Time for Love: The Best of Julie London (reissue, slight variations)

~ Release by Julie London (see all versions of this release, 2 available)

Annotation

This version adds a cat# for CEMA SM and a slight variation on the back cover, though it shares the same barcode with the original.

Annotation last modified on 2025-10-20 13:08 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.652:58
2In the Middle of a Kiss
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Pete King and His Orchestra
recording of:
In the Middle of a Kiss
writer:
Sam Coslow
2:21
3You'd Be So Nice to Come Home To
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
trumpet:
Bob Flanigan (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
orchestra:
The Jimmy Rowles Orchestra (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (on 1960-03-04)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:17
4No Moon at All
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
recording of:
No Moon at All (in 1955-08)
lyricist:
Redd Evans
composer:
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) and Rytvoc, Inc. (ASCAP)
41:54
5June in January
producer:
Bobby Troup
conductor:
Pete King (composer/arranger) (in 1956-05)
arranger:
Pete King (composer/arranger)
cover recording of:
June in January (in 1956-05)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Sony/ATV Harmony UK
42:10
6'Round Midnight
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
’Round Midnight (in 1960-08)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
2:56
7In the Still of the Night
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
performer:
The Bud Shank Quintet
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
In the Still of the Night (Cole Porter song) (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
2:43
8My Heart Belongs to Daddy
recorded in:
Hollywood, Los Angeles, California, United States (in 1961-07)
producer:
Felix Slatkin
cover recording of:
My Heart Belongs to Daddy (in 1961-07)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:44
9Invitation to the Blues
engineer:
Ted Keep and Val Valentin
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Invitation to the Blues (from 1956 until 1957)
writer:
Allan Roberts (songwriter), Doris Fisher and Arthur Gershwin
32:58
10Easy Street
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
cover recording of:
Easy Street (in 1955-08)
lyricist and composer:
Alan Rankin Jones
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Johnstone-Montei Music and Robert Mellin Ltd.
43:15
11Go Slow
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Russ Garcia & His Orchestra
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Go Slow
lyricist:
Ned Kronk
composer:
Russell Garcia
42:16
12The Thrill Is Gone
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
orchestra:
The Jimmy Rowles Orchestra
recorded at:
Julie London’s living room
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
3:23
13I Surrender, Dear
engineer:
Chuck Britz and Joe Sidore
producer:
Calvin Carter
vocals:
Julie London
arranger:
Don Bagley
recording of:
I Surrender Dear
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:47
14Two Sleepy People
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London (from 1959-08 until 1959-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1959-08 until 1959-09)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (from 1959-08 until 1959-09)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
3:14
15A Cottage for Sale
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London (from 1962-08 until 1962-09)
arranger:
Pete King (composer/arranger)
cover recording of:
A Cottage for Sale (from 1962-08 until 1962-09)
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
2:36
16Daddy
engineer:
Ted Keep
producer:
Felix Slatkin and Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
The Jimmy Rowles Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Daddy (in 1957-10)
lyricist and composer:
Robert W. Troup, Jr.
42:15
17Gone With the Wind
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
cover recording of:
Gone With the Wind (in 1955-08)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
42:08
18I'm in the Mood for Love
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood (in 1955-08)
guitar:
Barney Kessel (in 1955-08)
vocals:
Julie London (in 1955-08)
recording of:
I’m in the Mood for Love (in 1955-08)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
42:32

Credits

Release

art direction:Geoff Gans
liner notes:James Austin (US producer, associated with Rhino Records)
Irwin Chusid
producer:James Austin (US producer, associated with Rhino Records)
remastering:Bill Inglot (archival music producer/remastering engineer)
Ken Perry
compiler:James Austin (US producer, associated with Rhino Records)
design:Coco Shinomiya
Discogs:https://www.discogs.com/release/1959759 [info]
ASIN:US: B0000032MA [info]