Music for the Millions

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Ma Vlast (My Country): The Moldau
orchestra:
Royal Concertbouw Orchestra, Amsterdam (Royal Concertgebouw Orchestra) (in 1986-10)
conductor:
Antal Doráti (conductor) (in 1986-10)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1986-10)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (in 1986-10)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:12
2Slavonic Dance in C
recorded in:
Leipzig, Sachsen (Saxony), Germany (in 1985-08)
orchestra:
Gewundhaus Orchestra Leipzig (Leipzig Gewandhaus Orchestra) (in 1985-08, in 1986)
conductor:
Kurt Masur (conductor) (in 1985-08, in 1986)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1986)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (in 1985-08)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:18
3Rosamunde: Ballet Music no. 2
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert7:47
4A Midsummer Night’s Dream: Wedding March
recorded in:
London (Greater London), England, United Kingdom (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1983-03)
conductor:
Neville Marriner (conductor) (in 1983-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-03)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) (in 1983-03)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn Bartholdy4:16
5Die Fledermaus: Overture
orchestra:
Konzertvereinigung Wiener Volksopernorchester
conductor:
Franz Bauer-Theussl (conductor)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauß, Jr8:32
6”Nutcracker” Suite, op. 71a: Waltz of the Flowers
producer:
John McClure (recording engineer and record producer)
orchestra:
The Boston Pops (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (in 1983-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Peter Ilyich Tchaikovsky6:53
7”Radetzky” March, op. 228
orchestra:
Konzertvereinigung Wiener Volksopernorchester
conductor:
Franz Bauer-Theussl (conductor)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauß, Sr3:21
8Peer Gynt: Morning Mood
orchestra:
San Francisco Symphony
conductor:
Edo de Waart (conductor)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:23
9Serenade for Strings in C, op. 48: Waltz: Moderato (tempo di valse)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1982-02-12 until 1982-02-14)
conductor:
Sir Neville Marriner (conductor) (from 1982-02-12 until 1982-02-14)
balance engineer:
Hans Lauterslager
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1982-02) and St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1982-02-12 until 1982-02-14)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (from 1982-02-12 until 1982-02-14)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Peter Ilyich Tchaikovsky3:46
10Notre Dame: Intermezzo
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Notre Dame, op. 2: Act I. Intermezzo
composer:
Franz Schmidt (Austrian composer)
part of:
Notre Dame, op. 2: Act I
Franz Schmidt5:17
11Pomp and Circumstance, op. 39: March no. 1 in D “Land of Hope and Glory”
orchestra:
Royal Philharmonic Orchestra (in 1985-07)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1985-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-07)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1985-07)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:33
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#TitleArtistRatingLength
1Hungarian Rhapsody no. 2 in D minor
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1984-06)
conductor:
Kurt Masur (conductor) (in 1984-06)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 1984-06)
recording of:
Hungarian Rhapsody for Orchestra no. 2 in C minor, S. 359/2 (orch. Liszt/Doppler) (in 1984-06)
orchestrator:
Franz Doppler and Franz Liszt (Hungarian composer, pianist and conductor)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C‐sharp minor, S. 244 no. 12
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt10:32
2L’apprenti sorcier
recorded in:
London (Greater London), England, United Kingdom (from 1983-08-16 until 1983-08-18)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1983-08-16 until 1983-08-18)
orchestra:
Academy of St Martin in the Fields (from 1983-08-16 until 1983-08-18)
conductor:
Sir Neville Marriner (conductor) (from 1983-08-16 until 1983-08-18)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1983-08-16 until 1983-08-18)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (from 1983-08-16 until 1983-08-18)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas11:34
3Danse macabre
recorded in:
London (Greater London), England, United Kingdom (from 1983-08-16 until 1983-08-18)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (from 1983-08-16 until 1983-08-18)
conductor:
Sir Neville Marriner (conductor) (from 1983-08-16 until 1983-08-18)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1983-08-16 until 1983-08-18)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra) (from 1983-08-16 until 1983-08-18)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Dies Irae (plainchant)
Camille Saint‐Saëns6:43
4Hungarian Dance no. 5 in G minor
recorded in:
Leipzig, Sachsen (Saxony), Germany (in 1981-09)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1981-09)
conductor:
Kurt Masur (conductor) (in 1981-09)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations) (in 1981-09)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms2:47
5Hungarian Dance no. 6 in D
recorded in:
Leipzig, Sachsen (Saxony), Germany (in 1981-09)
orchestra:
Gewundhaus Orchestra Leipzig (Leipzig Gewandhaus Orchestra) (in 1981-09)
conductor:
Kurt Masur (conductor) (in 1981-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983) and VEB Deutsche Schallplatten Berlin (in 1983)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Parlow) (in 1981-09)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms3:31
6Bolero
recorded in:
Dresden, Sachsen (Saxony), Germany (in 1982-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1982-07)
conductor:
Neville Marriner (conductor) (in 1982-07)
recording of:
Boléro (in 1982-07)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel14:29
7In a Persian Market
recorded in:
London (Greater London), England, United Kingdom (in 1991-08)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1991-08)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) (in 1991-08)
conductor:
Alexander Faris (conductor) (in 1991-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1991-08)
recording of:
In a Persian Market (in 1991-08)
composer:
Albert Ketèlbey (English composer) (in 1920)
Albert W. Ketèlbey6:52
8Invitation to the Dance
recorded in:
Wien (Vienna), Austria (in 1981-04)
orchestra:
Orchester der Wiener Volksoper (in 1981-04)
conductor:
Franz Bauer-Theussl (conductor) (in 1981-04)
recording of:
Aufforderung zum Tanz, op. 65 (Invitation to the Dance, op. 65, orchestration not indicated) (in 1981-04)
composer:
Carl Maria von Weber (composer)
orchestration of:
Aufforderung zum Tanze, op. 65 (Invitation to the Dance, op. 65, for piano)
Carl Maria von Weber11:12
3▼CD
#TitleArtistRatingLength
1Russian and Ludmilla Overture
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Esa‐Pekka Salonen (conductor and composer)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Mikhail Glinka5:02
2Warsaw Concerto
recorded in:
London (Greater London), England, United Kingdom (in 1983-07)
piano:
Misha Dichter (pianist) (in 1983-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1983-07)
conductor:
Neville Marriner (conductor) (in 1983-07)
recording of:
Warsaw Concerto (Dangerous Moonlight) (in 1983-07)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Richard Addinsell (composer)
part of:
Classic 100: Piano (2025) (number: 45)
part of:
Dangerous Moonlight (film soundtrack)
Richard Addinsell8:13
3Carmen: Prelude to Act I
vocals and conductor:
Silvio Varviso (conductor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
recording of:
Carmen : Prélude
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:19
4Faust: Ballet Music
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Faust : Acte V. Ballet (La Nuit de Walpurgis)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte V
Charles Gounod2:42
5Soldier’s Chorus
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles Gounod3:12
6La Traviata: Prelude to Act I
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-12)
recording of:
La traviata: Preludio (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi4:32
7Nabucco: Prisoners’ Chorus
recorded in:
East Germany (historical, 1949-1990) (in 1983-12)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1983-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1983-12)
conductor:
Silvio Varviso (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1983-12)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:09
8La forza del destino: Overture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi7:20
9Il Trovatore: Gipsies’ Chorus
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1983-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1983-12)
conductor:
Silvio Varviso (conductor) (in 1983-12)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:55
10Cavalleria rusticana: Intermezzo sinfonico
orchestra:
Sächsische Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:41
11The Bartered Bride: Overture
recorded in:
London (Greater London), England, United Kingdom (in 1983-08)
orchestra:
Academy of St Martin in the Fields (in 1983-08)
conductor:
Sir Neville Marriner (conductor) (in 1983-08)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture) (in 1983-08)
composer:
Bedřich Smetana (composer)
part of:
Die verkaufte Braut (The Bartered Bride)
part of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana6:34
12The Tales of Hoffman: Barcarolle
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1983)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:56
13Symphony no. 4 in A “Italian”: Saltarello (Presto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Semyon Bychkov (conductor)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn Bartholdy5:27
14Le nozze di Figaro K. 492: Sinfonia
recorded in:
London (Greater London), England, United Kingdom (in 1985-08)
creative direction:
Ubaldo Gardini (vocal/language coach, violinist) (in 1985-08)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Academy of St Martin in the Fields (in 1985-08)
conductor:
Sir Neville Marriner (conductor) (in 1985-08)
concertmaster:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1985-08)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1985-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:16
15Eugen Onegin, op. 24: Polonaise
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Semyon Bychkov (conductor)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Peter Ilyich Tchaikovsky4:56
4▼CD
#TitleArtistRatingLength
1Eine kleine Nachtmusik: Serenade in G, K 525: Allegro
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1982-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:49
2Eine kleine Nachtmusik: Serenade in G, K 525: Romanze (Andante)
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1982-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:55
3Eine kleine Nachtmusik: Serenade in G, K 525: Menuett (Allegretto)
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (in 1982-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:13
4Eine kleine Nachtmusik: Serenade in G, K 525: Rondo (Allegro)
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1982-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:56
5Minuet in G, WoO 10 no. 2
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07)
recording of:
Minuet in G major, WoO 10 no. 2 (for strings) (in 1982-07)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
6 Minuets for Piano, WoO 10: No. 2 in G major
Ludwig van Beethoven2:49
6Canon
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07, in 1987)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1982-07)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1987)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:46
7Adagio in G minor
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07)
recording of:
Adagio for Strings and Organ in G minor (in 1982-07)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni, Remo Giazotto9:22
8String Quartet in F, op. 3 no. 5
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07)
recording of:
String Quartet in F major, op. 3 no. 5, Hob. III:17: II. Andante cantabile (in 1982-07)
composer:
Roman Hoffstetter
previously attributed to:
Joseph Haydn (composer)
part of:
String Quartet in F major, op. 3 no. 5, Hob. III:17
Joseph Haydn3:27
9String Quintet in E, op. 13 no. 5
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1982-07)
orchestra:
I Musici (in 1982-07)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1982-07)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini4:09
10Concerto no. 6 in A minor, RV 356: Allegro
violin:
Pina Carmirelli (violinist) (in 1983-08)
orchestra:
I Musici (in 1983-08)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: I. Allegro moderato (in 1983-08)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi3:17
11Concerto no. 6 in A minor, RV 356: Largo
violin:
Pina Carmirelli (violinist) (in 1983-08)
orchestra:
I Musici (in 1983-08)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: II. Largo (in 1983-08)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi2:36
12Concerto no. 6 in A minor, RV 356: Presto
violin:
Pina Carmirelli (violinist) (in 1983-08)
orchestra:
I Musici (in 1983-08)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: III. Presto (in 1983-08)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi2:21
5▼CD
#TitleArtistRatingLength
1Toccata and Fugue in D minor, BWV 565
organ:
Daniel Chorzempa (organist) (in 1982-04)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Bovenkerk in Kampen, Overijssel, Netherlands, Kingdom of the Netherlands (in 1982-04)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1982-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach11:44
2Romance no. 2 in F, op. 50 for Violin and Orchestra
producer:
Michael Bremner (producer/engineer)
violin:
Pinchas Zukerman (violinist/conductor) (in 1986-03)
orchestra:
Saint Paul Chamber Orchestra (in 1986-03)
conductor:
Pinchas Zukerman (violinist/conductor) (in 1986-03)
balance engineer:
John Newton (editor, engineer mixer)
recorded at:
Ordway Music Theater in Saint Paul, Minnesota, United States (in 1986-03)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile) (in 1986-03)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven9:22
3Sonata in A, K. 331: 3. Rondo “alla Turca”
producer:
Erik Smith (British producer, pianist and harpsichordist)
piano:
Mitsuko Uchida (pianist) (in 1983-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-10)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1983-10)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:38
4Sonata in C, K. 545 (Sonata facile): 1. Allegro
producer:
Erik Smith (British producer, pianist and harpsichordist)
piano:
Mitsuko Uchida (pianist) (in 1983-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-10)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: I. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1983-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart4:39
5Sonata no. 8 in C minor, op. 13 “Pathétique”: 2. Adagio cantabile
piano:
Claudio Arrau (pianist) (in 1963-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1964)
recorded at:
Bachzaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1963-09)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1963-09)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven6:22
6Sonata no. 23 in F minor, op. 57 “Appassionata”: 2. Andante con moto
recorded in:
New York, New York, United States (in 1984-12)
piano:
Claudio Arrau (pianist) (in 1984-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1986)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto (in 1984-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven7:39
7Prelude in D-flat, op. 28 no. 15
piano:
Bella Davidovich (pianist)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin6:17
8Impromptu no. 4 in C-sharp minor, op. 66 “Fantaisie Impromptu”
piano:
Bella Davidovich (pianist) (from 1981 until 1982)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66 (from 1981 until 1982)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Classic 100: Piano (2004) (number: 13) and Works of Fryderyk Chopin by opus number (number: op. 66)
Frédéric Chopin5:04
9Waltz no. 9 in A-flat, op. 69 no. 1
piano:
Kocsis Zoltán (pianist, conductor)
recording of:
Waltz no. 9 in A‐flat major, op. 69 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1835)
part of:
Waltzes, op. 69
Frédéric Chopin3:44
10Suite bergamasque: Claire de lune
recording engineer:
Onno Scholtze (sound engineer) (from 1983-09-11 until 1983-09-15)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Kocsis Zoltán (pianist, conductor) (from 1983-09-11 until 1983-09-15)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1984)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1983-09-11 until 1983-09-15)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (from 1983-09-11 until 1983-09-15)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy45:56
11Romance “Jeux interdits”
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1982-11)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1982-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1983)
recorded at:
Lutherian Church, Haarlem (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1982-07) and Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1982-11)
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1982-07)
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1982-11)
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
[anonymous]1:55
12Recuerdos de la Alhambra
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega4:38