The Best Club Anthems: 80s Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Another One Bites the Dust
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
John Deacon (from 1980-02 until 1980-05)
drums (drum set) and electronic instruments [electronic percussion]:
Roger Taylor (Queen drummer) (from 1980-02 until 1980-05)
electric guitar:
John Deacon (from 1980-02 until 1980-05) and Brian May (Queen guitarist) (from 1980-02 until 1980-05)
background vocals and lead vocals:
Freddie Mercury (from 1980-02 until 1980-05)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-06 until 1980-05)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 48)
recording of:
Another One Bites the Dust (from 1980-02 until 1980-05)
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980), Queen Music Ltd. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4.153:35
2Rapper's Delight (Full Length version)
recording of:
Rapper’s Delight (on 1979-08-02)
writer:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang4.357:04
31999 (LP version)
assistant engineer:
Don Batts
engineer:
Peggy McCreary
producer:
Prince (“The Artist Formerly Known as…”)
cowbell, cymbal, drum machine [Linn LM-1], electric bass guitar, electric guitar, electronic drum set [Pearl SY-1 Syncussion], handclaps, synthesizer [ARP Omni-2], synthesizer [Oberheim OB-Xa] and tambourine:
Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
drum machine [Pearl SY-1 Syncussion]:
Bobby Z.
background vocals:
Jesse Johnson (original guitarist for The Time)
lead vocals:
Lisa Coleman (US pianist/keyboardist & composer) (from 1982-07 until 1982-08), Dez Dickerson (from 1982-07 until 1982-08), Jill Jones (American singer, songwriter, and actress) (from 1982-07 until 1982-08) and Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
performer:
Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
arranger:
Prince (“The Artist Formerly Known as…”)
recorded at:
Kiowa Trail Home Studio in Chanhassen, Minnesota, United States (from 1982-07 until 1982-08)
recording of:
1999 (from 1982-07 until 1982-08)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (publisher as Warner/Chappell Music) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince4.456:15
4Last Night a DJ Saved My Life (12" version)
recording of:
Last Night a D.J. Saved My Life
lyricist and composer:
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep3.655:38
5Can You Feel It (album version)
engineer:
Tom Perry (engineer)
associate producer:
Greg Phillinganes
producer:
The Jacksons (formerly “The Jackson 5”)
bass guitar:
Nathan Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Tito Jackson and David Williams (session guitarist and songwriter)
keyboard:
Ronnie Foster, Greg Phillinganes and Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraphone:
Gary Coleman (US percussionist)
choir vocals:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Lewis Price, Bob Mack, Arnold McCuller, Paulette McWilliams, Lisa Roberts, Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade (vocalist) and Gregory Wright
lead vocals:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
chorus master:
Stephanie Spruill (American soul/disco singer, songwriter, and percussionist)
strings arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1980)
recorded at:
Hollywood Sound Studios in Los Angeles, California, United States (from 1980-01 until 1980-07) and Sound City Studios in Van Nuys, California, United States (from 1980-01 until 1980-07)
recording of:
Can You Feel It
writer:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
MJ: The Musical
The Jacksons45:58
6Use It Up and Wear It Out
recording of:
Use It Up and Wear It Out
writer:
Lawrence Russell Brown (lyricist) and Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey43:45
7Rapture
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Rapture (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
Blondie3.64:56
8Oops Upside Your Head
producer:
Lonnie Simmons (producer, songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
produced for:
Total Experience Productions
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
cover recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
The Gap Band3:23
9(Somebody) Help Me Out
recording of:
(Somebody) Help Me Out
writer:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist), Neville McKrieth and Kenny Wellington
Beggar & Co3:32
10Chant No. 1 (I Don't Need This Pressure On)
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recording of:
Chant No. 1 (I Don't Need This Pressure On)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:03
11Temptation
producer:
B.E.F. and Greg Walsh (producer and engineer)
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.54:36
12Love Town (extended version)
recording of:
Love Town
writer:
Len Barry and Bobby Eli
Booker Newberry III5:13
13Get Down Saturday Night
recording of:
Get Down Saturday Night
composer:
Oliver Cheatham and Kevin McCord
publisher:
Songs of Universal, Inc. (BMI)
Oliver Cheatham4:01
14Dancing Tight
recording of:
Dancing Tight
lyricist and composer:
Phil Fearon
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Handle Music Ltd. and Imagem Songs Ltd.
Phil Fearon & Galaxy53:33
15Flashdance... What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.653:53
16I.O.U.
recorded in:
New York, New York, United States (in 1983)
producer:
Arthur Baker (American record producer and DJ)
performer:
Freeez (1980s English electronic music group) (in 1983)
recorded at:
Unique Recording Studios in Manhattan, New York, New York, United States (in 1983)
recording of:
I.O.U.
writer:
Arthur Baker (American record producer and DJ) and John Robie
publisher:
Shakin’ Baker Music
Freeez4.653:47
17We Got the Funk
recording of:
We Got the Funk
writer:
Nate Edmonds (keyboard player/songwriter), Brenda Reynolds and Albert Williams
publisher:
Sugar Hill Music Publishing Ltd. (ended), B.I.B. Music and Songs of Universal, Inc. (BMI)
Positive Force3:20
2▼CD
#TitleArtistRatingLength
1White Lines (Don't Don't Do It)
producer:
J. Chase and Sylvia Robinson
mixer:
Shameek
edit of:
White Lines (Don’t Do It) by Grandmaster & Melle Mel (Melvin Glover aka Melle Mel)
recording of:
White Lines (Don’t Don’t Do It)
writer:
Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
Four Hills Music Ltd and IQ Music Ltd.
is based on:
Cavern
Grandmaster Flash & Melle Mel34:27
2Trapped
recording of:
Trapped
writer:
Don Abrams and Marston Freeman (songwriter)
publisher:
Moonwalk Music (publisher)
Colonel Abrams4:02
3Feel So Real
recording of:
Feel So Real
writer:
India Arrington and Steve Arrington
Steve Arrington5:06
4You're the One for Me (Paul Hardcastle's Labour of Love mix)
recording of:
You’re the One for Me
writer:
Hubert Eaves III and James “D Train” Williams (R&B vocalist & songwriter)
publisher:
Diesel Music AB, Franmar Music and Zella Music
D‐Train4:09
519 (12" version)
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
publisher:
Oval Music and Virgin Music (Publishing) Ltd.
Paul Hardcastle5:10
6I'll Be Good
recording of:
I'll Be Good
writer:
René Moore and Angela Winbush
René & Angela44:09
7Let the Music Play
recording of:
Let the Music Play
writer:
Chris Barbosa (Rhythm Method) and Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
Shannon3:47
8Sussudio
assistant engineer:
Steve Chase
engineer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass synthesizer [Mini Moog Bass], drum machine [DMX] and keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
drum machine [Roland 909] and lead vocals [vocals]:
Phil Collins (of Genesis)
guitar [guitars]:
Daryl Stuermer
horn [horns]:
The Phenix Horns
horn arranger:
Tom Tom 84
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) and Philip Collins Ltd. (in 2016)
recorded at:
Old Croft in Surrey, England, United Kingdom and The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 88)
recording of:
Sussudio
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
Phil Collins4.34:19
9Chain Reaction (original 12" version)
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross6:52
10Searchin' (I Gotta Find a Man)
recording of:
Searchin’ (I Gotta Find a Man) (in 1983)
lyricist and composer:
Ian Anthony Stephens
Hazell Dean3:35
11I Didn't Mean to Turn You On
producer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
produced for:
Flyte Tyme Productions
recording of:
I Didn’t Mean to Turn You On
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing (in 1985) and Flyte Tyme Tunes (in 1985)
Cherrelle3:58
12You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:12
13Somebody Else's Guy
recording of:
Somebody Else’s Guy
writer:
Annette E. Brown and Jocelyn Brown
publisher:
Jocelyn Brown's Music, SM Publishing (UK) Limited (Sony Music, 2009–2020), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Jocelyn Brown53:45
14West End Girls (extended version)
engineer:
David Jacob
producer:
Stephen Hague
additional vocals:
Helena Springs
remixer:
Pet Shop Boys and Frank Roszak (engineer and producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Pet Shop Boys Partnership Ltd.
recording of:
West End Girls
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (from 1984 to present) and CBS, Inc. (US broadcasting company; file no releases here!) (from 1984 to present)
Pet Shop Boys6:29
15Imagination (extended version)
producer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some5:27
16Hangin' on a String
recording of:
Hangin' on a String (Contemplating)
lyricist and composer:
Carl McIntosh, Jane Eugene and Steve Nichol (songwriter, producer)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Brampton Music Ltd. (publisher), SM Publishing (UK) Limited (Sony Music, 2009–2020) and Virgin Music (Publishers) Ltd.
Loose Ends3:39
17Just Be Good to Me (album version)
recording of:
Just Be Good to Me
composer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band5:49
3▼CD
#TitleArtistRatingLength
1Word Up
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
music videos:
Word Up! by Cameo (American soul-influenced funk group)
part of:
TV Cream: Real 100 Best Singles Ever (number: 70) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 81)
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:16
2Aint Nothin' Goin' on but the Rent
recording of:
Ain’t Nothin’ Goin’ On but the Rent
lyricist and composer:
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:33
3Saturday Love
performer:
Alexander O’Neal
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 498)
recording of:
Saturday Love
writer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Cherrelle feat. Alexander O’Neal4:59
4The Real Thing
drum machine programming:
Jellybean (US producer John Benitez)
producer:
Jellybean (US producer John Benitez)
mixer:
Michael Hutchinson (engineer)
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Toni C., Paul Fox (Producer) and Fred Zarr
background vocals:
Jocelyn Brown, Connie Harvey and Fonzi Thornton
lead vocals:
Steven Dante
arranger and vocals arranger:
Toni C.
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!)
recording of:
The Real Thing
writer:
Toni C. and Arnie Roman
publisher:
House of Fun Music, Inc and Jobete Music Ltd
Jellybean feat. Steven Dante5:34
5You Sexy Thing (Ben Liebrand remix)
remixer:
Ben Liebrand
recording of:
You Sexy Thing
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3:28
6Showing Out (Get Fresh at the Weekend)
recording of:
Showing Out (Get Fresh at the Weekend)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Mel & Kim2.753:31
7Sometimes (12" version)
recording of:
Sometimes
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure5:51
8Pump Up the Volume
engineer:
John Fryer (British producer and engineer)
producer:
Martyn Young
guitar:
A.R. Kane (British dreampop duo)
sampler:
John Fryer (British producer and engineer)
turntable:
Dave Dorrell and C.J. Mackintosh
recording of:
Pump Up the Volume
composer:
Martyn Young and Steven Young (UK musician, member of Colourbox & MARRS)
part of:
American Psycho
MARRS3.84:04
9And She Was (extended version)
recording of:
And She Was
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Talking Heads4:54
10Buffalo Stance
recording of:
Buffalo Stance
writer:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) and Phil Ramacon (soul/R&B/reggae songwriter)
is based on:
Looking Good Diving With The Wild Bunch
Neneh Cherry4:03
11Good Life
engineer:
Ben Grosse (American producer and engineer)
producer:
Kevin Saunderson
mixer:
Ben Grosse (American producer and engineer) and Kevin "Master Reese" Saunderson
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
writer:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson and Kevin Saunderson
publisher:
Drive On Music and Virgin Songs
Inner City33:55
12Pump Up the Jam
producer:
Jo Bogaert (Belgian producer)
vocals:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
performer:
Felly (Felly Kilingi, “frontwoman” for Technotronic in the early ’90s)
phonographic copyright (℗) by:
ARS Productions Benelux (in 1989)
recording of:
Pump Up the Jam
lyricist:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
composer:
Patrick de Meyer (Belgian electronic music producer) and Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
is based on:
Technotronic
Technotronic feat. Felly3.653:33
13Respect
part of:
The Downloader’s Music Source Book (number: 206)
cover recording of:
Respect
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Adeva2.354:02
14Movin' (1988 remix)
recording of:
Movin’
lyricist and composer:
Randy Muller and Wade Williamston (bassist)
publisher:
Bravo and Encore Music, Music in Three and State Music Ltd. (publisher) (from 1985 to present)
Brass Construction3:23
15Musical Freedom (Moving on Up)
recording of:
Musical Freedom
writer:
Carmen Brown and Paul Simpson (house artist/producer)
arranger:
The Newport Pagnell Philharmonic
Paul Simpson feat. Adeva & Carmen Marie3:29
16Sexy Girl
Lillo Thomas3:59
17Back to Life (However Do You Want Me)
producer:
Nellee Hooper and Jazzie B
guest lead vocals:
Caron Wheeler (English singer, songwriter, and record producer)
recording of:
Back to Life
writer:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo and Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler43:46