101 Pirate Radio Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
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4▼CD
#TitleArtistRatingLength
1Music to Watch Girls By
cover recording of:
Music to Watch Girls By
writer:
Sid Ramin and Tony Velona
publisher:
Sidray Enterprises Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
The Bob Crewe Generation2:56
2I’ve Been a Bad Bad Boy
recording of:
I’ve Been a Bad Bad Boy
composer:
Mike Leander
publisher:
Leeds Music Ltd. and Universal/MCA Music Publishing Pty Ltd
Paul Jones2:22
3Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
lyricist and composer:
Keith Hopkins and Mark Wirtz
Keith West4:27
4A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:00
5Mellow Yellow
recorded in:
London (Greater London), England, United Kingdom (in 1966)
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1966)
drums (drum set):
Bobby Orr (in 1966)
horn [horns]:
Danny Moss (in 1966) and Ronnie Ross (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
Epic (US label founded by CBS in 1953, now owned by Sony) (in 1966)
recording of:
Mellow Yellow (in 1966)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan43:37
6Crimson and Clover
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Crimson and Clover
writer:
Tommy James (American musician, singer, songwriter and record producer) and Pete Lucia Jr.
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) and Big Seven Music Corp. (in 1987)
Tommy James & the Shondells3:28
7Please Stay
cover recording of:
Please Stay (Don’t Go)
lyricist:
Bob Hilliard
composer:
Burt Bacharach
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Cryin' Shames3:15
8I Never Loved a Man (the Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24) and Chips Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24) and Spooner Oldham (on 1967-01-24)
tenor saxophone:
Joe Arnold (on 1967-01-24) and Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-01-24)
trombone:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-01-24)
trumpet:
Ken Laxton (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
conductor:
Tom Dowd (on 1967-01-24)
horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 186)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music (publisher)
Aretha Franklin42:42
9Groovin’
producer:
The Rascals (US soul & rock group, formerly known as The Young Rascals)
background vocals:
David Brigati
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:28
10San Francisco (Be Sure to Wear Some Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:56
11Birds and Bees
recording of:
Birds and Bees
writer:
Barry Younghusband and Denny Gerrard
Warm Sounds2:35
12Sittin’ on a Fence
recording of:
Sittin’ on a Fence
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
Twice as Much3:09
13Kites
recording of:
Kites
composer:
Hal Hackady and Lee Pockriss
publisher:
Campbell Connelly & Co. Ltd.
Simon Dupree & the Big Sound3:46
14The Days of Pearly Spencer
recording of:
The Days of Pearly Spencer
lyricist and composer:
David McWilliams
David McWilliams2:34
15Heroes and Villains
engineer:
Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band), Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett
lead vocals:
Brian Wilson (Beach Boys co‐founder)
recording of:
Heroes and Villains
lyricist:
Van Dyke Parks
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys3.253:37
16The Beat Goes On
engineer:
Stan Ross (recording engineer, mixer & producer)
producer:
Sonny Bono
conductor:
Harold Battiste
phonographic copyright (℗) by:
ATCO Records (in 1967)
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California, United States
recording of:
The Beat Goes On (in 1967)
lyricist and composer:
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:28
17Georgie Girl
producer:
Tom Springfield
performer:
The Seekers (Australian pop quartet)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Georgy Girl (in 1966)
lyricist:
Jim Dale
composer:
Tom Springfield
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 39th Academy Award for Best Original Song (number: 2)
The Seekers42:22
18On a Carousel
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1967)
recording of:
On a Carousel
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
The Hollies33:13
19The Boat That I Row
cover recording of:
The Boat That I Row
lyricist and composer:
Neil Diamond
Lulu52:50
20In the Country
recording of:
In the Country
composer:
Brian Bennett (Shadows drummer), Hank Marvin (lead guitarist of The Shadows, songwriter), John Rostill and Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard & The Shadows52:41
21Elenore
recording of:
Elenore
lyricist and composer:
John Barbata, Howard Kaylan, Al Nichol, Jim Pons and Mark Volman
publisher:
Doraflo Music, Inc., EMI Longitude Music and High Concept Music
The Turtles52:31
22Judy in Disguise (With Glasses)
phonographic copyright (℗) by:
Pye International (in 1968)
part of:
TV Cream: Real 100 Best Singles Ever (number: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
writer:
Andrew Bernard and John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and MCS Music Ltd.
John Fred & His Playboy Band3.852:55
23(Your Love Keeps Lifting Me) Higher and Higher
producer:
Carl Davis (record producer)
bass:
James Jamerson (on 1967-07-06)
drums (drum set):
Richard "Pistol" Allen (on 1967-07-06)
guitar:
Robert White (US funk/soul guitarist) (on 1967-07-06)
keyboard:
Johnny Griffith (on 1967-07-06)
lead vocals:
Jackie Wilson (soul singer) (on 1967-07-06)
performer:
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographic copyright (℗) by:
Brunswick Recording Corporation (in 1967)
recorded at:
Columbia Recording Studios (Chicago) in Chicago, Illinois, United States (on 1967-07-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 246) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (on 1967-07-06)
writer:
Gary Jackson, Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
MJ: The Musical
Jackie Wilson4.82:58
24Gimme Little Sign
recording of:
Gimme Little Sign
writer:
Alfred Smith, Joseph Hooven (songwriter, producer, label owner, publisher & trumpeter [Joseph Davis Hooven]) and Jerry Winn
publisher:
Arlovol Music, Bonnyview Music Corp., EMI Catalogue Partnership Australia Pty Ltd and I’m Hip Productions (Active in the late 60’s)
Brenton Wood2:15
25We Love the Pirates
recording of:
We Love the Pirates
writer:
John Carter (songwriter & producer, b. 1942) and Geoff Stephens
The Roaring Sixties3:11

Credits

Release

printed in:the E.U. (Europe)
copyrighted (©) by and phonographic copyright (℗) by:Virgin Records Ltd. (not for release label use! for company relationships only) (in 2009)
glass mastered by:www.takt.eu (Polish manufacturer)
Discogs:https://www.discogs.com/release/3490760 [info]
ASIN:UK: B001VEJ03C [info]