The Golden Voice

~ Release by Gundula Janowitz (see all versions of this release, 2 available)

Annotation

Copyright: This Compilation ℗ 2005 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2025-01-15 11:20 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Ino, TWV 20:41: 1. Recitativo: "Wohin, wo soll ich hin"
soprano vocals:
Gundula Janowitz (soprano)
orchestra:
Kammerorchester der Hamburger Telemann-Gesellschaft
conductor:
Wilfried Böttcher (conductor)
recording of:
Ino: I. Recitativo "Wohin, wo soll ich hin?"
composer:
Georg Philipp Telemann (composer) (in 1765)
librettist:
Karl Wilhelm Ramler (German poet)
part of:
Ino, TWV 20:41
Georg Philipp Telemann0:53
2Ino, TWV 20:41: 2. Aria: "Ungöttliche Saturnia"
soprano vocals:
Gundula Janowitz (soprano)
orchestra:
Kammerorchester der Hamburger Telemann-Gesellschaft
conductor:
Wilfried Böttcher (conductor)
recording of:
Ino: II. Aria "Ungöttliche Saturnia"
composer:
Georg Philipp Telemann (composer) (in 1765)
librettist:
Karl Wilhelm Ramler (German poet)
part of:
Ino, TWV 20:41
Georg Philipp Telemann6:39
3Ino, TWV 20:41: 3. Recitativo: "O all ihr Mächte des Olympus"
soprano vocals:
Gundula Janowitz (soprano)
orchestra:
Kammerorchester der Hamburger Telemann-Gesellschaft
conductor:
Wilfried Böttcher (conductor)
recording of:
Ino: III. Recitativo "O all ihr Mächte des Olympus!"
composer:
Georg Philipp Telemann (composer) (in 1765)
librettist:
Karl Wilhelm Ramler (German poet)
part of:
Ino, TWV 20:41
Georg Philipp Telemann10:46
4Ino, TWV 20:41: 4. Tanz der Tritonen
orchestra:
Kammerorchester der Hamburger Telemann-Gesellschaft
conductor:
Wilfried Böttcher (conductor)
recording of:
Ino: V. Tanz der Tritonen
composer:
Georg Philipp Telemann (composer) (in 1765)
librettist:
Karl Wilhelm Ramler (German poet)
part of:
Ino, TWV 20:41
Georg Philipp Telemann2:24
5Ino, TWV 20:41: 5. Recitativo: "Ungewohnte Symphonien"
soprano vocals:
Gundula Janowitz (soprano)
orchestra:
Kammerorchester der Hamburger Telemann-Gesellschaft
conductor:
Wilfried Böttcher (conductor)
recording of:
Ino: VI. Recitativo "Ungewohnte Symphonien"
composer:
Georg Philipp Telemann (composer) (in 1765)
librettist:
Karl Wilhelm Ramler (German poet)
part of:
Ino, TWV 20:41
Georg Philipp Telemann1:30
6Ino, TWV 20:41: 6. Aria: "Meint ihr mich, ihr Nereiden"
soprano vocals:
Gundula Janowitz (soprano)
orchestra:
Kammerorchester der Hamburger Telemann-Gesellschaft
conductor:
Wilfried Böttcher (conductor)
recording of:
Ino: VII. Aria "Meint ihr mich, ihr Nereiden?"
composer:
Georg Philipp Telemann (composer) (in 1765)
librettist:
Karl Wilhelm Ramler (German poet)
part of:
Ino, TWV 20:41
Georg Philipp Telemann5:21
7Ino, TWV 20:41: 7. Recitativo: "Und nun"
soprano vocals:
Gundula Janowitz (soprano)
orchestra:
Kammerorchester der Hamburger Telemann-Gesellschaft
conductor:
Wilfried Böttcher (conductor)
recording of:
Ino: VIII. Recitativo "Und nun? Ihr wendet euch so schnell zurück?"
composer:
Georg Philipp Telemann (composer) (in 1765)
librettist:
Karl Wilhelm Ramler (German poet)
part of:
Ino, TWV 20:41
Georg Philipp Telemann2:08
8Ino, TWV 20:41: 8. Aria: "Tönt in seinen Lobgesang"
soprano vocals:
Gundula Janowitz (soprano)
orchestra:
Kammerorchester der Hamburger Telemann-Gesellschaft
conductor:
Wilfried Böttcher (conductor)
recording of:
Ino: IX. Aria "Tönt in meinen Lobgesang"
composer:
Georg Philipp Telemann (composer) (in 1765)
librettist:
Karl Wilhelm Ramler (German poet)
part of:
Ino, TWV 20:41
Georg Philipp Telemann9:10
9Der Messias, HWV 56: Erster Teil: 16. Arie "Erwach, frohlocke, o Tochter.."
producer:
Karl Faust (producer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1964-06)
organ:
Elmar Schloter (organist) (in 1964-06)
soprano vocals:
Gundula Janowitz (soprano) (in 1964-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-06)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-06)
recording of:
Der Messias, K. 572: Teil I, Nr. 13a. Aria: “Erwach' zu Liedern der Wonne” (tenor)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Georg Friedrich Händel4:53
10Der Messias, HWV 56: Erster Teil: 18a. Duett "Er weidet seine Herde"
producer:
Karl Faust (producer)
organ:
Elmar Schloter (organist) (in 1964-06)
alto vocals:
Marga Höffgen (contralto) (in 1964-06)
contralto vocals:
Marga Höffgen (contralto)
soprano vocals:
Gundula Janowitz (soprano) (in 1964-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-06)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-06)
recording of:
Der Messias, K. 572: Teil I, Nr. 14. Aria: “Er weidet seine Herde” (soprano I)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Georg Friedrich Händel5:31
11Der Messias, HWV 56: Zweiter Teil: 36. Arie "Wie lieblich ist der Boten Schritt"
producer:
Karl Faust (producer)
organ:
Elmar Schloter (organist) (in 1964-06)
soprano vocals:
Gundula Janowitz (soprano) (in 1964-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-06)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-06)
recording of:
Der Messias, K. 572: Teil II, Nr. 27. Aria: “Wie lieblich ist der Boten Schritt” (soprano I)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Georg Friedrich Händel3:21
12Der Messias, HWV 56: Dritter Teil: 43. Arie "Ich weiß, daß mein Erlöser lebet"
producer:
Karl Faust (producer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1964-06)
organ:
Hedwig Bilgram (harpsichordist and organist)
soprano vocals:
Gundula Janowitz (soprano) (in 1964-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-06)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-06)
recording of:
Der Messias, K. 572: Teil III, Nr. 33. Aria: “Ich weiß, daß mein Erlöser lebet” (soprano I)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Georg Friedrich Händel6:30
13Christmas Oratorio, BWV 248: Pt. Four - For New Year's Day: No. 39 Aria: "Flösst, mein Heiland, flösst dein Namen"
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr Gerd Ploebsch (engineer) and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
soprano vocals:
Gundula Janowitz (soprano) (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:42
14Christmas Oratorio, BWV 248: Pt. Six - For The Feast Of Epiphany: No. 57 Aria: "Nur ein Wink von seinen Händen"
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr Gerd Ploebsch (engineer) and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
soprano vocals:
Gundula Janowitz (soprano) (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:05
3▶Digital Media
4▶Digital Media
5▶Digital Media