Night Beat

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

*Additional label imprint on release is Sessions Records.

Annotazione modificata l'ultima volta il 2015-01-22 19:28 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), BILLIONS CLUB e The Downloader’s Music Source Book (numero: 284)
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.453:49
2St. Elmo’s Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:11
3The Loco‐Motion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:19
4Can’t Fight This Feeling
produttore:
Kevin Cronin, Alan Gratzer e Gary Richards
arrangiatore:
Kevin Cronin e REO Speedwagon
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Can’t Fight This Feeling
paroliere e compositore:
Kevin Cronin
editore:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:48
5When the Going Gets Tough
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3:55
6Rhythm of the Night
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1985), Motown Records (not for label use; use “Motown” instead) (nel 1985, nel 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
video musicali:
Rhythm of the Night di DeBarge
registrazione di:
Rhythm of the Night
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Edition Sunset Publishing Ltd. e Realsongs
DeBarge3.63:49
7Walk of Life
assistente tecnico di registrazione:
Steve Jackson (recording engineer)
tecnico:
Neil Dorfsman
produttore:
Neil Dorfsman e Mark Knopfler
assistente tecnico di missaggio:
David Greenberg (Rockin’ Reel Studios engineer) e Bruce Lampcov
batteria :
Omar Hakim
chitarra :
Mark Knopfler
chitarra basso :
John Illsley
tastiera :
Alan Clark (keyboardist) e Guy Fletcher (keyboardist)
voce:
Mark Knopfler
voce di accompagnamento:
Guy Fletcher (keyboardist) e John Illsley
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1985, nel 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1988, nel 2022) e Mercury Records Ltd. (London) (for copyrights use only) (nel 1996)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (dal 1984-10 al 1985-02)
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Walk of Life
paroliere e compositore:
Mark Knopfler
editore:
Chariscourt Ltd. e Rondor Music (London) Ltd.
Dire Straits4.23:56
8Jessie’s Girl
produttore:
Keith Olsen (US producer and engineer)
arrangiatore:
Neil Geraldo, Keith Olsen (US producer and engineer) e Rick Springfield
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1981), BMG Music (nel 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2001) e Wizard Records (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 20) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 55)
registrazione di:
Jessie’s Girl
paroliere e compositore:
Rick Springfield
editore:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Wizard Music
Rick Springfield4.453:14
9If You Leave
tecnico:
Tom Lord‐Alge
produttore:
Tom Lord‐Alge e Orchestral Manoeuvres in the Dark
editore:
A&M Records e Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1986)
registrazione di:
If You Leave
autore:
Martin Cooper (OMD and The Listening Pool), Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. Albert & Son Pty. Ltd., Virgin Music, Inc. (US arm of Virgin’s publishing company), Warner/Chappell Music Australia Pty. Ltd. e WB Music Corp. (1929–2019)
Orchestral Manoeuvres in the Dark3.94:27
10Mony Mony
registrazione di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Tommy James & the Shondells2:50
11Freedom
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Freedom (Wham!)
paroliere e compositore:
George Michael
editore:
Chappell Music (UK) e Morrison Leahy Music Ltd. (nel 1984)
Wham!3.754:59
12Pink Cadillac
registrazione cover di:
Pink Cadillac
paroliere e compositore:
Bruce Springsteen (dal 1981 al 1982)
editore:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Natalie Cole4:15
13Little Bit o’ Soul
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
registrazione di:
Little Bit o’ Soul
paroliere e compositore:
Carter-Lewis (British songwriter duo)
autore:
John Carter (songwriter & producer, b. 1942) (nel 1964) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (nel 1964)
The Music Explosion32:21
14Don’t Forget Me When I’m Gone
tecnico di registrazione:
Paul Northfield (voce principale) e Hayward Parrott (canadian engineer)
tecnico:
Mike Jones (recording engineer) (incarico: Sounds Interchange)
produttore:
Jim Vallance
assistente tecnico di missaggio:
Randy Staub
tecnico di missaggio:
Ed Thacker
voce di accompagnamento ospite:
Bryan Adams (Canadian singer/songwriter) (il 1985-11-04)
registrata presso:
Armoury Studios in Vancouver, British Columbia (Columbia Britannica), Canada (voce di accompagnamento), Le Studio in Morin‐Heights, Québec (Quebec), Canada (voce principale), McClear Place Studios in Toronto, Ontario, Canada (corno [horns], voce di accompagnamento), Sounds Interchange in Toronto, Ontario, Canada e Eastern Sound in Toronto, Ontario, Canada (il 1985-11-04: voce di accompagnamento [Bryan Adams' backing vocals])
mixata presso:
Phase One Studios in Toronto, Ontario, Canada
registrazione di:
Don’t Forget Me (When I’m Gone)
scritta a:
Vancouver, British Columbia (Columbia Britannica), Canada (nel 1985-05)
autore:
Alan Frew, Sam Reid (Canadian keyboardist for Glass Tiger) e Jim Vallance (nel 1985-05)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Glass Tiger4.54:06
15All I Need Is a Miracle
registrazione di:
All I Need Is a Miracle
autore:
Christopher Neil e Mike Rutherford
editore:
63 Songs Limited, Chappell & Co., Inc. (USA), Michael Rutherford Limited e Pun Music, Inc.
Mike + the Mechanics3:42
16Girlfriend
registrazione di:
Girlfriend
autore:
Antonio M. Reid e Kenneth Edmonds (R&B musician Kenny Edmonds)
editore:
ECAF Music, Epic Solar Songs Inc., Kear Music (publisher), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pebbles4:15
17The Future’s So Bright, I Gotta Wear Shades
tecnico e produttore:
Dennis Herring
registrata presso e mixata presso:
Dustbowl Studios in Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 42)
registrazione di:
The Future's So Bright, I Gotta Wear Shades
paroliere e autore:
Pat MacDonald (singer, songwriter, guitarist for Timbuk3)
editore:
Bugle Songs Ltd. (publishing label formerly known as Illegal Music Ltd.) e IRS Songs
Timbuk 353:23
18Splish Splash
produttore:
Herb Abramson e Ahmet Ertegun (US American Songwriter, producer)
registrazione di:
Splish Splash
autore:
Bobby Darin e Jean Murray
editore:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. e Oirt Music Inc.
Bobby Darin32:12
19Alibis
Sérgio Mendes4:03
20Obsession
registrazione cover di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
Animotion3.353:55

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