Bach Edition, V: Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 7 available)

Annotation

FIXME (see also Edit #25169889 for the disc order):

* These are CDs V-1-32 (107-138 in total) from the 2006 155-CD box.
* The rest will also be added (or has already been added) as pseudo-volumes to the same release group to avoid issues with the single 155-CD release being too large.
* Once there are no more 502 errors with large releases, all those pseudo-volumes should be merged into a single release.

Annotation last modified on 2015-02-10 07:54 UTC.

Tracklist

1▶CD: Mass in B Minor / Hohe Messe BWV 232 (disc 1)
2▶CD: Mass in B Minor / Hohe Messe BWV 232 (disc 2)
3▶CD: Messen, BWV 233 & 234
4▶CD: Messen, BWV 235 & 236
5▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
6▶CD: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
7▶CD: Motetten
8▶CD: Osteroratorium, BWV 249
9▶CD: Secular Cantatas: Schwingt freudig euch empor / Non sa che sia dolore / Amore traditore
10▶CD: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
11▶CD: Zwei Hochzeitskantaten, BWV 202 & 210
12▶CD: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
13▶CD: Secular Cantatas, BWV 205 & 207: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
14▶CD: Secular Cantatas, BWV 206 & 215: Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
15▶CD: Secular Cantatas, BWV 211 & 212: Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
16▶CD: Secular Cantatas, BWV 213 & 214; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
17▶CD: Matthäus-Passion, BWV 244 (disc 1)
18▶CD: Matthäus-Passion, BWV 244 (disc 2)
19▼CD: Matthäus-Passion, BWV 244 (disc 3)
#TitleRatingLength
1Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:04
2Matthäus-Passion, BWV 244: Teil II, Lb. Cori "Lass ihn kreuzigen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, Lb. "Laß ihn kreuzigen" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:20
3Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:28
4Matthäus-Passion, BWV 244: Teil II, Ld. Cori "Sein Blut komme über uns"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, Ld. "Sein Blut komme über uns" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:44
5Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
0:23
6Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:58
7Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:50
8Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
0:42
9Matthäus-Passion, BWV 244: Teil II, LIIIb. Cori "Gegrüsset seist du, Jüdenkönig"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIb. "Gegrüßet seist du, Jüdenkönig" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
0:11
10Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
0:12
11Matthäus-Passion, BWV 244: Teil II, LIV. Corale "O Haupt voll Blut und Wunden"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
1:57
12Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:56
13Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:34
14Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:19
15Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
1:52
16Matthäus-Passion, BWV 244: Teil II, LVIIIb. Cori "Der du den Tempel Gottes zerbrichst"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:30
17Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:09
18Matthäus-Passion, BWV 244: Teil II, LVIIId. Cori "Andern hat er geholfen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:57
19Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
0:14
20Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:25
21Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:23
22Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
1:21
23Matthäus-Passion, BWV 244: Teil II, LXIb. Coro "Der rufet dem Elias"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIb. "Der rufet dem Elias" (Chorus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
0:04
24Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
0:17
25Matthäus-Passion, BWV 244: Teil II, LXId. Coro "Halt! lass sehen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXId. "Halt! Laß sehen" (Chorus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
0:09
26Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
0:33
27Matthäus-Passion, BWV 244: Teil II, LXII. Corale "Wenn ich einmal soll scheiden"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
1:13
28Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
1:08
29Matthäus-Passion, BWV 244: Teil II, LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
0:19
30Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
1:21
31Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:59
32Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:20
33Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
1:02
34Matthäus-Passion, BWV 244: Teil II, LXVIb. Cori "Herr, wir haben gedacht"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIb. "Herr, wir haben gedacht" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
0:59
35Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
0:38
36Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
bass vocals:
David Thomas (British operatic bass)
choir vocals:
Choir of King’s College, Cambridge
soprano vocals:
Emma Kirkby (soprano)
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:53
37Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:33
20▶CD: Johannes-Passion, BWV 245 (disc 1)
21▶CD: Johannes-Passion, BWV 245 (disc 2)
22▶CD: Weihnachtsoratorium, BWV 248 (disc 1)
23▶CD: Weihnachtsoratorium, BWV 248 (disc 2)
24▶CD: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
25▶CD: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
26▶CD: Magnificat, BWV 243; Choräle
27▶CD: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 1)
28▶CD: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 2)
29▶CD: Choräle (disc 1)
30▶CD: Choräle (disc 2)
31▶CD: Choräle (disc 3)
32▶CD: Choräle (disc 4)