Rockin' 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 66) and Cachitos Nochevieja 2022 (number: 155)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.155:10
2Wait for You
recording engineer and mixer:
Bob Ezrin and Stan Katayama
engineer:
Brian Christian
producer:
Bob Ezrin
recording of:
Wait for You
writer:
Jason Bonham, Daniel MacMaster, Bob Ezrin, Ian Hatton and John Smithson
Bonham5:03
3Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:29
4Burnin' for You
engineer:
Martin Birch and Clay Hutchinson (Engineer, who has worked at Kingdom Sound, New York)
producer:
Martin Birch
arranger:
Blue Öyster Cult (US rock band)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Kingdom Sound in Syosset, New York, United States (in 1981)
mixed at:
Kingdom Sound in Syosset, New York, United States
recording of:
Burnin’ for You (in 1981)
writer:
Donald Roeser and Richard Meltzer
publisher:
B. O’Cult Songs Inc., Sony/ATV Music Publishing, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Blue Oyster Cult Songs, Inc. (in 1981)
Blue Öyster Cult4.44:31
5Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4.653:59
6867-5309/Jenny
assistant engineer:
Catharina "Mix" Masters (from 1981-07 until 1981-08)
engineer:
Toby Scott (from 1981-07 until 1981-08)
producer:
Jim Keller (member of Tommy Tutone) and Chuck Plotkin
bass guitar [bass]:
Jon Lyons (from 1981-07 until 1981-08)
drums (drum set) [drums]:
Victor Carberry (from 1981-07 until 1981-08)
guitar, piano and lead vocals:
Tommy Heath (from 1981-07 until 1981-08)
guitar [lead guitar]:
Jim Keller (member of Tommy Tutone) (from 1981-07 until 1981-08)
keyboard [keyboards]:
Steve LeGassick (from 1981-07 until 1981-08)
percussion and background vocals [harmonies]:
John Cowsill (from 1981-07 until 1981-08)
vocals:
Jim Keller (member of Tommy Tutone) (from 1981-07 until 1981-08)
recorded at:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States (from 1981-07 until 1981-08)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 36) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 494)
recording of:
867‒5309/Jenny (from 1981-07 until 1981-08)
lyricist and composer:
Alex Call and Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:45
7And We Danced
recording engineer:
John Agnello (engineer & producer) and William Wittman
assistant engineer:
Carol Cafiero and Dan Nash
producer:
Rick Chertoff
mixer:
David Thoener
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
And We Danced
writer:
Eric Bazilian and Rob Hyman
publisher:
Dub Notes Music (publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!) and Human Boy Music
The Hooters3:47
8I'm No Angel
engineer and producer:
Rodney Mills
recorded at and mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
I’m No Angel
writer:
Tony Colton and Phil Palmer (guitarist)
publisher:
Unichappell Music, Inc.
The Gregg Allman Band33:43
9Hold On
assistant engineer:
Maureen Droney
co-engineer:
Will Herold
engineer and mixer:
Jim Gaines
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
assistant mixer:
Ben King (engineer)
bass guitar:
David Margen
bongos:
Armando Peraza
congas:
Armando Peraza and Raul Rekow
drums (drum set):
Graham Lear
guitar:
Devadip Carlos Santana
guitar [rhythm guitar] and lead vocals:
Alexander J. Ligertwood
keyboard:
Richard Baker (US keyboardist for Santana)
timbales:
Orestes Vilató
background vocals:
Devadip Carlos Santana, Armando Peraza, Raul Rekow and Orestes Vilató
arranger:
John Ryan (producer a/k/a “The Chicago Kid”) and Santana Band (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982)
produced for:
Chicago Kid Productions
recorded at and mixed at:
The Automatt in San Francisco, California, United States
cover recording of:
Hold On
lyricist and composer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. and フジパシフィックミュージック (Fujipacific Music, Inc.)
Santana44:23
10Voices Of Babylon
engineer and mixer:
David Leonard (US producer and engineer)
producer:
David Kahne, David Leonard (US producer and engineer) and John Spinks
bass guitar and lead vocals:
Tony Lewis (lead vocalist, bassist in The Outfield)
drums (drum set):
Alan Jackman
guitar:
John Spinks
vocals:
John Spinks
recording of:
Voices of Babylon
lyricist and composer:
John Spinks
The Outfield3:32
11Jungle Boy
engineer and producer:
Bill Drescher (Producer and sound engineer)
assistant producer:
Max Weinberg
mixer:
David Thoener
recording of:
Jungle Boy
lyricist and composer:
John Eddie
John Eddie3:23
12Fast As A Shark
engineer and mixer:
Michael Wagener
producer:
Accept (German heavy metal band) and Dirk Steffens
drums (drum set):
Stefan Kaufmann (German drummer for Accept and U.D.O.)
electric bass guitar:
Peter Baltes
electric guitar:
Jörg Fischer (guitarist for Accept) and Wolf Hoffmann
vocals:
Udo Dirkschneider
phonographic copyright (℗) by:
Icarus Music (Argentinian metal label and distributor) (in 2007)
samples:
Ein Heller und ein Batzen by Dieter Dierks & [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Fast as a Shark
lyricist and composer:
Peter Baltes, Udo Dirkschneider, Jörg Fischer (guitarist for Accept), Wolf Hoffmann and Stefan Kaufmann (German drummer for Accept and U.D.O.)
Accept3.753:50
13Naughty Naughty
engineer:
John Cianci (engineer), Obie O’Brien and Earl Torno
producer:
Lance Quinn
mixer:
Earl Torno
recording of:
Naughty Naughty
writer:
Bruno Ravel and Steve West (US drummer & vocalist, member of Danger Danger)
Danger Danger44:51
3CD