Complete Recordings on Deutsche Grammophon

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Annotation

The complete recordings made by Ferenc Fricsay for Deutsche Grammophon. Includes 86 CDs, 1 DVD, and a booklet with essays and complete tracklists. The CD wallets have original jacket art.

Annotation last modified on 2024-06-04 09:31 UTC.

Tracklist

1CD: Bartók: Piano Concertos nos. 1-3
2CD: Bartók: Violin Concerto no. 23 / Two Portraits / Dance Suite
3CD: Bartók: Concerto for Orchestra / Music for Strings, Percussion and Celesta
4CD: Bartók: Divertimento / Piano Concerto no. 3 / Rhapsody for Piano and Orchestra
5CD: Bartók: Herzog Blaubarts Burg / Cantata profana
6CD: Beethoven: Piano Concerto no. 3 / Triple Concerto
7CD: Beethoven: Symphonies nos. 1 & 8
8CD: Beethoven: Symphony no. 3 “Eroica” / Leonore III / Handel: Harp Concerto, HWV 294
9CD: Beethoven: Symphonies nos. 5 & 7
10CD: Beethoven: Overture to “Egmont” / Symphony no. 9 “Choral“
11CD: Beethoven: Fidelio (Act I)
12CD: Beethoven: Fidelio (Act II)
13CD: Berlioz / Borodin / Mussorgsky / Gounod
14CD: Rossini: Overtures / Bizet: Carmen (Excerpts)
15CD: Bizet: Carmen (Highlights) / Arias by Bizet, Rossini, Verdi, Puccini
16CD: Blacher: Paganini Variations / Rondo / Liebermann: Furioso for Orchestra / Einem: Ballade / Piano Concerto
17CD: Brahms: Piano Concerto no. 2 / Double Concerto
18CD: Franck: Symphonic Variations / Brahms: Haydn Variations / Symphony no. 2
19CD: Debussy / Dukas / Ravel
20CD: Dvořák: Violin Concerto / Bruch: Violin Concerto no. 1 / Glazunov: Violin Concerto
21CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / Liszt: Les Préludes
22CD: Dvořák: Symphony no. 9 “From the New World” / Smetana: The Moldau / From Bohemia's Woods and Fields
23CD: Egk / Einem / Henze / Fortner / Liebermann
24CD: Falla / Françaix / Honegger / Tcherepnin / Rachmaninoff
25CD: Prokofiev: Symphony no. 1 “Classical” / Glière: Symphony no. 3 “Ilya Muromets”
26CD: Gluck: Orpheus und Eurydike (Acts I & II beg.)
27CD: Gluck: Orpheus und Eurydike (Acts II cont. & III)
28CD: Hindemith / Hartmann / Einem / Martin
29CD: Haydn: Symphony no. 44 “Mourning” / Symphonies nos. 95 & 98
30CD: Haydn: Symphonies no. 48 “Maria Theresa”, no. 100 “Military” & no. 101 “The Clock”
31CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1952)
32CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) (1952)
33CD: Haydn: Die Jahreszeiten (Der Frühling, Der Sommer) (1961)
34CD: Haydn: Die Jahreszeiten (Der Herbst, Der Winter) / Te Deum (1961)
35CD: Kodály: Háry János Suite / Symphony in C major
36CD: Kodály: Dances of Marosszék / Dances of Galánta / Háry János Suite
37CD: Kodály: Psalmus hungaricus (1954 & 1959)
38CD: Mendelssohn / Liszt / Sarasate / Hubay
39CD: Mendelssohn: Ein Sommernachtstraum / Brahms: Alt-Rhapsodie / Mahler: 5 Rückert-Lieder
40CD: Mozart: Symphonies nos. 1, 4-9
41CD: Mozart: Symphonies nos. 23 & 27 / Bassoon Concerto, K. 191 / Sinfonia concertante, K. 297b
42CD: Mozart: Cassation, K. 63 / Serenade, K. 375 / Ein musikalischer Spaß, K. 522
43CD: Mozart: Serenata notturna, K. 239 / Divertimenti K. 247 & 334 / Arias from Le nozze di Figaro & Don Giovanni
44CD: Mozart: Symphonies nos. 29 & 39 / Maurerische Trauermusik / Adagio and Fugue in C minor
45CD: Mozart: Symphonies nos. 40 & 41 “Jupiter” / Eine kleine Nachtmusik
46CD: Mozart: Symphonies nos. 29 & 35 “Haffner” / Symphony no. 41 “Jupiter”
47CD: Mozart: Clarinet Concerto / Piano Concerto no. 20 / Concert Rondos
48CD: Mozart: Piano Concertos nos. 19 & 27
49CD: Mozart: Great Mass in C minor / Laudate Dominum / Exsultate, jubilate
50CD: Mozart: Requiem
51CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
52CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III) / Exsultate, jubilate / Arias
53CD: Mozart: Die Zauberflöte (Act I)
54CD: Mozart: Die Zauberflöte (Act II)
55CD: Mozart: Don Giovanni (Act I beg.)
56CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
57CD: Mozart: Don Giovanni (Act II cont.)
58CD: Mozart: Idemeneo (Acts I & II beg.)
59CD: Mozart: Idemeneo (Acts II cont. & III)
60CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
61CD: Mozart: Le nozze di Figaro (Acts II cont. & III beg.)
62CD: Mozart: Le nozze di Figaro (Acts III & IV)
63CD: Rossini/Respighi: La Boutique fantasque / Rimsky-Korsakov: Scheherazade
64CD: Rossini: Stabat Mater
65CD: Schubert: Symphony no. 8 “Unfinished” / Schumann: Symphony no. 1 “Spring” / Weber Clarinet Concerto no. 1
66CD: J. Strauss II: Overture to Die Fledermaus / Waltzes / Polkas / J. Strauss I: Radetzky-Marsch
67CD: J. Strauss II: Waltzes / Polkas / Overtures / J Strauss II/Josef Strauss: Pizzicato Polka / J. Strauss I: Radetzky-Marsch
68CD: J. Strauss II: Die Fledermaus (Act I)
69CD: J. Strauss II: Die Fledermaus (Acts II & III)
70CD: R. Strauss: Don Juan / Duett-Concertino / Burleske in D minor / Till Eulenspiegel
71CD: Stravinsky: Le Sacre du printemps / Pétrouchka / Movements
72CD: Stravinsky: Capriccio / Divertimento from The Fairy's Kiss / Weber/Berlioz: Invitation à la valse / Weber: Konzertstück
73CD: Stravinsky: Oedipus rex / Symphony of Psalms
74CD: Tchaikovsky: Symphony no. 4 / Selections from Swan Lake, The Sleeping Beauty & The Nutcracker / Eugene Onegin (Waltz)
75CD: Tchaikovsky: Symphony no. 5 / Overture “1812” / Eugene Onegin (Waltz / Polonaise)
76CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Violin Concerto
77CD: Tchaikovsky: Serenade for Strings / Symphony no. 6 “Pathétique”
78CD: Verdi: Overtures, Preludes & Ballet Music / Ponchielli: Danza delle ore
79CD: Verdi: Messa da Requiem
80CD: Verdi: Messa da Requiem (beg.)
81CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri
82CD: Wagner: Der fliegende Holländer (Acts I & II beg.)
83CD: Wagner: Der fliegende Holländer (Acts II cont. & III)
84CD: Arias by Bizet, Gounod, Rossini, Verdi, Giordano, Leoncavallo / Orff: Carmina Burana (Selection)
85CD: Rehearsal and Performance: Smetana: The Moldau
86CD: Fricsay: Erzähltes Leben (A Life Retold)
87DVD: Rehearsals and Performances: Dukas: The Sorceror's Apprentice / Kodály: Háry János Suite
#TitleArtistRatingLength
1L'Apprenti sorcier: »Fangen wir an«
recorded in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
shot in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-10-30 until 1961-11-01)
conductor:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (from 1961-10-30 until 1961-11-01)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas7:03
2L'Apprenti sorcier: »Moment, bitte seid's so gut«
recorded in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
shot in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-10-30 until 1961-11-01)
conductor:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (from 1961-10-30 until 1961-11-01)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas8:48
3L'Apprenti sorcier: »Mit diesem Crescendo, mit diesem Holzlcrescendo«
recorded in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
shot in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-10-30 until 1961-11-01)
conductor:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (from 1961-10-30 until 1961-11-01)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas5:55
4L'Apprenti sorcier: »Gelungen meint er, ist er gestorben«
recorded in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
shot in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-10-30 until 1961-11-01)
conductor:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (from 1961-10-30 until 1961-11-01)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas9:02
5L'Apprenti sorcier: »Nein, da bitte sich nicht an den Anfang erinnern!«
recorded in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
shot in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-10-30 until 1961-11-01)
conductor:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (from 1961-10-30 until 1961-11-01)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas5:18
6L'Apprenti sorcier: (Performance) Opening
recorded in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
shot in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
video director:
Rolf Unkel (German film director and composer)
[no artist]1:23
7L'Apprenti sorcier: (Performance) Concert performance
recorded in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
shot in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-10-30 until 1961-11-01)
conductor:
Ferenc Fricsay (conductor) (from 1961-10-30 until 1961-11-01)
video director:
Rolf Unkel (German film director and composer)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (from 1961-10-30 until 1961-11-01)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas10:36
8L'Apprenti sorcier: (Performance) Applause & Credits
recorded in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
shot in:
Berlin, Germany (from 1961-10-30 until 1961-11-01)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
video director:
Rolf Unkel (German film director and composer)
[no artist]2:00
9Háry János Suite, op. 15: Vorpsiel. Das Märchen beginnt. »Guten Morgen, meine Damen und Herren«
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
Zoltán Kodály2:54
10Háry János Suite, op. 15: Wiener Spielwerk. »Wiener Glockenspiel«
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
Háry János Suite: II. Viennese Musical Clock: Allegretto (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály4:05
11Háry János Suite, op. 15: Lied. »Nr. 3, bitte schön«
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
Háry János Suite: III. Song: Andante, poco rubato (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály7:57
12Háry János Suite, op. 15: Schlacht und Niederlage Napoleons. »Bitte kommen Sie, Nr. 4«
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
Háry János Suite: IV. The Battle and Defeat of Napoleon: Alla marcia (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály8:26
13Háry János Suite, op. 15: Intermezzo. »Nr. 5, bitte schön«
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
Háry János Suite: V. Intermezzo: Andante maestoso, ma con fuoco (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály5:08
14Háry János Suite, op. 15: Eingzug des kaiserlichen Hofes. »Letzter Satz, bitte schön«
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
spoken vocals:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
partial recording of:
Háry János Suite: VI. Entrance of the Emperor and His Court: Alla marcia (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály9:09
15Háry János Suite, op. 15: (Performance) Opening
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
video director:
Rolf Unkel (German film director and composer)
[no artist]0:22
16Háry János Suite, op. 15: (Performance) 1. Vorspiel. Das Märchen beginnt. Con moto »«
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
recording of:
Háry János Suite: I. Prelude: The Fairy Tale Begins: Con moto (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály3:19
17Háry János Suite, op. 15: (Performance) 2. Wiener Spielwerk. Allegretto
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
recording of:
Háry János Suite: II. Viennese Musical Clock: Allegretto (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály2:09
18Háry János Suite, op. 15: (Performance) 3. Lied. Andante, poco rubato
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
recording of:
Háry János Suite: III. Song: Andante, poco rubato (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály5:32
19Háry János Suite, op. 15: (Performance) 4. Schlacht und Niederlage Napoleons. Alla marcia
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
recording of:
Háry János Suite: IV. The Battle and Defeat of Napoleon: Alla marcia (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály4:00
20Háry János Suite, op. 15: (Performance) 5. Intermezzo. Andante maestoso, ma con fuoco
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
recording of:
Háry János Suite: V. Intermezzo: Andante maestoso, ma con fuoco (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály5:17
21Háry János Suite, op. 15: (Performance) 6. Einzug des kaiserlichen hofes. Alla marcia
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-11-13 until 1961-11-15)
conductor:
Ferenc Fricsay (conductor) (from 1961-11-13 until 1961-11-15)
video director:
Rolf Unkel (German film director and composer)
recording of:
Háry János Suite: VI. Entrance of the Emperor and His Court: Alla marcia (from 1961-11-13 until 1961-11-15)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály2:47
22Háry János Suite, op. 15: (Performance) 7. Applause & Credits
recorded in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
shot in:
Berlin, Germany (from 1961-11-13 until 1961-11-15)
miscellaneous support:
Sepp-Jürgen Braume (task: camera), Michael Busse (task: camera), Günter W. Hertel (camera operator) (task: camera), Claus-Jürgen Hintz (task: camera) and Hugo Jehle (photographer) (task: camera)
engineer:
Heinz Knauerhase (task: video engineer)
audio engineer:
Hans Feldgen and Helmut Krüger (German engineer, WWII-era)
editor:
Liselotte Akin and Eva-Maria Grohmann
video director:
Rolf Unkel (German film director and composer)
[no artist]1:17

Credits

Release

photography:Erich Auerbach (photographer)
Max Jacoby (photographer)
Hugo Jehle (photographer)
Heinz Köster (photographer)
Herbert List (photographer)
Jacques Schumacher
Ruth Wilhelmi (photographer)
miscellaneous support:Lars Hoffman (creative production manager) (task: creative production manager)
Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Annette Nubbemeyer
Eva Reisinger
Discogs:https://www.discogs.com/release/29106919 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/ferenc-fricsay-complete-recordings-on-deutsche-grammophon-13000 [info]