Funky Music by Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
lyricist and composer:
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:06
2September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.553:35
3Blame It on the Boogie
engineer:
Don Murray (producer / engineer)
executive producer:
Mike Atkinson and Bobby Colomby
mixer:
John Luongo
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) and Nathan Watts (in 1978)
congas:
Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
drums (drum set) and percussion:
Rick Morotta (US drummer/percussionist) (in 1978)
flute, saxophone and trumpet:
Seawind Horns
guitar:
Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
keyboard:
Greg Phillinganes (in 1978)
background vocals:
Jackie Jackson (member of the Jackson 5), Marlon Jackson and Randy Jackson (brother of Michael and Janet)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978)
horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Dawnbreakers Studios in Los Angeles, California, United States, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and Total Experience Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
cover recording of:
Blame It on the Boogie (in 1978)
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
recording of:
Blame It on the Boogie
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
The Jacksons4.153:35
4Use It Up and Wear It Out
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
edit of:
Use It Up and Wear It Out by Odyssey (originally US family act Lopez Sisters, now UK fronted by Steven Collazo)
recording of:
Use It Up and Wear It Out
writer:
Lawrence Russell Brown (lyricist) and Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey4.54:58
5I Love You More
George Duke3:08
6Got to Be Real
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
edit of:
Got to Be Real (LP / 12" version) by Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
writer:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) and David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. and On Board Music (publisher)
Cheryl Lynn4.53:46
7Disco Nights (Rock Freak)
recording of:
Disco Nights (Rock Freak)
writer:
Keith Crier, Herb Lane, Emanuel Rahiem LeBlanc and Paul Service
GQ3:58
8Cherchez La Femme
recording of:
Cherchez la femme
writer:
Stony Browder Jr. and August Darnell (singer, songwriter)
Dr. Buzzard’s Original Savannah Band5:46
9TSOP (The Sound of Philadelphia)
recording of:
TSOP (The Sound of Philadelphia)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB53:46
10I Love to Love
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) and Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
lyricist:
Philo Jack Robinson (disco songwriter, producer, composer)
composer:
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) and Rolf Baierle Music
Tina Charles4.653:05
11Say You Love Me Girl
producer:
Rick Chertoff and Kae Williams Jr.
Breakwater4:42
12Turn Off the Lights
Larry Young7:04
13Funkin' for Jamaica
recording of:
Funkin’ for Jamaica (N.Y.)
lyricist:
Toni Smith
composer:
Tom Browne (US jazz trumpeter)
publisher:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne53:54
14Sneakin' Up Behind You
The Brecker Brothers4:55
15It's Party Time
Bobby Womack4:12
16I Can't Stand the Rain
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1981)
cover recording of:
I Can’t Stand the Rain
writer:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Eruption3:06
17Boogie Nights
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
edit of:
Boogie Nights by Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:37
2▼CD
#TitleArtistRatingLength
1Rock the Boat
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:04
2More, More, More
producer:
Gregg Diamond
mixer:
Tom Moulton
arranger:
Gregg Diamond
phonographic copyright (℗) by:
Buddah Records, Inc. (in 1976)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
More, More, More
lyricist and composer:
Gregg Diamond
publisher:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (in 1976) and Gee Diamond Music (in 1976)
Andrea True Connection4.753:10
3Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:29
4Best Love
recording of:
Best Love
writer:
Ron Artis and Robert Daniels (soul/funk singer & songwriter)
publisher:
Artis Gallery Music, Bigg Kidd Music and EMI Virgin Songs, Inc.
Rose Royce53:52
5Dazz
assistant engineer:
Phil Benton
engineer:
Johnny Duncan (producer)
producer:
Brick (US soul funk disco quintet), Johnny Duncan (producer), Jim Healy and Robert E. Lee
strings:
David Arenz, Larry LeMaster (cellist), Heidi Nitchie (violist), Benjamin Picone, Patricio Salvatierra (Strings) and Willard Shull
orchestra:
Atlanta Symphony Players
strings arranger:
Skip Lane
produced for:
Brickhouse Productions (music production company in the mid 1970s)
recorded at:
The Sound Pit in Atlanta, Georgia, United States, Trolley Tracks in College Park, Georgia, United States and Webb IV Recording Studio in Atlanta, Georgia, United States
recording of:
Dazz
writer:
Reginald J. Hargis (funk guitarist, bass player and singer), Eddie Irons and Ray Ransom
publisher:
BMG Gold Songs, H&R Lastrada Music and Silver Cloud Music LLC
part of:
10 Things I Hate About You
Brick45:37
6Running Away
recording of:
Runnin’ Away
lyricist and composer:
Sylvester Stewart
Sly & the Family Stone3.52:55
7I'm Always Dancin' to the Music
Benny Golson6:20
8Phoenix
producer:
Norman Connors
arranger:
Reggie Lucas
remix of:
Phoenix by Aquarian Dream (70s US jazz-funk disco band)
recording of:
Phoenix
writer:
Jacques Burvick
publisher:
Kama Sutra Music Inc. (USA branch), Norman Connors Music Co and Valda Music
Aquarian Dream5:21
9You Little Trustmaker
recording of:
You Little Trustmaker
lyricist and composer:
Christopher Mark Jackson (funk/soul songwriter, active in the ’60s and ’70s)
The Tymes2:50
10It's Just Begun
The Jimmy Castor Bunch3:31
11This Is It
remixer:
Tom Moulton
recording of:
This Is It
lyricist and composer:
Van McCoy
Melba Moore4.353:31
12Work to Do
The Main Ingredient3:16
13How'd I Know That Love Would Slip Away
producer:
Charles Stepney (musician, producer, arranger and songwriter) and Maurice White (Earth, Wind & Fire)
Deniece Williams3:50
14Action Speaks Louder Than Words
recording of:
Action Speaks Louder Than Words
writer:
Amadee Castenell, Ernest Dabon, Robert Dabon, Lloyd L. Harris, Jr., Joseph "Foxx" Smith III, Frank J. Richard (Frank J. Richard, Chocolate Milk), Dwight Richards (drummer), Mario Tio and Kenneth “Afro” Williams
publisher:
Marsaint Music Inc. (publishing) (ended), EMI Music Publishing Germany GmbH (2008–today) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Chocolate Milk3:31
15Future Feature
Grant Green7:46
16Thanks for Saving My Life
recording of:
Thanks for Saving My Life
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
Billy Paul52:59
17It's a Disco Night (Rock Don't Stop)
edit of:
It’s a Disco Night (Rock Don’t Stop), Parts 1 & 2 by The Isley Brothers
recording of:
It’s a Disco Night (Rock Don’t Stop)
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
The Isley Brothers44:13
3▼CD
#TitleArtistRatingLength
1Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:33
2Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:42
3What Can I Say
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
keyboard:
David Paich (in 1975-09)
percussion:
Joe Porcaro (in 1975-09)
solo tenor saxophone:
Plas Johnson (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
background vocals:
Jim Gilstrap (in 1975-09), Augie Johnson (in 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (in 1975-09) and Carolyn Willis (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
What Can I Say (in 1975-09)
writer:
David Paich and Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Universal Music Publishers MGB Australia Pty Ltd and Boz Scaggs Music (publisher) (in 1976)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs43:00
4Till You Take My Love
Harvey Mason3:39
5Instant Replay
assistant engineer:
Darrell Rogers
engineer and producer:
Dan Hartman
mixer:
Arthur Stoppe
congas:
Larry Washington (percussionist)
membranophone and percussion:
Hilly Michaels
other instruments [all instruments] and lead vocals:
Dan Hartman
solo saxophone:
Edgar Winter
background vocals:
Dan Hartman and Edgar Winter
conductor:
Gene Page
arranger:
Gene Page
recorded at:
The Schoolhouse (Westport, Connecticut) in Westport, Connecticut, United States
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Instant Replay
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc.
Dan Hartman55:19
6Pipeline
Bruce Johnston53:59
7You
Samuel Jonathan Johnson5:52
8Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Back Stabbers (in 1972)
writer:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden and John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:06
9Give Me Your Love
producer:
Curtis Mayfield
cover recording of:
Give Me Your Love
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Camad Music Company (from 1972 to ????)
recording of:
Give Me Your Love
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Camad Music Company (from 1972 to ????)
Barbara Mason3:00
10Midnight Train to Georgia
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 432) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 470)
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:39
11Sexual Healing
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
Marvin Gaye
guitar:
Gordon Banks
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
background vocals:
Gordon Banks, Harvey Fuqua and Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals, background vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.653:58
12Sun Goddess
recording engineer:
Paul Serrano
engineer:
Dave Antler and Lester Smith (engineer)
producer:
Maurice White (Earth, Wind & Fire)
guest bass guitar:
Verdine White (from 1974-08 until 1974-09)
guest congas:
Philip Bailey (from 1974-08 until 1974-09)
guest drums (drum set) and timbales:
Maurice White (Earth, Wind & Fire) (from 1974-08 until 1974-09)
guest tenor saxophone:
Don Myrick (from 1974-08 until 1974-09)
keyboard [keyboards] and Rhodes piano:
Ramsey Lewis (from 1974-08 until 1974-09)
guest vocals:
Philip Bailey (from 1974-08 until 1974-09), Maurice White (Earth, Wind & Fire) (from 1974-08 until 1974-09) and Verdine White (from 1974-08 until 1974-09)
remixer:
Paul Serrano
arranger:
Ramsey Lewis
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974)
recording of:
Sun Goddess (from 1974-08 until 1974-09)
composer:
Jon Lind and Maurice White (Earth, Wind & Fire)
Ramsey Lewis8:31
13Are You Ready for This
The Brothers3:25
14Can We Share It
Rick Sheppard3:10
15(Win, Place or Show) She's a Winner
The Intruders2:26
16It's in His Kiss
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Linda Lewis23:21
17Love Really Hurts Without You
vocals:
Billy Ocean
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.52:59
4▼CD
#TitleArtistRatingLength
1Give It Up
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and Harrick Music, Inc. (BMI)
KC & the Sunshine Band4.34:10
2Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 466) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 468)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
Luther Vandross4.153:50
3Shame
recording of:
Shame
writer:
Reuben Cross and John H. Fitch, Jr.
publisher:
Dunbar Music, Inc. and Mills & Mills Music
Evelyn “Champagne” King52:57
4The Love I Lost
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
edit of:
The Love I Lost by Harold Melvin & The Blue Notes
recording of:
The Love I Lost
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.653:32
5Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle feat. Patti LaBelle3.33:54
6Disco Lady
recording of:
Disco Lady
writer:
Don Davis (American record producer), Harvey Scales and Albert Vance
Johnnie Taylor54:27
7Jack and Jill
Raydio4:34
8Turn the Beat Around
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 2)
recording of:
Turn the Beat Around
writer:
Gerald Jackson (American pianist and singer with group Touch of Class) and Pete Jackson (US disco producer)
Vicki Sue Robinson3:23
9What a Difference a Day Makes
cover recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Esther Phillips3:09
10Follow Me
recording of:
Follow Me
lyricist:
Amanda Lear
composer:
Anthony Monn
Amanda Lear43:51
11The Runner
vocals:
Sheila Ferguson, Valerie Holiday and Helen Scott
edit of:
The Runner (Ferguson, Holiday, Scott, album version) by The Three Degrees
recording of:
The Runner
lyricist:
Sheila Ferguson
composer:
Giorgio Moroder
The Three Degrees4:19
12Are You Ready?
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 93)
recording of:
Are You Ready?
writer:
Charlie Allen (Pacific Gas & Electric vocalist) and John Hill (American score composer, not to be confused with the mainstream producer)
publisher:
Hexagram Music and PG & E Music
Pacific Gas & Electric35:47
13Wild Dog
Stanley Clarke3:30
14Juicy Fruit
recording of:
Juicy Fruit
composer:
James Mtume (jazz/funk musician)
Mtume4:30
15Fire
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Fire
lyricist and composer:
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.353:24
16We Gettin' Down
Weldon Irvine5:46
17Also sprach Zarathustra
recording engineer:
Rudy van Gelder (on 1972-09-12)
double bass:
Ron Carter (US jazz double-bassist) (on 1972-09-12)
drums (drum set):
Billy Cobham (on 1972-09-12)
electric bass guitar:
Stan Clarke (on 1972-09-12)
electric guitar:
John Tropea (on 1972-09-12)
electric piano and piano:
Eumir Deodato (on 1972-09-12)
flute:
Hubert Laws (on 1972-09-12)
guitar:
Jay Berliner (on 1972-09-12)
percussion:
Ray Barretto (on 1972-09-12)
trumpet:
Marvin Stamm (on 1972-09-12)
conductor:
Eumir Deodato (on 1972-09-12)
arranger:
Eumir Deodato
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1972-09-12)
recording of:
Also sprach Zarathustra (2001) (arr. Deodato jazz-funk style) (on 1972-09-12)
composer:
Richard Strauss (German composer)
arranger:
Eumir Deodato
publisher:
EMI Full Keel Music and Publishing One's Music
version of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
Eumir Deodato59:02