Chilled R&B (The Platinum Edition)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶Digitales Medium
2▶Digitales Medium
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Dreams
Produzent(in):
Richie Fermie
Mix:
John Brough
Gitarre:
Paul Noble (member of "Warm Jets")
phonographisches Urheberrecht (℗) von:
Go Beat Ltd. (in 1993) und Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1993)
recording of:
Dreams (in 1993)
Verfasser(in):
Tim Laws und Louise Gabrielle Bobb (British singer-songwriter)
publisher:
Imagem London Ltd., Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gabrielle33:41
2I’ll Make Love to You
Schlagzeug-Programmierung:
Rayford Griffin
assistierende(r) Techniker(in):
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg und Jamie Seyberth
Techniker(in):
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Bass:
Reggie Hamilton
Synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
aufgenommen bei:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 185)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:57
3Giving Him Something He Can Feel
recording engineer:
Steve Counter
assistierende(r) Techniker(in):
John Jackson (engineer)
zusätzliche(r) Techniker(in):
Neil King (sound engineer) und Michael Semanick
Produzent(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
Mix:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
mixed at:
Can Am Studios in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Something He Can Feel
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1975 bis heute)
En Vogue3.53:57
4Baby‐Baby‐Baby (radio edit)
recording of:
Baby‐Baby‐Baby
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), L.A. Reid und Daryl Simmons
publisher:
Epic/Solar Songs Inc., Greenskirt Music und Kear Music (publisher)
TLC3:58
5Cry for You
Produzent(in):
DeVante Swing
recording of:
Cry for You
Texter und Komponist(in):
DeVante Swing
Jodeci5:00
6When Doves Cry (radio edit)
cover recording of:
When Doves Cry
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions und Controversy Music
Ginuwine33:55
7I Don’t Want To
Assistent recording engineer:
Frank Gonzales und John Merchant
recording engineer:
Peter Mokran
assistierende(r) Mix:
Ron Lowe
Mix:
R. Kelly und Peter Mokran
Instrumente:
R. Kelly
Hintergrundgesang:
Toni Braxton und R. Kelly
Sologesang:
Toni Braxton
arranger:
R. Kelly
recording of:
I Don't Want To
Texter und Komponist(in):
R. Kelly
Toni Braxton54:17
8Almost Doesn’t Count (radio edit)
recording of:
Almost Doesn’t Count
Verfasser(in):
Shelly Peiken und Guy Roche
publisher:
BMG Songs, Inc., EMI Blackwood, Hidden Pun Music, Inc., Manuiti L.A., Sushi Too Music und Universal Music–MGB Songs
Brandy43:36
9Don’t Take It Personal (Just One of Dem Days)
Monica4:13
10Old School
Techniker(in) und Mix:
Peter Mokran
Produzent(in):
R. Kelly
vocals:
Aaliyah (American R&B singer)
zusätzlich vocals:
Tia Hawkins
phonographisches Urheberrecht (℗) von:
Blackground Enterprises (label for early Aaliyah releases until 1998, later renamed Blackground Entertainment) (in 1994) und Zomba Recording LLC (in 1994)
engineered at:
Chicago Recording Company in Chicago, Illinois, Vereinigte Staaten
recording of:
Old School
Texter und Komponist(in):
R. Kelly
Aaliyah43:15
11Can We Talk
recording of:
Can We Talk
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Daryl Simmons
Tevin Campbell44:43
12Tonight’s the Night
Blackstreet4:19
13I Can’t Tell You Why
Brownstone3:04
14T‐Shirts & Panties
Gast vocals:
Jamie Foxx (actor, comedian, and singer)
Interpret(in):
Jamie Foxx (actor, comedian, and singer)
phonographisches Urheberrecht (℗) von:
Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1997)
Adina Howard4:50
15Your Love Is a 187
Whitehead Bros3:50
16Back at One
Assistent recording engineer:
Mary Ann Souza
recording engineer:
Tommy Vicarri und Chris Wood (recording engineer)
drum machine-Programmierung:
Brian McKnight
leitende(r) Produzent(in):
Bruce Carbone, Kedar Massenburg und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Bass, Keyboard, Perkussion, Hintergrundgesang und Sologesang:
Brian McKnight
arranger:
Brian McKnight
Orchestrator(in):
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
aufgenommen bei:
Capital Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
recording of:
Back at One
Texter, Verfasser(in) und Komponist(in):
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight3:21
17You Will Rise
recording of:
You Will Rise
Texter:
Amel Larrieux
Komponist(in):
Paul S. Denman, Andrew Hale (keyboardist/composer) und Stuart Matthewman
Sweetback4:01
18Saturday Love
recording of:
Saturday Love
Verfasser(in):
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Cherrelle feat. Alexander O’Neal4:16
19Your Secret Love
recording engineer und Mix:
Ray Bardani
drum machine-Programmierung und Synthesizer [string]-Programmierung:
Reed Vertelney
zusätzliche Programmierung:
Ivan Hampden
leitende(r) Produzent(in):
Luther Vandross
Produzent(in):
Luther Vandross
Editing:
Max Risenhoover
Bass:
John “Skip” Anderson (funk/soul producer and songwriter) und Reed Vertelney
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Reed Vertelney
Saiteninstrumente und zusätzlich Keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
Hintergrundgesang:
Tawatha Agee, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
arranger:
John “Skip” Anderson (funk/soul producer and songwriter), Luther Vandross und Reed Vertelney
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Your Secret Love
Verfasser(in):
Luther Vandross und Reed Vertelney
publisher:
Chrysalis Songs (in 1996), EMI April Music Inc. (in 1996), Uncle Ronnie’s Music Company Inc. (in 1996) und Vertelney Music (in 1996)
Luther Vandross4:10

Nennungen

Veröffentlichung

zum Herunterladen kaufen:https://itunes.apple.com/gb/album/id659430948 [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0002549645 [Info]