Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▼CD: Great Singers (Period Instruments)
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1"Vergnügte Ruh, beliebte Seelenlust", BWV 170: 1. Aria: "Vergnügte Ruh, beliebte Seelenlust"
producer:
Wolf Erichson (engineer/producer)
countertenor vocals:
Alfred Deller (countertenor) (in 1954-05)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1954-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1954-05)
recorded at:
Franziskanerkirche in Innere Stadt, Wien (Vienna), Austria (in 1954-05)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:55
2"Gott ist unsre Zuversicht", BWV 197: 1. [Chorus:] "Gott ist unsre Zuversicht"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": I. Coro "Gott ist unsre Zuversicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
6:20
3"Gott ist unsre Zuversicht", BWV 197: 2. Recitative: "Gott ist und bleibt der beste Sorger"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": II. Recitativo (Bass) "Gott ist und bleibt der beste Sorger"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:17
4"Gott ist unsre Zuversicht", BWV 197: 3. Aria: "Schläfert allen Sorgenkummer"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": III. Aria (Alt) "Schläfert allen Sorgenkummer"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
8:28
5"Gott ist unsre Zuversicht", BWV 197: 4. Recitative: "Drum folget Gott und seinem Triebe"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IV. Recitativo (Bass) "Drum folget Gott und seinem Triebe"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
0:42
6"Gott ist unsre Zuversicht", BWV 197: 5. Chorale: "Du süße Lieb, schenk uns deine Gunst"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": V. Choral "Du süße Lieb, schenk uns deine Gunst"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 255)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:06
7"Gott ist unsre Zuversicht", BWV 197: 6. Aria: "O du angenehmes Paar"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VI. Aria (Bass) "O du angenehmes Paar"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
6:36
8"Gott ist unsre Zuversicht", BWV 197: 7. Recitative: "So wie es Gott mit dir"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VII. Recitativo (Sopran) "So wie es Gott mit dir"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:36
9"Gott ist unsre Zuversicht", BWV 197: 8. Aria: "Vergnügen und Lust"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
4:05
10"Gott ist unsre Zuversicht", BWV 197: 9. Recitative: "Und dieser frohe Lebenslauf"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IX. Recitativo (Bass) "Und dieser frohe Lebenslauf"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
0:42
11"Gott ist unsre Zuversicht", BWV 197: 10. Chorale: "So wandelt froh auf Gottes Wegen"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (from 1967-03 until 1967-09)
choir vocals:
Chorus Viennensis (from 1967-03 until 1967-09) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03 until 1967-09)
orchestra:
Concentus Musicus Wien (from 1967-03 until 1967-09)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03 until 1967-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03 until 1967-09)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": X. Choral "So wandelt froh auf Gottes Wegen"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 370)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
1:02
12"Also hat Gott die Welt geliebt", BWV 68: 2. Aria & Ritornello: "Mein gläubiges Herze"
soprano vocals [boy soprano]:
Peter Jelosits (tenor)
treble vocals:
Peter Jelosits (tenor) (from 1975-05-13 until 1975-06-29)
orchestra:
Concentus Musicus Wien (from 1975-05-13 until 1975-06-29)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-05-13 until 1975-06-29)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1975-05-13 until 1975-06-29)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (from 1975-05-13 until 1975-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
4:04
13"Was Gott tut, das ist wohlgetan", BWV 100: 2. Duet: "Was Gott tut, das ist wohlgetan"
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alt, Tenor) "Was Gott tut, das ist wohlgetan" (from 1979-09-16 until 1979-09-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
4:03
14"Mein Herze schwimmt im Blut", BWV 199: 2. Aria: "Stumme Seufzer, stille Klagen"
soprano vocals:
Barbara Bonney (soprano) (in 1988-09)
orchestra:
Concentus Musicus Wien (in 1988-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-09)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (catch-all for unknown versions) (in 1988-09)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
8:43
15St. John Passion, BWV 245: 7. Aria: "Von den Stricken meiner Sünden"
producer:
Sieuwert Verster
countertenor vocals:
James Bowman (UK countertenor) (in 1992-02)
orchestra:
Orchestra of the Eighteenth Century (in 1992-02)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (in 1992-02)
balance engineer:
Jaap Bogaart (engineer)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-02)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
4:50
16St. Matthew Passion, BWV 244: 20. Aria: "Ich will bei meinem Jesu wachen"
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir)
tenor vocals:
Ian Bostridge (tenor)
orchestra:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1996-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
5:06
17"Geschwinde, geschwinde, ihr wirbelnden Winde", BWV 201: 13. Aria: "Aufgeblasne Hitze, aber wenig Grütze"
alto vocals [Mercurius]:
Andreas Scholl (countertenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde": XIII. Aria (Alt) "Aufgeblasne Hitze" (in 1995-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 201 "Geschwinde, ihr wirbelnden Winde"
5:53
18"O Ewigkeit, du Donnerwort", BWV 60: 1. Aria: "O Ewigkeit, du Donnerwort"
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (in 2008-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
4:05
19"Was mir behagt, ist nur die muntre Jagd", BWV 208: 9. Aria: "Schafe können sicher weiden"
soprano vocals:
Magdalena Kožená (mezzo-soprano)
orchestra:
Musica Florea
conductor:
Marek Štryncl (conductor)
recorded at:
Concert Hall, Kromeriz in Kroměříž (Kroměříž District), Zlínský kraj (Zlín Region), Czechia
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1996-09)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:06
20"Geist und Seele wird verwirret", BWV 35: 4. Aria: "Gott hat alles wohlgemacht"
alto vocals:
Bernarda Fink (mezzo-soprano)
vocals:
Bernarda Fink (mezzo-soprano)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Petra Müllejans (violinist)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht" (in 2008-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
3:22
21Mass in B minor, BWV 232: "Cum Sancto Spiritu"
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1984-09)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:57

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]